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132 Joan Jonas/ Affinities — Abstract Olivia Boudreau, Barbara Clausen, Corinn Gerber, Simone Forti, Tanya Lukin Linklater, taisha paggett, Erin Silver, and Robin Simpson  
132 Flex, Conjure, Crack. Flexibility and the Uncertainty of Blackness — Abstract Treva C. Ellison  
132 Cait McKinney and Hazel Meyer: Tape Condition: degraded — Abstract Genevieve Flavelle  
132 Desearch Repartment Institute for Durational Futures: Brought to you by ESSENTIALHAPPINESSPOSSIBILITY — Abstract D.J. Fraser  
132 Artefact: Virgo Woman Matches Tinder Men Only to Criticize their Profiles — Abstract Merray Gerges  
132 Feminisms of the Future, Now: Rethinking Technofeminism and the Manifesto Form — Read Text Esmé Hogeveen  
132 Inventory: Ready Fire Aim — Abstract Aisha Sasha John  
132 Simone Leigh: The Waiting Room — Abstract Jessica Karuhanga  
132 Borrowed Lady Martine Syms in Conversation with Amy Kazymerchyk — Read Text Amy Kazymerchyk  
132 Lizzie Borden: Born in Flames (1983) — Abstract Yaniya Lee  
132 At the Edge of Space and Time: Expanding Beyond Our 4% Universe — Abstract laub and Jennifer Moon  
132 Close Readings: Anishinaabe-kwe and/or Indigenous feminist? — Abstract Wanda Nanibush  
132 Jaime Black: Conversations with the Land — Abstract Kendra Place  
132 Editorial: Force — Read Text taisha paggett and Erin Silver  
132 On Writing: 2025: Light Black Years From Now — Read Text Syrus Marcus Ware  
132 Raque Ford, Tiziana La Melia, Maryse Larivière, Athena Papadopoulos, Megan Rooney: A Pool is Water — Abstract Nancy Webb  
132 Rocking the Running Spirit: Meditations on Sisterhood and Occupations — Abstract Anna Martine Whitehead  
132 Model Minority — Abstract Shellie Zhang  
131 Leya Evelyn: It’s Not What You Think — Abstract Jane Affleck  
131 Richard Ibghy & Marilou Lemmens: Putting Life to Work — Abstract Gentiane Bélanger  
131 Aleesa Cohene, Derek Dunlop and Deborah Edmeades: The Accursed Share — Abstract Sophia Bartholomew  
131 Katie Lyle and Shelby Wright: Movements for a Room — Abstract Justina Bohach  
131 MFA Questionnaire — Read Text Dana Claxton, John Cussans, Laurie Kang, Eleanor King, John Kissick, Bogdan Luca, Jan Peacock, and Scott Rogers  
131 The Chicago School of Theaster Gates — Read Text Chris Dingwall  
131 Carlos Motta: Beloved Martina… with Arisleyda Dilone, Pidgeon Pagonis and Del LaGrace Volcano — Abstract Emily Doucet  
131 The Artists Newsstand — Abstract Emily Fitzpatrick  
131 Close Readings: Lawrence Paul Yuxweluptun: Unceded Territories at University of British Columbia Museum of Anthropology, Vancouver May 10 – October 16, 2016 — Abstract Richard William Hill  
131 Jacob Wren: Rich and Poor (Book Thug, 2016) — Abstract Esmé Hogeveen  
131 Inventory — Abstract Candice Hopkins  
131 The Days of Living Chroma with an essay by Andy Fabo — Abstract Erin Alexa Freedman and Lili Huston-Heterich  
131 The Pedagogy of Play: Fluxus, Happenings, and Curriculum Reform in the 1960s — Read Text Vesna Krstich  
131 Leap Before You Look: Black Mountain College — Abstract Vesna Krstich  
131 Editorial: Experimental Pedagogies — Read Text Kari Cwynar and Amish Morrell  
131 The Pedagogies of Looking: An Interview with Kim Simon and Gabrielle Moser — Abstract Amish Morrell  
131 Art School Supplement — Read Text Michelle Bigold, Esmé Hogeveen, and Rupert Nuttle  
131 Allison Hrabluik: The Splits — Abstract Jacquelyn Ross  
131 Joana Hadjithomas and Khalil Joreige: I Must First Apologize… — Abstract Duncan Scovil  
131 Artefact — Abstract David Senior  
131 Amy Lawless and Chris Cheney: I Cry: The Desire to Be Rejected (Pioneer Works Press, 2016) — Abstract Heather White  
130 On Writing: ‘She invented love to not die’ Script written and performed by Cara Benedetto — Abstract Cara Benedetto  
130 Rodrigo Hernández: every forest madly in love with the moon has a highway crossing it from one side to the other — Abstract Xenia Benivolski  
130 Notes on Myth-Making — Read Text Alison Cooley and Daniella E. Sanader  
130 Every Home a Heartache: Chantal Akerman — Read Text Jon Davies  
130 Robert Walser, Looking at Pictures (New Directions, 2015) — Abstract Tess Edmonson  
130 Artefact — Abstract Francisco-Fernando Granados and Jessica Karuhanga  
130 Ana Alenso: Tropical Curse — Abstract Kenneth Hayes  
130 Shane Krepakevich: Lightweight — Abstract Joel Herman  
130 Close Readings: Brian Jungen Close 51 Catriona Jeffries, Vancouver January 22 – February 27, 2016 — Abstract Richard William Hill  
130 Hito Steyerl: Factory of the Sun — Read Text Cameron Hu  
130 Ashley after Ashley — Abstract Steve Kado  
130 Ron Tran: Somewhat Mine: A Nanaimo Retrospective — Abstract Steffanie Ling  
130 Notes for Performers — Abstract Anne MacDonell  
130 Carol Sawyer: The Natalie Brettschneider Archive — Abstract Jaclyn Meloche  
130 Editorial: Performance — Read Text Kari Cwynar and Amish Morrell  
130 Radio Daze: Why Ken Jacobs’ Blonde Cobra Still Matters — Abstract Ara Osterweil  
130 enter the fog — Abstract Craig Francis Power  
130 Inventory — Abstract Walter Scott  
130 Sylvia — Abstract Sabrina Tarasoff  
130 Aleksandra Domanović: Mother of This Domain — Abstract Monika Vrečar  
130 The Lake Is a Plate of Itself: On Anne Carson’s “Dave’s, Lake Michigan, Early June” — Abstract Fan Wu  
129 Writing Topography: The Marion McCain Exhibition of Contemporary Atlantic Art — Abstract Sophia Bartholomew  
129 Seamless Transitions — Abstract James Bridle  
129 Looking back now. Or, a forgotten questionnaire on the historization and contemporaneity of performance art — Read Text Barbara Clausen  
129 On Writing: Given Time: Notes on Dimensional Poetry — Read Text Karin Cope, Anna Heywood Jones, and Ryan Josey  
129 Authorship and the Reproduction of Language — Read Text Kari Cwynar  
129 Close Readings: 7: Professional Native Indian Artists Inc. Winnipeg Art Gallery, May 9 – Aug. 31, 2014 & McMichael Canadian Art Collection, May 10 – Sept. 7, 2015 — Abstract Richard William Hill  
129 Talk (New York Review Books, 2015) by Linda Rosenkrantz — Read Text Esmé Hogeveen  
129 Madelyne Beckles and Delilah Rosier: Masking Is Always More Fun with A Friend — Abstract Benjamin Hunter  
129 Speculations (“The future is _____”) (Triple Canopy, 2015) — Abstract Angela Jerardi  
129 Christian Marclay: Surround Sounds — Abstract Godfre Leung  
129 Artefact: Relating To Things — Abstract Anna Mikkola  
129 Editorial: Documentation — Read Text Kari Cwynar and Amish Morrell  
129 Anna Boghiguian: Cities by the Rivers — Abstract Yasmin Nurming-Por  
129 A Putting Down of Roots: 40 Years of CV2 — Abstract Jeanne Randolph  
129 Laura Piasta: Sounding the Ultraviolet — Abstract Denise Ryner  
129 Cloaked Bacteria and Yeast: Rendered biology seen through a hypothetical object with text by Aryen Hoekstra — Abstract Jennifer Rose Sciarrino  
129 Liz Magor — Read Text Lena Suksi  
129 Darren Bader: rock and mirrors — Abstract Sabrina Tarasoff  
129 Hank Bull: Connexion — Abstract Felicity Tayler  
129 Paulo Bruscky: Bruscky Invent's — Abstract Alex Turgeon  
129 Amy Bowles: Echoing Wood — Abstract Simone Wharton  
129 Compressing and Reconstructing: James Bridle’s Digital Documents — Abstract Jayne Wilkinson  
128 Drawings from the Heart: Reproductions and Paulette Phillips: The Directed Lie — Abstract Jane Affleck  
128 Inventory — Abstract Bambitchell  
128 On Writing: Critical Art Writing Ensemble — Abstract Andrew Berardini, Alison Cooley, Tess Edmonson, Quinn Latimer, Danielle St-Amour, Rachel Valinsky, and Nancy Webb  
128 Shout, Shout Let It All Out — Abstract Derrick Chang  
128 I preferred my old skin to this one, but don't know where it went... — Abstract Tyler Coburn  
128 Negotiations in a Vacant Lot: Studying the Visual In Canada, Edited by Lydna Jessup, Erin Morton and Kirsty Robertson — Read Text Alison Cooley  
128 Babe, Edited by Petra Collins — Abstract Shauna Jean Doherty  
128 The Figure in the Carpet — Abstract Marina Fathalla  
128 Close Readings: Before and after the Horizon: Anishinaabe Artists of the Great Lakes & The Plains Indians: Artists of Earth and Sky — Abstract Richard William Hill  
128 A Burning Bag as a Smoke-Grey Lotus — Read Text Angela Jerardi  
128 Questioning Citizenship at the Venice Biennale: Responses and Interventions — Read Text Adrian Blackwell, Elle Flanders, Justin A. Langlois, Tamira Sawatsky, Amanda Shore, Leah Snyder, and Rinaldo Walcott  
128 Anxious Territory: The Politics of Neutral Citizenship in Canadian Art Criticism — Read Text Yaniya Lee  
128 Mime Radio; a novel, an exhibition and a performance — Abstract Steffanie Ling  
128 An Evening Redness in the West — Read Text Jonathan Lockyer  
128 Duty Free: Feminist Land Art Retreat — Read Text Tiziana La Melia  
128 Editorial: Citizenship — Read Text Kari Cwynar and Amish Morrell  
128 Fantasies of the Library and Land & Animal & Nonanimal, Edited by Anna-Sophie Springer and Etienne Turpin — Abstract Amish Morrell  
128 Artefact: Explaining Man to Man — Read Text Jacqueline Hoang Nguyen  
128 Can You Pull In An Actor With A Fishhook Or Tie Down His Tongue With A Rope? — Abstract Ben Portis  
128 Responding to Canada's Truth and Reconciliation Commission Report — Abstract Scott Benesiinaabandan, Cathy Busby, David Garneau, and Krista Belle Stewart  
128 The Creation of Sanctioned Spaces and the Fall of the Cuban Wall: The 12th Bienal de la Habana — Abstract Victor Wang  
128 Apocalypsis — Abstract Evan Webber  
127 (Soma)tic Ritual Collaborations — Read Text CAConrad  
127 All the World's Futures: The 56th International Art Exhibition, Venice — Read Text Randy Lee Cutler  
127 Perfume Area by Laurel Schwulst and Sydney Shen — Read Text Sam Davis  
127 Tore Off Amy De'Ath  
127 The Perfume Recordist — Abstract Stacy Doris and Lisa Robertson  
127 Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee Schneemann and Anicka Yi: Them — Abstract Olivia Dunbar  
127 The Agronauts by Maggie Nelson — Abstract Tess Edmonson  
127 Laurie Kang: Deferring Diffractions — Abstract Shelby Fenlon  
127 Elizabeth Zvonar: THE CHALLENGE OF ABSTRACTION — Abstract Emma Healey  
127 A Positioning, Not a Question — Read Text Nasrin Himada  
127 On Writing: Meditations on the Art of Reading — Read Text Lucy Ives  
127 Do I have faith or am I stupid? Aisha Sasha John  
127 Three Parts on Poetry: Orality and Action, The Edges and the Centre, Voices On Her Cures — Abstract Tanya Lukin Linklater, Hanne Lippard, and Tiziana La Melia  
127 Excerpt from Pissing Andrea Lukic  
127 Shirin Neshat: Soliloquy — Read Text Magdalena Milosz  
127 Editorial: Poetry — Read Text Kari Cwynar, Amish Morrell, Danielle St-Amour, and cheyanne turions  
127 Julia Feyrer and Tamara Henderson: Consider the Belvedere — Read Text Erica Prince  
127 ManWoman: Heart of Longing — Abstract Peta Rake  
127 Constellation Leanne Betasamosake Simpson  
127 Inventory: Poetry — Abstract Robin Simpson  
127 For Example (We Have Decided to Become Our Own Posterity): on Arakawa and Gins — Abstract Rachel Valinsky  
127 The First Drawing for Reflection Paper No. 5 and The Second Drawing for Reflection Paper No. 5 Taocheng Wang  
127 Brian Droitcour, ed., The Animated Reader: Poetry of "Surround Audience" — Read Text Fan Wu  
126 Performatorium: Festival of Queer Performance — Read Text Jon Davies  
126 How to Train your Virgin by Wednesday Black; We Love Lucy by Lilith West; God, I Don't Even Know Your Name by Andrea McGinty — Read Text Tess Edmonson  
126 Andrea Robbins and Max Becher: Following the Ten Commandments Jessica Evans  
126 Predecessors: Linda Rubin, Ruth Maleczech, Andrew James Paterson, Mary Daly, Albert Dumouchel and Yvonne Rainer, Queer Elders, Mary Anne Staniszewski and Mick Wilson, James McSwain, Red Burns George Sawchuk, Bill Murray, AA Bronson, May Cutler, Ivan Illic Jesse Birch, Randy Lee Cutler, Corrine Fitzpatrick, Vera Frenkel, Amy Fung, Reesa Greenberg, Georgina Jackson, Steve Kado, Jacob Korczynski, Chris Kraus, Sholem Krishtalka, Kegan McFadden, Robin Metcalfe, Helena Reckitt, Jamie Ross, and David Senior  
126 Possible Futures: What is to be Done? Pearl Van Geest  
126 Krista Buecking: MATTERS OF FACT Karina Irvine  
126 Myfanwy MacLeod: Tell Her Nothing She Tells All Kyra Kordoski  
126 Krista Belle Stewart: Seraphine, Seraphine Yaniya Lee  
126 because he loved the people / served the people? Counterculture Positions, Inheritance and Leadership — Abstract Jesse McKee  
126 Editorial: Predecessors — Read Text Amish Morrell  
126 Artefact: The World Will Always Welcome Lovers — Read Text Benny Nemerofsky Ramsay  
126 Cornelia Wyngaarden: Heroines — Abstract Liz Park  
126 TEMPERAMENTAL Ben Portis  
126 Aerobic Justice Helen Reed  
126 Rearviews: With Onyeka Igwe, Amy Lam, Tiziana La Melia, Raymond Boisjoly, Oliver Husain and Mohammad Salemy Xenia Benivolski and Danielle St-Amour  
126 Eleanor King: Dark Utopian — Read Text Henry Adam Svec  
126 Feminist Approaches to Citation — Read Text Maiko Tanaka  
126 Eileen Quinlan: Double Charlie — Read Text Sabrina Tarasoff  
126 Rethinking Aesthetics and Ontology through Indigenous Law: On the work of Val Napoleon and Loretta Todd — Read Text Zoe Todd  
126 Inventory: Predecessors VSVSVS  
125 An Te Liu: Tradition and the Historical Sense — Read Text Shannon Anderson  
125 From age to age, as its shape slowly unravelled... with text by Jonah Gray — Abstract Raymond Boisjoly  
125 Susana Reisman: Standardizing Nature: Tress, Wood, Lumber — Abstract Matthew Brower  
125 Still Alive: Celia Perrin Sidarous, Peter Morin and the Still Life Genre — Read Text Mark Clintberg  
125 Experimental Comedy Training Camp — Abstract Kari Cwynar  
125 Curationism by David Balzer — Read Text Shauna Jean Doherty  
125 Panaesthetics: On the Unity and Diversity of the Arts by Daniel Albright — Abstract Anna Gallagher-Ross  
125 Why Can't Minimal — Abstract Dagmara Genda  
125 There and Here: GCC and Geopolitical Style — Abstract Cameron Hu  
125 Bande a part / Kids these days — Read Text Edwin Janzen  
125 Jeremy Shaw: Attention, Oblivion, Jubilation — Abstract Godfre Leung  
125 Artefact: Sunrise at Cape Spear Newfoundland — Abstract Duane Linklater  
125 Burning Down the House: 2014 Gwangju Biennale — Read Text Earl Miller  
125 Editorial: Attention — Read Text Amish Morrell  
125 Joseph Tisiga: A Sacred Game: Escape is Perpetual — Abstract Ben Portis  
125 Wikipedia talk: Meetup/Toronto/ArtAndFeminism 2015 — Abstract Amy Furness, Ella Dawn McGeough, Zeesy Powers, and Zeesy Powers  
125 Is Toronto Burning? — Abstract Kevin Rodgers  
125 Inventory: Attention — Read Text Kitty Scott  
125 Jasmina Cibic: The Fruits of Our Land — Abstract Rosie Spooner  
125 Mira Friedlander: Half of What's There — Read Text Anna Tome  
124 Wrongs Can Make It Right: The Performance and Sculptural Installation Work of Ursula Johnson — Abstract Jane Affleck  
124 Yokohama Triennale 2014 — Abstract Shinobu Akimoto  
124 Women on Diving Board — Abstract Alex Bowron  
124 Curiosity: Art and the Pleasures of Knowing — Abstract Mark Clintberg  
124 Getting Rid of Ourselves — Abstract Sam Cotter  
124 beyond earth art: contemporary artists and the environment — Abstract Michael Davidge  
124 Stan Douglas: Mise en scène — Abstract Sasha Gora  
124 Where Does it Hurt? — Abstract Sydney Hart  
124 Forms FTP with text by Rebecca Travis — Abstract Dan Holdsworth  
124 Sympathetic Magic — Abstract Tarin Hughes  
124 Amy Sillman: one lump or two and Anne Collier — Abstract Jen Kennedy  
124 Incident Light: Gendered Artifacts and Traces Illuminated in the Archives — Abstract Jacob Korczynski  
124 I Could See Everything by Margaux Williamson — Abstract Sholem Krishtalka  
124 Directions to the Land of Milk and Honey: An Interview with Bill Burns — Read Text Yaniya Lee  
124 Editorial: Strata — Read Text Amish Morrell  
124 On Bathtub Rings and Other Irritants: Cedric, Nathan and Jim Bomford’s Deadhead — Abstract Kimberly Phillips  
124 Trading Hosts: Del Hillier's The Trading Post — Abstract Peta Rake  
124 Pictou Island Portage: An Artist Residency — Read Text Veronica Simmonds  
124 Inventory: Strata — Abstract Rebecca Travis  
124 Your Everyday Art World by Lane Relyea — Abstract Saelan Twerdy  
124 Adrian Norvid: Mr. Fizz’s Knocking Shop — Abstract Nick Warner  
124 Robert Frank: Books, Films, 1947–2014 — Abstract Aaron Weldon  
124 Digging for Ficto-Criticism — Abstract Susannah Worth  
123 Sara Cwynar: Flat Death — Abstract Rose Bouthillier  
123 Taking it Slow: Duration and Intimacy in Olivia Boudreau's Le Bain and L'Étuve — Read Text Noa Bronstein  
123 On Writing: The Pencil Method: a minor genre — Abstract Mieke Chew  
123 Glenn Brown/Rebecca Warren: Collected Works — Abstract Rhys Edwards  
123 Moyra Davey: Burn the Diaries — Abstract Yuki Higashino  
123 Richard Ibghy & Marilou Lemmens: Is there anything left to be done at all? — Read Text Aryen Hoekstra  
123 Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn, by Eve Meltzer — Abstract Cameron Hu  
123 Ed Ruscha The Liquid Paintings — Abstract Jen Hutton  
123 Primer: WET: The Magazine of Gourmet Bathing — Abstract Leonard Koren  
123 Inventory: WET — Abstract Anna Kovler  
123 Erring on the Mount — Abstract Caroline Langill  
123 Cougar Centrefold, with text by RM Vaughan — Abstract Danya McLeod  
123 Dear Jess Carrol from Allyson Mitchell — Abstract Allyson Mitchell  
123 Cold Water: Three Short Stories about Cold Water Baths — Abstract Peter Morin  
123 Editorial: Wet — Read Text Amish Morrell  
123 Wet Places — Abstract Amish Morrell  
123 Chronovisor: Archive (Mirko Smerdel, Rowena Harris, Johann Arens, Cathy Haynes, Verity Birt, Patrick Hough) — Abstract Dan Munn  
123 WET 2014: An Interview with Leonard Koren — Abstract Christie Pearson  
123 Show Time: The 50 Most Influential Exhibitions of Contemporary Art, by Jens Hoffman — Abstract Heather Saunders  
123 The Hypnotic Show: Raimundas Malašauskas and Marcos Lutyens — Abstract Penelope Smart  
123 D’Arcy Wilson: Tuck — Abstract Henry Adam Svec  
123 Peter Doig: No Foreign Lands — Abstract Felicity Tayler  
123 Acquiring Modernity: Kuwait Pavilion — Abstract cheyanne turions  
123 Women Who Run (off to the side of) the Wolves — Abstract RM Vaughan  
122 Graeme Patterson: Secret Citadel — Abstract Jane Affleck  
122 Akram Zaatari: All is Well — Abstract Amber Berson  
122 Stopover — Abstract Alexis Bhagat and Stephanie Loveless  
122 Renzo Martens and the Institute for Human Activities — Abstract Nicholas Brown  
122 Rabih Mroué: The Pixelated Revolution — Abstract Zoë Chan  
122 Glam North: Doris McCarthy and her New Contemporaries — Abstract Bill Clarke  
122 Chris Curreri: Medusa — Abstract Sam Cotter  
122 Artefact: On Printed Matter — Abstract David Court and Josh Thorpe  
122 A Problem So Big It Needs Other People — Abstract Kari Cwynar  
122 Being in a State of Pure Belief: On the Work of Etel Adnan — Abstract Corrine Fitzpatrick  
122 Sarah Cale: Petrified — Abstract Maeve Hanna  
122 Damage Control: Art and Destruction Since 1950 — Abstract Joseph Henry  
122 Self-Organised, edited by Stine hebert and Anne Szefer Karlsen — Abstract Amber Landgraff  
122 On Writing: The Parrot — Abstract Maryse Larivière  
122 Primer: The Window May be Open — Abstract Maryse Larivière  
122 The Lake, edited by Maggie Groat — Abstract Jonathan Lockyer  
122 Inventory: Walking — Abstract Jonathan Lockyer  
122 Sharon Hayes: Loudspeakers and Other Forms of Listening — Abstract Jaclyn Meloche  
122 Editorial: Location — Read Text Amish Morrell  
122 Neil Beloufa, Julie Born Schwartz, Christopher Kulendran Thimas, Timur Si-Qin, Lewis Teague Wright, and Tyra Tingleff: Fulfilment Centre — Abstract Dan Munn  
122 Willow, Weep for Me: Noa Giniger, Marian Penner Bancroft, and the Intricacies of Melancholy — Read Text Kimberly Phillips  
122 Both Here and There: Canadian Artists and the Berlin Experience — Abstract Alexandra Phillips  
122 Chiharu Shiota: Trace of Memory — Abstract Daniella E. Sanader  
121 Minor Threats — Abstract Zoë Chan  
121 On Speculative Walking: From the Peripatetic to the Peristaltic — Read Text Randy Lee Cutler  
121 Sissy Boys on Youtube: Notes Towards a Cultural History of Online Queer Childhood — Abstract Jon Davies  
121 It’s the Political Economy, Stupid: The Global Financial Crisis in Art and Theory, Edited by Gregory Sholette & Oliver Ressler — Abstract Michael DiRisio  
121 Will Gill: Bloodredlife — Abstract Adrienne Fitzpatrick  
121 Artefact: Mushroom Magic, Mushroom Gold — Abstract Dylan Gordon  
121 Samuel Roy-Bois: Not a new world, just an old trick — Abstract Sydney Hart  
121 Kailey Brian: Bits & Places — Abstract Gloria Hickey  
121 Garry Neill Kennedy: PATTISON — Abstract Stephen Horne  
121 Walking with Artists — Abstract Eugenia Kisin  
121 Land|Slide: Possible Futures — Abstract Joni Low  
121 Zachari Logan: Fugitive Garden — Abstract J. J. Kegan McFadden  
121 The Walk Exchange: Pedagogy and Pedestrianism, An Interview with Moira Williams — Abstract Earl Miller  
121 Editorial: Walking — Read Text Amish Morrell  
121 Explosion in the Movie Machine: Essays and Documents on Toronto Artists’ Film and Video, Edited by Chris Gehman — Abstract Andrew James Paterson  
121 Walking Transformed: The Dialogics of Art and Walking — Read Text Simon Pope  
121 Surface Tension — Abstract Ben Portis  
121 As Perennial as the Grass — Abstract Penelope Smart  
121 Inventory: Walking — Abstract Sasha Sobrino  
121 On Writing: Group Writing — Abstract Malcom Sutton  
121 Primer: The Walking Library — Abstract unknown  
121 Artists' Walks: The Persistence of Peripateticism — Abstract Michael Vass  
121 Tom Dean: Mercy — Abstract Susan Walker  
121 Art as Therapy, by John Armstrong and Alain de Botton — Read Text Heather White  
121 The Visible Inside the Invisible with text by Stephen Horne — Abstract Sheilah Wilson  
120 Rita McKeough: The Lion's Share — Abstract Jane Affleck  
120 Living Labor, edited by Milena Hoegsberg and Cora Fisher — Abstract Heather Anderson  
120 2013 Carnegie International — Abstract Rose Bouthillier  
120 Jon Knowles: I'm only in it for the Manet — Abstract Benjamin Bruneau  
120 Kate Newby: Let the Other Thing In — Abstract Kay Burns  
120 Bernice Vincent: Time and Travels — Abstract Bill Clarke  
120 On Writing: Linguistic Proxies — Abstract Kari Cwynar  
120 Stranger Visions — Abstract Heather Dewey-Hagborg  
120 Investigating the Unexplained: An Interview with Christina Battle — Abstract Clint Enns  
120 Seeing the Unseen: And Interview with Public Studio — Read Text Nives Hajdin  
120 Mana Rouholamini: Marcher le texte/Walking the Text — Abstract Petra Halkes  
120 Stealthwear with text by Erin Freedman — Abstract Adam Harvey  
120 Under the Mountain — Abstract Alhena Katsof  
120 Juliana Pivato, Maura Doyle, Laura Taler: bones kneel in company — Abstract Anna Khnimasia  
120 Inventory: Surveillance — Abstract Eugenia Kisin  
120 Artefact — Abstract Eugenia Kisin  
120 Adam Lauder - Oct. 18, 2013 — Abstract Adam Lauder  
120 Leah Modigliani - Oct. 12, 2013 — Abstract Leah Modigliani  
120 Editorial: Surveillance — Read Text Amish Morrell  
120 13th Istanbul Biennial — Abstract Benny Nemerofsky Ramsay  
120 Sarah Fuller: The Homecoming — Abstract Peta Rake  
120 Glitches in Orality and the Stakes of Semantics: A Conversation with Jodi Dean — Read Text Patricia Reed  
120 Primer: How to Disappear Completely and never be Found — Abstract Doug Richmond  
120 Paranoia — Read Text Deborah Root  
120 Allison Moore and Jasa Baka: Smile Stealers — Abstract Jamie Ross  
120 Jimmy Robert: Draw the Line — Abstract Milena Tomic  
120 Aisthesis: Scenes from the Aesthetic Regime of Art, by Jacques Ranciere — Abstract Heather White  
119 David Askevold: Once Upon a Time in the East — Abstract Jane Affleck  
119 Images Festival — Abstract Sam Cotter  
119 Il Palazzo Enciclopedico: The 55th International Art Exhibition, Venice June 1 - November 24, 2014 — Abstract Randy Lee Cutler  
119 Bernadette Corporation: 2000 Wasted Years — Abstract Tess Edmonson  
119 First Look: New Art Online — Abstract Daniel Fuller  
119 Our Aesthetic Categories: Zany, Cute, Interesting, by Sianne Ngai — Abstract Amy Gaizauskas  
119 Interview with Wanda Koop — Abstract Sky Goodden  
119 Kara Uzelman: Stratiform — Abstract Karina Irvine  
119 Glamour is Theft: A User's Guide to General Idea, by Philip Monk — Abstract Luis Jacob  
119 love takes the worry out of being close: public assemblies in bed with queers — Abstract Reena Katz  
119 Escapists and Jet-Setters: Residencies and Sustainability — Read Text Laura Kenins  
119 Nomadic Residency Council — Abstract Jp King  
119 Editorial: Residencies — Read Text Amish Morrell  
119 Residency for Artists on Hiatus: Interview with Shinobu Akimoto and Matthew Evans (a.k.a. smfoundation) — Abstract Amish Morrell  
119 Noteworthy — Abstract Amish Morrell  
119 Sakahan: International Indigenous Art — Abstract Wanda Nanibush  
119 Obituary: Colette Urban — Abstract Ingrid Mary Percy  
119 After Finitude: Neil Campbell, Hanne Darboven, Nicole Ondre, Cheyney Thompson — Abstract Jacquelyn Ross  
119 Sara Angelucci: Provenance Unknown — Abstract Jennifer Rudder  
119 The Pedagogical Impulse: Aberrant Residencies and Classroom Ecologies — Read Text Stephanie Springgay  
119 Splendid Isolation — Abstract Andrea Williamson  
118 Position As Desired / Exploring African Canadian Identity: Photographs from the Wedge Collection — Abstract Jane Affleck  
118 Volume: Hear Here — Abstract Shannon Anderson  
118 Surviving the Crisis — Abstract Ben Davis  
118 Julia Dault — Abstract Rose Bouthillier  
118 Peter Dykhuis: Inventories & Micro-mapping — Abstract Kyla Brown  
118 Robert Tombs: L'Occupation — Abstract Michael Davidge  
118 Old Man Deciphering a Briefcase — Abstract Dave Dyment  
118 Noteworthy — Abstract Amy Gaizauskas  
118 This Will Have Been: Art, Love & Politics in the 1980s — Abstract Jill Glessing  
118 Interview with Dave Hickey — Abstract Sky Goodden  
118 Philippa Jones: MIRIAD — Abstract Gloria Hickey  
118 On The Doing(s) of Art Criticism — Read Text Stephen Horne  
118 Jordan Wolfson: Raspberry Poser — Abstract Jen Hutton  
118 Work Work Work: A Reader on Art and Labour, Edited by Cecelia Widenheim, Lisa Rosendahl, Michele Masucci, Annika Enqvist and Jonatan Habib Angqvist — Abstract Amber Landgraff  
118 Resist the List: A Problem of Politics in the Evaluation of Contemporary Art — Read Text Charlene Lau  
118 "Sensitivity Information": The Wild Body of N.E. Thing Co. — Abstract Adam Lauder  
118 The Last Art College: Nova Scotia College of Art and Design, 1968-1978, by Garry Neill Kennedy — Abstract Leah Modigliani  
118 Editorial: Criticism — Read Text Amish Morrell  
118 Rebecca Belmore, Ken Gonzales-Day, Francisco-Fernando Granados, and Louis Noguchi: Invisible Violence — Abstract Vanessa Parent  
118 Private Acts: Note-taking in the Margins of Art Criticism — Abstract Peta Rake  
118 Manuela Lalic: Activisme timide — Abstract Daniella E. Sanader  
118 West of Center: Art and the Counterculture Experiment in America, 1965-1977, Edited by Elissa Auther and Adam Lerner — Abstract Felicity Taylor  
118 The painting is better — Abstract Charmaine Wheatley  
118 Jimmy Limit: Show Room — Abstract Heather White  
117 Rick Leong: The Sublimation of Self — Abstract Jane Affleck  
117 A New Novel by Bjarne Melgaard — Abstract Nickolas Calabrese  
117 Beyond Measure: Systems of Chance in the Art of Kristiina Lahde — Abstract Kristin Campbell  
117 Nicolas Grenier: Proximities — Abstract James D. Campbell  
117 Vanessa Maltese: Two-fold Tally — Abstract Bill Clarke  
117 Kika Thorne: The WILDcraft — Abstract Michael DiRisio  
117 Summer of Hate, by Chris Kraus — Abstract Tess Edmonson  
117 FAGing It Forward — Abstract Feminist Art Gallery  
117 Noteworthy — Abstract Shannon Garden-Smith  
117 Michèle Provost: Rebranding Bytown — Abstract Petra Halkes  
117 Open! Key Texts, 2004-2012: Art, Culture and the Public Domain, Edited by Jorinde Seijdel and Liesbeth Melis — Abstract Petra Halkes  
117 XTRAVAGANZA: Staging Leigh Bowery — Abstract Yuki Higashino  
117 Disturbances, by Critical Art Ensemble — Abstract Marc James Léger  
117 Editorial: Translation — Read Text Amish Morrell  
117 Roman Liška: Nu Balance — Abstract Dan Munn  
117 Hazel Meyer: Walls to the Ball — Abstract Craig Francis Power  
117 Dancing in the Face of Danger — Abstract Patricia Reed  
117 Rehearsal for a Poem: Tiziana La Melia in Conversation with Jacquelyn Ross — Abstract Jacquelyn Ross  
117 Sean Alward: A Vertical City Goes Both Ways — Abstract Marina Roy  
117 One for Me and One to Share: Artists' Multiples and Editions, Edited by Dave Dyment and Gregory Elgstrand — Abstract David Senior  
117 Institutions by Artists: Resistance or Retreat? — Abstract Diana Sherlock  
117 From the ongoing work WHEN PLATITUDES BECOME FORM. — Abstract Christopher Kulendran Thomas  
117 Archival Dialogues: Reading the Black Star Collection — Abstract Heather White  
117 Le baiser de l'institution: Feminism After Elles — Abstract Ania Wroblewski  
116 The Schlögel Archive — Abstract Martha Baillie  
116 Only Birds Sing the Music of Heaven in this World. — Abstract Jacqueline Bell  
116 Sounding Selves — Abstract Mireille Bourgeois  
116 Digital Natives, edited by Lorna Brown and Clint Burnham — Abstract Clint Burnham  
116 Lou Ford @ G Gallery, Toronto — Abstract Roger Bywater  
116 Red Sky at Night — Abstract Bill Clarke  
116 Structural Mutation, Cinnamon-Scented Speculation, the Twenty-First Century and the Artist Pension Trust. — Abstract Shannon d'Avout  
116 Emotional Blackmail — Abstract Jon Davies  
116 Collecting That Matters: The Art Collection of Alison And Alan Schwartz — Abstract Randy Gladman  
116 Wavelengths and Future Projections — Abstract Sky Goodden  
116 Yuji Agematsu — Abstract Ebony L. Haynes  
116 Morgan Fisher: The Frame and Beyond — Abstract Yuki Higashino  
116 Foundation Izolyatsia in collaboration with Galleria Continua: Where Is The Time? — Abstract Michelle Kasprzak  
116 Reduce, Reuse, Exhibit: Electronic Waste as Collection. — Abstract Laura Kenins  
116 Ivan Moudov's Museum in Fragment — Abstract Steve Lyons  
116 Editorial: Collections — Read Text Amish Morrell  
116 The Guantanamo Bay Museum of Art and History — Abstract Andrew Pel  
116 The Photographs Not Taken, edited by Will Steacy — Abstract Amanda Ratej  
116 Raymond Boisjoly: The Work That Work Leaves Undone. — Abstract Kevin Rodgers  
116 IAIN BAXTER&: Works 1958-2011 — Abstract Joanna Sheridan  
116 Volumes: The Book as Exhibition. — Abstract Anna-Sophie Springer  
116 BOOKEND — Abstract Charles Stankievech  
116 Lands Beyond: Charles Stankievech's Intangible Archives — Abstract Pandora Syperek  
116 Artificial Hells, by Claire Bishop — Abstract Saelan Twerdy  
116 Derek Liddington Today a Legend Died. Viva La Revolution. — Abstract Ellyn Walker  
116 The Parallel Museum — Abstract Heather White  
116 Museum of Innocence Istanbul — Abstract Heather White  
116 The World Portable Gallery Convention, Halifax — Abstract Heather White  
115 Michael Maranda: ART FORUM X. — Abstract Dan Adler  
115 The Ungovernables — Abstract Shannon Anderson  
115 Minimalism in Germany: The Sixties II — Abstract Iliana Antonova  
115 Rory Middleton: Steady Water — Abstract Kay Burns  
115 Manufacturing Exhibitions 2 — Abstract Zoë Chan  
115 In Numbers: Serial Publications by Artists since 1955 — Abstract Michael Davidge  
115 The Present as Enduring Past: Recollecting Through the Works of Kerry Tribe, Petrina Ng and Lindsay Seers. — Abstract Rachel Anne Farquharson  
115 Venus in Transit. — Abstract Corrine Fitzpatrick  
115 Communities and Antagonism: Looking for Art in All the Wrong Places — Abstract Amy Fung  
115 Cindy Sherman — Abstract Jen Kennedy  
115 Push and Pull: How to Make a 'Happening' Classroom. — Abstract Vesna Krstich  
115 Jeremy Deller: Joy in People. — Abstract Vesna Krstich  
115 Living as Form: Socially Engaged Art from 1991-2011, edited by Nato Thompson — Abstract Amber Landgraff  
115 Emily Falencki: Missing — Abstract Sarah Maloney  
115 The Vancouver Occupations of 1971 — Abstract Leah Modigliani  
115 Editorial: Participation — Read Text Amish Morrell  
115 Beat Nation: Art, Hip Hop and Aboriginal Culture. — Abstract Lisa Myers  
115 Revolution. Two Marks in Rotation. — Abstract MPA and Amapola Prada  
115 Nature, Knowledge and the Knower — Abstract Marina Roy  
115 Noteworthy — Abstract Daniella E. Sanader  
115 the buddhist, by Dodie Bellamy — Abstract Rachelle Sawatsky  
115 Janieta Eyre: The Mute Book — Abstract Kathryn Simpson  
115 Sean MacAlister: Crow's Nest — Abstract Andrea Williamson  
114 Ian Wallace's Monochrome Series — Abstract Dan Adler  
114 Material World — Abstract Jane Affleck  
114 Andrea Zittel: Lay of My Land — Abstract Jacqueline Bell  
114 Althea Thauberger — Abstract Rose Bouthillier  
114 Noteworthy — Abstract Benjamin Bruneau  
114 A.K. Burns: Pregnant Patron Penny Pot — Abstract Corrine Fitzpatrick  
114 Seripop: Landscapes Events Reproducted — Abstract Amy Gaizauskas  
114 Christoph Schlingensief: Fear at the Core of Things — Abstract Natasha Ginwala  
114 Attila Richard Lukacs from the Collection of Salah J. Bachir — Abstract Sky Goodden  
114 Michael Flaherty: Rangifer Sapiens — Abstract Gloria Hickey  
114 Lezbros for Lesbos — Abstract Logan MacDonald  
114 Everything But the Boy: Chris Ironside's Mr. Long Weekend — Abstract Kerry Manders  
114 Shame and Men: A Queer Perspective on Masculinity — Abstract Ken Moffatt  
114 Editorial: Men — Read Text Amish Morrell  
114 A Terrible Beauty: Politics, Sex and the Decline of Empires — Abstract Ann Marie Pe  
114 A Refusal of Images — Abstract Kirsty Robertson  
114 Declining Democracy — Abstract Emmy Skensved  
114 My Winnipeg — Abstract Jeffrey Swartz  
114 Gender Diasporist: Shawn Syms interviews Tobaron Waxman — Abstract Shawn Syms  
114 Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces, by Independent Curators International — Abstract Leila Timmins  
114 Radical Prototypes: Allan Kaprow and the Invention of Happenings, by Judith F. Rodenbeck — Abstract Milena Tomic  
114 Contemporary Art in North America, edited by Michael Wilson — Abstract Ellyn Walker  
113 Rural Readymade — Abstract Jane Affleck  
113 Tonik Wojtyra: Paragraph of Possibility. — Abstract Sean Alward  
113 Noteworthy — Abstract Benjamin Bruneau  
113 Sky Glabush: Background — Abstract Kristin Campbell  
113 Centrefold and IBC: Dematerialized C Magazine issue # 1 (Winter 1983/84) — Abstract CN Tower Liquidation  
113 Polymer resin cube containing dematerialized copy of C Magazine issue # 1 — Abstract CN Tower Liquidation  
113 Untitled (12th Istanbul Biennial) — Abstract Dave Colangelo  
113 L.A. Immersion: A Conversation on Pacific Standard Time — Abstract Kathy Acker and Allison Collins  
113 In Deed: Certificates of Authenticity In Art. — Abstract Alice Dixon  
113 Melanchotopia — Abstract Petra Halkes  
113 Ineffable Plasticity: the experience of being human and Human / Nature. — Abstract Anastasia Hare  
113 Buses, Babies, Temporary Tattoos: Social Media and Art Collide — Abstract Michelle Kasprzak  
113 The One and the Many: Contemporary Collaborative Art in a Global Context, by Grant Kester — Abstract Amber Landgraff  
113 Lands of Invention: The Nation Interrogated at the 8th Mercosul Biennial — Abstract Scott McLeod  
113 Editorial: Memory — Read Text Amish Morrell  
113 Laurel Woodcock: Jump Cuts — Abstract Crystal Mowry  
113 Diana Thorneycroft: A People's History — Abstract Michael Rattray  
113 Reflecting Absence or When Social Networks Memorialize — Abstract Chloé Roubert  
113 Commerce by Artists Edited by Luis Jacob Art Metropole, 2011 — Abstract Leila Timmins  
113 Raqs Media Collective: Surjection — Abstract cheyanne turions  
113 Garden of Forking Paths: A Conversation with Derek Sullivan — Abstract Saelan Twerdy  
113 Nicholas Galanin: First Law of Motion — Abstract Ellyn Walker  
113 Rites of Return: And Europe will be Stunned — Abstract Carol Zemel  
112 (Re)Staging the Art Museum, edited by Tone Hansen — Abstract Heather Anderson  
112 A Sea of Contingencies: Durational Projects — Abstract Jesse Birch  
112 Where Art Belongs, by Chris Kraus — Abstract Amanda Brason  
112 Paris/Ojibwa: Interview with Robert Houle — Abstract Denise Frimer  
112 Making Art Global (Part 1): The Third Havana Biennial 1989, by Rachel Weiss and other authors — Abstract Natasha Ginwala  
112 EL ARTE del Comer: DE LA NATURALEZA MEURTA A FERRAN ADRIA (The Art of Eating: from "still life" to Ferran Adrià) — Abstract Jill Glessing  
112 Louise Bourgeois: El retorno de lo reprimido ("the return of the repressed") — Abstract Sky Goodden  
112 Noteworthy — Abstract Anastasia Hare and Candice Napoleone  
112 Carl Beam: The Poetics of Being — Abstract Richard William Hill  
112 "Me Calling Him—Him Calling Me"— Tom Sherman's Recent Video Work — Abstract Caroline Seck Langill  
112 New Experiments in Communal Living — Abstract Tatiana Mellma  
112 Some Like It Haute: The General Idea Retrospective at the Art Gallery of Ontario — Abstract Philip Monk  
112 Editorial: Exhibition Practices — Read Text Amish Morrell  
112 Gwen Macgregor and Sandra Rechico: Backtrack — Abstract Lisa Myers  
112 Taryn Simon: A Living Man Declared Dead and Other Chapters — Abstract Sarah Parsons  
112 Art Ex 2011: River as Source — Abstract Craig Francis Power  
112 Haven't We Been Here Before? — Abstract Mary Reid  
112 Pavillon levé (dix jours à vaincre les mortes-eaux) — Abstract Emily Rosamond  
112 The Normal Condition of Any Communication — Abstract Joanna Sheridan  
112 New Photography 2011 — Abstract Sarah Stephenson  
112 The F.E.K. Archives:This is making me nervous... — Abstract Alex Wolfson  
111 Wim Botha: All Around — Abstract    
111 Song Dong: Waste Not — Abstract Zoë Chan  
111 A Practice in Reading — Abstract Randy Lee Cutler  
111 Models for Taking Part — Abstract Kari Cwynar  
111 Rabih Mroué: The Inhabitants of Images — Abstract Kenneth Hayes  
111 Soft Protocols: Dexter Sinister's Book and Library-making — Abstract Jen Hutton  
111 Gina Badger: Mongrels — Abstract Reena Katz  
111 Jardin de la Connaissance Thilo Folkerts and Rodney La Tourelle  
111 Performing the Library — Abstract Adam Lauder  
111 Chris Curreri: Something Something — Abstract Anne MacDonell  
111 Editorial: Libraries — Read Text Amish Morrell  
111 Frances Stark: I've Had it and a Half — Abstract Jenifer Papararo  
111 The Whole Earth Library — Abstract David Senior  
111 The Domestic Queens Project — Abstract Erin Silver  
111 Adel Abdessemed: The Future of Décor — Abstract Matthew Ryan Smith  
111 La Biennale Di Venezia 54th International Art Exhibition — Abstract Pandora Syperek  
111 Shary Boyle: Flesh and Blood, with essays by Louise Déry, James Bewley, and Michelle Jacques — Abstract Pandora Syperek  
111 Noteworthy — Abstract Leila Timmins  
111 The Birds and the Bees — Abstract Stephanie Vegh  
111 Cloning Terror: The War of Images, 9/11 to the Present — Abstract Harry J. Weil  
110 Douglas Scholes: Working the Pragmatic Aesthetic in Four Parts — Abstract Randall Anderson  
110 Jessica Eaton: Strate — Abstract Rose Bouthillier  
110 Noteworthy — Abstract Amanda Brason  
110 Kitchen Studio: A Recipe for Disaster — Abstract Nicole J. Caruth  
110 4 Reservation Food Groups — Abstract Keesic Douglas  
110 John Monteith: Lost Highway — Abstract Rachel Anne Farquharson  
110 Diane Arbus: A Printed Retrospective 1960-1971 & Cady Noland: The American Dream — Abstract Jacob Korczynski  
110 Dark Matter: Art and Politics in the Age of Enterprise Culture, by Gregory Sholette — Abstract Amber Landgraff  
110 Karen Azoulay: Carnation Thunder — Abstract Liz Linden  
110 Collaborating on Conceptual Art: An Aesthetics of the Impossible — Abstract Leah Modigliani  
110 Editorial: Food — Read Text Amish Morrell  
110 Marcel Dzama: Behind every Curtain — Abstract Gabrielle Moser  
110 We Are Behind the Object by Emily Wardill & Ian White — Abstract Andrew James Paterson  
110 Bruce Nauman: Audio/Video Piece for London, Ontario — Abstract Kevin Rodgers  
110 Hide/Seek: Difference and Desire in American Portraiture — Abstract Stephanie Rogerson  
110 Reliquary Confections: Interview with Fiona Kinsella — Abstract Pandora Syperek  
110 The Performative Space: Tracing the Roots of Performance-Based Work in India — Abstract Swapnaa Tamhane  
110 Sean Martindale: Tent: Life-like Living — Abstract Lauren Wetmore  
109 David Diviney: Head for the Hills — Abstract Jane Affleck  
109 29th Bienal de São Paulo — Abstract Emelie Chhangur and Philip Monk  
109 Journey into Whatever — Abstract Mireille Eagan  
109 Noteworthy — Abstract editorial staff  
109 Daniel Barrow: Good Gets Better — Abstract Rachel Anne Farquharson  
109 Hannah Rickard: … a legend, it, it sounds like a legend — Abstract Suzanne Fulbrook  
109 Logics of Scientific Discovery: Mandy Ginson interviews Toril Johannessen — Abstract Mandy Ginson  
109 Scott McFarland: Sans Souci — Abstract Sky Goodden  
109 Summerhill, Revised: Learning In/As Marginalia — Abstract Hannah Jickling and Helen Reed  
109 School's In: Contemporary Art and the Educational Turn — Abstract Jen Kennedy  
109 You and Me and Her and Us and Them: A Conversation on Using and Being Used — Abstract Sholem Krishtalka  
109 Selected Maria Lind Writing, Edited by Brian Kuan Wood — Abstract Amber Landgraff  
109 Editorial: Knowledge — Read Text Amish Morrell  
109 Edwin Janzen: Guys in Caves — Abstract Laura Paolini  
109 Manifesta 8: The European Biennial of Contemporary Art — Abstract Mikhel Proulx  
109 Katie Bethune-Leamen: Older, Sadder, And All In White This Time — Abstract Amanda Rataj  
109 Art School (Propositions for the 21st Century), Edited by Steven Henry Madoff — Abstract Amanda Rataj  
109 Brendan Fernandes: Until We Fearless — Abstract Farah Yusuf  
108 Centrefold: what is above is as that which is below… — Abstract Abbas Akhavan  
108 Anselm Kiefer: Palmsonntag — Abstract Shannon Anderson  
108 Art and Cold Cash, Edited by Ruby Arngna'naaq, Jack Butler, Sheila Butler, Patrick Mahon and William Noah. — Abstract Marco Avolio  
108 6th Berlin Biennale: What is Waiting Out There — Abstract Michael Birchall  
108 Both Teams Cannot Win: Natasha Bissonauth Interviews Divya Mehra — Abstract Natasha Bissonauth  
108 Annie MacDonell: Beside the Midnight Lake — Abstract Heather Diack  
108 Noteworthy — Abstract Rachel Anne Farquharson  
108 Fernando Sánchez Castillo: National Episodes and Oscar Mua∓#241;oz: Becoming Air — Abstract Jill Glessing  
108 The ABS Group: The ABS Art Practice Imagined as a Class Struggle in College Art Education — Abstract Kenneth Hayes  
108 Economies of Faith — Abstract Richard Ibghy and Marilou Lemmens  
108 Documents of Self-Administration: A Conversation with Vincent Bonin — Abstract Adam Lauder  
108 New Ways to Go Forward You Never Dreamed Existed: David Lillington Interviews Spartacus Chetwynd — Abstract David Lillington  
108 Editorial: In The Money — Read Text Amish Morrell  
108 Rivane Neuenschwander: A Day Like Any Other — Abstract Vanessa Nicholas  
108 The Power of Judgment: A Debate on Aesthetic Critique, Edited by Daniel Birnbaum and Isabelle Graw — Abstract Aaron Peck  
108 Green Light: Towards an Art of Evolution, by George Gesset — Abstract Maxine Proctor  
108 Holy Shit — Abstract Marina Roy  
108 Projections: Music Video — Abstract Saelan Twerdy  
108 Jon McCurley: Fashion Blog-Clothes for president — Abstract Evan Webber  
108 Guy Ben-Ner: Thursday the 12th — Abstract Rebecca Weisman  
107 Kristan Horton: The Echo Chamber — Abstract Dan Adler  
107 Of Fauna and Manufactured Derivatives: Bill Burns and the Lucrative Didactics of Environmental Stewardship — Abstract Gentiane Bélanger  
107 The Lives and Deaths of Carolee’s Cats — Abstract Carla Benzan  
107 Marina Abramović: The artist is Present — Abstract Aileen Burns and Johan Lundh  
107 Bird Radio for Afghanistan, 2010 Bill Burns  
107 Marion Wagschal: Private Views and Paintings — Abstract James D. Campbell  
107 Christian Boltanski: Personnes — Abstract Zoë Chan  
107 David Hoffos: Scenes from a House Dream — Abstract Meredith Dault  
107 On Year of the Dog — Abstract Jon Davies  
107 Daryl Vocat: The Secret of the Midnight Shadow — Abstract Sally Frater  
107 Stephen Kelly: Open Tuning (WaveUp) — Abstract Quyen Hoang  
107 Infinite, Indifferent Kinship — Abstract Karen Houle  
107 Noteworthy — Abstract Jovana Jankovic and Maxine Proctor  
107 Trash, by Jon Davies — Abstract Jovana Jankovic  
107 Justin Thomas Schaefer: Comedy Comedy — Abstract Corinna Kirsch  
107 Carlos Garaicoa: Overlapping — Abstract Leah Modigliani  
107 Editorial: Among Animals — Read Text Amish Morrell  
107 Emergence: Contemporary Photography in Canada, edited by Sarah Parsons — Abstract Amish Morrell  
107 Touching Animals — Abstract Helena Reckitt  
107 Ryan Trecartin: Any Ever — Abstract Nadja Sayej  
107 Adrian Blackwell: Model for a Public Space [knot] — Abstract Alex Snukal  
107 Timberland:2010 Alberta Biennal of Contemporary Art — Abstract Leah Turner  
106 Funkaesthetics — Abstract Sarah Aranha  
106 Photography Haunted by Spirit Photography, by Bernard Lamarche and Pierre Rannou — Abstract Adi Baker  
106 Cultural Programming in Vancouver During the 2010 Winter Olympics — Abstract Jesse Birch and Jesse Gray  
106 Scott Treleaven: Are You a Zombie or a Witch? — Abstract Elijah Burgher  
106 Get on Up! Michael Jackson is Alive and, Well -- (Preface to a Twenty Volume Love Note) — Abstract Lynn Crosbie  
106 Noteworthy — Abstract editorial staff  
106 Psychometry and the Affective Artifact — Abstract Jennifer Fisher  
106 Liam Gillick: Three Perspectives and a Short Scenario — Abstract Sally Frater  
106 Paying a Visit to Mary — Abstract Daniel Fuller  
106 Janet Cardiff and George Bures Miller: The Murder of Crows — Abstract Amy Fung  
106 Cedric and Nathan Bomford, Bamberton: Contested Landscape — Abstract Holand Gidney  
106 Textiles: Art and the Social Fabric — Abstract Luis Jacob  
106 Drowning Ophelia — Abstract Laura Robynn Kane  
106 The Aesthetic Unconscious, by Jacques Rancière — Abstract Laura Robynn Kane  
106 “The Secret Circle of God’s Supernatural Blessing:” Nate Larson’s Photographic Miracles and the Question of Belief — Abstract Louis Kaplan  
106 Julia Rosa Clark: Paradise Apparatus — Abstract Miles Keylock  
106 Will Munro: Inside the Solar Temple of the Cosmic Leather Daddy — Abstract Bruce LaBruce  
106 The Uncanny as Real: David Lillington Interviews Paulette Phillips — Abstract David Lillington  
106 Learning from Vancouver, Western Front — Abstract Joni Low  
106 Behind the Curtain: Leah Modigliani Interviews the Center for Tactical Magic — Abstract Leah Modigliani  
106 Editorial: Transcendence — Read Text Amish Morrell  
106 Barbara Lounder — Abstract Colleen O'Neill  
106 World Tea Party, Centre A — Abstract Christopher Olson  
106 Brawl, Norma (Vanessa Kwan, Diana Lopez-Soto, Josh Neelands, Christy Nyiri, Pietro Sammarco, Erica Stocking, and Kara Uzelman), Andy Livingstone Field Presented by Artspeak as Part of the Bright Lights Festival — Abstract Christopher Olson  
106 Heidi Nagtegaal: Redirecting Traffic (Hastings Between Heatley and Hawkes) — Abstract Christopher Olson  
106 Theo Sims: The Candahar, Presentation House Gallery — Abstract Liz Parks  
106 To Show, to Give, to Make It Be There: Expanded Literary Practices in Vancouver: 1954-1969, Simon Fraser University Gallery, and Geoffrey Farmer: Every Letter of the Alphabet, 1875 Powell Street at Victoria Drive — Abstract Aaron Peck  
106 Here You Are, Part One, and Christian Kliegel: Walk In — Abstract Rachelle Sawatsky  
106 Scott Treleaven — Abstract Scott Treleaven  
105 Tricia Middleton: Dark Souls — Abstract James D. Campbell  
105 And Other Essays: Nayland Blake, Tom Burr, Harry Dodge, Alix Lambert, Allen Ruppersberg and Andrea Zittel — Abstract David Court  
105 Graeme Patterson: The Grappler — Abstract Ray Cronin  
105 Art/Life: A Conversation with Tehching Hsieh — Abstract Karlyn De Jongh  
105 Noteworthy — Abstract editorial staff  
105 Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle by Sven Lütticken — Abstract Alissa Firth-Eagland  
105 Kelly Mark: It's Just One God Damn Thing After Another — Abstract Emma Frank  
105 Steve Higgins: All Things Considered, and Sara Graham: Department of Systems Oversight — Abstract Sara Hartland-Rowe  
105 Baseball Pile #2 and Wrestling Ring — Abstract Patrick Krzyzanowski  
105 The Beautiful Game: Art and Sport in the Work of Humberto Vélez — Abstract Elizabeth Matheson  
105 Sophie Bélair Clément — Abstract Jesse McKee  
105 Glenn Ligon: Death of Tom and Untitled (Minnesota Massacre) — Abstract Tatiana Mellema  
105 Hanging Fire: Contemporary Art from Pakistan — Abstract Srimoyee Mitra  
105 Editorial: Critical Participation — Read Text Amish Morrell  
105 War at a Distance — Abstract Colleen O'Reilly  
105 The Body Engraved: Performances and Interventions of Lorena Wolffer — Abstract Deborah Root  
105 In Numbers: Serial Publications by Artists Since 1955, edited by Andrew Roth and Philip Aarons — Abstract David Senior  
105 Au Naturel, by Amna Malik — Abstract Beth Stuart  
105 Annie Wu and Antoni Wojtyra: Ideally — Abstract Stefan Sulzer  
105 Daniel Young and Christian Giroux: Every Building, or Site, That a Building Permit Has Been Issued for a New Building in Toronto in 2006 — Abstract Scott Sørli  
105 Katlin Till-Landry Interviews Martha Wilson — Abstract Kaitlin Till-Landry  
105 Tim Barber: Tout va Bien — Abstract Leah Turner  
104 Yvonne Singer - Random Objects: Random Thoughts — Abstract Sarah Aranha  
104 Ars Memoriae: Eve K. Tremblay's Book People — Abstract James D. Campbell  
104 Report on the New York Art Book Fair — Abstract Miles Collyer  
104 Noteworthy — Abstract editorial staff  
104 The F Word, Essays by Alissa Firth-England Candice Hopkins, Karen Henry, and an interview with Lisa Steele by Firth-England. Artists' works by Lisa Robertson and Kristina Lee Podesva. — Abstract Ginger Scott  
104 Lorraine Field: Vanishing Point — Abstract Sara Hartland-Rowe  
104 O.H.F + U.S.A= M.F.A and Positive/Negative Space — Abstract Onya Hogan-Finlay  
104 God and the "GAZE:" A Visual Reading of Lady Gaga — Abstract Jen Hutton  
104 Colette Whiten — Abstract Leah Modigliani  
104 Editorial: Contemporary Feminisms — Read Text Amish Morrell  
104 The Importance of Being Iceland: Travel Essays in Art, by Eileen Myles — Abstract Amish Morrell  
104 Who Was that Woman? — Abstract Helena Reckitt  
104 Francis Alÿs: Fabiola — Abstract Stephanie Rogerson  
104 Istanbul: Hale Tender and Mürüvvet Türkyilmaz — Abstract Deborah Root  
104 Ecstatic Resistance — Abstract Emily Roysdon  
104 Iris Häussler: He Named Her Amber — Abstract Kate Steinmann  
104 Gerald Ferguson, 1937-2009 — Abstract Monica Tap  
103 Zin Taylor: The Bakery of Blok — Abstract Dan Adler  
103 Beyond the Hype: Nuit Blanche in the "Creative City" — Abstract Joseph Bahn  
103 Mika Rottenberg — Abstract Katie Bethune-Leamen  
103 Sea of Contingencies: Vancouver's Domestic Interventions — Abstract Jesse Birch  
103 Aleesa Cohene: Something Better — Abstract Jon Davies  
103 Michael A. Robinson: Throw Genre — Abstract Peter Dub#233;  
103 Younger than Jesus — Abstract Patrick Dyer and Jesse McKee  
103 Noteworthy — Abstract editorial staff  
103 Sara Angelucci: Regular 8 — Abstract Kirsten Den Hartog  
103 Everything All at Once — Abstract Jen Hutton  
103 Decentre: Concerning Artist-Run Culture /a propos de centres d'artistes, Edited by Elaine Chang, Andrea Lalonde, Chris Lloyd, Steve Loft, Jonathan Middleton, Daniel Roy, Haema Sivanesan — Abstract Michael Maranda  
103 Call to Order — Abstract James B. Maxwell and Kathleen Ritter  
103 Annie Pootoogook's Drawings of Contemporary Inuit Life — Abstract Leah Modigliani  
103 Editorial: Off Grid — Read Text Amish Morrell  
103 Artists with PhDs: On the New Doctoral Degree in Studio Arts, Edited by James Elkins — Abstract Gabrielle Moser  
103 The Mystical Language of the Everyday: Jamelie Hassan's At the Far Edge of Words — Abstract Deborah Root  
103 Vancouver Art & Economies by Melanie O'Brian — Abstract Leah Turner  
103 Fire Watcher — Abstract Kara Uzelman  
102 Infinite Jest: Bruce Nauman & Contemporary Art as Continuous Process — Abstract Heather Diack  
102 Actions: What You Can Do with the City — Abstract Peter Dub#233;  
102 Late Capitalist Pathologies and Redemptions: Emily Vey Duke and Cooper Battersby's Beauty + Pity — Abstract Irmgard Emmelhainz  
102 Letter to the Editor, Re: Gabrielle Moser's Article "Do Curators Need University Curatorial Programs?" in C Magazine Issue 100 — Abstract Emily Jones  
102 Project Biennalist by Thierry Geoffroy/Colonel — Abstract Séamus Kealy  
102 Altermodern: Tate Triennial 2009 — Abstract Charlene Lau  
102 Reversing Pedagogies with a Little Social Schooling — Abstract Tatiana Mellema  
102 The Hugo Boss Prize 2008: Emily Jacir — Abstract Leah Modigliani  
102 Editorial: When is "Contemporary?" — Read Text Amish Morrell  
102 The Way I Are — Abstract Alex Snukal  
102 The Beautiful and the Everyday in the Films of Mark Lewis — Abstract Shepherd Steiner  
102 Street Poets & Visionaries: Selections from the UbuWeb Collection — Abstract Malcom Sutton  
102 Ship of Fools Portal — Abstract Christine Swintak  
102 What It Really is — Abstract Leah Turner  
101 Letter to the Editor, Re: Sholem Krishtalka's Letter to the Editor in C Magazine Issue 100 — Abstract Eli Bornowsky  
101 What Can Cinema Do? — Abstract Jon Davies  
101 Tino Sehgal — Abstract Vincenzo De Bellis  
101 Gareth Long: Second, Third, Fourth — Abstract Ryan English  
101 What Can a Magazine Do? — Abstract Rosemary Heather  
101 Those of Us Who Know about These Darkened Rooms — Abstract Jacob Korczynski  
101 PCP: Pop/Conceptual/Psychedelic — Abstract Lars Bang Larsen  
101 The Lap, The Fur — Abstract Rodney LaTourelle  
101 The Art of Disappearing — Abstract Johan Lundh  
101 The 7th Gwangju Biennale Annual Report: A Year in Exhibition, Directed by Okwui Enwezor — Abstract Jesse McKee  
101 28th Bienal de Sao Paulo — Abstract Earl Miller  
101 Nathalie Djurberg — Abstract Leah Modigliani  
101 Claude Wampler: Staging Shadows Without Source — Abstract Patricia Reed  
101 Future Forward — Abstract Carol-Ann M. Ryan  
101 Making Real — Abstract Rachelle Sawatsky  
101 Political Action Figures — Abstract Chen Tamir  
101 Fiona Kinsella: Chapel (Rose) — Abstract Stephanie Vegh  
100 On Kristina Lee Podesva's Colourschool — Abstract Michael Birchall  
100 Enthusiasm at the Limit — Abstract Nicholas Brown  
100 Exhibitionism — Abstract Gregory Elgstrand  
100 Art Pedagogy — Abstract Rosemary Heather  
100 Letter to the Editor — Abstract Sholem Krishtalka  
100 It's Time Man. It Feels Imminent — Abstract Jesse McKee  
100 To Be Seen and Not Just Heard About: On a Painting by Rae Johnson — Abstract Catharine McTavish  
100 The State of Art Criticism and Critical Theory — Abstract Earl Miller  
100 Life on Mars — Abstract Earl Miller  
100 Convergence Center (Part of Democracy in America: The National Campaign) — Abstract Leah Modigliani  
100 Do Curators Need University Curatorial Programs? — Abstract Gabrielle Moser  
100 No Typical Donor — Abstract Lydia Perović  
100 Erwin Wurm: Désespéré/Desperate — Abstract Jean-Michel Ross  
100 Corin Sworn: Back in 5: Accessing the Back Story — Abstract Rachelle Sawatsky  
100 Katie Bethune-Leamen: Mushroom Studio — Abstract Carolyn Tripp  
100 Jesse Jones: The Spectre and the Sphere — Abstract Leah Turner  
99 An Institution is defined by its Ability to Ask Questions: A Report on the 2008 IKT Congress in Montreal — Abstract Heather Anderson  
99 Letter to the Editor — Abstract Eli Bornowsky  
99 Geoffrey Farmer: Forgetting Air/Gareth Moore: As A Wild Boar Passes Water — Abstract Nicholas Brown  
99 Bruce Conner, 1933-2008 — Abstract Jon Davies  
99 Between Home and Elsewhere — Abstract Mona Filip  
99 Orientalism and Ephemera — Abstract Julian Jason Haladyn and Miriam Jordan  
99 Art Diasporas — Abstract Rosemary Heather  
99 Artist Centrefold: United Nations ISO 216 — Abstract Antonia Hirsch  
99 John Abrams: Cinema Vernis — Abstract Heidi Kellett  
99 Otherwise Unexplained Fires: Joyce Weiland and the Experimental Film Scene in 1960s New York — Abstract Anne Low  
99 From Beijing to Paris to San Francisco: Hou Hanru in Conversation — Abstract Johan Lundh  
99 Martian Museum of Terrestrial Art — Abstract Jesse McKee  
99 Global Canadians — Abstract Earl Miller  
99 Take Your Time: Olafur Eliasson — Abstract Leah Modigliani  
99 Kevin Rodgers: The Mystics and the Passions — Abstract Wojciech Olejnik  
99 From Montreal to the World: Parachute Magazine - 1975-2006? — Abstract Tammer Salah El-Sheikh  
99 The Dad Tapes/The Mom Photographs: Kim Waldron — Abstract Kim Waldron  
99 Glad the CIA is Immoral — Abstract Jacob Wren  
98 Exponential Futures — Abstract Eli Bornowsky  
98 Bouquet, Diane Borsato — Abstract Diane Borsato  
98 Reconstitutions/Re-enactments — Abstract Nicholas Brown  
98 Props to the Fairy People — Abstract Jon Davies  
98 Rightfully Yours — Abstract Jon Davies  
98 The Art System — Abstract Rosemary Heather  
98 Fabrique en Canada — Abstract Chris Kraus  
98 Brice Marden — Abstract Sholem Krishtalka  
98 The Elephant in the Room: A Brief Excursus on Avant-Garde and Community Art — Abstract Marc James Léger  
98 Montreal's DHC/Art and the Changing Climate of Arts Patronage in Canada — Abstract Chris Lloyd  
98 Pablo Bronstein — Abstract Jesse McKee  
98 The 2008 Whitney Biennial — Abstract Leah Modigliani  
98 Art and Politics: On the critic Hal Foster — Abstract Lydia Perović  
98 Valérie Blass — Abstract Jean-Michel Ross  
98 Oscar Mua∓#241;oz: Disappearing Image — Abstract Tamara Toledo  
98 Objects on stage (Notes from pre- and post-) — Abstract Victor Tupitsyn  
98 Cat Thinks People Not Living Life to the Full — Abstract Jacob Wren  
97 The Painting of Modern Life — Abstract Christina Bagatavicius  
97 Mike Nelson: A Psychic Vacuum — Abstract Graham T. Beck  
97 Re-Actionism — Abstract Shannon Bool  
97 One, Some, Many: 3 Shows by Carsten Höller — Abstract Jon Davies  
97 Jenny Holzer — Abstract Janis Demkiw  
97 Beginning of the End - End of the Beginning — Abstract Amy Fung  
97 Immersion — Abstract Rosemary Heather  
97 Light Magic — Abstract Sydney Hermant  
97 On Being an Exhibition — Abstract Marisa Jahn  
97 Comedy Central — Abstract Steve Kado  
97 I+I-I on I+I-I — Abstract Rodney LaTourelle  
97 Thomas Hirschhorn: Jumbo Spoons and Big Cake — Abstract Marc James Leger  
97 To Be Immersed in the Experience of the Now — Abstract Earl Miller  
97 DAVID ASKEVOLD, 1940-2008 — Abstract Ian Murray  
97 Eoghan McTigue: The Image Screen — Abstract Wojciech Olejnik  
97 ÜBERleben — Abstract Patricia Reed  
97 On the Other Side of the Couch — Abstract Rachelle Sawatsky  
97 Artist Centrefold: Graffiti Removal Project — Abstract Brent Wadden  
96 Views: The Politics of Cool — Abstract Cooper Battersby and Emily Vey Duke  
96 Emmanuelle Leonard: Une sale affaire — Abstract James D. Campbell  
96 Family Romance — Abstract Jon Davies  
96 Auto Emotion: Autobiography, Emotion and Self-Fashioning — Abstract Jon Davies  
96 State Britain: Mark Wallinger — Abstract Emily Vey Duke  
96 Crashing Fashion — Abstract Ryan English  
96 Real Existing Capitalism — Abstract Rosemary Heather  
96 Artefact Montreal 2007 - Urban Sculptures — Abstract Rosemary Heather  
96 Conflict Studies — Abstract Andria Hickey  
96 Megatron: Team Interview with Brian Joseph Davis and Steve Kado — Abstract Steve Kado  
96 High Dispersion of Light #2 — Abstract Devon Knowles  
96 Views: Art Market Education — Abstract Sholem Krishtalka  
96 Kai Schiemenz — Abstract Rodney LaTourelle  
96 Woodlot: The 3rd KW/AG Biennial — Abstract Tor Lukasik-Foss  
96 Been Up So Long It Looks Like Down To Me — Abstract Johan Lundh  
96 Lenin, Bicycles, Theory and Love; Rainer Ganahl — Abstract Christine Martin  
96 Patterns Why: Matthew Burbidge and Jaro Straub — Abstract Wojciech Olejnik  
95 Lynne Marsh, Ballroom — Abstract Stacey Abramson  
95 Projections: A Survey of Projection-Based Works in Canada, 1964-2007 — Abstract Dan Adler  
95 Anarchy at documenta — Abstract Allan Antliff  
95 The Munster Sculpture Project — Abstract Vesna Antliff  
95 Jeremy Shaw: Best Minds Part One — Abstract Clint Burnham  
95 Two Versions of Engagement — Abstract Jon Davies  
95 Jon Sasaki — Abstract Dave Dyment  
95 The 52nd Venice Biennale — Abstract Petra Halkes  
95 Canada, locate yourself! — Abstract Rosemary Heather  
95 documenta 12 — Abstract Rosemary Heather  
95 Staring Therapy (2007) — Abstract Victoria Kent  
95 Chih-Chien Wang — Abstract Tatiana Mellema  
95 Anitra Hamilton: Retrospective on Parade — Abstract Earl Miller  
95 Monika Baer, Thomas Bayrle — Abstract Wojciech Olejnik  
95 Biennale de Montreal 2007 — Abstract Leila Pourtavaf  
95 Memory Trigger — Abstract Manuel Segade  
95 Gordon Matta-Clark: You Art the Measure — Abstract Chen Tamir  
95 Views: Artists and Air Miles — Abstract Jacob Wren  
94 In the Blink of an Eye — Abstract Stacey Abramson  
94 Kiki Smith: A Gathering, 1980-2005 — Abstract Rosa JH Berland  
94 Jillian Pritchard — Abstract Eli Bornowsky  
94 A theory of Emergence — Abstract Tony Conrad  
94 Art=Real Life — Abstract Rosemary Heather  
94 Lucy Pullen: New Knowledge — Abstract Candice Hopkins  
94 Views: She, Her and Me — Abstract Chris Kraus  
94 Katja Host: The Lonely Crowd — Abstract Tatiana Mellema  
94 The Idea of North — Abstract Doreen Mende  
94 Rodney LaTourelle: In the Absence of Unambiguous Criteria — Abstract Patricia Reed  
94 Long Distance Haul — Abstract Leah Sandals  
94 Snakes and Ladders (2007) — Abstract Jon Sasaki  
94 Material Ouvres — Abstract Catherine Sicot  
94 Loitering in Cyberspace — Abstract Cheryl Simon  
94 Notes on the Second Moscow Biennale of Contemporary Art, or how I learned to stop worrying and love the rubble (not the ruble… or the bomb) — Abstract Monika Szewczyk  
94 Views: Adventures in Ironic Activism — Abstract Jacob Wren  
93 Model for a Public Space [Speaker] — Abstract Adrian Blackwell  
93 Liz Rideal, Fall, River, Snow: Water Drape, Ice Steam, Deer Portrait — Abstract Charles Danby  
93 Views: Kenneth Anger Me — Abstract Jon Davies  
93 Deborah Margo — Abstract Petra Halkes  
93 Canada's Culture War — Abstract Rosemary Heather  
93 Rodney Graham — Abstract Andria Hickey  
93 Between the Monument and the Ruin — Abstract Candice Hopkins  
93 Neo Rauch — Abstract Sholem Krishtalka  
93 Scott Treleaven: My dear, my darling, do you hear me where you sleep? — Abstract York Lethbridge  
93 Representation of a Sculptor — Abstract Earl Miller  
93 Beyond Cinema: The Art of Projection — Abstract Henrikke Nielsen  
93 "I Believe the Solution is Panic" — Abstract Fernando Oliva and Marcelo Rezende  
93 Al Steiner — Abstract Lisi Raskin  
93 Manifesta Destiny — Abstract Helena Reckitt  
93 Iris Haussler — Abstract Catherine Sicot  
93 Views: Canadian Club — Abstract Judith Wilkinson  
93 Real Dirty Ethics — Abstract Jacob Wren  
92 Sterling Ruby: Interior Designer — Abstract Aaron Brewer  
92 Goshka Macuga: Sleep of Ulro — Abstract Charles Danby  
92 Madness is the language of the excluded — Abstract Michèle Faguet and Cristobal Lehyt  
92 Dissociation — Abstract Rosemary Heather  
92 Ornament as Content: And Interview with Shannon Bool — Abstract Rosemary Heather  
92 Gwangju & Singapore Biennials, 2006 — Abstract Rosemary Heather  
92 Sound and Vision — Abstract Andria Hickey  
92 Group Search (Art in the Library) — Abstract Vanessa Kwan  
92 Mike Kelley: Profondeurs Vertes — Abstract Rodney La Tourelle  
92 Predators & Prey — Abstract Alma Mikulinsky  
92 Views: Pile Driver: Philippe Donadini messes things up — Abstract Benny Nemerofsky Ramsay  
92 Cornelia Schmidt-Bleek: Plotting Revolution Under an Apple Tree — Abstract Henrikke Nielsen  
92 How to Colour — Abstract Lisa Robertson  
92 If balance stops and asks why, balance will die — Abstract Kirstine Roepstorff  
92 Natural Emptiness — Abstract Nadia Ross  
92 Uncertain States of America — Abstract Chen Tamir  
92 Views: The Romantic and the Entrepreneur — Abstract Jacob Wren  
91 Territory, Artspeak and Presentation House Gallery — Abstract Clint Burnham  
91 Canada: A Group Show From New York — Abstract Charles Danby  
91 Althea Thauberger: Experimentalism is Dead, Long Live the Internet — Abstract Emily Vey Duke  
91 The Young Canadians — Abstract Rosemary Heather  
91 Ninth Havana Biennial — Abstract Jacob Korczynski  
91 Greetings from LA: Chris Kraus reports on some suspicious activity in the new USA — Abstract Chris Kraus  
91 Nico Ihlein: Unclear Situations in Half Secured Rooms — Abstract Rodney LaTourelle  
91 Kristan Horton: An Image of Sculpture — Abstract Yam Lau  
91 Parlour of Twilight — Abstract Corwyn Lund and Simone Moir  
91 Dan Hays: Colorado Impressions — Abstract Ruth Maclennan  
91 Daniel Olson: Beside Myself — Abstract Tatiana Mellema  
91 Law and Ordering: On Evaluating Recent Canadian Neoconceptualism — Abstract Earl Miller  
91 Wait For Me — Abstract Jennifer Murphy  
91 Near and Far, Milutin Gubash, Stride Gallery — Abstract Jennifer Murphy  
91 Vancouver's Collecting Collective — Abstract Christina Ritchie  
91 Sadegh Tirafkan: Manhood — Abstract Nadja Sayej  
91 Michel De Broin: Taking Art For A Ride — Abstract Bernard Schütze  
91 Close To Icons: Monika Szewczyk on Steven Shearer's growing devotion to painting — Abstract Monika Szewczyk  
91 Oil for Art's Sake: Andrei Molodkin cuts into the veins of Western oil dependency — Abstract Victor Tupitsyn  
90 Anonymous, Not Impressed by Civilization, 2006    
90 A Museum of the Future Vito Acconci  
90 Timeline: Manifestos for Beginners Mireille Bourgeois  
90 Instant Coffee Puts the Fest in Manifesto Instant Coffee  
90 I Feel Pretty Tom Dean  
90 All you need is Leniency Leah Glushien  
90 Michael Lewis, "Ancestor Corridor": Centre D’Exposition L’Imagier, Gatineau, QC Diane Hardy and Dorothy Howard  
90 The Manifesto Issue Rosemary Heather  
90 Berlin Biennal 4: Berlin, Germany Marie Fraser and Antonia Hirsch  
90 Manifestations of Soft Revolution Toronto School of Creativity & Inquiry  
90 A Message from the P.R.A. (Purple Resistance Army) Bruce LaBruce  
90 Arnaud Maggs, "Nomenclature": The Robert McLaughlin Gallery, Oshawa, ON Gil McElroy  
90 Supernovas: Winnipeg Art Gallery, Winnipeg J. J. Kegan McFadden  
90 Shinobu Akimoto, "Better Living": Art Gallery of Windsor, Windsor, ON Sally McKay  
90 Michael Euying Oh: Pari Nadimi Gallery, Toronto Earl Miller  
90 Welcome to Freedom Street: Mark Nault's Nationalist Underground Mark Nault  
90 Canada Dreaming: Wolfsburg Kunstverein, Wolfsburg, Germany Henrikke Nielsen  
90 Theatre Embarrassment and Commodification: An Aesthetic of Civic Engagement Darren O'Donnell  
90 ---ifesto: Feminist Art's Shifting Ground Helena Reckitt  
90 Kathy Slade, "Chart": Tracey Lawrence Gallery, Vancouver Cate Rimmer  
90 Paul Butler, "Geting There is Half the Fun": Wynick/Tuck Gallery, Toronto Nadja Sayej  
90 The Arbour Lake Sghool, Untitled, 2006 The Arbour Lake Sghool  
90 Mika Rottenberg, "Dough": Nicole Klagsbrun Gallery, New York Chen Tamir  
90 Manifesto: 11 conversation starters for Smal Wooden Shoe Jacob Zimmer  
89 Stephanie Aitkin, "Headlands: New Paintings", Helen Pitt Gallery, Vancouver Sean Alward  
89 Ilya and Emily Kabakov, "The house of Dreams": Serpentine Gallery, London Christina Bagatavicius  
89 Jeannie Thib, "Pattern Fields": Foreman Art Gallery of Bishop's University, Lennoxville, QC Maura Broadhurst  
89 Brian Jungen Interviewed by Terence Dick Terence Dick  
89 Jessica Thompson, "Soundbike": GlowLab, Open Lab Art Interactive, Boston Dina Dietsche  
89 Lori Newdick, "Lucky": Corkin Shopland Gallery, Toronto Carla Garnet  
89 Case Histories Rosemary Heather  
89 Nancy Van Keerbergen, Self Portrait, Back Nails Drip, 2003 Nancy Van Keerbergen  
89 Slant: Wake Chris Kraus  
89 Jeff Wall, "Photographs 1978-2004": Tate Modern, London Vesna Krstich  
89 Erik Goengrich, "Everything Else is Inside: Berlin Sculptures & Other Announcements", Platz Der Vereinten Nationen 27, Berlin Rodney LaTourelle  
89 Theodore Saskatche Wan, or Posing with Another Yam Lau  
89 "a plot with a single type of grass…": Anne Low on Andrew Dadson Anne Low  
89 Yang Fudong: Stedelijk Museum, Amsterdam Tatiana Mellema  
89 Lisi Raskin: Transmission Gallery, Glasgow Mick Peter  
89 My Fuzzy Valentine: Allyson Mitchell Helena Reckitt  
89 The Short Interview: Ken Lum Leah Sandals  
89 Chris Marker's Owl's Eye View Sarah Robayo Sheridan  
89 Theo Sims, "Splace": Golden Thread Gallery, Belfast Salvka Sverakova  
89 Corin Sworn, Switzerland 1972, 2005 Corin Sworn  
89 Art Drug Centre: Jacob Wren on Kaoru Arima Jacob Wren  
88 Awesome, Harvest Holidae, 2005 Awesome  
88 The Scale of the Disaster Aaron Brewer  
88 Le Mois de la Photo à Montréal: Montréal, QC Anna Carlevaris  
88 Martha Rosler: Institute of Contemporary Arts, London, UK Andrea Carson  
88 News From Nowhere: Susan Hobbs Gallery, Toronto Janis Demkiw  
88 Modern Primitives: So Faux: Canada Invents a New School of Art Rock Stacey DeWolfe  
88 Shrieks, Drones & Destruction: How Fluxus Altered the Face of Pop Music (Without Anyone Noticing) Dave Dyment  
88 Downes Point and So Departed (Again): Presentation House Gallery, Vancouver Michèle Faguet  
88 Art Rock Rosemary Heather  
88 Taylor Savvy [Sham] Artist, Pop Imposter Rosemary Heather  
88 Gap Artist: Tim Lee Works The Staged Fantastic Justin Hoffmann  
88 Disquiet: Modern Fuel, Kingston, Ontario Risa Horowitz  
88 Dan Graham Interviewed by Luis Jacob Luis Jacob  
88 Goody-B. Wiseman: Bad Girl Perennial Chris Kraus  
88 L'Autre Amérique: Art Contemporain du Brésil, Passage de Retz, Paris, France Duncan Macdonald  
88 File Under Anarchy: A Brief History of Punk Rock's 30 Year Relationship with Toronto's Art Press Earl Miller  
88 51st Venice Biennale: Venice, Italy Earl Miller  
88 Affirm/Nation: Urban Shaman Gallery of Contemporary Aboriginal Art, Winnipeg Sandee Moore  
88 Will Munro, I want to infuse pop music with disease cuz it's the beat that's killing me, 2005 Will Munro  
88 Dimensionality: YYZ Artists Outlet, Toronto Wojciech Olejnik  
88 I Really Should...: Lisson Gallery, London, UK Terri Whitehead  
87 The Shover: Andrew Pollock Interviewed by Aaron Brewer — Abstract Aaron Brewer  
87 Ana Rewakowicz, "Dressware: SleepingBagDress": Musée d’Art Contemporain de Montréal — Abstract Cecilia Chen  
87 Slant: Terance Koh Interviewed by Mike e.b. — Abstract Mike e.b.  
87 All-Interview Issue — Abstract Rosemary Heather  
87 Gregory Burke Interviewed by Rosemary Heather — Abstract Rosemary Heather  
87 Marlena Kudlicka, "The Image That Emits No Shadow": Location One, New York — Abstract Thomas Johnson  
87 Kristina Lahde, Envelope Piece I, 2004 — Abstract Kristina Lahde  
87 Toby Paterson, "After the Rain": Barbican Gallery, London, UK — Abstract Anne Low  
87 Robert Storr Interviewed by John Bentley Mays — Abstract John Bentley Mays  
87 Dedicated to You, But You Weren't Listening: The Power Plant, Toronto — Abstract Earl Miller  
87 Olia Mishchenko, Untitled, 2005 — Abstract Olia Mishchenko  
87 Glenn Ligon Interviewed by Lyndon Phillip — Abstract Lyndon Phillip  
87 Kathryn Walter, "Remnants": Zsa Zsa Gallery, Toronto — Abstract Deborah Root  
87 Noam Gonick Interviewed by Leah Sandals — Abstract Leah Sandals  
87 Susanna Heller, "City Watch": Oakville Galleries, Ontario — Abstract Nadja Sayej  
87 Janet Cardiff & George Bures Miller Interviewed by Eva Scharrer — Abstract Eva Scharrar  
87 Robert Lee, "Minima Moralia": Images Festival 2005, Toronto — Abstract Sarah Robayo Sheridan  
87 BGL Interviewed by Kika Thorne — Abstract Kika Thorne  
87 Emotion Pictures: Museum Van Hedendaagse Kunst, Antwerp — Abstract Michael Turner  
87 Luis Jacob, "Open Your Mouth and Your Mind Will Follow": AKA, Saskatoon — Abstract Donna Wawzonek  
87 Gregory Crewdson, "Beneath The Roses": White Cube Gallery, London, UK — Abstract Terri Whitehead  
86 Supplemental Supernatural: David Askevold in Los Angeles — Abstract Aaron Brewer  
86 Two Types of Sacred: 1970s Endurance Art Today — Abstract Emily Vey Duke and Kevin Rodgers  
86 Reena Spaulings: Haswellediger & Co., New York — Abstract Xandra Eden  
86 Group Metaphysics — Abstract Rosemary Heather  
86 Slant: My Dinner With Who? — Abstract Chris Kraus  
86 Availabism, Ferralism and Kali 101: Bruce La Bruce Talks To Kembra Pfahler — Abstract Bruce LaBruce  
86 Germaine Koh: Catriona Jeffries Gallery, Vancouver — Abstract Kyla Mallet  
86 Don't You Feel Better?: Meeso Lee Gets Uneven — Abstract John Marriott  
86 Blue Republic: Peak Gallery, Toronto — Abstract Bryne McLaughlin  
86 The Politics of Wearability: African Cloth Reinvents The Diaspora — Abstract Lyndon Phillip  
86 Micah Lexier: Gitte Weise Gallery, Berlin — Abstract Adina Popescu  
86 Brad Phillips: Groeflin Maag Galerie, Basel — Abstract Eva Scharrar  
86 Daniel Siney, Aaron Firing Red Arrow, 2004 — Abstract Daniel Siney  
86 Untitled, 2005 — Abstract Derek Sullivan  
86 James Lee Byars "Love, Life and Death": Musée De L'Art Moderne Et Contemporain De Strasbourg, Strasbourg, France — Abstract Pan Wendt  
86 Beck's Futures 2005: Institute of Contemporary Arts, London — Abstract Judith Wilkinson  
86 Stephen Andrews: Cue Art Foundation, New York, and Participant Inc., New York — Abstract Joseph R. Wolin  
86 No Truth Without A Fight: Jacob Wren On Alain Badiou — Abstract Jacob Wren  
85 Eli Lander, "Twelve Years From Earth": Daniel Hug Gallery, Los Angeles Muriel Bartol  
85 The Shover: Waiting For The One Aaron Brewer  
85 I Want More Life Fucker: Arnaud Desjardin Talks to UK’s Inventory Arnaud Desjardin  
85 Slant: Suffering, Empathy, Art and the Greater Good Emily Vey Duke  
85 It Can Change, 2004 Gavin Brown’s Enterprise  
85 Pro-Americanism Rosemary Heather  
85 Body Politics: A Letter to Terry Eagleton Thomas Johnson  
85 Gu Xiong and Xu Bing, "Here is What I Mean": Doris McCarthy Gallery, Scarborough Julian Jason Haladyn and Miriam Jordan  
85 Elke Marhöfer: Get Out if Here and Think We Rodney La Tourelle  
85 Gregor Schneider, "Die Familie Schneider": Artangel, London Anne Low  
85 Re: Twenty Years of C Magazine Dyan Marie  
85 Nice Nihilism: The Art of Chris Hanson and Hendrika Sonnenberg Earl Miller  
85 Paper Rad: The Rainbow Graffiti Will Fade! Jenifer Papararo  
85 Flipside: Artists Space, New York Lisi Raskin  
85 3 Objects, Daniel Young and Christian Giroux: Ace Art Inc., Winnipeg Mary Reid  
85 Paul P.: Galerie Lisa Ruyter, Vienna Julie Ryan  
85 White: Whiteness and Race in Contemporary Art, International Center of Photography, New York Leah Sandals  
85 Postscript to "An Interview With Michael Snow" In Issue #84 Winter 2004: Apologies and Corrections / Clarifications Michael Snow  
85 Sandra Meigs, "The Bump and Ride Paintings": Susan Hobbs Gallery, Toronto Chen Tamir  
85 Sadegh Tirafkan, From the Series: Secret of the Runes, 2002 Sadegh Tirafkan  
85 Table of Contents: Sydney Vermont, George Reagan, 2005 Sydney Vermont  
84 Adrian Blackwell, Car Collective: Modern Fuel, Kingston, Canada Jan Allen  
84 Precision Gesamtkunstwerk: This is a Universe, An Interview with Michael Snow Ariane Beyn  
84 The Shover: War Consolations Aaron Brewer  
84 Artefact 2004 Urban Sculpture: Parc du Mont-Royal, Montréal Janis Demkiw  
84 Fabulation: Vox Contemporary Image, Montréal Stacey DeWolfe  
84 Your information is wrong Rosemary Heather  
84 Bettina Hoffmann, Maître Et Chien, 2004 Bettina Hoffmann  
84 Shining-TV: Distortion on Demand Conor Humphries  
84 Oona Stern: False Platitudes Thomas Johnson  
84 Shrinking Cities: Kunstwerke Gallery, Berlin Doris Kleilein  
84 Utopia Problem: Bruce Mau Design’s Massive Change Project John Bentley Mays  
84 Eddo Stern: Art Gallery of Ontario, Toronto Bryne McLaughlin  
84 Rock, Paper, Scissors: The Sculpture of James Carl Robin Peck  
84 Lee Bontecou: MoMA, New York Lisi Raskin  
84 The Cave and the Island: Kunstburo Gallery, Vienna Julie Ryan  
84 Slant: Terriblisma and the Work of Candice Lin and Alice Catteneo Goody-B Wiseman  
83 A Mobile Wardrobe Designed by Bless, 2004    
83 Dax Morrison, Day By Day: Art Gallery Of Windsor Allan Antliff  
83 The Father of the Raven and the New Jersey Turnpike at Night Aaron Brewer  
83 Bill Burns, Safety Gear For Small Animals: Saidye Bronfman Centre, Montréal Stacey DeWolfe  
83 Flow Chart For Chips, Maura Doyle, 2004 Maura Doyle  
83 Letter from Halifax Emily Vey Duke  
83 Jeremy Blake: Art Gallery of York University, Toronto Randy Gladman  
83 Daniel Richter: Optimistic Dystopian Eliza Griffiths  
83 Becoming Minor: Revenge of the Cradle, Keçeburnu Art Space and Diyarbakir Sanat Merkezi; Diyarbakir, Turkey Kenneth Hayes  
83 Traumatophilia Rosemary Heather  
83 Euan Macdonald, Eclipse + Other Chance Experiences: Kunstbunker, Nüremberg, Germany Sybrant Van Keulen  
83 Solutions to Problems that Don't Exist Chris Kraus  
83 Take Your Balls and Go: Bruce La Bruce on Jackie Curtis Bruce LaBruce  
83 John Bock: Klosterfeld Gallery, Berlin Rodney LaTourelle  
83 Together Forever: Contemporary Art Gallery, Vancouver Kyle Mallett  
83 Rachel Harrison, Latka/Latkas:GreeneNaftali Gallery, New York Lisi Raskin  
83 11th Biennial of Visual Arts Values: Pancevo, Serbia Bernard Schütze  
83 Trip Into the Unknown, Berlin’s Full-Blown Disco Perversion: The Honeysuckle Company Suzana Sučic  
82 Memoirs of Water: Station, Houston Allan Antliff  
82 Bernie Miller: Centre Cultural Canadian, Paris Louise Asherson  
82 Daniel Barrow, Hairstyle, 2004 Daniel Barrow  
82 Confidence, Contemporary Art from Vancouver: Passagen, Centre For Contemporary Art, Linkoping, Sweden Bo Borg  
82 The Shover: Jew Baiting The New World Order Aaron Brewer  
82 Helen Cho: Werkzeug/ Passion & Her Family & Orion Helen Cho  
82 Jay Isaac, Maritime Frazetta: Greener Pastures, Toronto Janis Demkiw  
82 Kirsten Stoltman, Let’s Get It On / Paul Llyod Sargent, White Blight Manifesto: Chicago Emily Vey Duke  
82 Long Music and the Short Now: On Rodney Graham’s Music Dave Dyment  
82 21st Century Werewolf Aesthetics: An Interview With David Altmejd Randy Gladman  
82 Turning The Corner On The World Stage Of Architecture: Frank Gehry’s Designs on Toronto Deirdre Hannah  
82 Pro-Canadianism Rosemary Heather  
82 Scope: New York Rosemary Heather  
82 Suzy Lake and the Cult of the Idol Patrick Holland  
82 Slant: Jack Goldstein and the Cal Arts Mafia Chris Kraus  
82 Ed Pien, Imaginary Beings: Prüss & Ochs, Berlin Benny Nemerofsky Ramsay  
82 Proposing Difficulty: Nestor Kruger In Theory And Practice Jenifer Papararo  
82 Johannes Wohnseifer, Enklave / Exklave: Galerie Nicolas Krupp, Basel Eva Scharrar  
81 Catherine Sylvain: Petites Détresses Humaines, Circa, Montreal Pascale Beaudet  
81 Obituary: Ann Lind, 1943-2004 Jessica Bradley  
81 The Shover: The Unseen, Supernatural Politics And The American Right Aaron Brewer  
81 Threads Of Belonging, Jennifer Montgomery: Gene Siskel Center, Chicago Emily Vey Duke  
81 The Last Revolutionary Moment: Weather Underground Director Sam Green In Conversation with Rebecca Godfrey Rebecca Godfrey  
81 Dysentery Rosemary Heather  
81 The Basement Show: The Electra, Vancouver Séamus Kealy  
81 Slant: Let's Call the Whole Thing Off Chris Kraus  
81 Peaches: Word To The Fatherfucker Bruce LaBruce  
81 Eli Langer, Untitled (Dream), 1996/2004 Eli Langer  
81 Siobhan Hapaska: Kerlin Gallary, Dublin Bryne McLaughlin  
81 Show’s Over Folks, Move Along: The Institutionalization of Art and The Secret Life of the Underground Philip Monk  
81 Melissa Shiff, Eijah Chair: Art, Ritual and Social Action, The Jewish Museum, New York Scott Myers  
81 I Wanna Be A Popstar: Loop, Raum Für Aktuelle Kunst, Berlin Eva Scharrar  
81 Collier Shorr: Modern Art Inc, London Fergal Stapleton  
81 All Ways Lead to Rome: Talking To La Cicciolina Suzana Sučic  
81 Mark Leckey / Tony Romano: Mercer Union, Toronto Corin Sworn  
81 Zin Taylor, The Locust, 2004 Zin Taylor  
81 Asking The Wrong Questions: 6 Artists Respond Sarah Hollenberg and Izida Zorde  
80 Dave Allen, ‘Cassette Tape Covers From C Issue #79, 2003 Dave Allen  
80 The Shover: Collectively Wrong - Fascist Aesthetics in Contemporary Life Aaron Brewer  
80 John Currin: Museum of Contemporary Art, Chicago Emily Vey Duke  
80 World War vs Tribal War Owen Ford  
80 Good Will Hunting Brian Gahan  
80 Andrew J. Patterson, Mono Logical: 7A*11D and Pleasure Dome, Toronto Andrew Harwood  
80 Collective Action Rosemary Heather  
80 They Is Them, We Is You, They Is Us, We Is Them Sarah Hollenberg and Rebecca Roberts  
80 Hadley Howles + Maxwell Stephens, Untitled Sculpture (1997), An Idea of Collaboration Hadley Howles and Maxwell Stephens  
80 Golden Streams: Artists' Collaboration and Exchange in the 1970's Luis Jacob  
80 Slant: Temporal Protocols Chris Kraus  
80 Bankleer (Christoph Leitner, Karin Kasböck): Kunstbank, Berlin Rodney LaTourelle  
80 Mark Lombardi, Global Networks: The Drawing Center, New York Scott Myers  
80 Isin Onol, ‘Light Compositions’, 2003 Isin Onol  
80 The 8th Havana Biennial: Two perspectives on two collaborations Janis Demkiw and Jenifer Papararo  
80 Obituary: Doris Shadbolt 1918-2003 Cate Rimmer  
80 Karin Bubas, Ivy House: Monte Clark Gallery, Vancouver Christina Ritchie  
80 Contemporary Art is Sex: Rita McBride in Conversation with Kathy Slade Kathy Slade  
80 'I Am a Curator', Per Huttner: Chisenhale Gallery, London Fergal Stapleton  
80 Re-play: Edmonton Art Gallery, Edmonton Natalie De Vito  
79 Virgorabbit, Virgodeer Aaron Brewer and Sarah Hollenberg  
79 Libia Pérez de Siles de Castro and Ólafur Árni Ólafsson: Sdhjñee / appearance Libia Pérez de Siles de Castro and Ólafur Árni Ólafsson  
79 Will Ideology Pay the Rent?: Some text for TASTE Ron Giii  
79 Corporate Kufic Kenneth Hayes  
79 The Foreign Issue Rosemary Heather  
79 Kaliningrad's Luminous Cacti Conor Humphries  
79 Foreign as us: the work of Basir Borlakov Erden Kosova  
79 Lee & Elaine, by Ann Rower Chris Kraus  
79 Interview with Gus Van Sant Bruce LaBruce  
79 Yuri Leiderman: Geopoetics 1, 2003 Yuri Leiderman  
79 Althea Thauberger: Serious Althea Thauberger  
79 The Invisible Arts: Through Frog Eyes and a Glass, Darkly Carl Wilson  
78 Dreams and Conflicts - The Viewer's Dictatorship: The 50th Venice Biennale    
78 TEAM APOCALYPSE Matt Bain and John Scott  
78 David Byrne David Byrne  
78 UK/Canada Film & Video Exchange Andrea Carson  
78 Ryan McGinley and Two Years of BUTT Mike e.b.  
78 An Interview with Vasif Kortun Xandra Eden  
78 Art Chicago 2003: The Art Industrial Complex Andrew Harwood  
78 Sale of the Century: Socialist Realism Wins Big on the Global Art Market Rosemary Heather  
78 Art Collection, Part 1: Thursday, 9 April, Palm Springs California Chris Kraus  
78 Simone Moir Simone Moir  
78 Damian Moppett Damian Moppett  
78 K48-3 Teenage Rebel: The Bedroom Show Jenifer Papararo  
78 Why Stoics Don't Riff: The Prime of Ms. Jeanne Randolph Andrew James Paterson  
78 Why Stoics Box: Essays on Art and Society by Jeanne Randolph Steve Reinke  
78 FACT/Liverpool: Film, Art and Creative Technology Centre Lee Rodney  
78 The Invisible Arts Carl Wilson  
77 I've Been Thinkin' David Armstrong  
77 Keeping Fluid In A Common Place: Karen Henderson's Gallery Cameras Martin Arnold  
77 The Evidence: A romantic interrogation of the work of Hilla Becher Gil Blank  
77 Visit To Nutsy's: Randy Gladman at Tom Sach's Studio Randy Gladman  
77 buzzes...others inside out... Hans-Jürgen Hafner  
77 Asia Pacific Triennial Ihor Holubizky and Jon Tupper  
77 Lessness Rob Kovitz  
77 The Art of Noise: Merzbow Kathleen Maitland-Carter  
77 Beyond Overcoming: Notes on Abstract Painting John Bentley Mays  
77 Some Assembly Required: Ray Johnson's Performance in Life and Death Matthew Rose  
77 Will Is Was Carl Skelton  
76 Ephemera: Collected mail    
76 That Cunt Has Balls: The Last of the Four-Letter Words Jane Air  
76 Tops'N'Bottoms: A Project by Karen Azoulay and Joel Gibb Karen Azoulay, Joel Gibb, and Guntar Kravis  
76 Prosthetic Devices For a Global Walker: Recent Works by Kinga Araya Anna Carlevaris  
76 Sputum: A diptych by Karma Clarke-Davis Karma Clarke-Davis  
76 For Real: Telling the Truth in Art & Writing A.S.A Harrison  
76 Torpor, Los Angeles: Whole Chris Kraus  
76 Whose Heinie Is It Anyway? Bruce LaBruce Interview Gavin McInnes Bruce LaBruce  
76 ABCDF LA LA: A book that offers an Artist's-Eye View of Mexico City Jenifer Papararo  
76 On The Waterfront: Roni Horn's River Works Johanne Sloane  
76 The Invisible Arts: The Good Destruction Carl Wilson  
76 Eight Points Concerning Why Things Are The Way They Are Jacob Wren  
76 Taking A Peek At Cindy: The Philosopher and the Drag-Queen Cindy Lutèce (Scott Hayes) and Stephen Zepke  
75 Too Much: The Triumph of High Production Values Gil Blank  
75 AD HOC: Andy Warhol and Tom Dean Claire Christie, Tom Dean, and Andy Warhol  
75 AD HOC: Kelly Mark Claire Christie and Kelly Mark  
75 AD HOC: Marcel Dzama Claire Christie and Marcel Dzama  
75 Twitching & Scratching: The Videos of Emily Vey Duke and Cooper Battersby Rebecca Godfrey  
75 Documenta: Ein Echo Paul de Guzman, Hans-Jürgen Hafner, and Elizabeth Schwaiger  
75 Private Public Art Venues & The Untamed Audience Rosemary Heather  
75 Salon Des Refusés: The Narrative Subtractions of Three Canadian Fiction Writers Lee Henderson, Sheila Heti, Derek McCormack, and Michael Winter  
75 The Unreadable Present: Nadia Myre & Kent Monkman Richard William Hill  
75 The Other Side of the Clock: The 2002 Biennale of Sydney Ihor Holubizky  
75 Torpor, Los Angeles: Outlaw Woman Chris Kraus  
75 The Invisible Arts: Rat-Drifting Music / Detouring Around the Map Carl Wilson  
74 Aesthetic Intelligence Yield Raphaële Bidault-Waddington  
74 Places to dream from... Barbara Bloom, Chris Burden, Julian Opie, Renée Petropoulos, David Reed, and Jessica Stockholder  
74 Maura Doyle's Art Services Dave Dyment  
74 The Singing Dunes: Colin Campbell, 1943-2001 John Greyson  
74 Torpor, Los Angeles: You do the math Chris Kraus  
74 Triple Self-Portrait Jennifer Murphy and Chris Rogers  
74 The Secret Files of Gilbert & George Hans Ulrich Obrist  
74 Inside Images: A C project Wim Delvoye, Mario Scattoloni, and Ellen Gould Ventura  
74 The Invisible Arts: The March of the Child Bridegrooms Carl Wilson  
74 Spaceport Saskatoonia Dermot Wilson  
74 Love, love will tear us apart, again... Stephen Zepke  
73 Obituary: Colin Campbell    
73 Landscapes: Notes on a Town Without Pity Wayne Baerwaldt  
73 On Drawing Aaron Brewer  
73 Untitled (C Insert) Claude Closky  
73 Ca Cb: Lynn Crosbie looks at the work of Corinne Carlson Lynn Crosbie  
73 Ca Cb: Lynn Crosbie looks at the work of Corinne Carlson Lynn Crosbie  
73 Politics and Romance in James Carl's redemption Ann Dean  
73 Shirin Neshat: Musée d'art contemporain de Montréal Susan Douglas  
73 sensories: a time to be heavy, a time to move Cécile Hartmann  
73 Coming Home Corin Hewitt  
73 We Need Your Dick Out Here: Chris Kraus on Sophie Calle Chris Kraus  
73 Barbara McGill Balfour: Open Studio, Toronto Patrick Mahon  
73 Looking Forward: Lisa Gabrielle Mark / Los Angeles Lisa Gabrielle Mark  
73 Mara Korkola: Lonsdale Gallery, Toronto Sue McCluskey  
73 Looking Forward: nvisible Museum / Five Aces nvisible Museum  
73 Palais de Tokyo: A conversation between artists Nadine Norman and Sam Samore Nadine Norman and Sam Samore  
73 Landscapes: A View from Chicago Steve Reinke  
73 Conceptual Think-See: Three Generations of Conceptual Artists Dena Shottenkirk  
73 Landscapes: Letter from the Large Intestine Carl Skelton  
73 Looking Forward: Deborah Smith / Mainly England Deborah Smith  
73 Editorial Eileen Sommerman  
73 Looking Forward: Eileen Sommerman / Editor’s Choice, Toronto Eileen Sommerman  
73 Nothing and Something in the Work of Martin Creed Kika Thorne  
73 Looking Forward: Jonathan Watkins / Global Tour Jonathan Watkins  
73 Looking Forward: Carl Wilson / On Music Carl Wilson  
73 Landscapes: Letter from Wein/Vienna Stephen Zepke  
72 C Index: Awards, Appointments, Acquisitions and Sales    
72 Pure Happenings: The Work of Gwen MacGregor Martin Arnold  
72 New Canadian Folk Daniel Borins  
72 Scott McFarland: Monte Clark Gallery, Vancouver Christopher Brayshaw  
72 Myfanwy Macleod: Catriona Jeffries and Or Galleries, Vancouver Christopher Brayshaw  
72 Thing Culture Jeff Derkson  
72 Jeremy Blake: YYZ, Toronto Eric Glavin  
72 Aernout Mik: The Power Plant, Toronto Sophie Hackett  
72 Hoser: Artists' Portfolio Cooper Battersby, Emily Vey Duke, Jinhan Ko, Kelly Mark, Alex Morrison, and Sandy Plotnikoff  
72 Victor Sloan, Susan Philipsz, and Eoghan McTigue: Plug In ICA, Winnipeg Rodney La Tourelle  
72 Society Page Pamila Matharu  
72 Centrefold 9-8-01 Rob Davis, Vincent Dermody, Mike Langlois, Rebecca Levine, and Law Office  
72 C Shorts: Recent and Current Exhibitions Dion Kliner, Si Si Penaloza, and Jessica Wyman  
72 Isabelle Hayeur: SKOL, Montreal Vincent Tinguely  
72 Promises Promises: Michael Turner interviews Christina Ritchie Michael Turner  
72 20 Questions with Bradley Phillips RM Vaughan  
72 Universal Pictures 3: Blackwood Gallery, University of Toronto at Mississauga Jessica Wyman  
71 C Shorts: Recent and Current Exhibitions — Abstract    
71 C Index: Awards, Appointments, Acquisitions and Sales — Abstract    
71 "Dead Teenagers": West Wing Art Space, Toronto — Abstract Elaine Bowen  
71 Deerfucker (Sarah Braman and Aaron Brewer) — Abstract Sarah Braman and Aaron Brewer  
71 William Kentridge: New Museum of Contemporary Art, New York — Abstract Susan Douglas  
71 Social Improvisation: The Recent Films of Steve McQueen — Abstract Gregory Elgstrand  
71 Katharine Harvey: Pari Nadimi Gallery, Toronto — Abstract Sophie Hackett  
71 Aural Optics: Stephen Lawson on Janet Cardiff and George Bures Miller — Abstract Stephen Lawson  
71 Atom Egoyan and Juliao Sarmento: 49th Venice Biennale — Abstract Laurel MacMillan  
71 lèche-vitrine blanch paris, 2001 Arnaud Maggs  
71 Skyworks: Hans Ulrich Obrist on "En el cielo," an exhibition in the skies over Venice — Abstract Hans Ulrich Obrist  
71 Then and Now: Mexico City's La Panadería — Abstract Jenifer Papararo  
71 Spring Hurlbut: Institute of Contemporary Culture at the Royal Ontario Museum, Toronto — Abstract Karen Roulstone  
71 Society Page — Abstract Tom Sanders, Stacy Sargent, and Jennifer F. Shlesinger  
71 The Net Effect: Eileen Sommerman's Paris — Abstract Eileen Sommerman  
71 "Metamorphosis and Cloning": Musée d'art contemporain de Montréal — Abstract Cindy Stelmackowich  
71 The Unnoticed Observer: Jochen Volz on Salla Tykkä, Anri Sala and Mike Nelson — Abstract Jochen Volz  
71 Hunting the Sphinx: Rachel Withers on Ron Mueck, Anniks Larsson, Gregor Schneider and Mike Nelson — Abstract Rachel Withers  
70 To c    
70 Art Metropole: Retail Catalogue 23, June 2001    
70 C Invitational    
70 C Index: Awards, Appointments, Acquisitions and Sales — Abstract    
70 c'n — Abstract    
70 Mathieu Gallois: Experimental Art Foundation, Adelaide, Australia — Abstract Maria Bilske  
70 Christine Borland: Lisson Gallery, London — Abstract Xandra Eden  
70 Strip Joint Interventions: My Night with Charmaine — Abstract Cliff Eyland  
70 Unravelling the Grid: "Substitute City" at The Power Plant — Abstract Andy Fabo  
70 Kit Bashing, Street Remakes and Bisexual Architecture: Urbanist Rafael Gomez-Moriana in conversation with sculptor Kim Adams — Abstract Rafael Gomez-Moriana  
70 Artist's Project: Tania Kitchell — Abstract Tania Kitchell  
70 Society Page Aaron Brewer and Natalie Kovacs  
70 Editorial Si Si Penaloza  
70 Nostalgia and Nationalism: Two London Surveys, ICA and Tate — Abstract Lee Rodney  
70 Thomas Demand: 303 Gallery, New York — Abstract James Trainor  
70 Locked On: Jordan Crandall's Heatseaking — Abstract David Womack  
69 What to C: Gursky at MoMa & The World Observed at Morgan Library, NY / Photography Collection at Norton Museum, Palm Beach / Substitute City at Power Plant, Toronto / Millennium Prize, National Gallery, Ottawa — Abstract    
69 What was c'n: Walker at Saint Mary's University Art Gallery, Hfx / Snow at White Box, NY / Give & Take at the Victoria & Albert Museum and Serpentine Gallery, Ldn / Dubbet at Barbara Gladstone, NY — Abstract    
69 Tableau Vivant 1995-2000: John Armstrong's retrospective look at the gallery and its director — Abstract John Armstrong  
69 Peter Doig: Morris and Helen Belkin Gallery, Vancouver — Abstract Christopher Brayshaw  
69 Hermènègilde Chiasson: Beaverbrook Art Gallkery, Fredericton — Abstract Ray Cronin  
69 Sharon Switzer: The Red Head Gallery, Toronto — Abstract Carla Garnet  
69 On Kawara: David Zwirner Gallery, New York — Abstract David Gibson  
69 Terry Richardson: Shine Gallery, London — Abstract David Boyd Haycock  
69 Nothing Personal — Abstract Garry Neil Kennedy  
69 Robin Metcalfe's Bienal de la Habana Notebook — Abstract Robin Metcalfe  
69 Vanitas: Saint Mary's University Art Gallery, Halifax — Abstract Robin Metcalfe  
69 Rodney Graham: Presentation House, Vancouver — Abstract Kathy Slade  
69 Lessons — Abstract Ho Tam  
69 California Trip: Daryl Elaine Wells reports on "Made in California" at the LA Country Museum of Art — Abstract Daryl Wells  
66 What was C’n: White Cube² /”Live in Your Hear” at Whitechapel. Graham at Marion Goodman / Lawler, Simmon, Wilson and Oursler at Metro Pictures.    
66 Rapprochements: John Armstrong on an exhibition of works by Carmelo Arnoldin & Judith Schwarz John Armstrong  
66 Mindful Movements: Rossitza Daskalova contemplates the work of Sylvia Safdie Rossitza Daskalova  
66 Stan Denniston’s Rotterdam Film Festival Notebook Stan Denniston  
66 Conversation Piece: Sylvie Fortin on Nadine Norman’s Paris “Call Girl” Sylvie Fortin  
66 Willie Cole: Miami Art Museum Sherry Gaché  
66 Letter from Toronto: March 2000 Lisa Gabrielle Mark  
66 Now is the time Joyce Mason  
66 Letter from Banff: March 2000 Robin Metcalfe  
66 The New Republics: Edmonton Art Gallery Kerry Mogg  
66 Renée Green: Pat Hearn Gallery, New York Klaus Ottmann  
66 First Person Painting: Reflections on recent New York Painting Dena Shottenkirk  
66 Agitator: Contemporary Art of Propaganda, Glass Curtain Gallery, Columbia College, Chicago Susan Snodgrass  
65 What to c: Garry Neill Kennedy at AGNS / MoMA 2000 / American Century & The Whitney Biennial / Architecture at MCA Chicago    
65 What was C'n: highlights from our editions' notebooks, Peter Zimmerman, NYCb / Kelly Mark, Toronto / Tracey Emin, London / The Experimental Exercise of Freedom, LA    
65 Cliff Eyland's Liverpool Notebook    
65 What to C: Janet Cardiff at Gairloch Gardens, Janet Morton / Peter Bowyer in Toronto Parks / HX 2000 / The Tate Modern    
65 Vacation in Black and White: John Armstrong on the travels of Dianne Bos John Armstrong  
65 Donigan Cumming: Marché Bonsecours, Montreal Sylvain Campeau  
65 Who. Who. Who is Michael Fernandes: Ray Cronin investigates the elusive works of a substantial artist Ray Cronin  
65 Afterword: Letter to the Editor and Contributing Editor's Response Kim Fullerton and Robin Metcalfe  
65 Watch: bona fide, Chicago Esther Grisham  
65 Obituary: Anita Aarons (1912-2000) Ihor Holubizky  
65 C Changes Joyce Mason  
65 Letter from New York: December 1999 Robin Metcalfe  
65 Urban Gothic: Philip Monk on Stan Douglas's Le Détroit Philip Monk  
65 Flywheel: Nunnery Gallery, London Chris Morgan  
65 Jack Nivan: Tableau Vivant, Toronto Debbie O'Rourke  
65 Letter from London: January 2000 Carol Peaker  
64 What to c: a guide to the season's major exhibitions    
64 What was C'n: highlights from our editions' notebooks, SITE Santa Fe / Science Museum / AKI 2    
64 Faki: Open Studio Gallery, Toronto John Armstrong  
64 Leesa Streifler: Latitude 53 Gallery. Edmonton Blair Brennan  
64 The Collaborators: Antonia Contro's and Maurizio Pellegrin's Constructive Engagement John Brunetti and Therese Grisham  
64 A Theatre of Presence: Beaverbrook Art Gallery, Fredericton Ray Cronin  
64 Juan Geuer: Present Intense Gary Michael Dault  
64 Here and Now: Ihor Holubizky looks at Brisbane's millennium-bridging triennial Ihor Holubizky  
64 Letter from Toronto: November, 1999 Lisa Gabrielle Mark  
64 Friend or Faux: Robin Metcalfe looks for superficial meanings in three recent Halifax exhibitions Robin Metcalfe  
64 Navigator: Philip Monk on recent works by Roland Brener Philip Monk  
64 Mimmo Paladino & Brain Eno: The Roundhouse, London Carol Peaker  
64 Suzy Lake: Paul Petro Contemporary Art, Toronto Lee Rodney  
64 Letter from New York: October 1999 Dena Shottenkirk  
63 Location, Location, Location: John Armstrong tracks the Robert Birch Gallery's first ten years John Armstrong  
63 View 1: Toronto’s Tom Bjarnason Tom Bjarnason  
63 View 3: Vancouver’s David Chan David Chan  
63 Kathleen Sellars : Gallery Connexion, Fredericton Ray Cronin  
63 Arnaud Maggs: The Power Plant, Toronto Vid Ingelevics  
63 Fresh Heir Lisa Gabrielle Mark  
63 Letter from Toronto: September 1999 Lisa Gabrielle Mark  
63 View 2: Barcelona’s Rosa Martinez Rosa Martinez  
63 A Good Fit Joyce Mason  
63 Venetian Views: Introduction Joyce Mason  
63 Studio Visit: Carol Jackson, Chicago Michael McCaffrey  
63 Charlottetown Calling: September 1999 Robin Metcalfe  
63 Liz Magor: Equinox Gallery, Vancouver Philip Monk  
63 Nestor Kruger: Art Gallery of Ontario, Toronto Philip Monk  
63 Terms of Engagement: Reports on Vancouver’s “War Zones” Bob Sherrin  
63 Letter from New York: September 1999 Dena Shottenkirk  
62 What to c: a guide to the season's art events    
62 Letter from Montreal: May 1999 Marie Fraser  
62 Sandra Rechico: Art Gallery of Mississauga, Toronto John Armstrong  
62 Jacques Perron: Galerie Oboro, Montreal Sylvain Campeau  
62 Life Inside Life: On the recent paintings of Douglas Walker Gary Michael Dault  
62 Letter from Calgary: May 1999 David Garneau  
62 Tom Dean at Large A.S.A. Harrison  
62 Letter from Toronto: May 1999 Lisa Gabrielle Mark  
62 C is dead. long live C Joyce Mason  
62 The Cultured Tourist: Carol Ehlers Gallery, Chicago David McCracken  
62 Scapular Gallery Nomad: Lianne McTavish Considers The Artist As Gallery Lianne McTavish  
62 Extremities: Tom Dean Prepares for Venice Robin Metcalfe  
62 Letter from Halifax: May 1999 Robin Metcalfe  
62 A Few of my Favourite Feher's David Morrow  
62 Neurotic Realism: Saatchi Gallery, London Carol Peaker  
62 Letter from London: May 1999 Carol Peaker  
62 Todd Tedeschini: Catriona Jeffries Gallery, Vancouver Ingrid Mary Percy  
62 Letter from New York: May 1999 Dena Shottenkirk  
62 Letter from Chicago: May 1999 Susan Snodgrass  
62 Lynn Geesaman: Yancey Richardson Gallery, New York Scott Walden  
61 Letter from Montreal: February 1999 Marie Fraser  
61 Letter from Calgary: February 1999 David Garneau  
61 Letter from Toronto: February 1999 Lisa Gabrielle Mark  
61 Recurring Images: Historical Photography as Contemporary Art Lisa Gabrielle Mark  
61 Letter from Halifax: February 1999 Robin Metcalfe  
61 Gerald Ferguson & Arnaud Maggs: Mount Saint Vincent University Art Gallery, Halifax Robin Metcalfe  
61 Eldon Garnet: Canadian Museum of Contemporary Photography, Ottawa Douglas Ord  
61 Jackson Pollock: Museum of Modern Art, New York Klaus Ottmann  
61 You're In My Space: Chicago Cultural Center Laurie Palmer  
61 Letter from London: February 1999 Carol Peaker  
61 Scattered Across the Floor: The Sculpture of Colleen Wolstenholme Robin Peck  
61 Mowry Baden: Open Space and Rogue Art Gallery, Victoria Ingrid Mary Percy  
61 Letter from New York: February 1999 Dena Shottenkirk  
61 Letter from Chicago: February 1999 Susan Snodgrass  
61 Gisele Amantea: Oboro, Montreal Will Straw  
61 Manifest Destiny: Five Modest Reactions Julie Voyce  
61 Chris Ofili: Serpentine Gallery, London Daryl Wells  
60 Letter from Montreal: November 1998 Marie Fraser  
60 Barbara Cooper: Fassbender Gallery, Chicago Jeff Abell  
60 Martha Fleming & Lyne Lapointe: Musée d'art contemporain de Montréal Sylvian Campeau  
60 The Rules of the Game: Gerard Collin's Work Ethic Ray Cronin  
60 In Lieu: Gary Michael Dault on Art Installed in Washrooms Gary Michael Dault  
60 The Greenroom of Millie Chen & Warren Quigley Gary Michael Dault  
60 Destination: Alberta Sara Diamond  
60 Home & Away: Gavin Brown's enterprise, New York Lia Gangitano  
60 Letter from Calgary: November 1998 David Garneau  
60 Destination: São Paulo Ihor Holubizky  
60 Letter from Toronto: November 1998 Lisa Gabrielle Mark  
60 Under Construction: Olga Korper Gallery, Toronto Lisa Gabrielle Mark  
60 Destination: Art, introduction by Joyce Mason Joyce Mason  
60 Letter from Halifax: November 1998 Robin Metcalfe  
60 Letter from London: November 1998 Carol Peaker  
60 Lari Pittman: Institute of Contemporary Art London Carol Peaker  
60 Georganne Deen: The Power Plant, Toronto Steve Reinke  
60 Roy Kiyooka: Photographing the Local from the Inside Out Sharla Sava  
60 Letter from New York: November 1998 Dena Shottenkirk  
60 Destination: Montreal Fred McSherry and Cheryl Simon  
60 Letter from Chicago: November 1998 Susan Snodgrass  
59 What to c: a guide to the season's major exhibitions    
59 Letter from Montreal: August 1998 Marie Fraser  
59 Robert Weins: Susan Hobbs Gallery, Toronto John Armstrong  
59 Conceptual Evidence: Ray Cronin on "Manifest" — Abstract Ray Cronin  
59 Shari Hatt : Oboro, Montreal Andrea Fitzpatrick  
59 Toy Box Junkies: Robert Fones on recent works by Mitch Robertson, Marla Hlady, Daniel Olsen & Sally McKay Robert Fones  
59 Letter from Calgary: August 1998 David Garneau  
59 Susie Major: Anna Leonowens Gallery, Halifax Darrin Heaton  
59 Getting Our Hands Dirty: Lisa Gabrielle Mark on Women and Painting Lisa Gabrielle Mark  
59 Letter from Vancouver: August 1998 Lisa Gabrielle Mark  
59 Letter from Toronto: August 1998 Lisa Gabrielle Mark  
59 Smart & Sexy Joyce Mason  
59 Letter from Halifax: August 1998 Robin Metcalfe  
59 "If This Is Art, Then I Really Like It": David Morrow on Tracey Moffat's Heaven — Abstract David Morrow  
59 Letter from London: August 1998 Carol Peaker  
59 Ilya and Emilia Kabakov: The Roundhouse, London Carol Peaker  
59 Huang Yong Ping & Xu Bing: Art Beatus, Vancouver Cate Rimmer  
59 Letter from New York: August 1998 Dena Shottenkirk  
59 Letter from Chicago: August 1998 Susan Snodgrass  
59 1998: New Artists in Chicago, The Terra Museum of American Art, Chicago Deborah Wilk  
59 Practice and Process: Armory Center for the Arts, Pasadena / Richmond Arts Center, Richmond, CA Claire Wolf Kranz  
58 What to c: a guide to the season's major exhibitions    
58 Letter from Montreal: May 1998 Marie Fraser  
58 Letting Go: the fall in contemporary art Jan Allen  
58 Matthew Girson et al.: 7562LR. Chicago Michael Bulka  
58 Jaclyn Shoub: Gallery Connexion, Fredericton Ray Cronin  
58 Susan Schantz: Southern Alberta Art Gallery, Lethbridge Leslie Allan Dawn  
58 Bonus: A Generation Next of Vancouver Photographers Sylvie Fortin  
58 Letter from Calgary: May 1998 David Garneau  
58 See-Through Cities Lisa Gabrielle Mark  
58 Letter from Toronto: May 1998 Lisa Gabrielle Mark  
58 Our Generations Joyce Mason  
58 Letter from Halifax: May 1998 Robin Metcalfe  
58 Trash as a Cultural System: Rauschenberg, Warhol, Smith and Shifting Museum Practices Philip Monk  
58 KIT Collective: galerie Séquence, Chicoutimi Shi N'imki  
58 Marc Quinn: South London Gallery, London Carol Peaker  
58 Letter from London: May 1998 Carol Peaker  
58 Letter from New York: May 1998 Dena Shottenkirk  
58 Letter from Chicago: May 1998 Susan Snodgrass  
58 Luis Mallo: Ricco/Maresca Gallery, New York City Scott Walden  
58 Afterword: Letters, Errors and Omissions Wayne Baerwaldt and Laurie Walker  
58 John Armstrong: Cold City Gallery, Toronto Liz Wylie  
57 What to c: a guide to the season's major exhibtions    
57 Letter from Montreal: February 1998 Marie Fraser  
57 Stupidity is Kool: John Armstrong on recent work of Sadko Hadzihasanovic John Armstrong  
57 Eliza Griffiths: Mercer Union, Toronto John Armstrong  
57 Light into / out of dark (New Science) Blair Brennan  
57 Revisiting Curatorial Controversy Anne Brydon and Pauline Greenhill  
57 New Photography / Kunié Sugiura: Museum of Modern Art / Leslie Tonkonow Gallery, NYC Maris Cinitus  
57 Letter from Calgary: February 1998 David Garneau  
57 Running Fence Geoffrey James  
57 Machyderm Inc., Niagara Artists Company, St. Catharines Ivan Jurakic  
57 Letter from Toronto: February 1998 Lisa Gabrielle Mark  
57 Old News Joyce Mason  
57 Reconceiving Kelly (Mary Kelly) Lee Parpart  
57 Letter from London: February 1998 Carol Peaker  
57 Objects of Desire: Hayward Gallery, London Carol Peaker  
57 T-Race: Randolph Street Gallery, Chicago Corey Postiglione  
57 Letter from New York: February 1998 Dena Shottenkirk  
57 Raymonde April: Musee d'art de Joliette, Joliette, Quebec Cheryl Simon  
57 Letter from Chicago: February 1998 Susan Snodgrass  
57 Patrick Traer & Janet Werner: Mendel Art Gallery, Saskatoon Betsy Warland  
57 Toshio Shibata: Museum of Contemporary Art, Chicago Claire Wolf Kranz  
56 What to c: a guide to the season's major events    
56 Letter from Montreal: November 1997 Marie Fraser  
56 A Rec Room Requiem: In Which John Armstrong Looks Into Andrew Hunter's "Up North A Northern Tragedy" John Armstrong  
56 Jutta Koether: Pat Hearn Gallery, New York William Bartman  
56 Pure Portrait: Recent: Recent paintings of Jean-Marie Delavalle James D. Campbell  
56 Nathalie Caron / Michel Campeau: Galerie Clark / Maison de la culture, Cote-des-Neiges, Montreal Sylvain Campeau  
56 Letter from Calgary: November 1997 David Garneau  
56 Germaine Koh: Agnes Etherington Art Centre, Kingston Petra Halkes  
56 Fredette Frame: Sackville, New Brunswick Gemey Kelly  
56 Configuration: New Art in Vancouver, Catriona Jeffries Gallery, Vancouver James-Jason Lee  
56 Performing Art Lisa Gabrielle Mark  
56 Letter from Toronto: November 1997 Lisa Gabrielle Mark  
56 Gone Browsing Joyce Mason  
56 Kwangju Paradise: In Which Joyce Mason Sets Out On A Whirlwind Tour Of World Art In Korea Joyce Mason  
56 Letter from New York: November 1997 Dena Shottenkirk  
56 Letter from Chicago: November 1997 Susan Snodgrass  
55 What to c: a guide to the season's major events    
55 Spirit of Modernity: Ben Walmsley’s recent paintings at Garnet Press John Armstrong  
55 Oliver Girling: Red Head Gallery, Toronto John Armstrong  
55 Brent Irving: Fringe Gallery, Edmonton Blair Brennan  
55 Lucy Pullen & Mitch Wiebe: Saint Mary's University Art Gallery, Halifax Mimi Fautley  
55 Eight Canadian Artists: Metro Hockey Centre, Halifax Moritz Gaede  
55 Western Canada in Brief: Fall 1997 David Garneau  
55 Chicago in Brief: Fall 1997 Esther Grisham  
55 Lau Tin-Yum: Observatoire 4, Montreal Alice Ming-Wai Jim  
55 So this is... Suzy Lake  
55 Imagining Architecture: Mark Gomes, Karl Blossfeldt and Noel Harding Dyan Marie  
55 Toronto in Brief: Fall 1997 Lisa Gabrielle Mark  
55 C is for change Joyce Mason  
55 European Scrapbook Joyce Mason  
55 Atlantic Canada in Brief: Fall 1997 Robin Metcalfe  
55 Sheila Butler: London Regional & Historical Museums, London, Ontario Ben Portis  
55 Vanessa Beecroft, Jennifer Bornstein, Martin Kersels & Gillian Wearing: S.L. Simpson Gallery, Toronto Lee Rodney  
55 Arakawa & Madeline Gins : Guggenheim Museum, New York Dena Shottenkirk  
55 New York in Brief: Fall 1997 Dena Shottenkirk  
55 Music, Light and Other Conundrums Joanne Tod  
55 Karen Lebergott: Jan Cicero Gallery, Chicago James Yood  
53 Quebec in Brief: Spring and Summer 1997 Marie Fraser  
53 Christian Eckart: Art Gallery of North York Jan Allen  
53 A Reasoned Compulsion: Interview with Cliff Eyland Ray Cronin  
53 Western Canada in Brief: Spring and Summer 1997 David Garneau  
53 Annette Messager: Gagosian Gallery, New York David Gibson  
53 Chicago in Brief: Spring and Summer 1997 Esther Grisham  
53 Enter Hamburger Bahnhof Michael Horowitz  
53 A guide to the season's major events Lisa Gabrielle Mark  
53 Ontario in Brief: Spring and Summer 1997 Lisa Gabrielle Mark  
53 Need I say more? Joyce Mason  
53 Accidental encounters with art: an insider survey of art outdoors (and elsewhere) Joyce Mason  
53 A Dialogue of Place and Time: Interview with Christos Dikeakos Judith Mastai  
53 Arthur Handy: eyelevel gallery, Halifax Robin Metcalfe  
53 Atlantic Canada in Brief: Spring and Summer 1997 Robin Metcalfe  
53 David Morrow: Cold City Gallery, Toronto Steve Reinke  
53 New York in Brief: Spring and Summer 1997 Dena Shottenkirk  
53 Kara Walker: Renaissance Society, Chicago Tina Wasserman  
53 Karilee Fuglem: gallery Optica, Montréal Laurel Woodcock  
52 Quebec in bref, exhibitions & events, fall-winter 1996/97 — Abstract Marie Fraser  
52 Reinventing the Mega Show: Europe's first Manifesta — Abstract Jan Allen  
52 Julie Voyce @ Art Gallery of Mississauga — Abstract John Armstrong  
52 Elizabeth Mackenzie, "Radiant Monster" — Abstract Blair Brennan  
52 Eloquent Liar — Abstract James D. Campbell  
52 Lucie Lefebvre at Centre Vu — Abstract Sylvian Campeau  
52 Shaun Gough @ Khyber Center for the Arts, Halifax — Abstract Moritz Gaede  
52 Western Canada in Brief, Fall 1996 and Winter 1997 — Abstract David Garneau  
52 "Drag City" at Ace Art, AKA and New Gallery — Abstract Alison Gillmor  
52 Elizabeth LeMoine, Stride Gallery, Calgary — Abstract Amy Gogarty  
52 events/exhibitions in Chicago — Abstract Esther Grisham  
52 "Hospice: A Photographic Inquiry" — Abstract Stacey Levine  
52 Michelle Teran at Meg Gallery and Roland Poulin at Olga Korper Gallery — Abstract Dyan Marie  
52 Toronto in Brief — Abstract Lisa Gabrielle Mark  
52 The Elevation of BC Art — Abstract Judith Mastai  
52 Atlantic Canada in brief winter 1997 (mostly Moncton) — Abstract Robin Metcalfe  
52 Regan Morris, Symmetry and the Stain — Abstract Robin Metcalfe  
52 New York in brief: Franz West, Nancy Spero, Matthew Marks Gallery, etc. — Abstract Dena Shottenkirk  
52 Jessica Diamond & Yayoi Kusama — Abstract Leslie Tonkonow  
51 Quebec in Brief, summer & fall 1996 — Abstract Marie Fraser  
51 Charles Weisen at Tough Gallery, Chicago — Abstract Thomas Connors  
51 Ashley Bickerton at Sonnabend — Abstract Mia Fineman  
51 Western Canada in brief, summer & fall 1996 — Abstract David Garneau  
51 Distemper: Dissonant Themes in the Art of the 1990s at Hirshhorn Museum and Sculpture Garden — Abstract John Gayer  
51 Ginette Legare at the Ottawa Art Gallery — Abstract Petra Halkes  
51 Modern Romance — Abstract Gordon Hatt  
51 Fashioning Care and Other Acts of Memory — Abstract Kyo MacLear  
51 Ontario in brief, summer & fall 1996 — Abstract Lisa Gabrielle Mark  
51 Necessary Selection — Abstract Joyce Mason  
51 Anne Ramsden at Galerie Samuel Lallouz, Montreal — Abstract Rhonda Meier  
51 544, Room 544 Sheraton Halifax Hotel, Halifax — Abstract Robin Metcalfe  
51 Atlantic Canada in brief, fall 1996 — Abstract Robin Metcalfe  
51 Margaret Priest's retrospective at AG of Hamilton and MacDonald Stewart Art Center, Guelph — Abstract Gerta Moray  
51 Jin-me Yoon, "imagining communities", at Artspeak Gallery — Abstract Caterina Pizanias  
51 Bereft, Hallwalls, Buffalo — Abstract Carol Podedworny  
51 New York in brief, summer & fall 1996 — Abstract Dena Shottenkirk  
51 Chicago in Brief, summer & fall 1996 — Abstract Susan Snodgrass  
51 Festival du nouveau cinema (june 96, Montreal) — Abstract Jerry White  
51 1996 Alberta Biennial of Contemporary Art, Edmonton Art Gallery & Glenbow Museum, Calgary — Abstract Ryan Whyte  
51 Negotiating Rapture, Museum of Contemporary Art — Abstract Claire Wolf Kranz  
50 Montreal in Brief. Summer 1996 — Abstract Marie Fraser  
50 Peter Legris @ Costin & Klintworth Gallery — Abstract John Armstrong  
50 Anette Larsson @ Red Head Gallery, Toronto — Abstract Julie Arnold  
50 Reva Stone at Dunlop Art Gallery — Abstract Greg Beatty  
50 Stephen Clayton Ellwood at Anna Leonowens Gallery, NSCAD and Nicholas Hooper at The Khyber — Abstract Peter Dykhuis  
50 Amazing Space: Donald Judd's Works in Marfa, Texas — Abstract Robert Fones  
50 Western Canada in Brief. Summer 1996 — Abstract David Garneau  
50 "Plane Speak: Contemporary Abstraction in Illinois" at the Chicago Cultural Center — Abstract Esther Grisham  
50 Do Not Go Gently : Some Thoughts On Art and Illness — Abstract Lisa Gabrielle Mark  
50 Summer Reading 96 — Abstract Lisa Gabrielle Mark  
50 Ontario in Brief — Abstract Lisa Gabrielle Mark  
50 Atlantic Canada in Brief. Summer 1996 — Abstract Robin Metcalfe  
50 Michael Schmidt, U-NI-TY at the Museum of Modern Art — Abstract Klaus Ottmann  
50 Back To The Future: Revisiting Tech nology At The Sydney Biennale — Abstract Dena Shottenkirk  
50 New York in Brief. Summer 1996 — Abstract Dena Shottenkirk  
50 Chicago in Brief. Summer 1996 — Abstract Susan Snodgrass  
50 Stephen Horne @ McGill University McDonald Harrington Building — Abstract Jack Stanley  
50 L'effet cinéma at Musée d'art contemporain de Montréal — Abstract Ger Zielinski  
49 Montreal in Breif — Abstract Marie Fraser  
49 The Tim Jocelyn Collection — Abstract John Armstrong  
49 Jessica Stockholder — Abstract Anastasia Aukeman  
49 Julie Arnold — Abstract Jeff Derksen  
49 Mary Catherine Newcomb — Abstract Martin Dowding  
49 Aganetha Dyck — Abstract Cliff Eyland  
49 Turning the Tables: Recent Work by Gordon Lebredt — Abstract Robert Fones  
49 Julia Fish — Abstract Allison Gamble  
49 Western Canada in Brief — Abstract David Garneau  
49 How Did You Learn to Be So Smart? — Abstract Anna Gronau  
49 Bodies of Theory: Musings on a Symposium — Abstract Petra Halkes  
49 How Did You Learn to Be So Smart? — Abstract Kate Lushington  
49 Ontario in Brief — Abstract Lisa Gabrielle Mark  
49 Conceptual Bogeymen: art and the media in the city by the sea — Abstract Judith Mastai  
49 Passages in Urban Transit — Abstract Gil McElroy  
49 Atlantic Canada in Brief — Abstract Robin Metcalfe  
49 Dia and the Dinosaur — Abstract Robin Peck  
49 New York in Brief — Abstract Dena Shottenkirk  
49 Chicago in Brief — Abstract Susan Snodgrass  
49 Doug Buis — Abstract Eileen Sommerman  
48 Montreal in Brief — Abstract Marie Fraser  
48 Offrenda, Milagro, esperanza, Chiapas — Abstract Lois Andison  
48 On and Aroynd the photo art of Kevin Madill — Abstract Roy Arden  
48 Paul Collins — Abstract John Armstrong  
48 Nell Tenhaaf — Abstract Renee Baert  
48 "Sorrow and Joy" at Neutral Ground, Sept 2 - 16, 1995 — Abstract Greg Beatty  
48 Western Canada in brief — Abstract David Garneau  
48 Toronto/Ontario in Brief — Abstract Lisa Gabrielle Mark  
48 Editorial — Abstract Joyce Mason  
48 East International — Abstract Judith Mastai  
48 Monica Tapp and Jane Mothersell — Abstract Robin Metcalfe  
48 Atlantic Canada in Brief — Abstract Robin Metcalfe  
48 Cathy Daley — Abstract Earl Miller  
48 Which John? Visions of the Apocalypse at the National Gallery — Abstract Douglas Ord  
48 Marcwl Broodthaers — Abstract Klaus Ottmann  
48 Joseph Litzenberger — Abstract Corey Postiglione  
48 An Alienated Embrace — Abstract Gregory Salzman  
48 New York in Brief — Abstract Dena Shottenkirk  
48 Chicago in Brief — Abstract Susan Snodgrass  
48 Flowers — Abstract Thomas Struth  
48 Letter to the Editor — Abstract Norman Zepp  
47 Quebec in Brief — Abstract Marie Fraser  
47 Peter Bowyer — Abstract John Armstrong  
47 Doug Ischar — Abstract Thomas Connors  
47 New Work Supplement — Abstract editorial staff  
47 Western Canada in Brief — Abstract David Garneau  
47 Resider — Abstract Valérie Lamontagne  
47 Venice Journal: Storms and Other Phenomena — Abstract Joyce Mason  
47 Toronto and Ottawa in Brief — Abstract Joyce Mason  
47 Intimate Investigations: Looking at Death and the Family — Abstract Judith Mastai  
47 Atlantic canada in Brief — Abstract Robin Metcalfe  
47 Robert Fones — Abstract Earl Miller  
47 Pamela Wye — Abstract Dominique Nahas  
47 Paul Ruff and david Warne — Abstract Catherine Osborne  
47 Fin de Siecle Hammer — Abstract Carol Podedworny  
47 The Whiteness of the Whale — Abstract Rita Risser  
47 Notion of Conflict — Abstract Dena Shottenkirk  
47 New York in Brief — Abstract Dena Shottenkirk  
47 Chicago in Brief — Abstract Susan Snodgrass  
47 Colville, Alex: process by process — Abstract Robert Tombs  
46 Quebec in Brief — Abstract Marie Fraser  
46 Angela Grauerholz — Abstract Sylvain Campeau  
46 Lorraine Oades — Abstract J.R. Carpenter  
46 Vita Plume — Abstract Ray Cronin  
46 Marlene Creates Records of a Personal Landscape — Abstract Cliff Eyland  
46 Summer Reading 1995 — Abstract Diane Gagné  
46 Western Canada in Brief — Abstract David Garneau  
46 Dialogue: Fear of Symbols Eldon Garnet  
46 Geographies of Desire — Abstract Germaine Koh  
46 Martha Flemming/Lyne Lapointe — Abstract Carol Laing  
46 Ontario in Brief — Abstract Joyce Mason  
46 Arni Haraldsson — Abstract Judith Mastai  
46 Atlantic Canada in Brief — Abstract Robin Metcalfe  
46 The Big Shows: Surveying the Surveys — Abstract Laurie Palmer  
46 Edward Poitras at the XLVI Biennale di Venezia — Abstract Cindy Richmond  
46 Geoff Crosby — Abstract Rita Risser  
46 New York in Brief — Abstract Dena Shottenkirk  
46 Witness — Abstract Cheryl Simon  
46 Chicago in Brief — Abstract Susan Snodgrass  
46 New York in Brief — Abstract Leslie Tonkonow  
45 Montreal in Brief — Abstract Marie Fraser  
45 Denyse Thomasos — Abstract John Armstrong  
45 Taras Polataiko — Abstract Greg Beatty  
45 Baker Lake Revisited — Abstract Sheila Butler  
45 Oscillating Horizons (Laurel Woodcock) — Abstract Anna Carlevaris  
45 The Plural Void — Abstract Ray Cronin  
45 Bob Flanagan and Cathy Busby — Abstract Moyra Davey  
45 Andrea Wollensak — Abstract Peter Dykhuis  
45 Western Canada in Brief — Abstract David Garneau  
45 Consuming Beauty: Laurie Vickerson's Studies of Nature — Abstract Amy Gogarty  
45 Roberto Pellegrinuzzi — Abstract Kathleen Gogin  
45 Nina Levitt — Abstract Carol Laing  
45 Loly Darcel — Abstract Valerie Lamontagne  
45 Disclosure (Lee Bul) — Abstract Min Sook Lee  
45 Toronto/Great Lakes in Brief — Abstract Joyce Mason  
45 Tapies — Abstract Anne McPherson  
45 Atlantic Canada in Brief — Abstract Robin Metcalfe  
45 Sculpture and the Philosophy of Modernism: A Reflection on the Reference to Technology in the Work of Zvi Goldstein — Abstract Bernie Miller  
45 Jane Buyers — Abstract Carol Podedworny  
45 The Finished Work of Art is a Thing of the Past — Abstract Tom Sherman  
45 Laura Millard — Abstract Dena Shottenkirk  
45 The Absence of Photography — Abstract Will Straw  
44 Montreal in Brief — Abstract Marie Fraser  
44 Misrule at the appolo — Abstract John Armstrong  
44 A Full Context for Self: Recent Works by Murray Favro — Abstract James D. Campbell  
44 The Subllime is Now (Again) — Abstract Mark Cheetham  
44 Suzanne Hill — Abstract Ray Cronin  
44 Who's Looking at the Family — Abstract Erin Curtin  
44 Bikini — Abstract Madeleine Lamont  
44 Laurel Katz — Abstract Robert Mahoney  
44 Questioning Banners — Abstract Joyce Mason  
44 Toronto in Brief — Abstract Joyce Mason  
44 Vancouver in Brief — Abstract Joyce Mason  
44 Bernd and Hilla Becher — Abstract Earl Miller  
44 Thomas Corriveau — Abstract Yvan Moreau  
44 A Comprimised Light: Some Thoughts on the Self-portraits of Pierre Dorion — Abstract Andy Patton  
43 Laurie Walker — Abstract John Armstrong  
43 Smashing Icons: Vancouver Feminist Video Art and the Female Body — Abstract Jennifer Blair  
43 The Art of Bordering with America — Abstract Lorenzo Buj  
43 Vigilante of the Visible: The Communicative Praxis of Jochen Gerz — Abstract James D. Campbell  
43 Nadine Norman — Abstract Ray Cronin  
43 New Work 94 — Abstract editorial staff  
43 Crysanne Stathakos — Abstract Karen Emenhiser  
43 The Painting of Jack Darcus — Abstract Mark Harris  
43 Arnaud Maggs — Abstract Peter Hobbs  
43 Dialogue: No Picture: The Seeing and Selling of Barnes — Abstract Christa Jansen  
43 Bill Jones — Abstract Russell Keziere  
43 Candy Noland — Abstract Robert Mahoney  
43 Sheila Butler — Abstract Earl Miller  
43 L'Instinct — Abstract Sonia Pelletier  
43 Three Moets — Abstract Richard Purdy  
43 Can You See What I Hear? — Abstract Will Straw  
42 Lucy Hogg — Abstract John Armstrong  
42 Lucian Freud — Abstract James D. Campbell  
42 Jean-Jules Soucy — Abstract Sylvie Cotton  
42 Edward "Ned" A. Bear — Abstract Ray Cronin  
42 Claire Savoie and Ian Carr-Harris — Abstract Francine Dagenais  
42 Summer Reading 94 — Abstract Diane Gagné  
42 The Gothic Projections of Wyn Geleynse — Abstract David Garneau  
42 David Nell — Abstract Archie Graham  
42 Hannah Hoch — Abstract Mark Harris  
42 Micah Lexier — Abstract Lisa Gabrielle Mark  
42 Abstraction Today? — Abstract Gregory Salzman  
42 Home of the Brave — Abstract Paul Chaat Smith  
42 Gordon Monahan — Abstract Robert Tombs  
41 Action Figures — Abstract Michael Balster  
41 Betty Goodwin — Abstract James D. Campbell  
41 Burning at the Stakes of Representation — Abstract Andy Fabo  
41 Robert Milthorp — Abstract David Garneau  
41 Geoffrey James — Abstract Peter MacCallum  
41 Speeach (Four Books for My Mother 1912-1993) — Abstract John McEwen  
41 De Cezanne a Matisse Chefs-D'Oeuvre de la Fondation Barnes — Abstract Anne McPherson  
41 Ghosts: Sculpture Photographed at Halifax Pier 21 — Abstract Robin Peck  
41 Barbara Claus & Andrew Clement — Abstract Marie Perrault  
41 Vera Frenkel — Abstract Jeanne Randolph  
41 Thierry Kuntzel — Abstract Will Straw  
41 Anish Kapoor — Abstract Corneil Van der Spek  
41 Design Delerium: The Films of Jaques Tati — Abstract Virginia Wright  
40 Power of the Dead — Abstract Isaac Applebaum  
40 Lee Friedlander — Abstract James D. Campbell  
40 Presence — Abstract James D. Campbell  
40 Sylvie Readman — Abstract Sylvain Campeau  
40 Dialogue: The Casino Project and the Art Gallery of Windsor. — Abstract Ray Cronin  
40 Smash Mega Hitz Explosion — Abstract Ann Dean  
40 Cam Christiansen — Abstract David Garneau  
40 Points of History — Abstract Eldon Garnet  
40 Gibt Denken — Abstract Gordon Lebredt  
40 Common Ground — Abstract Dyan Marie  
40 Paradigms and Paradox — Abstract Tanya Mars  
40 A Once and Future C — Abstract Joyce Mason  
40 Kim Adams — Abstract Earl Miller  
40 Michel Daigneault — Abstract Marie Perrault  
40 A Tale of Seven Cities, Two Townships and Two Villages — Abstract Clive Robertson  
40 Cheryl Donagen — Abstract Dena Shottenkirk  
40 Thaddeus Holowina — Abstract Robert Tombs  
39 Sheila Ayearst — Abstract John Armstrong  
39 Patricia Murphy — Abstract Robert Bringhurst  
39 Genevieve Cadieux — Abstract James D. Campbell  
39 Cora Cluett — Abstract Ray Cronin  
39 New Work 1993 — Abstract editorial staff  
39 William S. Brown — Abstract Andy Fabo  
39 Our Disneyland — Abstract Robert Fones  
39 The Architecture of Doom — Abstract Mark Harris  
39 Katherine Knight — Abstract Russell Kerzerie  
39 Juan Geuer — Abstract Caroline Langill  
39 Dialogue: Second Decade: AIDS + Community + Television — Abstract David MacIntosh  
39 Joan Miro — Abstract Anne MacPherson  
39 Rona Pondick — Abstract Robert Mahoney  
39 Ron Martin: Solo Exhibition at the Christopher Cutts Gallery — Abstract Ron Martin  
39 Allan McCollum — Abstract Allan McCollum  
39 Robert Fones: Models, Maps and Signs — Abstract Philip Monk  
39 Chrysanne Stathakos — Abstract Carol Podedworny  
39 Gary Neill Kennedy — Abstract Robert Tombs  
38 Artes Moriendi — Abstract John Armstrong  
38 Bill Viola — Abstract James D. Campbell  
38 Marik Boudreau — Abstract Sylvie Cotton  
38 Local Colour: Colour and Technique in the Work of Joanne Tod, Greg Curnoe, and Jaan Poldaas — Abstract Robert Fones  
38 Chambres d'hotel — Abstract Donald Goodes  
38 Summer Reading 93 — Abstract Annette Hurtig  
38 Michael Snow in Conversation With John Massey — Abstract John Massey  
38 General Idea — Abstract Jerry McGrath  
38 Joseph Branco — Abstract Sylvie Parent  
38 Tom ( ) Tom — Abstract Carol Podedworny  
38 Andres Serrano — Abstract Dena Shottenkirk  
38 Bill Komoski — Abstract Dena Shottenkirk  
38 Preview: A Game of Ask Alice Becky Singleton  
38 Regan Morris — Abstract Corneil Van der Spek  
37 Montage and Modern Life: 1919-1943Vancouver Art Gallery — Abstract Stuart Blackley  
37 Letter to the Editor — Abstract Lorna Boschman  
37 Ron Martin,Christopher Cutts Gallery, Toronto — Abstract James D. Campbell  
37 Mireille BarilGalerie Vox, Montréal — Abstract Mario Coté  
37 Life After Artist-Run Centres — Abstract Sylvie Cotton  
37 Sean Scherer and Keith BoadweeStux Gallery, New York — Abstract Janet Creery  
37 Patrick ThibertOlga Korper Gallery, Toronto — Abstract Ray Cronin  
37 Stay, Sit, Heel — Abstract Robert Fones  
37 Laurie PapouDiane Farris, Vancouver — Abstract Mark Harris  
37 Letter to the Editor — Abstract Geoffrey James  
37 Enunciating the Enunciator — Abstract Robert Mahoney  
37 Attila Richard LukacsDiane Farris Gallery, Vancouver — Abstract Robert Mahoney  
37 Letter to the Editor — Abstract Mike Murphy  
37 Ruth Beer, Charles H. Gallery, Emily Carr College of Art and Design, Vancouver — Abstract Robin Peck  
37 Christine Davis, Olga Korper Gallery, Toronto — Abstract Will Straw  
37 Ted RettigWynick/Tuck Gallery, Toronto — Abstract Max Streicher  
37 Dialogue: Curatorial Alternatives — Abstract Loretta Yarlow  
36 Both Author and Reader — Abstract Guy Brett  
36 C from Once Removed Lorna Brown  
36 Dialogue: Sexual Difference on the Frontier Marilyn Burgess and Gail Guthrie Valaskakis  
36 Barry Allikas — Abstract James D. Campbell  
36 Spring Hurlbut — Abstract Nancy Campbell  
36 Anne Marchessou and Jacques Perron — Abstract Sylvain Campeau  
36 Robert Flack — Abstract Christopher Eamon  
36 Lynne Fernie and Aerlyn Weissman — Abstract Ann Dean and Jannet Edminson  
36 Body Takes — Abstract Monika Gagnon  
36 Man'-'Katayama', 'A' 'Woman'-'Takemi', 'N' Kaoru Hirabayashi  
36 Al McWilliams — Abstract Robin Laurence  
36 Indigena and Land, Spirit, Power — Abstract Carol Podedworny  
36 Lorne Beug — Abstract Cindy Richmond  
36 Mutational Cravings Nell Tenhaaf  
36 Perspectives of the Body in Canadian Video Art — Abstract Dot Tuer  
36 Gilbert Boyer — Abstract Corneil Van der Spek  
35 Openings: Pour la suite du monde, Musée d'art contemporain de Montréal — Abstract Guy Bellavance  
35 Sylvia Safdie and John Heward — Abstract James D. Campbell  
35 Jocelyne Alloucherie — Abstract Sylvain Campeau  
35 Robbert Fortin — Abstract Ray Cronin  
35 New Work Supplement 1992 — Abstract editorial staff  
35 Mireille Perron and Paul Woodrow — Abstract Amy Gogarty  
35 Photography Without Apology — Abstract Arni Runar Haraldsson  
35 Leesa Streifler — Abstract Amy Karlinsky  
35 Documenta 9: The Atmosphere of Anomie — Abstract Donald Kuspit  
35 Rose Kallal — Abstract Donna Lypchuk  
35 The 7th Annual Mexican National Film Festival — Abstract David McIntosh  
35 The Coyote and the Beer Can (Is There Any Hope for Wildlife Art?) — Abstract Douglas Ord  
35 On Contemporary Curatorial Practice — Abstract Carol Podedworny  
35 Spirit of Ukraine — Abstract Carol Podedworny  
35 Stan Denniston — Abstract Corneil Van der Spek  
35 Greg Forrest — Abstract Mark Whidden  
35 You Are Here — Abstract You Are Here Collective  
34 Charles Gagnon — Abstract James D. Campbell  
34 Brian Wood — Abstract James D. Campbell  
34 Colette Whiten — Abstract Nancy Campbell  
34 Ransom Notes in the Mirror: Mark Gomes and the Amazing Fish — Abstract Ian Carr-Harris  
34 Rethinking History: Beyond the Valley of the Other — Abstract Andy Fabo  
34 Jerry Pethick — Abstract Barbara Fischer  
34 From the Transit Bar - Part of the Story Vera Frenkel  
34 Allan Harding Mackay — Abstract Terence Health  
34 Native Students Group — Abstract Richard William Hill  
34 Summer Reading — Abstract Annette Hurtig  
34 Changers: A Spiritual Renaissance — Abstract Amy Karlinsky  
34 Carel Moiseiwitsch — Abstract Robin Laurence  
34 Bernd and Hilla Becker — Abstract Peter MacCallum  
34 John Armstrong — Abstract Peter O'Brien  
34 Christopher Dewdney — Abstract Andy Patton  
34 American Art: Markets and Macho — Abstract Dena Shottenkirk  
34 David Bierk — Abstract Corneil Van der Spek  
33 Mary Balomenos — Abstract John Armstrong  
33 Georges Bures Miller — Abstract Sarah Atkinson  
33 Doris Wall Larson — Abstract Greg Beatty  
33 Hyphen Machine — Abstract Christine Davis  
33 Letter to the Editor Mark Gomes  
33 Toward Object and Verb:History, Dualities and the African American Artist — Abstract Michael D. Harris  
33 Time is Money and so is Space — Abstract Mark Harris  
33 11:45/High Noon — Abstract John Massey  
33 Jeanne Randolph — Abstract Gaile McGregor  
33 Chambermade — Abstract Deborah Meldazy  
33 Su Schnee — Abstract Peter O'Brien  
33 Whirling Sands: Eva Lootz at Tinglado 2 — Abstract June Papineau  
33 Ulrich Horndash — Abstract Robin Peck  
33 Jimmie Durham — Abstract Carol Podedworny  
33 Pruitt-Early (Rob & Jack) — Abstract Dena Shottenkirk  
33 Decolonizing the Imagination: Artist's Exchanges: Cuba, Canada — Abstract Dot Tuer  
32 The Abnegation of Reason — Abstract James D. Campbell  
32 Performance in/au Canada, 1970-1990, Coach House Press, Toronto. — Abstract Ann Dean  
32 Robin Peck, Burnaby Art Gallery, Burnaby, B.C.. — Abstract Dennis Gill  
32 Art Writing and Reading A.S.A. Harrison  
32 Language and Objectivity A.S.A Harrison  
32 Sculpture in the Diminished Field — Abstract Ingrid Jenkner  
32 Letter to the Editor Saul Jonas  
32 Letter to the Editor Helen Marzolf  
32 11:45/ High Noon — Abstract John Massey  
32 A Primal Spirit: Ten Contemporary Japanese Sculptors, National Gallery of Canada, — Abstract Deborah Meldazy  
32 Lorene Bourgeois. Extension Gallery, Toronto. — Abstract Peter O'Brien  
32 Helen Chadwick, Oboro Gallery, Montreal. — Abstract Athena Paradissis  
32 okanata, A Space and Workscene Gallery, Toronto. — Abstract Carol Podedworny  
32 Ordinary and Extraordinary Objects: Fetishism in Surrealist Art — Abstract Celia Rabinovitch  
32 Rebecca Horn, Marion Goodman Gallery, New York. — Abstract Dena Shottenkirk  
32 Dislocations, Museum of Modern Art, New York. — Abstract Dena Shottenkirk  
32 Shake Well, Cinecyle, Toronto. — Abstract Andrew Sorfleet  
32 General Idea, S.L. Simpson Gallery, Toronto. — Abstract Corneil Van der Spek  
31 Art Works/ Works of Art — Abstract Maija Bismanis  
31 Michael Merrill, Garnet Press Gallery, Toronto — Abstract Gary Michael Dault  
31 How I Learned That Jimmy was Dead Lin Gibson  
31 Garry Williams, Illingworth Kerr Gallery, Calgary Amy Gogarty  
31 Brian Scott, Toronto Sculpture Garden — Abstract Peter Hobbs  
31 Diana Thorneycroft, Winnipeg Art Gallery — Abstract Amy Karlinski  
31 Presence and Abstraction Walter Klepac  
31 Sizing Art Up (and Down); The Issue of Quality — Abstract Donald Kuspit  
31 Yellow Peril: Reconsidered, Artspeak, Or and the Contemporary Art Gallery, Vancouver Robin Laurence  
31 Letter to the Editor — Abstract Ron Martin  
31 Carolyn White, S.L. Simpson Gallery, Toronto — Abstract Maja Miller  
31 Hanne Darboven, Ydessa Hendeles Art Foundation, Toronto Sarah Milroy  
31 Real Authentic Genuine, Beaver Hall, Toronto — Abstract Andrew Payne  
31 First Nations Art and the Canadian Mainstream Carol Podedworny  
31 Louise Lawler, Metro Pictures Gallery, NYC — Abstract Dena Shottenkirk  
31 Kevin Madill, Artspeak Gallery, Vancouver Colin Smith  
31 Canadian Colinization — Abstract Andrew Sorfleet  
31 Rene Pierre Allain, Julian Pretto Gallery, NYC — Abstract Gary Telfer  
31 Images '91, Euclid Theatre and John Spotton Cinema, Toronto Karen Tisch  
31 Landon Mackenzie, Wynick Tuck Gallery, Toronto Liz Wylie  
30 Interview with Sharon Alward — Abstract Wayne Baerwaldt  
30 Helen Sebelius: Olga Korper Gallery, Toronto — Abstract Stuart Broomer  
30 Untitled — Abstract David Buchan  
30 Barbara Claus — Abstract James D. Campbell  
30 Sylvia Safdie — Abstract Nancy Campbell  
30 Joan Jonas: Galerie Samuel Lallouz Montreal — Abstract James D. Campbell  
30 Sovereignty Over Subjectivity — Abstract Robert Houle  
30 Some Postmodern Paradigms — Abstract Walter Klepac  
30 Mark Gomes — Abstract Robert Labossiere  
30 Dialogue for Three Stephanie Martin  
30 Carmelo Arnoldin: Lake Galleries, Toronto — Abstract Peter O'Brien  
30 Petrified Forest — Abstract Robin Peck  
30 Bill Jones: Garnet Press Gallery, Toronto — Abstract Carol Podedworny  
30 Kelly Wood — Abstract Lisa Robertson  
30 Dialogue: On History and Everyday Life — Abstract Andrew Sorfleet  
30 Extinct/Distinct — Abstract Greg Staats  
30 Bookworks: Gallery 76, Toronto — Abstract Corneil Van der Spek  
30 Jack Jeffrey — Abstract Petra Rigby Watson  
29 She Kisses Like She Kills Shonagh Adelman  
29 Robert Kleyn — Abstract Tom Burrows  
29 Arnaud Maggs — Abstract James D. Campbell  
29 John Heward — Abstract James D. Campbell  
29 Robert Flack; Diane Gagne — Abstract Catherine Crowston  
29 Diane Arbus — Abstract Gary Michael Dault  
29 Letter to the Editor FASTWURMS  
29 Uneasy History — Abstract Tom Folland  
29 Individualites — Abstract Linda Genereux  
29 Lawrence Weiner: Vancouver Art Gallery — Abstract Arni Runar Haraldsson  
29 Brian Groombridge — Abstract Ihor Holubizky  
29 Shirley Brown — Abstract Amy Karlinsky  
29 Letter to the Editor Ron Martin  
29 Accidental Subversities — Abstract Earl Miller  
29 Three Faces of Eve Natalie Olanick  
29 Shonagh Adelman — Abstract Andrew Payne  
29 Legitimation Mireille Perron  
29 Illuminating Manuscripts — Abstract Paul Petro  
29 Abstraction that Makes the Viewer Think — Abstract Reiner Schurman  
29 Untold Stories — Abstract Kitty Scott  
28 Feminist Videotapes: Redefining the Female Subject — Abstract Shonagh Adelman  
28 The Salvage Paradigm — Abstract Kass Banning  
28 Roland Poulin — Abstract Stuart Broomer  
28 More Thoughts on Painting — Abstract Sheila Butler  
28 Genital Embryogenesis — Abstract Scott Ellis  
28 Images 90 — Abstract Fran Gallagher-Shuebrook  
28 David Tomas — Abstract James Gillespie  
28 Nearness and Distance — Abstract Amy Gogarty  
28 Becky Singleton's Dials and the Creation of Meaning — Abstract A.S.A. Harrison  
28 Wendy Coburn — Abstract Ihor Holubizky  
28 Noel Harding — Abstract Ingrid Jenkner  
28 David Clarkson — Abstract Gordon Lebredt  
28 Roy Arden — Abstract Dotti Trujillo Lusk  
28 Richard Purdy's Fantastical Realities — Abstract Peter O'Brien  
28 Merry Christmas — Abstract Edward Poitras  
28 Art, Pedagogy, Utopia — Abstract Petra Rigby Watson  
28 Geoffrey James at Equinox Gallery, TorontoArni Runar Haraldsson at Western Front, Vancouver — Abstract Petra Rigby Watson  
28 Sound By Artists — Abstract Gayle Young  
27 Robert Hedrick — Abstract Stuart Broomer  
27 Andy Warhol — Abstract Lorenzo Buj  
27 Object Relations: Ron Martin's Recent Colour Paintings — Abstract James D. Campbell  
27 Furnace — Abstract Nancy Campbell  
27 Contextualization and the Disappearance of the Art Object — Abstract Ian Carr-Harris, Bruce Ferguson, Janice Gurney, and  
27 Trevor Gould: Manifold with Monument — Abstract Gary Michael Dault  
27 New Work — Abstract editorial staff  
27 Project for C — Abstract Diane Gagné  
27 Jocelyne Prince — Abstract Donald Goodes  
27 Social Environmental — Abstract Mariana Grezova  
27 Reid Shier — Abstract Arni Runar Haraldsson  
27 Art and Statesmanship: A Moral Paradox and Parable — Abstract Donald Kuspit  
27 Twilight's Last Gleaming by John Massey — Abstract Gordon Lebredt  
27 Eleanor Bond — Abstract Peter O'Brien  
27 Pierre Dorion — Abstract Peter O'Brien  
27 Elizabeth Chitty — Abstract Paulette Phillips  
27 Richard Gorenko — Abstract Cindy Richmond  
27 John Watt — Abstract Dot Tuer  
27 John Vanderpant — Abstract Petra Rigby Watson  
26 Jane Buyers — Abstract Janice Andreae  
26 The Architectural Formations of G. Klucis — Abstract Maija Bismanis  
26 Intelligent Artifacts — Abstract James D. Campbell  
26 Franz Erhard Walther — Abstract James D. Campbell  
26 Personal Beauty and Charm — Abstract Heather Champ  
26 Nancy Shaw — Abstract Donna Clark  
26 Jungle — Abstract Glen Cooly  
26 Carolyn White — Abstract Catherine Crowston  
26 Janine Marchessault — Abstract Kim Derko  
26 Re-enactment Between Self and Other — Abstract Monika Gagnon  
26 English Landscape and Abstraction — Abstract Robert Harrison  
26 From Innocent Impulse to Glamourous Grandeur — Abstract Donald Kuspit  
26 Jeff Wall — Abstract Robin Laurence  
26 Sex and Language — Abstract Donna Lypchuk  
26 Impossible Mission — Abstract Earl Miller  
26 Decalog — Abstract Richard Rhodes  
26 Fragile Imprints/Mediated Resistances — Abstract Dot Tuer  
25 Sandra Haar — Abstract Shonagh Adelman  
25 Martha Townsend — Abstract Janice Andreae  
25 The Partition Sisters — Abstract Gail Bourgeois  
25 Bridges to the West: a project for C Klaus vom Bruch  
25 The Decentered Subject: David Rabinowitch's "Tyndale Constructions in 5 Planes with West Fenestration: Sculpture for Max Imdahl" — Abstract James D. Campbell  
25 Micah Lexier — Abstract Nancy Campbell  
25 Frieso Boning, Gord Morrison — Abstract Scott Ellis  
25 Klaus vom Bruch: do not paint this screen — Abstract Bruce W. Ferguson  
25 "In Visible Colours": Women in Focus — Abstract Monika Gagnon  
25 Murdered by Misogyny Lin Gibson  
25 Returning to Estonia Robert Harbison  
25 Sandra Meigs — Abstract Andrea Kunard  
25 The Hype of Emergence — Abstract Donald Kuspit  
25 How Can We Speak to Painting? — Abstract Carol Laing  
25 At Home With Repetition — Abstract Gordon Lebredt  
25 Erick Desprez — Abstract Allister Neher  
25 Peter Legris — Abstract Peter O'Brien  
25 Ron Huebner: Sculpture of a New Dark Age — Abstract Robin Peck  
25 Cynthia Short — Abstract Christine Swiderski  
25 John Scott — Abstract Melony Ward  
25 Ashley Bickerton, at Sonnabend Gallery, New YorkNicholas Stewart, at Western Front, Vancouver — Abstract Petra Rigby Watson  
25 Claude-Philippe Benoit — Abstract Elizabeth Wood  
24 Bed of Roses — Abstract Janice Andreae  
24 Wilmar Koenig — Abstract James D. Campbell  
24 Doug Walker — Abstract Nancy Campbell  
24 Catherine Everett — Abstract James D. Campbell  
24 Marc de Guerre — Abstract Catherine Crowston  
24 THE NATURAL WORLD — Abstract Stan Denniston  
24 Rock Climbing & The Mid-Life Crisis — Abstract Deke Dusinberre  
24 The Border Prism — Abstract Lorne Falk  
24 Franc Petric — Abstract Peter Gibson  
24 Joyce Edgington — Abstract Mark Harris  
24 Mad For Bliss: Vera Frenkel — Abstract Johanna Householder  
24 Y-A-T-IL UNE DEMARCHE HYSTERIQUE? — Abstract Nicole Jolicoeur  
24 MEMORY - WORK — Abstract Carol Laing  
24 Critical Realism Revisited — Abstract Robert Linsley  
24 First Biennial of Contemporary Canadian Art — Abstract Earl Miller  
24 Perspectives '89 — Abstract Earl Miller  
24 Quotations, imagos, back again: an interview with Mary Scott — Abstract Jeanne Randolph  
24 Product and Territory — Abstract Jeanne Randolph  
24 Project: Untitled. — Abstract Nell Tenhaaf  
24 THREE TRAVEL STORIES — Abstract Martha Townsend  
24 World Wide Skin Deep — Abstract Petra Rigby Watson  
23 Samuel Beckett's Teleplays — Abstract Arne Zaslove  
23 Things to Come — Abstract Douglas Blau  
23 No Place Like Home — Abstract Gail Bourgeois  
23 Drawn On/Drawn Upon — Abstract Nancy Campbell  
23 Tenir l'image à distance — Abstract James D. Campbell  
23 PROJECT (ONCE UPON A TIME...) — Abstract Braco Dimitrijevic  
23 New Work '89 — Abstract editorial staff  
23 David and the Representation of the Revolution — Abstract Arni Runar Haraldsson  
23 Paris 1989 — Abstract Robert Harbison  
23 Beyond History — Abstract Ray Hartley  
23 Krzysztof Wodiczko — Abstract Eleanor Heartney  
23 Bernie Miller at Sable CastelliThe Phase Show at A Space — Abstract Ingrid Jenkner  
23 Disintegrated History — Abstract Donald Kuspit  
23 1989 (A YEAR IN ANNIVERSARIES) — Abstract Mark Lewis  
23 Attila Richard Lukacs — Abstract Earl Miller  
23 "C" Project — Abstract Regan Morris  
23 Notebook Pages — Abstract Andy Patton  
23 Roundup and Tour of the Instant — Abstract John Scott  
23 Chance: History, Evolution: Freedom; On the Works of Braco Dimitrijevic — Abstract Evelyn Weiss  
23 Robert Fones — Abstract Janice Williamson  
22 History Hurts: Barbara Steinman and Installation — Abstract James D. Campbell  
22 Arnaud Maggs: The Narrative and its Double — Abstract Gary Michael Dault  
22 Project: (A man and his twenty-one year old turtle) — Abstract Robert Fones  
22 Streams of Consciousness: New American Animation — Abstract Mark Harris  
22 Some Detached Houses — Abstract Ray Hartley  
22 Method, Method — Abstract Robert Kleyn  
22 Karel Appel's Sculpture — Abstract Donald Kuspit  
22 Umberto Boccioni: The Creative Dilemma Of A Mother's Boy — Abstract Donald Kuspit  
22 See The Picture Comes to Read You — Abstract Gordon Lebredt  
22 Alain Paiement — Abstract Earl Miller  
22 Philip Monk: Struggles with the Image — Abstract Andrew Payne  
22 Sculpture On The Orient Express (Further Travels with Brancusi) — Abstract Robin Peck  
22 Restructuring Landscape — Abstract Cyril Reade  
22 The Artropolis Syndrome — Abstract Charlotte Townsend-Gault  
22 Mary Mary: Anna Gronau — Abstract Dot Tuer  
21 Louis Lussier — Abstract James D. Campbell  
21 Stan Denniston — Abstract Jeff Derkson  
21 The Eiffel Tower, Only Morceaux — Abstract Bruce W. Ferguson  
21 Howard Ursuliak — Abstract Arni Runar Haraldsson  
21 Gaudi — Abstract Robert Harbison  
21 Stan Douglas — Abstract Mark Harris  
21 Project: Untitled — Abstract Nan Hoover. Photographs by Thijs Quispel.  
21 Memory Track — Abstract Stephen Horne  
21 Reification or Personalization: The Dilemma of Photography — Abstract Donald Kuspit  
21 Victims in the Visible — Abstract Mark Lewis  
21 Hugh LeRoy — Abstract Donna Lypchuk  
21 Alan Belcher: Geometry of the Possible — Abstract Earl Miller  
21 Democratiser — Abstract Richard Rhodes  
21 Mary Scott — Abstract Melony Ward  
21 Jaan Poldaas — Abstract Robert Youds  
20 STILL LIFE — Abstract Douglas Blau  
20 Ashley Bickerton: The Unbearable Lightness of Art — Abstract Rosetta Brooks  
20 Robert Adrian X: Dematerializing Media(tions) — Abstract James D. Campbell  
20 Michelle Normoyle — Abstract Linda Carter  
20 Tony Scherman — Abstract Gary Michael Dault  
20 CRIME AND ORNAMENT — Abstract Marc de Guerre  
20 Modern Art and the Riviera — Abstract Robert Harbison  
20 Art Films — Abstract Mark Harris  
20 Robin Peck — Abstract Garry Neill Kennedy  
20 Michelangelo Pistoletto — Abstract Robert Kleyn  
20 Gerhard Richter's Doubt and Hope — Abstract Donald Kuspit  
20 The Proxy: Some Notes on Ventriloquism Gordon Lebredt  
20 Fastwürms — Abstract Donna Lypchuk  
20 Noel Harding: Seven Beauties, Chickens, Clowns, Drunks, Scavengers — Abstract Richard Rhodes  
19 UN — Abstract Isaac Applebaum  
19 Survival Research Laboratories: "Misfortunes of Desire" — Abstract Vivian Bobka  
19 Ron Martin — Abstract James D. Campbell  
19 New Work — Abstract editorial staff  
19 The National Gallery Ottawa — Abstract Robert Harbison  
19 Su Schnee — Abstract Mark Harris  
19 Art in the Era of Permanent Capitalism — Abstract Robert Kleyn  
19 Christian Boltanski's Art Of Gloom — Abstract Donald Kuspit  
19 John Graham: Aristocratic Pretensions — Abstract Donald Kuspit  
19 Extenuating Circumstances — Abstract Gordon Lebredt  
19 Stephen Horne — Abstract Julian Patrick  
19 The Sculptor and the Mauser — Abstract Robin Peck  
19 James K-M — Abstract Robin Peck  
19 Mark Lewis, "Burning" — Abstract Nancy Shaw  
19 SAINT EUGENE — Abstract Paul Waldman  
18 Terry Ewasiuk: "Receiver" — Abstract Linda Carter  
18 Ken Lum: Logos and Logo — Abstract Gary Michael Dault  
18 MODERN RHYMES/TRYING TIMES — Abstract Andy Fabo  
18 Janice Gurney — Abstract Monika Gagnon  
18 "Picturing" Greatness — Abstract Leon Golub  
18 Towards the Photograph as a Vulgar Document — Abstract Clara Gutsche  
18 Paysage — Abstract Arni Runar Haraldsson  
18 Douglas Blau's Fictions — Abstract Robert Harbison  
18 Michael Snow — Abstract Mike Hoolboom  
18 On Taste, Academics & Language: An Interview with Thomas Locher and Thomas Gruenfeld — Abstract Cornelia Lauf  
18 Berlin Dispatch — Abstract John Bentley Mays  
18 High Plains Drifter; or Modernism and the Memorial — Abstract Robin Peck  
18 Racism and Photography — Abstract Randy Saharuni  
18 Geneviève Cadieux — Abstract Nell Tenhaaf  
18 Ruth Scheuing — Abstract Petra Rigby Watson  
17 TWO VIEWPOINTS (BLUE) ON RED HORIZON — Abstract John Baldessari  
17 Will Gorlitz: "The Psychopathology of Everyday Life" — Abstract Gary Michael Dault  
17 The Perennial Seed — Abstract Susan A. Davis  
17 Martha Townsend's Readymade Ecologies — Abstract Lorne Falk  
17 Translating from the Liminal: First and Last Name 'Laiwan' — Abstract Arni Runar Haraldsson  
17 Mina Totino — Abstract Mark Harris  
17 Paterson Ewen — Abstract Shelley Hornstein-Rabinovitch  
17 Alive in the Alchemical Emptiness: Jannis Kounellis' Art — Abstract Donald Kuspit  
17 Rodney Graham — Abstract Gordon Lebredt  
17 Thomas Struth: "Unconscious Places" — Abstract Harm Lux (translated by Anne Zimmermann)  
17 Heroic Life — Abstract John Bentley Mays  
17 Cave — Abstract Earl Miller  
17 Henry Moore & The Pub — Abstract Robin Peck  
17 DORSAL VIEW OF THE BRAIN...etc. — Abstract Reinhard Reitzenstein  
16 Ironic Disguise — Abstract Ian Carr-Harris  
16 Savage Glyphs — Abstract Gary Michael Dault  
16 This is Paradise — Abstract Tom Dean  
16 Jana Sterbak — Abstract Reesa Greenberg  
16 The Triumph of Pessimism: The Joy of Being in a Tunnel — Abstract Serge Guilbaut  
16 BURNING — Abstract Mark Lewis  
16 Victor Burgin — Abstract Mark Lewis  
16 In Pursuit of the Vanishing Subject: James Welling & Rodney Graham — Abstract Robert Linsley  
16 Fine Young Cannibal — Abstract Donna Lypchuk  
16 Michael Snow — Abstract Jerry McGrath  
16 Nickelodeon — Abstract Earl Miller  
16 Travels With Brancusi: A Circumambulation of the Transylvanian Plateau — Abstract Robin Peck  
16 A Henge With a View — Abstract Gary Telfer  
15 Alan Belcher — Abstract Vikky Alexander  
15 Brave New Genre — Abstract Jan Avgikos  
15 "Ordinary Things" — Abstract Linda Carter  
15 Passion Play Overlay — Abstract Gary Michael Dault  
15 New Works 1987 — Abstract editorial staff  
15 When the Yuppies Come Marching In — Abstract Bruce W. Ferguson  
15 Eva Brandl — Abstract Trevor Gould  
15 Musee D'Orsay, Paris — Abstract Robert Harbison  
15 Gary McLaren — Abstract Mike Hoolboom  
15 Documenta 8: Emancipation and the New Modernism — Abstract Donald Kuspit  
15 Beuys or Warhol? — Abstract Donald Kuspit  
15 " Petrified Forest Estates Lot No. 296" — Abstract Cornelia Lauf  
15 "Den Love: Fear and Glamour, Part III" — Abstract Donna Lypchuk  
15 "Mr. Caldwell" — Abstract Jerry McGrath  
15 Ron Giii — Abstract Earl Miller  
15 Nancy Spero — Abstract Earl Miller  
15 A Prophylactic Discourse on Simulated Art — Abstract Joseph Nechvatal  
15 Memento Mori — Abstract Richard Rhodes  
15 Angela Grauerholz — Abstract Randy Saharuni  
15 "Unromantic as Monday Morning" — Abstract Ruth Scheuing  
15 No Fixed Address — Abstract Randy Spires  
15 "In the Palace of the Queen" — Abstract Randy Spires  
15 "Self-Potrtrait: An Installation" — Abstract Joshua Teplow  
15 Frances LeemingAndrew J. Paterson — Abstract Petra Rigby Watson  
14 Nancy Dwyer — Abstract Vikky Alexander  
14 Pyrrhic Victory — Abstract Jan Avgikos  
14 Louise Lawler — Abstract Jan Avgikos  
14 Dancing on the Grave — Abstract Rosetta Brooks  
14 Claude Mongrain — Abstract Trevor Gould  
14 Sacred Cows — Abstract Reesa Greenberg  
14 Ron Huebner"What You Don't Know Won't Hurt You" — Abstract Arni Runar Haraldsson  
14 Judith M. AtkinsonDianne Radmore — Abstract Mark Harris  
14 First Images, Primal Scenes — Abstract Mike Hoolboom  
14 As Though We Knew What to Do — Abstract Ronald Jones  
14 Documenta 8 Issues — Abstract Donald Kuspit  
14 Reid Sheir — Abstract Robert Lindsay  
14 Kassel 1987 So Much to See and Do — Abstract John Bentley Mays  
14 Give & Take — Abstract Allan McCollum  
14 Brian Scott — Abstract Jerry McGrath  
14 Andy Patton — Abstract Earl Miller  
14 David Diao — Abstract Robert Morgan  
14 Dutiful Daughter — Abstract Richard Rhodes  
14 "Sight Specific" — Abstract John Scott  
14 Alison Rossiter — Abstract Randy Spires  
14 Freda Guttman — Abstract Nell Tenhaaf  
14 Gestures in the Looking Glass: Performance Art and the Body — Abstract Dot Tuer  
14 Colette Whiten — Abstract Gregory Van Alstyne  
13 Subliminal Assault — Abstract Jan Avgikos  
13 Richard Prince — Abstract Jan Avgikos  
13 "Je, Tu, Elle" — Abstract Barbara McGill Balfour and Randy Hemminghaus  
13 The Mummification of Mommy: Joyce weiland as the AGO's First Living Other — Abstract Kass Banning  
13 Irene F. Whittome Interviewed by Lorne Falk — Abstract Lorne Falk  
13 Stark Flight — Abstract Monika Gagnon  
13 David Craven, Harold Klunder — Abstract Linda Genereux  
13 Japanese Experimental Film 1960-1980 — Abstract Mike Hoolboom  
13 Ted Bieler — Abstract Shelley Hornstein-Rabinovitch  
13 An Whitlock — Abstract Dian Kinder  
13 Murder He Wrote — Abstract Donna Lypchuk  
13 "Symposium" — Abstract Donna Lypchuk  
13 Ian WallaceCold City Gallery — Abstract Earl Miller  
13 NO FIXED ADDRESS — Abstract Joey Morgan  
13 True Stories — Abstract Susan Morgan  
13 Robert Youds"More" — Abstract Richard Rhodes  
13 Julian Schnabel and Ruth Kligman — Abstract Walter Robinson  
13 Brigitte Radecki — Abstract Christine Ross  
13 Sarah Charlesworth: Imagining the Other — Abstract Dena Shottenkirk  
13 One Against the Other — Abstract Cheryl Simon  
13 Gilbert Boyer/Louise Viger"Facteur/Facteurs" — Abstract Cheryl Simon  
13 Jim MillerPoison Pen — Abstract Randy Spires  
13 REBIRTH — Abstract Irene F. Whittome  
13 Dithering on Petering Out — Abstract William Wood  
13 Jeff Wall — Abstract William Wood  
13 "War Artist" — Abstract Liz Wylie  
13 "Broken Muse" — Abstract Jane Young  
12 NIele Toroni at Mary Boone Gallery — Abstract Jan Avgikos  
12 Project: Untitled — Abstract Sorel Cohen  
12 Rae Johnson at Carmen Lamanna Gallery — Abstract Gary Michael Dault  
12 "Western Flesh and Blood" — Abstract Gary Michael Dault  
12 "Ultrasurd" — Abstract Robert Everett-Green  
12 "La Bete Noire" — Abstract Lorne Falk  
12 Robert McNealy at S.L. Simpson Gallery — Abstract Trevor Gould  
12 In Praise of Lumieres — Abstract Reesa Greenberg  
12 Participants in Parody — Abstract Reesa Greenberg  
12 Hot Paint for Cold War — Abstract Serge Guibaut  
12 Charles Rea and Attila Richard Lukas at Mercer Union — Abstract Dierdre Hanna  
12 Dreaming Against Time — Abstract Arni Runar Haraldsson  
12 Robert Linsey at the Contemporary Art Gallery — Abstract Ray Hartley  
12 Yvonne Singer at White Water Gallery — Abstract Shelley Hornstein-Rabinovitch  
12 "Date Paintings: Twenty Years" — Abstract Ronald Jones  
12 "Spin Paintings" — Abstract Ronald Jones  
12 If the Price is Right Selling Past Perfect Moments — Abstract Mark Lewis  
12 "Of Matter and Motion" — Abstract Donna Lypchuk  
12 VERTICAL DREAMS — Abstract Dyan Marie  
12 Pure Activity Late Capitalist Texts To Be Sung — Abstract John Bentley Mays  
12 "Axis Mundi" — Abstract Jerry McGrath  
12 Wyn Geleynse at Mercer Union — Abstract Earl Miller  
12 Trevor Gould at ARC — Abstract Earl Miller  
12 Paths and Circles — Abstract Susan Morgan  
12 "Caddis Case" — Abstract Robin Peck  
12 "Voices of the Unclean" — Abstract Richard Rhodes  
12 "Maintenance" — Abstract Richard Rhodes  
12 Ric Evans at Grunwald Gallery — Abstract Andrew Schulz  
12 Krzysztof Wodiczko: An Interview by Ian Smith-Rubenzahl — Abstract Ian Smith-Rubenzahl  
12 John Clark at Wynick/Tuck Gallery — Abstract Marshall Webb  
12 Margaret Naylor at the Contemporary Art Gallery — Abstract Carol Williams  
12 Approval — Abstract William Wood  
11 Liz Magor in Discussion With Ian Carr-Harris — Abstract Ian Carr-Harris  
11 Architectural Digest — Abstract Gary Michael Dault  
11 New Work 1986 — Abstract editorial staff  
11 Abuse of the Title — Abstract Monika Gognon  
11 Biennale! Finale? — Abstract Reesa Greenberg  
11 History at Infinity — Abstract Arni Runar Haraldsson  
11 Protectorates — Abstract Shelley Hornstein-Rabinovitch  
11 The Secret World of Giorgione — Abstract Komar & Melamid  
11 The Fragments of a Romance The Romance of the Fragment — Abstract Donald Kuspit  
11 Viscious Surfaces — Abstract Donna Lypchuk  
11 Et in Arcadia Ego (And Vice Versa) — Abstract Jerry McGrath  
11 Objecthood of Terror — Abstract Robin Peck  
11 FIRST YOU LEARN THE LANGUAGE — Abstract Randy & Berenicci  
11 The Ceac was Banned in Canada — Abstract Dot Tuer  
11 Image & Obstruction — Abstract Petra Rigby Watson  
11 Administered Anonymity — Abstract Peter Wollheim  
11 Skinjobs — Abstract William Wood  
10 SUDBURY SATURDAY NIGHT — Abstract Peter Bowyer  
10 Two Sides — Abstract Victor Coleman  
10 Bunkers for Boys — Abstract Gary Michael Dault  
10 Onn Off TV — Abstract Sara Diamond  
10 Texta Scientae (The Enhancing of Knowledge): Mary Kelley's Corpus — Abstract Monika Gagnon  
10 CONFESSIONS OF A CLOSET COLLECTOR — Abstract Reesa Greenberg  
10 Chapel, Bell — Abstract Dierdre Hanna  
10 Simulacrum & Sons — Abstract Arni Runar Haraldsson  
10 The Spade and the Shovel — Abstract Mark Harris  
10 It's Ireland — Abstract Shelley Hornstein-Rabinovitch  
10 Out in Time — Abstract Ronald Jones  
10 PUBLIC DOMAIN — Abstract Brian Kippling  
10 The Frescoes and Sculpture of Vincent Tangredi — Abstract Walter Klepac  
10 Me and My Maculations: Doing (Away) With One's Own Image — Abstract Gordon Lebredt  
10 The Wreckroom — Abstract Donna Lypchuk  
10 Glamour and Prose — Abstract Bruce Serafin  
10 The Epic of Concentration : On "Amerika" and "United States" — Abstract Bart Testa  
10 The Sacri Monti of the Alps — Abstract Frederic Urban  
10 Marginal Practice — Abstract Scott Watson  
10 How we See What We SAy — Abstract William Wood  
10 Corporate Oblivion — Abstract Shirley Yanover  
9 TRAVELOGUE — Abstract Barbara Astman  
9 ON THE SURFACE — Abstract David Clarkson  
9 From the Silence of Noise, Plural, to the Silence of Order — Abstract Monika Gagnon  
9 Validating the Object: Recent Works by Roland Brener — Abstract Trevor Gould  
9 VANISHING WITNESS — Abstract Roy Green  
9 Postherds — Abstract Dierdre Hanna  
9 Mapping Memory — Abstract Arni Runar Haraldsson  
9 Atget's Hidden Narratives — Abstract Robert Harbison  
9 Interstices of Romance — Abstract Shelley Hornstein-Rabinovitch  
9 FINCHWELL CONTINUED — Abstract Garry Neil Kennedy  
9 David Salle's Aesthetic of Discontent — Abstract Donald Kuspit  
9 Rousseau Redux — Abstract Mark Lewis  
9 Smart Brunettes — Abstract Donna Lypchuk  
9 Freeze-dried — Abstract Donna Lypchuk  
9 Livingroom with Lakes — Abstract Jerry McGrath  
9 Deutschland Royale — Abstract Jonathan Miles  
9 Boss Symbolism — Abstract Robin Peck  
9 Review of "Boss Symbolism" — Abstract Robin Peck  
9 Centrifugal Force — Abstract James Walton  
9 Saint Jack — Abstract William Wood  
8 The Anatomy Lesson — Abstract Tony Benn  
8 Did I Hear Bark, or, was I just imagining (for James Thurber) — Abstract Philip Corrigan  
8 Silver Dialectics — Abstract Heather Elton  
8 The Body of Knowledge — Abstract Monika Gagnon  
8 Problems With Picasso : Fe-male and the Phallus — Abstract Reesa Greenberg  
8 No Peacer, No Shelter — Abstract Valerie Greenfield  
8 Imperial Technologies — Abstract Dierdre Hanna  
8 A Somatic Continuum — Abstract Harlon Johnson  
8 Distress — Abstract Ronald Jones  
8 Concerning the Question of the Post-Cultural — Abstract Mark Lewis  
8 Necro-Romanticism — Abstract Donna Lypchuk  
8 The Religion of the Ego — Abstract Morton Manilla  
8 Hard Lessons — Abstract Jenny McGarth  
8 The "Troubles" — Abstract Jonathan Miles  
8 Liberty — Abstract Michael Nuridsany  
8 Inhabiting Persona Subsuming Personality — Abstract Jennifer Oille  
8 Runing on Empty — Abstract Richard Rhodes  
8 GREEN VALLEY, CHAPTER 14 — Abstract Brian Scott  
8 Amputated Ambiguity — Abstract Dena Shottenkirk  
8 LOST LAKES — Abstract Gordon Voisey  
8 Sentinence — Abstract Keith Wallace  
8 Absent Celebration — Abstract William Wood  
7 From Algeria: A Series of Innovations Because Nothing Else Works Kathy Acker  
7 NORTH/LIGHT/BLACK/SEA — Abstract Roy Arden  
7 From the House of Miracles — Abstract Fatima Bercht  
7 Shelter — Abstract Jean-Jacques Bernier  
7 CASA 7 — Abstract Carlito Carvalhosa  
7 On Museums — Abstract Thierry de Duve  
7 New Works — Abstract editorial staff  
7 Living Fictions: Richard Kerr's On Land Over Water — Abstract Bruce Elder  
7 Ernie Kovacs: A Good Look (And Listen) — Abstract Bruce W. Ferguson  
7 THE KALEIDESCOPIC SPYHOLE — Abstract Robert Flack  
7 Correct Distance — Abstract Monika Gagnon  
7 Distance, Desire: Shirley Wittasalo's Landscape Images — Abstract Peggy Gale  
7 Sculpture as Pique — Abstract James Graham  
7 Aurora Borealis: Meliorist Underground — Abstract Robert Graham  
7 Begging the Question: A Review in Two Voices — Abstract Reesa Greenberg and R. Bella Rabinovitch  
7 When Collage was Young — Abstract Donald Kuspit  
7 Cannibaleyes — Abstract Gordon Lebredt  
7 Intoxication — Abstract Donna Lypchuk  
7 "! No, Say Yes!" — Abstract Donna Lypchuk  
7 Eye of the Mask — Abstract Jennifer Oille  
7 Allegorical Margins — Abstract Gregory Salzman  
7 Critical Distance or Two Chances to Look Back — Abstract Geoffrey Shea  
7 EL SALVADOR — Abstract Nancy Spero  
7 Places of Prodigy — Abstract Dot Tuer  
7 from THE ARTIST DISAPPEARS series — Abstract Wallace & Donohue  
7 LE CRUX — Abstract Ben Walmsley  
6 Think: Engage: Cross Disciplines: Persevere: Build — Abstract George Baird  
6 Lorna Brown — Abstract Daniel Congdon  
6 Surface Surfeit: Notes on Some Recent Italian Design — Abstract Gary Michael Dault  
6 Kwakiutl Cyanotypes — Abstract Kate Davis  
6 Panoramic Rotunda — Abstract Stan Douglas  
6 Heroic Difference — Abstract Brian Foss  
6 Allegory: to speak other wise — Abstract Eldon Garnet  
6 The European Iceberg: No Accounting for Pleasure — Abstract Tim Guest  
6 Four Self Projects — Abstract Harold Klunder  
6 After-affects: a small matter of some face — Abstract Gordon Lebredt  
6 Sharon Cook: The Savage Zone — Abstract Donna Lypchuk  
6 Caniapiscau River — Abstract Landon Mackenzie  
6 Project for an Opera of the Twentieth Century G.S. — Abstract John Bentley Mays  
6 Totemic meanders — Abstract Jerry McGrath  
6 Rhetoric of Reason — Abstract Jonathan Miles  
6 Phobias, fragments, recall — Abstract Michael Newman  
6 Public Address/Modern Art: A Misrepresentation — Abstract Jennifer Oille  
6 Relentless Verites — Abstract Jayce Salloum  
6</