Issue 113 includes features by Scott McLeod on the 8th Mercosul Biennial, Carol Zemel on Yael Bartana, Michelle Kasprzak on art and social media, Saelan Twerdy in conversation with Derek Sullivan, Chloé Roubert on the National September 11 Memorial, and Allison Collins and Eli Bornowsky on Pacific Standard Time. C113 also includes an artist project by CN Tower Liquidation and reviews of exhibitions by Diana Thorneycroft, Laurel Woodcock, Tonik Wojtyra, Raqs Media Collective and others.
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Issue 112 includes features by Jesse Birch on durational projects, Philip Monk on the General Idea Retrospective at the Art Gallery of Ontario, Caroline Seck Langill on Tom Sherman's recent video work, Tatiana Mellema looking at communal art projects, and an interview with Robert Houle by Denise Frimer. C112 also includes an artist project by Alex Wolfson and reviews of exhibitions by Taryn Simon, Gwen MacGregor and Sandra Rechico, Louise Bourgeois, Carl Beam and others.
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Issue 111 includes features by Adam Lauder on Performing the Library; Jen Hutton on Dexter Sinister; David Senior on the Whole Earth Library; Randy Lee Cutler on Reading; Pandora Syperek on ILLUMINnations: the 54th Venice Biennale, and artist projects by Read-in and Thilo Folkerts with Rodney LaTourelle; Reviews of exhibitions by Song Dong, Gina Badger, Adel Abdessemed, Chris Curreri, Wim Botha, Frances Stark and others.
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Issue 110 includes Mark Clintberg's essay "Hungry Eyes: Feasting on
Food Photography from elBulli and Beyond," Nicole J. Caruth's "Kitchen
Studio: A Recipe for Disaster," Leah Modigliani's "Collaborating on
Conceptual Art: An Aesthetics of the Impossible" and Swapnaa Tamhane's
"The Performative Space: Tracing the Roots of Performance-Based Work
in India." This issue also include an interview by Pandora Syperek
with Fiona Kinsella and artist projects by Keesic Douglas and Aislinn
Thomas. The reviews section includes writing about exhibitions by Karen Azoulay, Marcel Dzama, Jessica Eaton, Sean Martindale, John Monteith, Bruce Nauman, Cady Noland and Diane Arbus, and
Douglas Scholes.
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Issue 109 includes feature essays by Jen Kennedy on contemporary art's educational turn; and Sholem Krishtalka on collaborating with novelist Sheila Heti and painter and filmmaker Margaux Williamson; Mandy Ginson interviews Toril Johannessen; book reviews and exhibition reviews from Fredericton, Halifax, Hamilton, Ottawa, Toront, Vancouver, the 29th Bienal de São Paulo, and Manifesta 8; also two artist projects;
Summerhill, Revised, by Helen Reed and Hannah Jickling with an accompanying text by Stephanie Springgay, and
Studies for Possible Futures by Maggie Groat.
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ISSUE 108
Issue 108 includes feature articles by Richard Ibghy & Marilou Lemmens on Mark Boulos, Melanie Gilligan and Olivia Plender on the relationship between the workings of the market and spiritual belief, and Adam Lauder in conversation with Vincent Bonin; David Lillington interviews Spartacus Chetwynd, and Natasha Bissonauth interviews Divya Mehra; book reviews and exhibition reviews from Toronto, Madrid, New York, Rijeka (Croatia), Mass MoCA in North Adams, and the Berlin Biennale; also an artist project by Abbas Akhavan, with an additional 25 special limited edition magazines with real gold leaf, signed and numbered by the artist.
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ISSUE 107
Issue 107 includes feature essays by Carla Benzan, on Carolee Schneemann's cats; Karen Houle, on ethics and animal kinship; Jon Davies, on Mike White's film, Year of the Dog; and Helena Reckitt, writing about human/non-human animal relationships; book and exhibition reviews from Calgary, the Alberta Biennial in Edmonton, Dublin, Halifax, Montreal, New York, Paris, Peterborough, Toronto, including the winning entry for the 2010 New Critics Competition from Minneapolis; and an artist project by Bill Burns, with an essay by Gentiane Bélanger.
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ISSUE 106
Issue 106 includes feature articles by Jennifer Fisher on psychometry, Lynn Crosbie on Michael Jackson, and Louis Kaplan on Nate Larson's photographic miracles; David Lillington interviews Paulette Phillips, and Leah Modigliani interviews The Center for Tactical Magic; book and exhibition reviews from Antwerp, Chicago, Toronto, Edmonton, Victoria, Charlottetown, Stratford Ontario, McIvers Newfoundland and Ridgefield Connecticut, with a special section covering Vancouver during the 2010 Winter Olympics; artist project by Scott Treleaven, accompanied by an essay by Elijah Burgher.
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ISSUE 105
Issue 105 includes feature contributions from Ray Cronin on Graeme Patterson, and Elizabeth Matheson and Emelie Chhangeur on Humberto Valezl; Karlyn De Jongh interviews Teching Hsieh, Kaitlin Till-Landry interviews Martha Wilson, and Deborah Root examines the performance interventions of Lorena Wolffer; with book and exhibition reviews from Vancouver, Toronto, Montreal, New York and Basel; artist project by Patrick Krzyzanowski.
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ISSUE 104
Issue 104 includes a feature article by Jen Hutton on Lady Gaga and feminist camp, and essays by Helena Reckitt on female modernists and their influence on contemporary feminist art, and by Emily Roysdon on "Ecstatic Resistance"; Deborah Root covers the Istanbul Biennale and Miles Collyer reports from the New York Art Book Fair; with book and exhibition reviews from Los Angeles, Halifax, Montreal, and Toronto; noteworthy books, editions, multiples and projects; artist project by Onya Hogan-Finlay.
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ISSUE 103
Issue 103 includes feature essays by Joseph Banh on Nuit Blanche, Jesse Birch on Vancouver's domestic interventions, Jen Hutton on democratizing exhibition spaces, and Deborah Root on Jamelie Hassan; with book and exhibition reviews from Paris, New York, Montreal and Toronto; artist projects by Kathleen Ritter and James B. Maxwell, and Kara Uzelman.
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ISSUE 102
Issue 102 includes feature essays by Heather Diack on Bruce Nauman, Irmgard Emmelhainz on Emily Vey Duke and Cooper Battersby, Séamus Kealy on Project Biennalist, Tatiana Mellema on Reverse Pedagogy, and Shepherd Steiner on Mark Lewis; with reviews from London, Montreal, New York and Toronto; artist centrefold by Swintak.
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ISSUE 101
Issue 101 includes interviews with collectives, interviews with curators, interviews with artists, and interviews by artists
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C Magazine is published quarterly by C The Visual Arts Foundation (charitable no 88643 1162 RR0001) © 2009