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Mark Lewis, The Fight, 2008
Single screen projection 5:27 min, HD video.
venice
Summer 2009
EDITORIAL
When is "Contemporary?"
by Amish Morrell
FEATURES
Project Biennalist by Thierry Geoffroy/Colonel
by Séamus Kealy
Infinite Jest: Bruce Nauman & Contemporary Art as Continuous Process
by Heather Diack
Late Capitalist Pathologies and Redemptions: Emily Vey Duke and Cooper Battersby's Beauty + Pity (2007)
by Irmgard Emmelhainz
The Beautiful and the Everyday in the Films of Mark Lewis
by Shepherd Steiner
Reversing Pedagogies with a Little Social Schooling
by Tatiana Mellema
ARTIST PROJECT
Ship of Fools Portal
by Swintak, 2009
REVIEWS
Actions: What You Can Do
With The City, Canadian Centre
by Peter Dubé
Street Poets & Visionaries: Selections from the UbuWeb Collection, Kenneth Goldsmith,
Mercer Union Centre for
Contemporary Art, Toronto
by Malcolm Sutton
The Way I Are, Curated
by Katie Bethune-Leamen.
Blackwood Gallery at the University of
Toronto, Mississauga
by Alex Snukal
What It Really Is, Curated
by Nicholas Brown. Featuring
Kristan Horton, Liz Magor, Kristi
Malakoff, Kerri Reid and Jennifer
Rose Sciarrino, Red Bull 381
Projects, Toronto
by Leah Turner
Altermodern: Tate Triennial 2009,
Tate Britain, London
by Charlene Lau
The Hugo Boss Prize 2008:
Emily Jacir, The Guggenheim
Museum, New York
by Leah Modigliani
Letter to the Editor, Re:
Gabrielle Moser's Article
"Do Curators Need University
Curatorial Programs?" in
C Magazine Issue 100
by Emily Jones
BIG PICTURE
Ship of Fools, by Swintak with
Chad Jagoe, Millennia Lytle, Don Miller, Niki Singleton and Mitzi Pederson
by Kika Thorne