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Issue 122

122

Issue Contents

Editorials
  1. Amish Morrell
    Editorial: Location — Read Text
Columns
  1. Maryse Larivière
    On Writing: The Parrot — Abstract
  2. Maryse Larivière
    Primer: The Window May be Open — Abstract
  3. Jonathan Lockyer
    Inventory: Walking — Abstract
  4. David Court and Josh Thorpe
    Artefact: On Printed Matter — Abstract
Features
  1. Corrine Fitzpatrick
    Being in a State of Pure Belief: On the Work of Etel Adnan — Abstract
  2. Kimberly Phillips
    Willow, Weep for Me: Noa Giniger, Marian Penner Bancroft, and the Intricacies of Melancholy — Read Text
  3. Nicholas Brown
    Renzo Martens and the Institute for Human Activities — Abstract
  4. Alexandra Phillips
    Both Here and There: Canadian Artists and the Berlin Experience — Abstract
Artist Projects
  1. Alexis Bhagat and Stephanie Loveless
    Stopover — Abstract
Reviews
  1. Zoë Chan
    Rabih Mroué: The Pixelated Revolution — Abstract
  2. Maeve Hanna
    Sarah Cale: Petrified — Abstract
  3. Sam Cotter
    Chris Curreri: Medusa — Abstract
  4. Bill Clarke
    Glam North: Doris McCarthy and her New Contemporaries — Abstract
  5. Amber Berson
    Akram Zaatari: All is Well — Abstract
  6. Jaclyn Meloche
    Sharon Hayes: Loudspeakers and Other Forms of Listening — Abstract
  7. Kari Cwynar
    A Problem So Big It Needs Other People — Abstract
  8. Daniella E. Sanader
    Chiharu Shiota: Trace of Memory — Abstract
  9. Joseph Henry
    Damage Control: Art and Destruction Since 1950 — Abstract
  10. Jane Affleck
    Graeme Patterson: Secret Citadel — Abstract
  11. Dan Munn
    Neil Beloufa, Julie Born Schwartz, Christopher Kulendran Thimas, Timur Si-Qin, Lewis Teague Wright, and Tyra Tingleff: Fulfilment Centre — Abstract
  12. Amber Landgraff
    Self-Organised, edited by Stine hebert and Anne Szefer Karlsen — Abstract
  13. Jonathan Lockyer
    The Lake, edited by Maggie Groat — Abstract
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