No. |
title |
author |
|
149 |
Take Down, Spread Out — Read Text |
Benjamin de Boer |
|
149 |
George the Parasite — SF Ho — Read Text |
Eleonor Botoman |
|
149 |
Editorial: Community — Read Text |
Jac Renée Bruneau |
|
149 |
Wildseed: A Fellowship Model by and for Black Creatives — Read Text |
Erica Cardwell |
|
149 |
In-reach and the Fabulatory Function of the Curatorial — Read Text |
Emelie Chhangur |
|
149 |
“Black Gold” — Ts̱ēmā — Read Text |
Steven Cottingham |
|
149 |
“Moon Poetics 4 Courageous Earth Critters and Dangerous Day Dreamers” — Zadie Xa — Read Text |
Lillian O’Brien Davis |
|
149 |
Moving at the Speed of Trust: On Teaching Social Practice — Read Text |
Emily Dickson |
|
149 |
Ongoing Legacies of Transmisogyny — Read Text |
Dallas Fellini |
|
149 |
My Meteorite Or, Without the Random There Can Be No New Thing — Harry Dodge — Read Text |
Genevieve Flavelle |
|
149 |
Letters — Read Text |
Emily Amos-Wood, Rosemary Flutur, and Karina Roman Justo |
|
149 |
“A Thread That Never Breaks” — Angel Aubichon, Joi T. Arcand, Leanna Marshall, Caroline Monnet, Jaad Kuujus (Meghann O’Brien), Olivia Whetung, The Pacific Sisters — Read Text |
Camille Georgeson-Usher |
|
149 |
Aajiiqatigiingniq: Isuma’s Digital Indigenous Democracy Project — Read Text |
Emily Laurent Henderson |
|
149 |
Community is Never Neutral: Placemaking in Chinatowns Across Canada — Read Text |
Steph Wong Ken |
|
149 |
“Inaction” — Brendan Fernandes — Read Text |
Godfre Leung |
|
149 |
“Thought, outside” — Craig Berggold, Marlene Creates, Kiss & Tell, Roy Kiyooka, Laiwan, Ken Lum, Melinda Mollineaux — Read Text |
Jaleh Mansoor |
|
149 |
Seghąxole, my clan by Victoria Redsun: Text — Read Text |
Mariana Muñoz Gomez |
|
149 |
Seghąxole, my clan — Abstract |
Victoria Redsun |
|
149 |
Gay Day 1971 — Read Text |
Jamie Ross |
|
149 |
Imagination Tool for Institutional Operations: A Long Project Between Gudskul & 7 Toronto Collectives — Read Text |
Ruben Beny Esguerra , Rosina Kazi, Marsya Maharani, Vince Rozario, Gesyada Siregar, and Geneviève Wallen |
|
149 |
“The Neighbour’s Plate” — Derya Akay, Amna Elnour, Dana Qaddah — Read Text |
April Thompson |
|
149 |
Grass Drama — Julian Yi-Zhong Hou — Read Text |
Magnus Tiesenhausen |
|
149 |
“Queer Correspondence” — Alex Margo Arden and Caspar Heinemann, Beatriz Cortez and Kang Seung Lee, Ezra Green and Martin Hansen, rafa esparza, Gelare Khoshgozaran, David Lindert, Atiéna — Read Text |
Alex Turgeon |
|
149 |
An Invitation for Black and Indigenous Artists to Dream — Read Text |
Kite and Alisha B. Wormsley |
|
149 |
1—130 — Nour Bishouty — Read Text |
Reyhan Yazdani |
|
148 |
Gaawiin Ogiibagidenaawaasiiwaawan / They Did Not Let It Go: Robert Houle — Read Text |
Noor Alé |
|
148 |
Wanderings by Anna Binta Diallo: Text — Read Text |
Noor Bhangu |
|
148 |
Shame and Prejudice: A Story of Resilience: Kent Monkman — Read Text |
Raymond Boisjoly |
|
148 |
Editorial: Body Language — Read Text |
Jac Renée Bruneau |
|
148 |
Picture Cycle: Essays: Masha Tupitsyn — Read Text |
Jesse Cumming |
|
148 |
One Thing: Bundles — Read Text |
Dayna Danger |
|
148 |
Wanderings — Abstract |
Anna Binta Diallo |
|
148 |
The (Im)possibility of Healing: On Lauryn Youden — Read Text |
Lauren Gabrielle Fournier |
|
148 |
The Gas Imaginary: Rachel O’Reilly — Read Text |
Jonah Gray |
|
148 |
I Confess: Moyra Davey — Read Text |
Greta Hamilton |
|
148 |
Three-Thirty: Ebti Nabag, Aaron Jones, and Kelly Fyffe-Marshall — Read Text |
Huda Hassan |
|
148 |
Soft Blues — Read Text |
Johanna Hedva |
|
148 |
Letters — Read Text |
Tatum Dooley, Ivetta S.Y. Kang, and Philip Leonard Ocampo |
|
148 |
What Are They Fighting For? On Oliver Husain, Kerstin Schroedinger, and the community who embraced DNCB as an experimental treatment for HIV — Read Text |
Theodore (ted) Kerr |
|
148 |
amiskwacîwâskahikan: Jane Ash Poitras, MJ Belcourt Moses, Lauren Crazybull, Tanya Harnett, George Littlechild, Dwayne Martineau, Conor McNally, Lana Whiskeyjack — Read Text |
Missy LeBlanc |
|
148 |
Hands that gather and forget: Ana Luisa Bernárdez Notz and Sebastián Rodríguez y Vasti — Read Text |
Alex Lepianka |
|
148 |
Composition: Invocation 1 — Read Text |
Isabel Lewis |
|
148 |
the commute: S F Ho, jaye simpson, Helena Krobath — Read Text |
Brynn McNab |
|
148 |
Feeling The Spirit in The Dark — Read Text |
Preston Pavlis |
|
148 |
"Cells interlinked within cells interlinked": On Ambivalent Contamination — Read Text |
Alex Quicho |
|
147 |
My Words Will Heal You: On RISE Edutainment — Read Text |
Kelsey Adams |
|
147 |
darkness is as deep as the darkness is: Rita McKeough — Read Text |
sophia bartholomew |
|
147 |
Letters — Read Text |
Elliat Albrecht, Alexa Bunnell, and Anna Hawkins |
|
147 |
Editorial: Gather — Read Text |
Jac Renée Bruneau, Ginger Carlson, and Natasha Chaykowski |
|
147 |
Miinakii and Me — Read Text |
Lauren Crazybull and Faye HeavyShield |
|
147 |
Câhcacêp Art & Tea House: A Conversation with Jerry Saddleback and Jo-Ann Saddleback — Read Text |
Dawn Saunders Dahl |
|
147 |
The Society for the Diffusion of Useful Knowledge, Issue 07: TILTING (1), TILTING (2) Edited and published by Blackwood Gallery, University of Toronto Mississauga — Read Text |
Louis Fermor |
|
147 |
The Undying: Pain, Vulnerability, Mortality, Medicine, Art, Time, Dreams, Data, Exhaustion, Cancer, and Care by Anne Boyer — Read Text |
Lauren Gabrielle Fournier |
|
147 |
Cooking the Books: Recipes by Artists — Read Text |
L. Sasha Gora |
|
147 |
Alongside Underbrush — Abstract |
Mackenzie Ground and Rob Jackson |
|
147 |
One Thing: A Rock Isn’t Always a Rock — Read Text |
Henry HeavyShield |
|
147 |
Reading Images Against Racism — Read Text |
Su-Ying Lee |
|
147 |
Crip Hope — Read Text |
Christiana Myers |
|
147 |
This is the future: Hito Steyerl — Read Text |
Sinead Petrasek |
|
147 |
A convex, minutely puckered surface could be called a vertical sea* by Aislinn Thomas: Text — Read Text |
Daniella Sanader |
|
147 |
Consciousness: Lex Brown — Read Text |
Cason Sharpe |
|
147 |
The Black Prairie Archives: An Anthology Edited by Karina Vernon Wilfred Laurier University Press, 2020 — Read Text |
Safia Siad |
|
147 |
Bureau of Aesthetics: Native Art Department International — Read Text |
Emma Steen |
|
147 |
Evaporative Losses — Read Text |
Jenna Swift |
|
147 |
A convex, minutely puckered surface could be called a vertical sea,* with: Alternative Audio Description by Anna Bowen — Abstract |
Aislinn Thomas |
|
147 |
David Wojnarowicz: Photography & Film 1978–1992 Morris and Helen Belkin Art Gallery, Vancouver Jan 10–April 5, 2020 — Read Text |
April Thompson |
|
147 |
To Reciprocate All They Freely Offer — Read Text |
Mercedes Webb |
|
147 |
Revisiting ‘A Journal of the Plague Year’ (2013): Cosmin Costinas and Inti Guerrero — Read Text |
Kate Whiteway |
|
146 |
Architecture after the Asylum: Hannah Hull, Agata Mrozowski, Maria-Saroja Ponnambalam, Rupali Mozaria, arielle tai, and Joe Wood — Read Text |
Hiba Ali |
|
146 |
Letter to the Reader — Read Text |
Jac Renée Bruneau and Kate Monro |
|
146 |
Editorial: Humour — Read Text |
Jac Renée Bruneau |
|
146 |
No Laughing Matter — Read Text |
Caitlin Chaisson |
|
146 |
My Crops are Dying But My Body Persists: Bridget Moser — Read Text |
Natasha Chaykowski |
|
146 |
Letters — Read Text |
Dallas Fellini, Margaryta Golovchenko, and Henry Heng Lu |
|
146 |
Inside Killjoy's Kastle: Dykey Ghosts, Feminist Monsters, and Other Lesbian Hauntings: Allyson Mitchell and Cait McKinney — Read Text |
Christina Hajjar |
|
146 |
Laughing at Power, Laughing as Power: On Mike Bourscheid — Read Text |
Karina Irvine |
|
146 |
Tragicomedy, a Toolkit — Read Text |
Parker Kay |
|
146 |
Sparkle's Map Home: Tau Lewis — Read Text |
Maandeeq Mohamed |
|
146 |
Say "Hi" by Lisa Smolkin: Text — Read Text |
Aliya Pabani |
|
146 |
The Pathos of Mandy: Walter Scott — Read Text |
Emily Pelstring |
|
146 |
Condolere Sanctuaries: Eve Tagny — Read Text |
Ashley Raghubir |
|
146 |
Healthy, Complicated Relationships: An Interview with Madelyne Beckles — Read Text |
Leah Schulli |
|
146 |
One Thing: Untitled Fall '95 — Read Text |
Cason Sharpe |
|
146 |
Composition: The Sound of a Heart — Read Text |
Leanne Betasamosake Simpson |
|
146 |
New Red Order Wants You — In Conversation with NRO: Adam Khalil, Zack Khalil and Jackson Polys — Read Text |
Paul Chaat Smith |
|
146 |
Say "Hi" — Abstract |
Lisa Smolkin |
|
146 |
I'm Only Going to Show You Once, Now You Try: Alyssa "Sikapinakii" Duck Chief — Read Text |
Steph Wong Ken |
|
146 |
I Apologize: Jessica Baldanza — Read Text |
Fan Wu |
|
145 |
Sontag: Her Life and Work: Benjamin Moser — Read Text |
David Balzer |
|
145 |
The Limits of Empathy: Criticism and Editing Across Borders — Read Text |
Casey Beal |
|
145 |
ᐃ: Joi T. Arcand, George Arlook, Pierre Aupilardjuk, Esaias Beardy, Nick Beardy, Elizabeth Flett, Philip Hakuluk, Jeremiah Harper, Stanley Houle, Peter Inukshuk, Toona Iquliq, Octave Tigumiak Kappi, David Keno, Dwight Keno, Jacob Keno, Nelson Keno, Saunde — Read Text |
Noor Bhangu |
|
145 |
Letters — Read Text |
Ginger Carlson, Natasha Chaykowski, Helen Lee, and Maandeeq Mohamed |
|
145 |
Demagogues: 4 by Erdem Taşdelen: Text — Read Text |
Allison Collins |
|
145 |
The Shoreline Dilemma — Read Text |
Valérie Frappier |
|
145 |
Writing About Indigenous Art with Critical Care — Read Text |
David Garneau |
|
145 |
Editorial: Criticism, Again — Read Text |
Merray Gerges |
|
145 |
Truth to Material: Krista Belle Stewart — Read Text |
Hamish Hardie |
|
145 |
Tell Us What You Really Think: A Survey on the Landscape of Canadian Art Criticism — Read Text |
Esmé Hogeveen and Emma Sharpe |
|
145 |
What Else Might Be Possible? Towards a Decolonial Criticism — Read Text |
Serena Lukas Bhandar, Kemi Craig, Lindsay Katsitsakatste Delaronde, Kim Dhillon, and Tarah Hogue |
|
145 |
Curating, Criticism and Care, or, “Showing Up” as Praxis — Read Text |
Joana Joachim |
|
145 |
Solitaire: Julian Hou and Anne Bourse — Read Text |
Kate Kolberg |
|
145 |
Transits and Returns: Edith Amituanai, Christopher Ando, Natalie Ball, BC Collective with Louisa Afoa, Drew Kahuʻāina Broderick with Nāpali Aluli Souza, Hannah Brontë, Elisa Jane Carmichael, Bracken Hanuse Corlett, Mariquita Davis, Chantal Fraser, Maureen — Read Text |
Julia Lum |
|
145 |
La douche écossaise: Katie Bethune-Leamen — Read Text |
John Nyman |
|
145 |
Civilization #1 — Read Text |
Michael Pace |
|
145 |
On Venus: Patrick Staff — Read Text |
Alex Quicho |
|
145 |
Demagogues: 4 — Abstract |
Erdem Taşdelen |
|
145 |
Pastoral Fail: Reflections on an Art World Call-Out — Read Text |
Michael Turner |
|
145 |
#GetMad: Rendezvous with Madness Festival — Read Text |
Justice Walz |
|
144 |
Virgil Abloh: Figures of Speech — Read Text |
D'Arcy Blake |
|
144 |
Karen Asher: Class — Read Text |
Madeline Bogoch |
|
144 |
Trajet: An Interview with Dean Baldwin and Caroline Monnet — Read Text |
Jac Renée Bruneau and Aamna Muzaffar |
|
144 |
arriver avant moi devant moi — Abstract |
Erika DeFreitas |
|
144 |
Jean-Paul Kelly: A sensation best described by another — Read Text |
Laura Demers |
|
144 |
Turning the Page on the Politics of Inclusion and Exclusion, 30 Years On — Read Text |
Rachelle Dickenson and Lee-Ann Martin |
|
144 |
Speaking Ourselves Into Being — Read Text |
Andrea Fatona and Liz Ikiriko |
|
144 |
Andrea Long Chu: Females: A Concern — Read Text |
Lauren Gabrielle Fournier |
|
144 |
Editorial: Déjà Vu — Read Text |
Merray Gerges |
|
144 |
Communing with (Art) Ancestors — Read Text |
Sky Goodden and Pamila Matharu |
|
144 |
David Hammons: Ornette Coleman: Harmolodic Thinker — Read Text |
Jonah Gray |
|
144 |
We Relate, Therefore We Are: Relation-Making in Jin-me Yoon's Practice — Read Text |
Areum Kim |
|
144 |
Composition: Writing About Douglas Writing About Douglas Writing — Read Text |
Godfre Leung |
|
144 |
Developing Historical Negatives: Deanna Bowen, Morris Lum, Jacqueline Hoàng Nguyễn, Krista Belle Stewart, Hajra Waheed — Read Text |
Henry Heng Lu |
|
144 |
k.g. Guttman: Visiting Hours — Read Text |
Fabien Maltais-Bayda |
|
144 |
arriver avant moi devant moi by Erika DeFreitas: Text — Read Text |
Emily McKibbon |
|
144 |
Elvia Wilk: Oval — Read Text |
Stan Portus |
|
144 |
Letters — Read Text |
Alexandra Irimia, Jack McCombe, and Chelsea Rozansky |
|
144 |
Writer in Residence: Shifting Spotlights Introduction — Read Text |
Chelsea Rozansky |
|
144 |
Ken Lum: Everything is Relevant: Writings on Art and Life, 1991-2018 — Read Text |
Saelan Twerdy |
|
144 |
One Thing: 13 Conversations About Art and Cultural Race Politics — Read Text |
Geneviève Wallen |
|
144 |
Shanzhai Lyric: LOOSELY ASSEMBLED CYCLE 3: J'ai besoin d'a Of North 1986 — Read Text |
Fan Wu |
|
143 |
Collecting Forever? On Acquiring a Tino Sehgal — Read Text |
Marie Fraser |
|
143 |
Karla McManus: Inside/Outside: Images of the LAND in Artexte’s Collection — Read Text |
Samuel Bernier-Cormier |
|
143 |
Twenty Years of Despacio 2008–2028 — Read Text |
Fabiola Carranza |
|
143 |
Composition: Skin Has Two Sides — Read Text |
Adriana Disman |
|
143 |
70,000 Veils — Abstract |
Sameer Farooq |
|
143 |
Editorial: Ownership — Read Text |
Merray Gerges |
|
143 |
70,000 Veils, by Sameer Farooq: Text — Read Text |
Merray Gerges |
|
143 |
Manar Moursi: The Loudspeaker and the Tower — Read Text |
Ahmed Hegazy |
|
143 |
Alexia Laferté-Coutu and Jessica Williams: Between Two Eternities — Read Text |
Esmé Hogeveen |
|
143 |
Gabrielle L’Hirondelle Hill: Money — Read Text |
Karina Irvine |
|
143 |
Reformed? — Read Text |
Jaimie Isaac |
|
143 |
Together Apart, Queer Indigeneities — Read Text |
Jessica Johns |
|
143 |
Thread: Identity Politics Economics — Read Text |
Elisha Lim |
|
143 |
Inquiring Minds: Lawrence Abu Hamdan, Gabi Dao, Eitan Efrat, Sirah Foighel Brutmann, Henry Hills, Onyeka Igwe, Martina Melilli — Read Text |
Steffanie Ling |
|
143 |
Isuma: Isuma, 58th International Venice Biennale — Read Text |
Lisa Myers |
|
143 |
But a Storm Is Blowing from Paradise: Acquiring Contemporary Art of the Middle East and North Africa — Read Text |
Sara Raza |
|
143 |
The Market Will Never Catch Up — Read Text |
Tiana Reid |
|
143 |
One Thing: Surface Tension (or What Holds an ‘Us’ Together) — Read Text |
Arun Nedra Rodrigo |
|
143 |
Beatrice Gibson: Plural Dreams of Social Life — Read Text |
Daniella Sanader |
|
143 |
Letters — Read Text |
Parker Kay, Amy Lam, and Lisa Smolkin |
|
143 |
Getting Our Belongings Back — Read Text |
Adrian Stimson |
|
143 |
Varvara & Mar: Chameleon — Read Text |
Steph Wong Ken |
|
142 |
Not the Camera, But the Filing Cabinet: Performative Body Archives in Contemporary Art — Read Text |
sophia bartholomew |
|
142 |
Anne Low: Chair for a woman — Read Text |
Caitlin Chaisson |
|
142 |
Steven Cottingham: Heat, Death — Read Text |
Weiyi Chang |
|
142 |
We Didn’t Know What the Monument Meant Until Someone Said It Should Be Removed — Read Text |
Aylan Couchie |
|
142 |
Pilvi Takala: Admirer — Read Text |
Jesse Cumming |
|
142 |
Editorial: Monument — Read Text |
Kari Cwynar |
|
142 |
Not One Monument but 12: Re-memorializing the Stonewall Riots — Read Text |
Genevieve Flavelle |
|
142 |
Esmé Weijun Wang: The Collected Schizophrenias — Read Text |
Lauren Gabrielle Fournier |
|
142 |
Benchin — Read Text |
Stacey Ho |
|
142 |
Trauma as Monument — Read Text |
Elwood Jimmy |
|
142 |
How to Have an AIDS Memorial in an Epidemic — Read Text |
Theodore (ted) Kerr |
|
142 |
Vajiko Chachkhiani: They Kept Shadows Quiet — Read Text |
Kate Kolberg |
|
142 |
Hannah Jickling and Helen Reed: Multiple Elementary — Read Text |
Justin A. Langlois |
|
142 |
The Bell at the End of Time — Read Text |
Pejvak (Rouzbeh Akhbari and Felix Kalmenson) |
|
142 |
Sky Hopinka: Cloudless Blue Egress of Summer — Read Text |
Sheila Regan |
|
142 |
“I am the colour of burnt pineapple, mango, lemon”: An Interview with Stephanie Comilang — Read Text |
Stephanie Comilang and Heather Rigg |
|
142 |
Letters — Read Text |
Salena Barry, Jacquelyn Ross, Fan Wu, and Muhan Zhang |
|
142 |
Mike Goldby: Silver 35 — Read Text |
Emma Sharpe |
|
142 |
Histories and Setups: Interview with Life of a Craphead — Read Text |
Robin Simpson |
|
142 |
Tamara Lee-Anne Cardinal: Mekinawewin, to give a gift — Read Text |
Steph Wong Ken |
|
141 |
“I’m a Little Too Rebellious for That”: A Conversation with Joi T. Arcand and Winona Wheeler — Read Text |
Joi T. Arcand, Chris Lee, and Winona Wheeler |
|
141 |
Poletown vs. GM: Insert — Abstract |
Danielle Aubert and Kikko Paradela |
|
141 |
A Completely Customized World Where Everything Is Just How I Like and Need It: The Work of Shannon Finnegan — Read Text |
Mary Banas |
|
141 |
I’ll be your Mirror: Stephanie Comilang, Erika DeFreitas, LaToya Ruby Frazier, Neil Goldberg, Milutin Gubash, Vivek Shraya — Read Text |
Noa Bronstein |
|
141 |
In the Process of Making Themselves: Poster Art, Internationalism and the Cuban Revolution — Read Text |
Tings Chak |
|
141 |
Greg Durrell: Design Canada — Read Text |
Michèle Champagne |
|
141 |
University at Buffalo: Sugar Cookie — Read Text |
Steven Chodoriwsky |
|
141 |
Joshua Schwebel: A Dream In Which I Am You — Read Text |
Farid Djamalov |
|
141 |
Poletown Lives — Read Text |
Lisa Gitelman |
|
141 |
I continue to shape: Maria Thereza Alves, Deanna Bowen, Cathy Busby, Justine A. Chambers, Nicholas Galanin, Ame Henderson, Maria Hupfield, Jessica Karuhanga, Lisa Myers, Michalene Thomas, Joseph Tisiga, Charlene Vickers — Read Text |
Vanessa Lakewood |
|
141 |
Editorial: Graphic Design — Read Text |
Chris Lee and Ali S. Qadeer |
|
141 |
Incidental Graphics: To Design in and Through Documents — Read Text |
Tucker McLachlan |
|
141 |
MSCHF Internet Studios: Times Newer Roman — Read Text |
Brian Morgan |
|
141 |
Autotheory: Hiba Ali, Madelyne Beckles, Thirza Cuthand, Deirdre Logue, Allyson Mitchell, Andrew James Paterson, Evan Tyler, Martha Wilson — Read Text |
Chelsea Rozansky |
|
141 |
Now in Circulation — Read Text |
David Schnitman |
|
141 |
Paul Soulellis: QUEER.ARCHIVE.WORK — Read Text |
Danielle St-Amour |
|
141 |
Entangled Visions: The Birth of a Radical Pedagogy of Design in India — Read Text |
Kalpana Subramanian |
|
141 |
The Blackbox Trick: Magic in the Age of Techno-governance and Corporate Secrecy — Read Text |
Chris Hamamoto and Federico Pérez Villoro |
|
140 |
Seth Price: Danny, Mila, Hannah, Ariana, Bob, Brad — Read Text |
D'Arcy Blake |
|
140 |
Artefact: Mediums — Read Text |
Jac Renée Bruneau |
|
140 |
By the Strike of a Match, or Her Good Strike of Lightning — Read Text |
Natasha Chaykowski |
|
140 |
Editorial: Institutions — Read Text |
Kari Cwynar |
|
140 |
Conflicting Heroes: Sonny Assu, Natalie Ball, Dayna Danger, David Garneau, Leonard Getinthecar (Nicholas & Jerrod Galanin) in collaboration with Nep Sidhu, Kent Monkman, Caroline Monnet, Jessie Ray Short, Skawennati — Read Text |
Dagmara Genda |
|
140 |
Tax Gentrification / Gentrification Tax, 2018 — Read Text |
GTA (Gentrification Tax Action) |
|
140 |
On Writing: in two vignettes — Read Text |
Nasrin Himada |
|
140 |
Helen DeWitt: Some Trick: Thirteen Stories — Read Text |
Esmé Hogeveen |
|
140 |
Historical Blinds and SITElines: Unsettling the Biennial with Candice Hopkins — Read Text |
Jenn Jackson |
|
140 |
Yve Laris Cohen: Meeting Ground — Read Text |
Jovana Jankovic |
|
140 |
Lisa Smolkin and Neil LaPierre: Belonging(s) — Read Text |
Ryan Josey |
|
140 |
Chloë Lum and Yannick Desranleau: What Do Stones Smell Like in the Forest? — Read Text |
Karie Liao |
|
140 |
Meaningful Inclusion — Read Text |
Whitney Mashburn and Carmen Papalia |
|
140 |
The Artist as Doctor (of Fine Arts) — Read Text |
K. Hart and Ashok Mathur |
|
140 |
Germaine Koh: Home Made Home — Read Text |
Ines Min |
|
140 |
Jackie Wang: Carceral Capitalism — Read Text |
Kendra Place |
|
140 |
Deep-Time Construction: Basel Abbas & Ruanne Abou-Rahme, Lida Abdul, Sky Hopinka, NIC Kay, Asma Kazmi, and Amanda Russhell Wallace — Read Text |
Genevieve Quick |
|
140 |
Lorna Bauer: The Hand of Mee — Read Text |
Barbora Racevičiūtė |
|
140 |
Lynne Tillman: Men and Apparitions — Read Text |
Jacquelyn Ross |
|
140 |
Karen Kraven: Pins and Needles — Read Text |
Theresa Wang |
|
140 |
A Study in Concrete: Text by Annie Wong, Image by jes sachse — Read Text |
jes sachse and Annie Wong |
|
139 |
Celia Perrin Sidarous: Toujours la coquille de l’autre always the shell of another — Read Text |
Kendra Ainsworth |
|
139 |
Who can we trust? Whose words will rescue us? — Read Text |
Lillian Allen |
|
139 |
Naufus Ramírez-Figueroa: Shit-Baby and The Crumpled Giraffe — Read Text |
Noor Bhangu |
|
139 |
Open Engagement: Sustainability — Read Text |
Caitlin Chaisson |
|
139 |
'Zeal Without Wisdom': Rushing for Reconciliation — Read Text |
Aylan Couchie |
|
139 |
Inventory: Group Exercise — Abstract |
Randy Lee Cutler |
|
139 |
Editorial: Trust — Read Text |
Jac Renée Bruneau and Kari Cwynar |
|
139 |
Kite: The Listener — Read Text |
Zoë De Luca |
|
139 |
The Artist-Curator Relationship — Read Text |
Pablo de Ocampo, Erika DeFreitas, Pamela Edmonds, Vera Frenkel, Ayumi Goto, Tarah Hogue, Justin A. Langlois, Pamila Matharu, Peter Morin, Helena Reckitt, Lou Sheppard, Erdem Taşdelen, Geneviève Wallen, and Shellie Zhang |
|
139 |
Me, My Parents and My Art Practice — Read Text |
Simon Fuh |
|
139 |
Filipa César: Spell Reel — Read Text |
Jill Glessing |
|
139 |
Artefact: Animal — Read Text |
Andil Gosine |
|
139 |
Queering Intimacy Through Acts of Care: A Conversation with Kerri Flannigan and Megan K. Quigley — Read Text |
Kerri Flannigan, Kerri Flannigan, Kerri Flannigan, Greta Hamilton, and Megan K. Quigley |
|
139 |
Rochelle Goldberg: Pétroleuse — Read Text |
Aryen Hoekstra |
|
139 |
It’s Not the Economy: An Interview with Stanley Wolukau-Wanambwa — Read Text |
Lucy Ives |
|
139 |
Patrick Langley: Arkady — Read Text |
Alex Quicho |
|
139 |
Sanjit Dhillon and cherry kutti: Biding My Time / Biting My Tongue — Read Text |
Vince Rozario |
|
139 |
Àdisòkàmagan / Nous connaître un peu nous-mêmes / We’ll All Become Stories — Read Text |
Leah Snyder |
|
139 |
Angela Grauerholz — Read Text |
Ricky Varghese |
|
139 |
Chris Kraus: After Kathy Acker — Read Text |
Casey Wei |
|
139 |
Mattea Perrotta and Jonathan Ryan — Read Text |
Natasha Young |
|
138 |
Inventory: Consumption — Read Text |
Gabriela Aveiro-Ojeda |
|
138 |
Allan Sekula: OKEANOS — Read Text |
Jesse Cumming |
|
138 |
Editorial: Games — Read Text |
Kari Cwynar |
|
138 |
“A way of talking about art” Never the Same: what (else) can art writing do? — Read Text |
Maeve Hanna |
|
138 |
Arts of Engagement: Taking Aesthetic Action In and Beyond the Truth and Reconciliation Commission of Canada, edited by Dylan Robinson and Keavy Martin — Read Text |
Sydney Hart |
|
138 |
Lossy Relay — Read Text |
Mitchell Akiyama and Bethany Ides |
|
138 |
Catherine Telford-Keogh: Source Supplements — Read Text |
Ruth Jones |
|
138 |
“Phallus in Wonderland”: Role Plays with Joyce Wieland — Read Text |
Maryse Larivière |
|
138 |
Megan Hepburn: Banana Dust — Read Text |
Steffanie Ling |
|
138 |
Brie Ruais: Attempting to Hold the Landscape 2016–2017 — Read Text |
Jenine Marsh |
|
138 |
Philippe Parreno: La levadura y el anfitrión (The Yeast and The Host) — Read Text |
Jac Renée Bruneau and Aamna Muzaffar |
|
138 |
Esmaa Mohamoud: THREE-PEAT Oreka James: If the Other Does Not See Me, I do See Myself Michèle Pearson Clarke: All That is Left Unsaid — Read Text |
Rupert Nuttle |
|
138 |
Chto Delat?: Performative Practices of our Time — Read Text |
Georgia Phillips-Amos |
|
138 |
Generations of Play — Read Text |
Skawennati |
|
138 |
Portnoy’s Game — Read Text |
Jovana Stokic |
|
138 |
On Writing: A Bongard Problem — Read Text |
Beth Stuart |
|
138 |
Steven Beckly: Meirenyu — Read Text |
Jessica Thalmann |
|
138 |
Artefact: Apology Dice — Read Text |
Clement Yeh |
|
138 |
Unsettling Settlers: An Interview with Golboo Amani — Read Text |
Farah Yusuf |
|
137 |
Pollyanna and Peppermint: Libraries as a Site of Praxis — Read Text |
Sepake Angiama, Clare Butcher, Brian McBay, and Jesse McKee |
|
137 |
It’s like hammering into nothing when I speak it by k.g. Guttman — Read Text |
Jac Renée Bruneau |
|
137 |
…in memoriam: The Sonority, the Together Sound, Outside of Time — Read Text |
Natasha Chaykowski |
|
137 |
Editorial: Time — Read Text |
Kari Cwynar |
|
137 |
Artefact: Late to the Party — Read Text |
Genevieve Flavelle |
|
137 |
Prospect.4: The Lotus in Spite of the Swamp — Read Text |
Sylvie Fortin |
|
137 |
Day With(out) Art 2017: ALTERNATE ENDINGS, RADICAL BEGINNINGS — Read Text |
D.J. Fraser |
|
137 |
Derya Akay, on Process, Labour and Time — Read Text |
Greta Hamilton |
|
137 |
Logan MacDonald: Lay of the Land — Read Text |
Gloria Hickey |
|
137 |
Kapwani Kiwanga: Flowers for Africa — Read Text |
Karina Irvine |
|
137 |
Reading Rajni Perera — Abstract |
Negarra A. Kudumu |
|
137 |
Moyra Davey: Portrait / Landscape — Read Text |
Charmaine Li |
|
137 |
Carry Forward — Read Text |
Sally McKay |
|
137 |
Somehow I Found You: On Black Archival Practices — Read Text |
Maandeeq Mohamed |
|
137 |
Amshu Chukki: The Tour — Read Text |
Zeenat Nagree |
|
137 |
Artwork by Rajni Perera — Read Text |
Natasha Chaykowski and Rajni Perera |
|
137 |
N. Vancouver — Read Text |
Lee Plested |
|
137 |
Inventory: Feeled Recordings: An Embodied Exploration of Archival Ephemera — Read Text |
Emma Sharpe |
|
136 |
THE BUSH MANIFESTO — Read Text |
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|
136 |
TO BE AT THE MERCY OF THE SKY — Read Text |
Billy-Ray Belcourt |
|
136 |
Learning from the Land: BUSH gallery @dechintau — Read Text |
BUSH gallery |
|
136 |
to the archive — Read Text |
Jeremy Dutcher |
|
136 |
tagatavāsā — Read Text |
Léuli Māzyār Luna‘i Eshrāghi |
|
136 |
I Am — Abstract |
Maureen Gruben |
|
136 |
Coney Island Baby — Read Text |
Gabrielle L’Hirondelle Hill, Amy Kazymerchyk, Chandra Melting Tallow, and Jeneen Frei Njootli |
|
136 |
Inventory: On the land, on the body, on and off the walls… — Read Text |
Jaimie Isaac |
|
136 |
Artefact: Architecture of the Bush — Read Text |
Toby Katrine Lawrence |
|
136 |
Refracting Bush — Read Text |
Ashok Mathur |
|
136 |
Natural fibre shopping with Renee “Wasson” Dillard at the Ojibwe Cultural Foundation, and nearby bush, M’Chigeeng First Nation, Summer 2016 — Read Text |
Crystal Migwans |
|
136 |
Editorial: Site/ation — Read Text |
BUSH gallery, Peter Morin, and Tania Willard |
|
136 |
The Labrador Interpretation Centre — Read Text |
Mark Igloliorte and Peter Morin |
|
136 |
A Feast for the Stewards of the Land: Contemporary Art and Netukulimk on Unama’ki — Read Text |
Amish Morrell |
|
136 |
Sovereign Capitals — Abstract |
Native Art Department International |
|
136 |
Seeing You and Looking Back: Display as Land Rights and Title — Read Text |
Marianne Nicolson |
|
136 |
Where I Learned to Weave — Read Text |
Meghann O’Brien |
|
136 |
Kinstillatory Gathering — Read Text |
Karyn Recollet |
|
136 |
On Writing: Moving — Read Text |
Michael Turner |
|
136 |
Re-centring Knowledge an Interview with Artist and Curator Anique Jordan — Read Text |
Anique Jordan and Tania Willard |
|
136 |
Storymancy — Read Text |
Peter Morin and Tania Willard |
|
135 |
Adrian Villar Rojas: The Theater of Disappearance — Read Text |
Aisle 4 |
|
135 |
Maggie Groat: Suns also Seasons — Read Text |
Kendra Ainsworth |
|
135 |
On Ling’s Nascar — Read Text |
Fabiola Carranza and Steffanie Ling |
|
135 |
Chris Curreri: Unruly Matter — Read Text |
Elora Crawford |
|
135 |
Editorial: Voice — Read Text |
Kari Cwynar |
|
135 |
red rose and lidii by Jeneen Frei Njootli: Words — Abstract |
Linnea Dick |
|
135 |
We Are Still Here, Camille Seaman’s Portrait Photography from Oceti Sakowin — Read Text |
Emily Dickson |
|
135 |
The Past, The Present and The Same, Deanna Bowen interviewed by Amy Fung — Read Text |
Amy Fung |
|
135 |
LOUD: In Conversation with Raven Davis — Read Text |
Charlotte Henay |
|
135 |
Making Us Look: Filmmaker Charles Officer on documentary-making, silent film aspirations and the overdue question of national audience in the year of Canada 150 — Read Text |
Esmé Hogeveen and Charles Officer |
|
135 |
A New Generation: In conversation with five independent art galleries: Little Sister, Bunker 2, Franz Kaka, The Loon and Y+ Contemporary — Read Text |
Anna Kovler |
|
135 |
Julian Hou: Milman Parry’s Waiting Room Rhapsody — Read Text |
Steffanie Ling |
|
135 |
Sisyphus’ Music Box: A dialogue on race and interruption — Read Text |
Prathna Lor and Fan Wu |
|
135 |
On Walcott’s Black Like Who? — Read Text |
Katherine McKittrick and Rinaldo Walcott |
|
135 |
red rose and lidii — Read Text |
Linnea Dick and Jeneen Frei Njootli |
|
135 |
Andrea Roberts: The Stridents — Read Text |
Kendra Place |
|
135 |
nurture dance: a love letter to conversation and friendship in art — Read Text |
jes sachse |
|
135 |
Madelyne Beckles and Petra Collins: In Search of Us — Read Text |
Cason Sharpe |
|
135 |
Soft Listen, Aliya Pabani interviewed by Lena Suksi — Read Text |
Aliya Pabani and Lena Suksi |
|
134 |
Inventory: Canada 150: An Exegesis — Read Text |
|
|
134 |
Juan Cisneros Neumann: It Was Something and Then It Became Something Else — Read Text |
D'Arcy Blake |
|
134 |
Whitney Biennial 2017 — Read Text |
Rose Bouthillier |
|
134 |
Kelly Jazvac Interviewed by Weiyi Chang — Read Text |
Weiyi Chang |
|
134 |
Editorial: Land — Read Text |
Kari Cwynar |
|
134 |
Babybel Wax Bodysuit and Condo Heartbreak Disco by Eric Kostiuk Williams — Read Text |
Jon Davies |
|
134 |
Artefact: Landscapes of Forgetting — Read Text |
Pamela Edmonds |
|
134 |
Sovereign Acts II: Rebecca Belmore, Lori Blondeau, Dayna Danger, Robert Houle, James Luna, Shelley Niro, Adrian Stimson, Jeff Thomas — Read Text |
Genevieve Flavelle |
|
134 |
RAVE: Rave and Its Influence on Art and Culture Edited by Nav Haq — Read Text |
Esmé Hogeveen |
|
134 |
Tercerunquinto: Doble fondo (False Bottom) — Read Text |
Su-Ying Lee |
|
134 |
On Writing: Out of Season — Read Text |
Christine Lemke |
|
134 |
New-Found-Lands: Exploring historical and contemporary connections between Newfoundland and the Caribbean diaspora — Read Text |
Mary MacDonald |
|
134 |
Mare Liberum Interviewed by Katherine McLeod — Read Text |
Katherine McLeod |
|
134 |
Racialized Landscapes: Marking Territory Across North America — Read Text |
Mary E. Mendoza |
|
134 |
Florida is Galaxy Grey — Read Text |
Jake Moore |
|
134 |
Water is land, Land is also water — Read Text |
Lisa Myers |
|
134 |
all our days are full of breath: a record of momentum — Read Text |
Coman Poon |
|
134 |
Postcommodity Interviewed by Sadia Shirazi — Read Text |
Sadia Shirazi |
|
134 |
Jason Dodge and Paul Thek — Read Text |
Alex Turgeon |
|
134 |
the cul-de-sacs bulb into dead ends — Read Text |
nicole kelly westman |
|
134 |
tibewh — Abstract |
Olivia Whetung |
|
133 |
Inventory: The Subject of Tears: Reflections on three works by Divya Mehra — Read Text |
Jacqueline Bell |
|
133 |
Le Grand Balcon, BNLMTL — Read Text |
Xenia Benivolski |
|
133 |
Yuki Kimura: Inhuman Transformation of New Year's Decoration, Obsolete Conception or 2 — Read Text |
Jesse Birch and Jesse Birch |
|
133 |
LIES: Volume II — Read Text |
Whitney Brennan |
|
133 |
Editorial: Refusal — Read Text |
Kari Cwynar |
|
133 |
Hoods by John Edmonds: Words — Read Text |
Kari Cwynar |
|
133 |
Hoods — Abstract |
John Edmonds |
|
133 |
Patrick Cruz: Archeological Apathy — Read Text |
Marina Fathalla |
|
133 |
Wood Land School: A Brief Report — Read Text |
Jonah Gray |
|
133 |
Art After Property — Read Text |
Lauren van Haaften-Schick |
|
133 |
Killjoy in Conversation with Stacey Ho — Read Text |
Stacey Ho |
|
133 |
We Dance, We Smoke, We Kiss — Read Text |
Simone Krug |
|
133 |
Campus Sex, Campus Security by Jennifer Doyle — Read Text |
Grace Linden |
|
133 |
That ends that matter — Read Text |
Amy Luo |
|
133 |
Ho Tam: Cover to Cover — Read Text |
Kegan McFadden |
|
133 |
Primary Research Lab — Read Text |
Jesse McKee |
|
133 |
Artefact: Sonsbeek Beyond the Limits — Read Text |
Rodrigo Ortiz Monasterio |
|
133 |
#callresponse — Read Text |
Dory Nason |
|
133 |
Etel Adnan: The Weight of the World — Read Text |
Georgia Phillips-Amos |
|
133 |
We Are in a Non-Relationship Relationship — Abstract |
Lido Pimienta |
|
133 |
Lutz Bacher: Glitter and Resign — Read Text |
Sabrina Tarasoff |
|
133 |
When We Are Welcomed Into The Fold, Where Do We Keep What Is Left Behind? — Read Text |
Joshua Vettivelu |
|
132 |
Joan Jonas/ Affinities — Read Text |
Olivia Boudreau, Barbara Clausen, Corinn Gerber, Simone Forti, Tanya Lukin Linklater, taisha paggett, Erin Silver, and Robin Simpson |
|
132 |
Flex, Conjure, Crack. Flexibility and the Uncertainty of Blackness — Read Text |
Treva C. Ellison |
|
132 |
Cait McKinney and Hazel Meyer: Tape Condition: degraded — Read Text |
Genevieve Flavelle |
|
132 |
Desearch Repartment Institute for Durational Futures: Brought to you by ESSENTIALHAPPINESSPOSSIBILITY — Read Text |
D.J. Fraser |
|
132 |
Artefact: Virgo Woman Matches Tinder Men Only to Criticize their Profiles — Read Text |
Merray Gerges |
|
132 |
Feminisms of the Future, Now: Rethinking Technofeminism and the Manifesto Form — Read Text |
Esmé Hogeveen |
|
132 |
Inventory: Ready Fire Aim — Read Text |
Aisha Sasha John |
|
132 |
Simone Leigh: The Waiting Room — Read Text |
Jessica Karuhanga |
|
132 |
Borrowed Lady Martine Syms in Conversation with Amy Kazymerchyk — Read Text |
Amy Kazymerchyk |
|
132 |
Lizzie Borden: Born in Flames (1983) — Read Text |
Yaniya Lee |
|
132 |
At the Edge of Space and Time: Expanding Beyond Our 4% Universe — Abstract |
laub and Jennifer Moon |
|
132 |
Close Readings: Anishinaabe-kwe and/or Indigenous feminist? — Read Text |
Wanda Nanibush |
|
132 |
Jaime Black: Conversations with the Land — Read Text |
Kendra Place |
|
132 |
Editorial: Force — Read Text |
taisha paggett and Erin Silver |
|
132 |
On Writing: 2025: Light Black Years From Now — Read Text |
Syrus Marcus Ware |
|
132 |
Raque Ford, Tiziana La Melia, Maryse Larivière, Athena Papadopoulos, Megan Rooney: A Pool is Water — Read Text |
Nancy Webb |
|
132 |
Rocking the Running Spirit: Meditations on Sisterhood and Occupations — Read Text |
Anna Martine Whitehead |
|
132 |
Model Minority — Read Text |
Shellie Zhang |
|
131 |
Leya Evelyn: It’s Not What You Think — Read Text |
Jane Affleck |
|
131 |
Aleesa Cohene, Derek Dunlop and Deborah Edmeades: The Accursed Share — Read Text |
sophia bartholomew |
|
131 |
Richard Ibghy & Marilou Lemmens: Putting Life to Work — Read Text |
Gentiane Bélanger |
|
131 |
Katie Lyle and Shelby Wright: Movements for a Room — Read Text |
Justina Bohach |
|
131 |
MFA Questionnaire — Read Text |
Dana Claxton, John Cussans, Laurie Kang, Eleanor King, John Kissick, Bogdan Luca, Jan Peacock, and Scott Rogers |
|
131 |
The Chicago School of Theaster Gates — Read Text |
Chris Dingwall |
|
131 |
Carlos Motta: Beloved Martina… with Arisleyda Dilone, Pidgeon Pagonis and Del LaGrace Volcano — Read Text |
Emily Doucet |
|
131 |
The Days of Living Chroma by Erin Alexa Freedman and Lili Huston-Heterich: Essay — Abstract |
Andy Fabo |
|
131 |
The Artists Newsstand — Read Text |
Emily Fitzpatrick |
|
131 |
Close Readings: Lawrence Paul Yuxweluptun: Unceded Territories at University of British Columbia Museum of Anthropology, Vancouver May 10 – October 16, 2016 — Read Text |
Richard William Hill |
|
131 |
Jacob Wren: Rich and Poor (Book Thug, 2016) — Read Text |
Esmé Hogeveen |
|
131 |
Inventory — Read Text |
Candice Hopkins |
|
131 |
The Days of Living Chroma — Read Text |
Erin Alexa Freedman and Lili Huston-Heterich |
|
131 |
The Pedagogy of Play: Fluxus, Happenings, and Curriculum Reform in the 1960s — Read Text |
Vesna Krstich |
|
131 |
Leap Before You Look: Black Mountain College — Read Text |
Vesna Krstich |
|
131 |
Editorial: Experimental Pedagogies — Read Text |
Kari Cwynar and Amish Morrell |
|
131 |
The Pedagogies of Looking: An Interview with Kim Simon and Gabrielle Moser — Read Text |
Amish Morrell |
|
131 |
Art School Supplement — Read Text |
Michelle Bigold, Esmé Hogeveen, and Rupert Nuttle |
|
131 |
Allison Hrabluik: The Splits — Read Text |
Jacquelyn Ross |
|
131 |
Joana Hadjithomas and Khalil Joreige: I Must First Apologize… — Read Text |
Duncan Scovil |
|
131 |
Artefact — Read Text |
David Senior |
|
131 |
Amy Lawless and Chris Cheney: I Cry: The Desire to Be Rejected (Pioneer Works Press, 2016) — Read Text |
Heather White |
|
130 |
On Writing: ‘She invented love to not die’ Script written and performed by Cara Benedetto — Read Text |
Cara Benedetto |
|
130 |
Rodrigo Hernández: every forest madly in love with the moon has a highway crossing it from one side to the other — Read Text |
Xenia Benivolski |
|
130 |
Notes on Myth-Making — Read Text |
Alison Cooley and Daniella Sanader |
|
130 |
Every Home a Heartache: Chantal Akerman — Read Text |
Jon Davies |
|
130 |
Robert Walser, Looking at Pictures (New Directions, 2015) — Read Text |
Tess Edmonson |
|
130 |
Artefact — Read Text |
Francisco-Fernando Granados and Jessica Karuhanga |
|
130 |
Ana Alenso: Tropical Curse — Read Text |
Kenneth Hayes |
|
130 |
Shane Krepakevich: Lightweight — Read Text |
Joel Herman |
|
130 |
Close Readings: Brian Jungen Close 51 Catriona Jeffries, Vancouver January 22 – February 27, 2016 — Read Text |
Richard William Hill |
|
130 |
Hito Steyerl: Factory of the Sun — Read Text |
Cameron Hu |
|
130 |
Ashley after Ashley — Read Text |
Steve Kado |
|
130 |
Ron Tran: Somewhat Mine: A Nanaimo Retrospective — Read Text |
Steffanie Ling |
|
130 |
Notes for Performers — Read Text |
Annie MacDonell |
|
130 |
Carol Sawyer: The Natalie Brettschneider Archive — Read Text |
Jaclyn Meloche |
|
130 |
Editorial: Performance — Read Text |
Kari Cwynar and Amish Morrell |
|
130 |
Radio Daze: Why Ken Jacobs’ Blonde Cobra Still Matters — Read Text |
Ara Osterweil |
|
130 |
enter the fog — Read Text |
Craig Francis Power |
|
130 |
Inventory — Read Text |
Walter Scott |
|
130 |
Sylvia — Read Text |
Sabrina Tarasoff |
|
130 |
Aleksandra Domanović: Mother of This Domain — Read Text |
Monika Vrečar |
|
130 |
The Lake Is a Plate of Itself: On Anne Carson’s “Dave’s, Lake Michigan, Early June” — Read Text |
Fan Wu |
|
129 |
Writing Topography: The Marion McCain Exhibition of Contemporary Atlantic Art — Abstract |
sophia bartholomew |
|
129 |
Seamless Transitions — Abstract |
James Bridle |
|
129 |
Looking back now. Or, a forgotten questionnaire on the historization and contemporaneity of performance art — Read Text |
Barbara Clausen |
|
129 |
On Writing: Given Time: Notes on Dimensional Poetry — Read Text |
Karin Cope, Anna Heywood Jones, and Ryan Josey |
|
129 |
Authorship and the Reproduction of Language — Read Text |
Kari Cwynar |
|
129 |
Close Readings: 7: Professional Native Indian Artists Inc. Winnipeg Art Gallery, May 9 – Aug. 31, 2014 & McMichael Canadian Art Collection, May 10 – Sept. 7, 2015 — Abstract |
Richard William Hill |
|
129 |
Artist project by Jennifer Rose Sciarrino: Text — Abstract |
Aryen Hoekstra |
|
129 |
Talk (New York Review Books, 2015) by Linda Rosenkrantz — Read Text |
Esmé Hogeveen |
|
129 |
Madelyne Beckles and Delilah Rosier: Masking Is Always More Fun with A Friend — Abstract |
Benjamin Hunter |
|
129 |
Speculations (“The future is _____”) (Triple Canopy, 2015) — Abstract |
Angela Jerardi |
|
129 |
Christian Marclay: Surround Sounds — Abstract |
Godfre Leung |
|
129 |
Artefact: Relating To Things — Abstract |
Anna Mikkola |
|
129 |
Editorial: Documentation — Read Text |
Kari Cwynar and Amish Morrell |
|
129 |
Anna Boghiguian: Cities by the Rivers — Abstract |
Yasmin Nurming-Por |
|
129 |
A Putting Down of Roots: 40 Years of CV2 — Abstract |
Jeanne Randolph |
|
129 |
Laura Piasta: Sounding the Ultraviolet — Abstract |
Denise Ryner |
|
129 |
Cloaked Bacteria and Yeast: Rendered biology seen through a hypothetical object |
Jennifer Rose Sciarrino |
|
129 |
Liz Magor — Read Text |
Lena Suksi |
|
129 |
Darren Bader: rock and mirrors — Abstract |
Sabrina Tarasoff |
|
129 |
Hank Bull: Connexion — Abstract |
Felicity Taylor |
|
129 |
Paulo Bruscky: Bruscky Invent's — Abstract |
Alex Turgeon |
|
129 |
Amy Bowles: Echoing Wood — Abstract |
Simone Wharton |
|
129 |
Compressing and Reconstructing: James Bridle’s Digital Documents — Abstract |
Jayne Wilkinson |
|
128 |
Drawings from the Heart: Reproductions and Paulette Phillips: The Directed Lie — Abstract |
Jane Affleck |
|
128 |
Inventory — Abstract |
Bambitchell |
|
128 |
On Writing: Critical Art Writing Ensemble — Abstract |
Andrew Berardini, Alison Cooley, Tess Edmonson, Quinn Latimer, Danielle St-Amour, Rachel Valinsky, and Nancy Webb |
|
128 |
Shout, Shout Let It All Out — Abstract |
Derrick Chang |
|
128 |
I preferred my old skin to this one, but don't know where it went... — Abstract |
Tyler Coburn |
|
128 |
Negotiations in a Vacant Lot: Studying the Visual In Canada, Edited by Lydna Jessup, Erin Morton and Kirsty Robertson — Read Text |
Alison Cooley |
|
128 |
Babe, Edited by Petra Collins — Abstract |
Shauna Jean Doherty |
|
128 |
The Figure in the Carpet — Abstract |
Marina Fathalla |
|
128 |
Close Readings: Before and after the Horizon: Anishinaabe Artists of the Great Lakes & The Plains Indians: Artists of Earth and Sky — Abstract |
Richard William Hill |
|
128 |
A Burning Bag as a Smoke-Grey Lotus — Read Text |
Angela Jerardi |
|
128 |
Questioning Citizenship at the Venice Biennale: Responses and Interventions — Read Text |
Adrian Blackwell, Elle Flanders, Justin A. Langlois, Tamira Sawatsky, Amanda Shore, Leah Snyder, and Rinaldo Walcott |
|
128 |
Anxious Territory: The Politics of Neutral Citizenship in Canadian Art Criticism — Read Text |
Yaniya Lee |
|
128 |
Mime Radio; a novel, an exhibition and a performance — Abstract |
Steffanie Ling |
|
128 |
An Evening Redness in the West — Read Text |
Jonathan Lockyer |
|
128 |
Duty Free: Feminist Land Art Retreat — Read Text |
Tiziana La Melia |
|
128 |
Editorial: Citizenship — Read Text |
Kari Cwynar and Amish Morrell |
|
128 |
Fantasies of the Library and Land & Animal & Nonanimal, Edited by Anna-Sophie Springer and Etienne Turpin — Abstract |
Amish Morrell |
|
128 |
Artefact: Explaining Man to Man — Read Text |
Jacqueline Hoang Nguyen |
|
128 |
Can You Pull In An Actor With A Fishhook Or Tie Down His Tongue With A Rope? — Abstract |
Ben Portis |
|
128 |
Responding to Canada's Truth and Reconciliation Commission Report — Abstract |
Scott Benesiinaabandan, Cathy Busby, David Garneau, and Krista Belle Stewart |
|
128 |
The Creation of Sanctioned Spaces and the Fall of the Cuban Wall: The 12th Bienal de la Habana — Abstract |
Victor Wang |
|
128 |
Apocalypsis — Abstract |
Evan Webber |
|
127 |
(Soma)tic Ritual Collaborations — Read Text |
CAConrad |
|
127 |
All the World's Futures: The 56th International Art Exhibition, Venice — Read Text |
Randy Lee Cutler |
|
127 |
Perfume Area by Laurel Schwulst and Sydney Shen — Read Text |
Sam Davis |
|
127 |
Tore Off — Abstract |
Amy De'Ath |
|
127 |
The Perfume Recordist — Abstract |
Stacy Doris and Lisa Robertson |
|
127 |
Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee Schneemann and Anicka Yi: Them — Abstract |
Olivia Dunbar |
|
127 |
The Agronauts by Maggie Nelson — Abstract |
Tess Edmonson |
|
127 |
Laurie Kang: Deferring Diffractions — Abstract |
Shelby Fenlon |
|
127 |
Elizabeth Zvonar: THE CHALLENGE OF ABSTRACTION — Abstract |
Emma Healey |
|
127 |
A Positioning, Not a Question — Read Text |
Nasrin Himada |
|
127 |
On Writing: Meditations on the Art of Reading — Read Text |
Lucy Ives |
|
127 |
Do I have faith or am I stupid? — Abstract |
Aisha Sasha John |
|
127 |
Three Parts on Poetry: Orality and Action, The Edges and the Centre, Voices On Her Cures — Abstract |
Tanya Lukin Linklater, Hanne Lippard, and Tiziana La Melia |
|
127 |
Excerpt from Pissing — Abstract |
Andrea Lukic |
|
127 |
Shirin Neshat: Soliloquy — Read Text |
Magdalena Milosz |
|
127 |
Editorial: Poetry — Read Text |
Kari Cwynar, Amish Morrell, Danielle St-Amour, and cheyanne turions |
|
127 |
Julia Feyrer and Tamara Henderson: Consider the Belvedere — Read Text |
Erica Prince |
|
127 |
ManWoman: Heart of Longing — Abstract |
Peta Rake |
|
127 |
Constellation — Abstract |
Leanne Betasamosake Simpson |
|
127 |
Inventory: Poetry — Abstract |
Robin Simpson |
|
127 |
Midday in the Garden at the Wrecked Beach — Abstract |
Alex Turgeon |
|
127 |
For Example (We Have Decided to Become Our Own Posterity): on Arakawa and Gins — Abstract |
Rachel Valinsky |
|
127 |
The First Drawing for Reflection Paper No. 5 and The Second Drawing for Reflection Paper No. 5 — Abstract |
Taocheng Wang |
|
127 |
Brian Droitcour, ed., The Animated Reader: Poetry of "Surround Audience" — Abstract |
Fan Wu |
|
126 |
Performatorium: Festival of Queer Performance — Read Text |
Jon Davies |
|
126 |
How to Train your Virgin by Wednesday Black; We Love Lucy by Lilith West; God, I Don't Even Know Your Name by Andrea McGinty — Read Text |
Tess Edmonson |
|
126 |
Andrea Robbins and Max Becher: Following the Ten Commandments — Abstract |
Jessica Evans |
|
126 |
Predecessors: Linda Rubin, Ruth Maleczech, Andrew James Paterson, Mary Daly, Albert Dumouchel and Yvonne Rainer, Queer Elders, Mary Anne Staniszewski and Mick Wilson, James McSwain, Red Burns George Sawchuk, Bill Murray, AA Bronson, May Cutler, Ivan Illic — Abstract |
Jesse Birch, Randy Lee Cutler, Corrine Fitzpatrick, Vera Frenkel, Amy Fung, Reesa Greenberg, Georgina Jackson, Steve Kado, Jacob Korczynski, Chris Kraus, Sholem Krishtalka, Kegan McFadden, Robin Metcalfe, Helena Reckitt, Jamie Ross, and David Senior |
|
126 |
Possible Futures: What is to be Done? — Abstract |
Pearl Van Geest |
|
126 |
Krista Buecking: MATTERS OF FACT — Abstract |
Karina Irvine |
|
126 |
Myfanwy MacLeod: Tell Her Nothing She Tells All — Abstract |
Kyra Kordoski |
|
126 |
Krista Belle Stewart: Seraphine, Seraphine — Abstract |
Yaniya Lee |
|
126 |
because he loved the people / served the people? Counterculture Positions, Inheritance and Leadership — Abstract |
Jesse McKee |
|
126 |
Editorial: Predecessors — Read Text |
Amish Morrell |
|
126 |
Artefact: The World Will Always Welcome Lovers — Read Text |
Benny Nemerofsky Ramsay |
|
126 |
Cornelia Wyngaarden: Heroines — Abstract |
Liz Park |
|
126 |
TEMPERAMENTAL — Abstract |
Ben Portis |
|
126 |
Aerobic Justice — Abstract |
Helen Reed |
|
126 |
Rearviews: With Onyeka Igwe, Amy Lam, Tiziana La Melia, Raymond Boisjoly, Oliver Husain and Mohammad Salemy — Abstract |
Xenia Benivolski and Danielle St-Amour |
|
126 |
Eleanor King: Dark Utopian — Read Text |
Henry Adam Svec |
|
126 |
Feminist Approaches to Citation — Read Text |
Maiko Tanaka |
|
126 |
Eileen Quinlan: Double Charlie — Read Text |
Sabrina Tarasoff |
|
126 |
Rethinking Aesthetics and Ontology through Indigenous Law: On the work of Val Napoleon and Loretta Todd — Read Text |
Zoe Todd |
|
126 |
Inventory: Predecessors — Abstract |
VSVSVS |
|
125 |
An Te Liu: Tradition and the Historical Sense — Read Text |
Shannon Anderson |
|
125 |
From age to age, as its shape slowly unravelled... — Abstract |
Raymond Boisjoly |
|
125 |
Susana Reisman: Standardizing Nature: Tress, Wood, Lumber — Abstract |
Matthew Brower |
|
125 |
Still Alive: Celia Perrin Sidarous, Peter Morin and the Still Life Genre — Read Text |
Mark Clintberg |
|
125 |
Experimental Comedy Training Camp — Abstract |
Kari Cwynar |
|
125 |
Curationism by David Balzer — Read Text |
Shauna Jean Doherty |
|
125 |
Panaesthetics: On the Unity and Diversity of the Arts by Daniel Albright — Abstract |
Anna Gallagher-Ross |
|
125 |
Why Can't Minimal — Abstract |
Dagmara Genda |
|
125 |
From age to age, as its shape slowly unravelled... by Raymond Boisjoly: Text — Abstract |
Jonah Gray |
|
125 |
Queering Citizenship — Abstract |
Maeve Hanna |
|
125 |
There and Here: GCC and Geopolitical Style — Abstract |
Cameron Hu |
|
125 |
Bande a part / Kids these days — Read Text |
Edwin Janzen |
|
125 |
Jeremy Shaw: Attention, Oblivion, Jubilation — Abstract |
Godfre Leung |
|
125 |
Artefact: Sunrise at Cape Spear Newfoundland — Abstract |
Duane Linklater |
|
125 |
Burning Down the House: 2014 Gwangju Biennale — Read Text |
Earl Miller |
|
125 |
Editorial: Attention — Read Text |
Amish Morrell |
|
125 |
Joseph Tisiga: A Sacred Game: Escape is Perpetual — Abstract |
Ben Portis |
|
125 |
Wikipedia talk: Meetup/Toronto/ArtAndFeminism 2015 — Abstract |
Amy Furness, Ella Dawn McGeough, Zeesy Powers, and Zeesy Powers |
|
125 |
Is Toronto Burning? — Abstract |
Kevin Rodgers |
|
125 |
Inventory: Attention — Read Text |
Kitty Scott |
|
125 |
Jasmina Cibic: The Fruits of Our Land — Abstract |
Rosie Spooner |
|
125 |
Mira Friedlander: Half of What's There — Read Text |
Anna Tome |
|
124 |
Wrongs Can Make It Right: The Performance and Sculptural Installation Work of Ursula Johnson — Abstract |
Jane Affleck |
|
124 |
Yokohama Triennale 2014 — Abstract |
Shinobu Akimoto |
|
124 |
Women on Diving Board — Abstract |
Alex Bowron |
|
124 |
Curiosity: Art and the Pleasures of Knowing — Abstract |
Mark Clintberg |
|
124 |
Getting Rid of Ourselves — Abstract |
Sam Cotter |
|
124 |
beyond earth art: contemporary artists and the environment — Abstract |
Michael Davidge |
|
124 |
Stan Douglas: Mise en scène — Abstract |
L. Sasha Gora |
|
124 |
Where Does it Hurt? — Abstract |
Sydney Hart |
|
124 |
Forms FTP — Abstract |
Dan Holdsworth |
|
124 |
Sympathetic Magic — Abstract |
Tarin Hughes |
|
124 |
Amy Sillman: one lump or two and Anne Collier — Abstract |
Jen Kennedy |
|
124 |
Incident Light: Gendered Artifacts and Traces Illuminated in the Archives — Abstract |
Jacob Korczynski |
|
124 |
I Could See Everything by Margaux Williamson — Abstract |
Sholem Krishtalka |
|
124 |
Directions to the Land of Milk and Honey: An Interview with Bill Burns — Read Text |
Yaniya Lee |
|
124 |
Editorial: Strata — Read Text |
Amish Morrell |
|
124 |
On Bathtub Rings and Other Irritants: Cedric, Nathan and Jim Bomford’s Deadhead — Abstract |
Kimberly Phillips |
|
124 |
Trading Hosts: Del Hillier's The Trading Post — Abstract |
Peta Rake |
|
124 |
Pictou Island Portage: An Artist Residency — Read Text |
Veronica Simmonds |
|
124 |
Inventory: Strata — Abstract |
Rebecca Travis |
|
124 |
Forms FTP by Dan Holdsworth: Text — Abstract |
Rebecca Travis |
|
124 |
Your Everyday Art World by Lane Relyea — Abstract |
Saelan Twerdy |
|
124 |
Adrian Norvid: Mr. Fizz’s Knocking Shop — Abstract |
Nick Warner |
|
124 |
Robert Frank: Books, Films, 1947–2014 — Abstract |
Aaron Weldon |
|
124 |
Digging for Ficto-Criticism — Abstract |
Susannah Worth |
|
123 |
Sara Cwynar: Flat Death — Abstract |
Rose Bouthillier |
|
123 |
Taking it Slow: Duration and Intimacy in Olivia Boudreau's Le Bain and L'Étuve — Read Text |
Noa Bronstein |
|
123 |
On Writing: The Pencil Method: a minor genre — Abstract |
Mieke Chew |
|
123 |
Glenn Brown/Rebecca Warren: Collected Works — Abstract |
Rhys Edwards |
|
123 |
Moyra Davey: Burn the Diaries — Abstract |
Yuki Higashino |
|
123 |
Richard Ibghy & Marilou Lemmens: Is there anything left to be done at all? — Read Text |
Aryen Hoekstra |
|
123 |
Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn, by Eve Meltzer — Abstract |
Cameron Hu |
|
123 |
Ed Ruscha The Liquid Paintings — Abstract |
Jen Hutton |
|
123 |
Primer: WET: The Magazine of Gourmet Bathing — Abstract |
Leonard Koren |
|
123 |
Inventory: WET — Abstract |
Anna Kovler |
|
123 |
Erring on the Mount — Abstract |
Caroline Langill |
|
123 |
Cougar Centrefold — Abstract |
Dayna McLeod |
|
123 |
Dear Jess Carrol from Allyson Mitchell — Abstract |
Allyson Mitchell |
|
123 |
Cold Water: Three Short Stories about Cold Water Baths — Abstract |
Peter Morin |
|
123 |
Editorial: Wet — Read Text |
Amish Morrell |
|
123 |
Wet Places — Abstract |
Amish Morrell |
|
123 |
Chronovisor: Archive (Mirko Smerdel, Rowena Harris, Johann Arens, Cathy Haynes, Verity Birt, Patrick Hough) — Abstract |
Dan Munn |
|
123 |
WET 2014: An Interview with Leonard Koren — Abstract |
Christie Pearson |
|
123 |
Show Time: The 50 Most Influential Exhibitions of Contemporary Art, by Jens Hoffman — Abstract |
Heather Saunders |
|
123 |
The Hypnotic Show: Raimundas Malašauskas and Marcos Lutyens — Abstract |
Penelope Smart |
|
123 |
D’Arcy Wilson: Tuck — Abstract |
Henry Adam Svec |
|
123 |
Peter Doig: No Foreign Lands — Abstract |
Felicity Taylor |
|
123 |
Acquiring Modernity: Kuwait Pavilion — Abstract |
cheyanne turions |
|
123 |
Women Who Run (off to the side of) the Wolves — Abstract |
RM Vaughan |
|
122 |
Graeme Patterson: Secret Citadel — Abstract |
Jane Affleck |
|
122 |
Akram Zaatari: All is Well — Abstract |
Amber Berson |
|
122 |
Stopover — Abstract |
Alexis Bhagat and Stephanie Loveless |
|
122 |
Renzo Martens and the Institute for Human Activities — Abstract |
Nicholas Brown |
|
122 |
Rabih Mroué: The Pixelated Revolution — Abstract |
Zoë Chan |
|
122 |
Glam North: Doris McCarthy and her New Contemporaries — Abstract |
Bill Clarke |
|
122 |
Albany Bus Station Stopover a Testimonial |
Andrea-Jane Cornell |
|
122 |
Chris Curreri: Medusa — Abstract |
Sam Cotter |
|
122 |
Artefact: On Printed Matter — Abstract |
David Court and Josh Thorpe |
|
122 |
A Problem So Big It Needs Other People — Abstract |
Kari Cwynar |
|
122 |
Being in a State of Pure Belief: On the Work of Etel Adnan — Abstract |
Corrine Fitzpatrick |
|
122 |
Sarah Cale: Petrified — Abstract |
Maeve Hanna |
|
122 |
Damage Control: Art and Destruction Since 1950 — Abstract |
Joseph Henry |
|
122 |
Self-Organised, edited by Stine hebert and Anne Szefer Karlsen — Abstract |
Amber Landgraff |
|
122 |
On Writing: The Parrot — Abstract |
Maryse Larivière |
|
122 |
Primer: The Window May be Open — Abstract |
Maryse Larivière |
|
122 |
The Lake, edited by Maggie Groat — Abstract |
Jonathan Lockyer |
|
122 |
Inventory: Walking — Abstract |
Jonathan Lockyer |
|
122 |
Sharon Hayes: Loudspeakers and Other Forms of Listening — Abstract |
Jaclyn Meloche |
|
122 |
Editorial: Location — Read Text |
Amish Morrell |
|
122 |
Neil Beloufa, Julie Born Schwartz, Christopher Kulendran Thimas, Timur Si-Qin, Lewis Teague Wright, and Tyra Tingleff: Fulfilment Centre — Abstract |
Dan Munn |
|
122 |
Willow, Weep for Me: Noa Giniger, Marian Penner Bancroft, and the Intricacies of Melancholy — Read Text |
Kimberly Phillips |
|
122 |
Both Here and There: Canadian Artists and the Berlin Experience — Abstract |
Alexandra Phillips |
|
122 |
Chiharu Shiota: Trace of Memory — Abstract |
Daniella Sanader |
|
121 |
Minor Threats — Abstract |
Zoë Chan |
|
121 |
On Speculative Walking: From the Peripatetic to the Peristaltic — Read Text |
Randy Lee Cutler |
|
121 |
Sissy Boys on Youtube: Notes Towards a Cultural History of Online Queer Childhood — Abstract |
Jon Davies |
|
121 |
It’s the Political Economy, Stupid: The Global Financial Crisis in Art and Theory, Edited by Gregory Sholette & Oliver Ressler — Abstract |
Michael DiRisio |
|
121 |
Will Gill: Bloodredlife — Abstract |
Adrienne Fitzpatrick |
|
121 |
Artefact: Mushroom Magic, Mushroom Gold — Abstract |
Dylan Gordon |
|
121 |
Samuel Roy-Bois: Not a new world, just an old trick — Abstract |
Sydney Hart |
|
121 |
Kailey Brian: Bits & Places — Abstract |
Gloria Hickey |
|
121 |
Garry Neill Kennedy: PATTISON — Abstract |
Stephen Horne |
|
121 |
The Visible Inside the Invisible by Sheilah Wilson: Text — Abstract |
Stephen Horne |
|
121 |
Walking with Artists — Abstract |
Eugenia Kisin |
|
121 |
Land|Slide: Possible Futures — Abstract |
Joni Low |
|
121 |
Zachari Logan: Fugitive Garden — Abstract |
J. J. Kegan McFadden |
|
121 |
The Walk Exchange: Pedagogy and Pedestrianism, An Interview with Moira Williams — Abstract |
Earl Miller |
|
121 |
Editorial: Walking — Read Text |
Amish Morrell |
|
121 |
Explosion in the Movie Machine: Essays and Documents on Toronto Artists’ Film and Video, Edited by Chris Gehman — Abstract |
Andrew James Paterson |
|
121 |
Walking Transformed: The Dialogics of Art and Walking — Read Text |
Simon Pope |
|
121 |
Surface Tension — Abstract |
Ben Portis |
|
121 |
As Perennial as the Grass — Abstract |
Penelope Smart |
|
121 |
Inventory: Walking — Abstract |
Sasha Sobrino |
|
121 |
On Writing: Group Writing — Abstract |
Malcom Sutton |
|
121 |
Primer: The Walking Library — Abstract |
unknown |
|
121 |
Artists' Walks: The Persistence of Peripateticism — Abstract |
Michael Vass |
|
121 |
Tom Dean: Mercy — Abstract |
Susan Walker |
|
121 |
Art as Therapy, by John Armstrong and Alain de Botton — Read Text |
Heather White |
|
121 |
The Visible Inside the Invisible — Abstract |
Sheilah Wilson |
|
120 |
Rita McKeough: The Lion's Share — Abstract |
Jane Affleck |
|
120 |
Living Labor, edited by Milena Hoegsberg and Cora Fisher — Abstract |
Heather Anderson |
|
120 |
2013 Carnegie International — Abstract |
Rose Bouthillier |
|
120 |
Jon Knowles: I'm only in it for the Manet — Abstract |
Benjamin Bruneau |
|
120 |
Kate Newby: Let the Other Thing In — Abstract |
Kay Burns |
|
120 |
Bernice Vincent: Time and Travels — Abstract |
Bill Clarke |
|
120 |
On Writing: Linguistic Proxies — Abstract |
Kari Cwynar |
|
120 |
Stranger Visions — Abstract |
Heather Dewey-Hagborg |
|
120 |
Investigating the Unexplained: An Interview with Christina Battle — Abstract |
Clint Enns |
|
120 |
Stealthwear by Adam Harvey: Text — Abstract |
Erin Alexa Freedman |
|
120 |
Seeing the Unseen: An Interview with Public Studio — Read Text |
Nives Hajdin |
|
120 |
Mana Rouholamini: Marcher le texte/Walking the Text — Abstract |
Petra Halkes |
|
120 |
Stealthwear |
Adam Harvey |
|
120 |
Under the Mountain — Abstract |
Alhena Katsof |
|
120 |
Juliana Pivato, Maura Doyle, Laura Taler: bones kneel in company — Abstract |
Anna Khnimasia |
|
120 |
Inventory: Surveillance — Abstract |
Eugenia Kisin |
|
120 |
Artefact — Abstract |
Eugenia Kisin |
|
120 |
Adam Lauder - Oct. 18, 2013 — Abstract |
Adam Lauder |
|
120 |
Leah Modigliani - Oct. 12, 2013 — Abstract |
Leah Modigliani |
|
120 |
Editorial: Surveillance — Read Text |
Amish Morrell |
|
120 |
13th Istanbul Biennial — Abstract |
Benny Nemerofsky Ramsay |
|
120 |
Sarah Fuller: The Homecoming — Abstract |
Peta Rake |
|
120 |
Primer: How to Disappear Completely and Never be Found — Abstract |
Doug Richmond |
|
120 |
Paranoia — Read Text |
Deborah Root |
|
120 |
Allison Moore and Jasa Baka: Smile Stealers — Abstract |
Jamie Ross |
|
120 |
Jimmy Robert: Draw the Line — Abstract |
Milena Tomic |
|
120 |
Aisthesis: Scenes from the Aesthetic Regime of Art, by Jacques Ranciere — Abstract |
Heather White |
|
119 |
David Askevold: Once Upon a Time in the East — Abstract |
Jane Affleck |
|
119 |
Images Festival — Abstract |
Sam Cotter |
|
119 |
Il Palazzo Enciclopedico: The 55th International Art Exhibition, Venice June 1 - November 24, 2014 — Abstract |
Randy Lee Cutler |
|
119 |
Bernadette Corporation: 2000 Wasted Years — Abstract |
Tess Edmonson |
|
119 |
First Look: New Art Online — Abstract |
Daniel Fuller |
|
119 |
Our Aesthetic Categories: Zany, Cute, Interesting, by Sianne Ngai — Abstract |
Amy Gaizauskas |
|
119 |
Interview with Wanda Koop — Abstract |
Sky Goodden |
|
119 |
Kara Uzelman: Stratiform — Abstract |
Karina Irvine |
|
119 |
Glamour is Theft: A User's Guide to General Idea, by Philip Monk — Abstract |
Luis Jacob |
|
119 |
love takes the worry out of being close: public assemblies in bed with queers — Abstract |
Reena Katz |
|
119 |
Escapists and Jet-Setters: Residencies and Sustainability — Read Text |
Laura Kenins |
|
119 |
Nomadic Residency Council — Abstract |
Jp King |
|
119 |
Editorial: Residencies — Read Text |
Amish Morrell |
|
119 |
Residency for Artists on Hiatus: Interview with Shinobu Akimoto and Matthew Evans (a.k.a. smfoundation) — Abstract |
Amish Morrell |
|
119 |
Noteworthy — Abstract |
Amish Morrell |
|
119 |
Sakahan: International Indigenous Art — Abstract |
Wanda Nanibush |
|
119 |
Obituary: Colette Urban — Abstract |
Ingrid Mary Percy |
|
119 |
After Finitude: Neil Campbell, Hanne Darboven, Nicole Ondre, Cheyney Thompson — Abstract |
Jacquelyn Ross |
|
119 |
Sara Angelucci: Provenance Unknown — Abstract |
Jennifer Rudder |
|
119 |
The Pedagogical Impulse: Aberrant Residencies and Classroom Ecologies — Read Text |
Stephanie Springgay |
|
119 |
Splendid Isolation — Abstract |
Andrea Williamson |
|
118 |
Position As Desired / Exploring African Canadian Identity: Photographs from the Wedge Collection — Abstract |
Jane Affleck |
|
118 |
Volume: Hear Here — Abstract |
Shannon Anderson |
|
118 |
Surviving the Crisis — Abstract |
Ben Davis |
|
118 |
Julia Dault — Abstract |
Rose Bouthillier |
|
118 |
Peter Dykhuis: Inventories & Micro-mapping — Abstract |
Kyla Brown |
|
118 |
Robert Tombs: L'Occupation — Abstract |
Michael Davidge |
|
118 |
Old Man Deciphering a Briefcase — Abstract |
Dave Dyment |
|
118 |
Noteworthy — Abstract |
Amy Gaizauskas |
|
118 |
This Will Have Been: Art, Love & Politics in the 1980s — Abstract |
Jill Glessing |
|
118 |
Interview with Dave Hickey — Abstract |
Sky Goodden |
|
118 |
Philippa Jones: MIRIAD — Abstract |
Gloria Hickey |
|
118 |
On The Doing(s) of Art Criticism — Read Text |
Stephen Horne |
|
118 |
Jordan Wolfson: Raspberry Poser — Abstract |
Jen Hutton |
|
118 |
Work Work Work: A Reader on Art and Labour, Edited by Cecelia Widenheim, Lisa Rosendahl, Michele Masucci, Annika Enqvist and Jonatan Habib Angqvist — Abstract |
Amber Landgraff |
|
118 |
Resist the List: A Problem of Politics in the Evaluation of Contemporary Art — Read Text |
Charlene Lau |
|
118 |
"Sensitivity Information": The Wild Body of N.E. Thing Co. — Abstract |
Adam Lauder |
|
118 |
The Last Art College: Nova Scotia College of Art and Design, 1968-1978, by Garry Neill Kennedy — Abstract |
Leah Modigliani |
|
118 |
Editorial: Criticism — Read Text |
Amish Morrell |
|
118 |
Rebecca Belmore, Ken Gonzales-Day, Francisco-Fernando Granados, and Louis Noguchi: Invisible Violence — Abstract |
Vanessa Parent |
|
118 |
Private Acts: Note-taking in the Margins of Art Criticism — Abstract |
Peta Rake |
|
118 |
Manuela Lalic: Activisme timide — Abstract |
Daniella Sanader |
|
118 |
West of Center: Art and the Counterculture Experiment in America, 1965-1977, Edited by Elissa Auther and Adam Lerner — Abstract |
Felicity Taylor |
|
118 |
The painting is better — Abstract |
Charmaine Wheatley |
|
118 |
Jimmy Limit: Show Room — Abstract |
Heather White |
|
117 |
Rick Leong: The Sublimation of Self — Abstract |
Jane Affleck |
|
117 |
A New Novel by Bjarne Melgaard — Abstract |
Nickolas Calabrese |
|
117 |
Beyond Measure: Systems of Chance in the Art of Kristiina Lahde — Abstract |
Kristin Campbell |
|
117 |
Nicolas Grenier: Proximities — Abstract |
James D. Campbell |
|
117 |
Vanessa Maltese: Two-fold Tally — Abstract |
Bill Clarke |
|
117 |
Kika Thorne: The WILDcraft — Abstract |
Michael DiRisio |
|
117 |
Summer of Hate, by Chris Kraus — Abstract |
Tess Edmonson |
|
117 |
FAGing It Forward — Abstract |
Feminist Art Gallery |
|
117 |
Noteworthy — Abstract |
Shannon Garden-Smith |
|
117 |
Michèle Provost: Rebranding Bytown — Abstract |
Petra Halkes |
|
117 |
Open! Key Texts, 2004-2012: Art, Culture and the Public Domain, Edited by Jorinde Seijdel and Liesbeth Melis — Abstract |
Petra Halkes |
|
117 |
XTRAVAGANZA: Staging Leigh Bowery — Abstract |
Yuki Higashino |
|
117 |
Disturbances, by Critical Art Ensemble — Abstract |
Marc James Léger |
|
117 |
Editorial: Translation — Read Text |
Amish Morrell |
|
117 |
Roman Liška: Nu Balance — Abstract |
Dan Munn |
|
117 |
Hazel Meyer: Walls to the Ball — Abstract |
Craig Francis Power |
|
117 |
Dancing in the Face of Danger — Abstract |
Patricia Reed |
|
117 |
Rehearsal for a Poem: Tiziana La Melia in Conversation with Jacquelyn Ross — Abstract |
Jacquelyn Ross |
|
117 |
Sean Alward: A Vertical City Goes Both Ways — Abstract |
Marina Roy |
|
117 |
One for Me and One to Share: Artists' Multiples and Editions, Edited by Dave Dyment and Gregory Elgstrand — Abstract |
David Senior |
|
117 |
Institutions by Artists: Resistance or Retreat? — Abstract |
Diana Sherlock |
|
117 |
From the ongoing work WHEN PLATITUDES BECOME FORM. — Abstract |
Christopher Kulendran Thomas |
|
117 |
Archival Dialogues: Reading the Black Star Collection — Abstract |
Heather White |
|
117 |
Le baiser de l'institution: Feminism After Elles — Abstract |
Ania Wroblewski |
|
116 |
The Schlögel Archive — Abstract |
Martha Baillie |
|
116 |
Only Birds Sing the Music of Heaven in this World. — Abstract |
Jacqueline Bell |
|
116 |
Sounding Selves — Abstract |
Mireille Bourgeois |
|
116 |
Digital Natives, edited by Lorna Brown and Clint Burnham — Abstract |
Clint Burnham |
|
116 |
Lou Ford @ G Gallery, Toronto — Abstract |
Roger Bywater |
|
116 |
Red Sky at Night — Abstract |
Bill Clarke |
|
116 |
Structural Mutation, Cinnamon-Scented Speculation, the Twenty-First Century and the Artist Pension Trust. — Abstract |
Shannon d'Avout |
|
116 |
Emotional Blackmail — Abstract |
Jon Davies |
|
116 |
Collecting That Matters: The Art Collection of Alison And Alan Schwartz — Abstract |
Randy Gladman |
|
116 |
Wavelengths and Future Projections — Abstract |
Sky Goodden |
|
116 |
Yuji Agematsu — Abstract |
Ebony L. Haynes |
|
116 |
Morgan Fisher: The Frame and Beyond — Abstract |
Yuki Higashino |
|
116 |
Foundation Izolyatsia in collaboration with Galleria Continua: Where Is The Time? — Abstract |
Michelle Kasprzak |
|
116 |
Reduce, Reuse, Exhibit: Electronic Waste as Collection. — Abstract |
Laura Kenins |
|
116 |
Ivan Moudov's Museum in Fragment — Abstract |
Steve Lyons |
|
116 |
Editorial: Collections — Read Text |
Amish Morrell |
|
116 |
The Guantanamo Bay Museum of Art and History — Abstract |
Andrew Pel |
|
116 |
The Photographs Not Taken, edited by Will Steacy — Abstract |
Amanda Rataj |
|
116 |
Raymond Boisjoly: The Work That Work Leaves Undone. — Abstract |
Kevin Rodgers |
|
116 |
IAIN BAXTER&: Works 1958-2011 — Abstract |
Joanna Sheridan |
|
116 |
Volumes: The Book as Exhibition. — Abstract |
Anna-Sophie Springer |
|
116 |
BOOKEND — Abstract |
Charles Stankievech |
|
116 |
Lands Beyond: Charles Stankievech's Intangible Archives — Abstract |
Pandora Syperek |
|
116 |
Artificial Hells, by Claire Bishop — Abstract |
Saelan Twerdy |
|
116 |
Derek Liddington Today a Legend Died. Viva La Revolution. — Abstract |
Ellyn Walker |
|
116 |
The Parallel Museum — Abstract |
Heather White |
|
116 |
Museum of Innocence Istanbul — Abstract |
Heather White |
|
116 |
The World Portable Gallery Convention, Halifax — Abstract |
Heather White |
|
115 |
Michael Maranda: ART FORUM X. — Abstract |
Dan Adler |
|
115 |
The Ungovernables — Abstract |
Shannon Anderson |
|
115 |
Minimalism in Germany: The Sixties II — Abstract |
Iliana Antonova |
|
115 |
Rory Middleton: Steady Water — Abstract |
Kay Burns |
|
115 |
Manufacturing Exhibitions 2 — Abstract |
Zoë Chan |
|
115 |
In Numbers: Serial Publications by Artists since 1955 — Abstract |
Michael Davidge |
|
115 |
The Present as Enduring Past: Recollecting Through the Works of Kerry Tribe, Petrina Ng and Lindsay Seers. — Abstract |
Rachel Anne Farquharson |
|
115 |
Venus in Transit. — Abstract |
Corrine Fitzpatrick |
|
115 |
Communities and Antagonism: Looking for Art in All the Wrong Places — Abstract |
Amy Fung |
|
115 |
Cindy Sherman — Abstract |
Jen Kennedy |
|
115 |
Push and Pull: How to Make a 'Happening' Classroom. — Abstract |
Vesna Krstich |
|
115 |
Jeremy Deller: Joy in People. — Abstract |
Vesna Krstich |
|
115 |
Living as Form: Socially Engaged Art from 1991-2011, edited by Nato Thompson — Abstract |
Amber Landgraff |
|
115 |
Emily Falencki: Missing — Abstract |
Sarah Maloney |
|
115 |
The Vancouver Occupations of 1971 — Abstract |
Leah Modigliani |
|
115 |
Editorial: Participation — Read Text |
Amish Morrell |
|
115 |
Beat Nation: Art, Hip Hop and Aboriginal Culture. — Abstract |
Lisa Myers |
|
115 |
Revolution. Two Marks in Rotation. — Abstract |
MPA and Amapola Prada |
|
115 |
Nature, Knowledge and the Knower — Abstract |
Marina Roy |
|
115 |
Noteworthy — Abstract |
Daniella Sanader |
|
115 |
the buddhist, by Dodie Bellamy — Abstract |
Rachelle Sawatsky |
|
115 |
Janieta Eyre: The Mute Book — Abstract |
Kathryn Simpson |
|
115 |
Sean MacAlister: Crow's Nest — Abstract |
Andrea Williamson |
|
114 |
Ian Wallace's Monochrome Series — Abstract |
Dan Adler |
|
114 |
Material World — Abstract |
Jane Affleck |
|
114 |
Andrea Zittel: Lay of My Land — Abstract |
Jacqueline Bell |
|
114 |
Althea Thauberger — Abstract |
Rose Bouthillier |
|
114 |
Noteworthy — Abstract |
Benjamin Bruneau |
|
114 |
A.K. Burns: Pregnant Patron Penny Pot — Abstract |
Corrine Fitzpatrick |
|
114 |
Seripop: Landscapes Events Reproducted — Abstract |
Amy Gaizauskas |
|
114 |
Christoph Schlingensief: Fear at the Core of Things — Abstract |
Natasha Ginwala |
|
114 |
Attila Richard Lukacs from the Collection of Salah J. Bachir — Abstract |
Sky Goodden |
|
114 |
Michael Flaherty: Rangifer Sapiens — Abstract |
Gloria Hickey |
|
114 |
Lezbros for Lesbos — Abstract |
Logan MacDonald |
|
114 |
Everything But the Boy: Chris Ironside's Mr. Long Weekend — Abstract |
Kerry Manders |
|
114 |
Shame and Men: A Queer Perspective on Masculinity — Abstract |
Ken Moffatt |
|
114 |
Editorial: Men — Read Text |
Amish Morrell |
|
114 |
A Terrible Beauty: Politics, Sex and the Decline of Empires — Abstract |
Ann Marie Pe |
|
114 |
A Refusal of Images — Abstract |
Kirsty Robertson |
|
114 |
Declining Democracy — Abstract |
Emmy Skensved |
|
114 |
My Winnipeg — Abstract |
Jeffrey Swartz |
|
114 |
Gender Diasporist: Shawn Syms interviews Tobaron Waxman — Abstract |
Shawn Syms |
|
114 |
Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces, by Independent Curators International — Abstract |
Leila Timmins |
|
114 |
Radical Prototypes: Allan Kaprow and the Invention of Happenings, by Judith F. Rodenbeck — Abstract |
Milena Tomic |
|
114 |
Contemporary Art in North America, edited by Michael Wilson — Abstract |
Ellyn Walker |
|
113 |
Rural Readymade — Abstract |
Jane Affleck |
|
113 |
Tonik Wojtyra: Paragraph of Possibility. — Abstract |
Sean Alward |
|
113 |
Noteworthy — Abstract |
Benjamin Bruneau |
|
113 |
Sky Glabush: Background — Abstract |
Kristin Campbell |
|
113 |
Dematerialized C Magazine issue # 1 (Winter 1983/84) — Abstract |
CN Tower Liquidation |
|
113 |
Polymer resin cube containing dematerialized copy of C Magazine issue # 1 — Abstract |
CN Tower Liquidation |
|
113 |
Untitled (12th Istanbul Biennial) — Abstract |
Dave Colangelo |
|
113 |
L.A. Immersion: A Conversation on Pacific Standard Time — Abstract |
Kathy Acker and Allison Collins |
|
113 |
In Deed: Certificates of Authenticity In Art. — Abstract |
Alice Dixon |
|
113 |
Melanchotopia — Abstract |
Petra Halkes |
|
113 |
Ineffable Plasticity: the experience of being human and Human / Nature. — Abstract |
Anastasia Hare |
|
113 |
Buses, Babies, Temporary Tattoos: Social Media and Art Collide — Abstract |
Michelle Kasprzak |
|
113 |
The One and the Many: Contemporary Collaborative Art in a Global Context, by Grant Kester — Abstract |
Amber Landgraff |
|
113 |
Lands of Invention: The Nation Interrogated at the 8th Mercosul Biennial — Abstract |
Scott McLeod |
|
113 |
Editorial: Memory — Read Text |
Amish Morrell |
|
113 |
Laurel Woodcock: Jump Cuts — Abstract |
Crystal Mowry |
|
113 |
Diana Thorneycroft: A People's History — Abstract |
Michael Rattray |
|
113 |
Reflecting Absence or When Social Networks Memorialize — Abstract |
Chloé Roubert |
|
113 |
Commerce by Artists Edited by Luis Jacob Art Metropole, 2011 — Abstract |
Leila Timmins |
|
113 |
Raqs Media Collective: Surjection — Abstract |
cheyanne turions |
|
113 |
Garden of Forking Paths: A Conversation with Derek Sullivan — Read Text |
Saelan Twerdy |
|
113 |
Nicholas Galanin: First Law of Motion — Abstract |
Ellyn Walker |
|
113 |
Rites of Return: And Europe will be Stunned — Abstract |
Carol Zemel |
|
112 |
(Re)Staging the Art Museum, edited by Tone Hansen — Abstract |
Heather Anderson |
|
112 |
A Sea of Contingencies: Durational Projects — Abstract |
Jesse Birch |
|
112 |
Where Art Belongs, by Chris Kraus — Abstract |
Amanda Brason |
|
112 |
Paris/Ojibwa: Interview with Robert Houle — Abstract |
Denise Frimer |
|
112 |
Making Art Global (Part 1): The Third Havana Biennial 1989, by Rachel Weiss and other authors — Abstract |
Natasha Ginwala |
|
112 |
EL ARTE del Comer: DE LA NATURALEZA MEURTA A FERRAN ADRIA (The Art of Eating: from "still life" to Ferran Adrià) — Abstract |
Jill Glessing |
|
112 |
Louise Bourgeois: El retorno de lo reprimido ("the return of the repressed") — Abstract |
Sky Goodden |
|
112 |
Noteworthy — Abstract |
Anastasia Hare and Candice Napoleone |
|
112 |
Carl Beam: The Poetics of Being — Abstract |
Richard William Hill |
|
112 |
"Me Calling Him—Him Calling Me"— Tom Sherman's Recent Video Work — Abstract |
Caroline Seck Langill |
|
112 |
New Experiments in Communal Living — Abstract |
Tatiana Mellema |
|
112 |
Some Like It Haute: The General Idea Retrospective at the Art Gallery of Ontario — Abstract |
Philip Monk |
|
112 |
Editorial: Exhibition Practices — Read Text |
Amish Morrell |
|
112 |
Gwen Macgregor and Sandra Rechico: Backtrack — Abstract |
Lisa Myers |
|
112 |
Taryn Simon: A Living Man Declared Dead and Other Chapters — Abstract |
Sarah Parsons |
|
112 |
Art Ex 2011: River as Source — Abstract |
Craig Francis Power |
|
112 |
Haven't We Been Here Before? — Abstract |
Mary Reid |
|
112 |
Pavillon levé (dix jours à vaincre les mortes-eaux) — Abstract |
Emily Rosamond |
|
112 |
The Normal Condition of Any Communication — Abstract |
Joanna Sheridan |
|
112 |
New Photography 2011 — Abstract |
Sarah Stephenson |
|
112 |
The F.E.K. Archives:This is making me nervous... — Abstract |
Alex Wolfson |
|
111 |
Wim Botha: All Around — Abstract |
Jovana Jankovic |
|
111 |
Song Dong: Waste Not — Abstract |
Zoë Chan |
|
111 |
A Practice in Reading — Abstract |
Randy Lee Cutler |
|
111 |
Models for Taking Part — Abstract |
Kari Cwynar |
|
111 |
Rabih Mroué: The Inhabitants of Images — Abstract |
Kenneth Hayes |
|
111 |
Soft Protocols: Dexter Sinister's Book and Library-making — Abstract |
Jen Hutton |
|
111 |
Gina Badger: Mongrels — Abstract |
Reena Katz |
|
111 |
Jardin de la Connaissance — Abstract |
Thilo Folkerts and Rodney La Tourelle |
|
111 |
Performing the Library — Abstract |
Adam Lauder |
|
111 |
Chris Curreri: Something Something — Abstract |
Annie MacDonell |
|
111 |
Editorial: Libraries — Read Text |
Amish Morrell |
|
111 |
Frances Stark: I've Had it and a Half — Abstract |
Jenifer Papararo |
|
111 |
Read-in Manual |
Read-in (Ester Bartels, Marieke Houwers, and Annette |
|
111 |
The Whole Earth Library — Abstract |
David Senior |
|
111 |
The Domestic Queens Project — Abstract |
Erin Silver |
|
111 |
Adel Abdessemed: The Future of Décor — Abstract |
Matthew Ryan Smith |
|
111 |
La Biennale Di Venezia 54th International Art Exhibition — Abstract |
Pandora Syperek |
|
111 |
Shary Boyle: Flesh and Blood, with essays by Louise Déry, James Bewley, and Michelle Jacques — Abstract |
Pandora Syperek |
|
111 |
Noteworthy — Abstract |
Leila Timmins |
|
111 |
The Birds and the Bees — Abstract |
Stephanie Vegh |
|
111 |
Cloning Terror: The War of Images, 9/11 to the Present — Abstract |
Harry J. Weil |
|
110 |
Douglas Scholes: Working the Pragmatic Aesthetic in Four Parts — Abstract |
Randall Anderson |
|
110 |
Jessica Eaton: Strate — Abstract |
Rose Bouthillier |
|
110 |
Noteworthy — Abstract |
Amanda Brason |
|
110 |
Kitchen Studio: A Recipe for Disaster — Abstract |
Nicole J. Caruth |
|
110 |
4 Reservation Food Groups — Abstract |
Keesic Douglas |
|
110 |
John Monteith: Lost Highway — Abstract |
Rachel Anne Farquharson |
|
110 |
Diane Arbus: A Printed Retrospective 1960-1971 & Cady Noland: The American Dream — Abstract |
Jacob Korczynski |
|
110 |
Dark Matter: Art and Politics in the Age of Enterprise Culture, by Gregory Sholette — Abstract |
Amber Landgraff |
|
110 |
Karen Azoulay: Carnation Thunder — Abstract |
Liz Linden |
|
110 |
Collaborating on Conceptual Art: An Aesthetics of the Impossible — Abstract |
Leah Modigliani |
|
110 |
Editorial: Food — Read Text |
Amish Morrell |
|
110 |
Marcel Dzama: Behind every Curtain — Abstract |
Gabrielle Moser |
|
110 |
We Are Behind the Object by Emily Wardill & Ian White — Abstract |
Andrew James Paterson |
|
110 |
Bruce Nauman: Audio/Video Piece for London, Ontario — Abstract |
Kevin Rodgers |
|
110 |
Hide/Seek: Difference and Desire in American Portraiture — Abstract |
Stephanie Rogerson |
|
110 |
Reliquary Confections: Interview with Fiona Kinsella — Abstract |
Pandora Syperek |
|
110 |
The Performative Space: Tracing the Roots of Performance-Based Work in India — Abstract |
Swapnaa Tamhane |
|
110 |
Sean Martindale: Tent: Life-like Living — Abstract |
Lauren Wetmore |
|
109 |
David Diviney: Head for the Hills — Abstract |
Jane Affleck |
|
109 |
29th Bienal de São Paulo — Abstract |
Emelie Chhangur and Philip Monk |
|
109 |
Journey into Whatever — Abstract |
Mireille Eagan |
|
109 |
Noteworthy — Abstract |
editorial staff |
|
109 |
Daniel Barrow: Good Gets Better — Abstract |
Rachel Anne Farquharson |
|
109 |
Hannah Rickard: … a legend, it, it sounds like a legend — Abstract |
Suzanne Fulbrook |
|
109 |
Logics of Scientific Discovery: Mandy Ginson interviews Toril Johannessen — Abstract |
Mandy Ginson |
|
109 |
Scott McFarland: Sans Souci — Abstract |
Sky Goodden |
|
109 |
Summerhill, Revised: Learning In/As Marginalia — Abstract |
Hannah Jickling and Helen Reed |
|
109 |
School's In: Contemporary Art and the Educational Turn — Abstract |
Jen Kennedy |
|
109 |
You and Me and Her and Us and Them: A Conversation on Using and Being Used — Abstract |
Sholem Krishtalka |
|
109 |
Selected Maria Lind Writing, Edited by Brian Kuan Wood — Abstract |
Amber Landgraff |
|
109 |
Editorial: Knowledge — Read Text |
Amish Morrell |
|
109 |
Edwin Janzen: Guys in Caves — Abstract |
Laura Paolini |
|
109 |
Manifesta 8: The European Biennial of Contemporary Art — Abstract |
Mikhel Proulx |
|
109 |
Katie Bethune-Leamen: Older, Sadder, And All In White This Time — Abstract |
Amanda Rataj |
|
109 |
Art School (Propositions for the 21st Century), Edited by Steven Henry Madoff — Abstract |
Amanda Rataj |
|
109 |
Brendan Fernandes: Until We Fearless — Abstract |
Farah Yusuf |
|
108 |
Centrefold: what is above is as that which is below… — Abstract |
Abbas Akhavan |
|
108 |
Anselm Kiefer: Palmsonntag — Abstract |
Shannon Anderson |
|
108 |
Art and Cold Cash, Edited by Ruby Arngna'naaq, Jack Butler, Sheila Butler, Patrick Mahon and William Noah. — Abstract |
Marco Avolio |
|
108 |
6th Berlin Biennale: What is Waiting Out There — Abstract |
Michael Birchall |
|
108 |
Both Teams Cannot Win: Natasha Bissonauth Interviews Divya Mehra — Abstract |
Natasha Bissonauth |
|
108 |
Annie MacDonell: Beside the Midnight Lake — Abstract |
Heather Diack |
|
108 |
Noteworthy — Abstract |
Rachel Anne Farquharson |
|
108 |
Fernando Sánchez Castillo: National Episodes and Oscar Mua∓#241;oz: Becoming Air — Abstract |
Jill Glessing |
|
108 |
The ABS Group: The ABS Art Practice Imagined as a Class Struggle in College Art Education — Abstract |
Kenneth Hayes |
|
108 |
Economies of Faith — Abstract |
Richard Ibghy and Marilou Lemmens |
|
108 |
Documents of Self-Administration: A Conversation with Vincent Bonin — Abstract |
Adam Lauder |
|
108 |
New Ways to Go Forward You Never Dreamed Existed: David Lillington Interviews Spartacus Chetwynd — Abstract |
David Lillington |
|
108 |
Editorial: In The Money — Read Text |
Amish Morrell |
|
108 |
Rivane Neuenschwander: A Day Like Any Other — Abstract |
Vanessa Nicholas |
|
108 |
The Power of Judgment: A Debate on Aesthetic Critique, Edited by Daniel Birnbaum and Isabelle Graw — Abstract |
Aaron Peck |
|
108 |
Green Light: Towards an Art of Evolution, by George Gesset — Abstract |
Maxine Proctor |
|
108 |
Holy Shit — Abstract |
Marina Roy |
|
108 |
Projections: Music Video — Abstract |
Saelan Twerdy |
|
108 |
Jon McCurley: Fashion Blog-Clothes for president — Abstract |
Evan Webber |
|
108 |
Guy Ben-Ner: Thursday the 12th — Abstract |
Rebecca Weisman |
|
107 |
Kristan Horton: The Echo Chamber — Abstract |
Dan Adler |
|
107 |
Of Fauna and Manufactured Derivatives: Bill Burns and the Lucrative Didactics of Environmental Stewardship — Abstract |
Gentiane Bélanger |
|
107 |
The Lives and Deaths of Carolee’s Cats — Abstract |
Carla Benzan |
|
107 |
Marina Abramović: The artist is Present — Abstract |
Aileen Burns and Johan Lundh |
|
107 |
Bird Radio for Afghanistan, 2010 |
Bill Burns |
|
107 |
Marion Wagschal: Private Views and Paintings — Abstract |
James D. Campbell |
|
107 |
Christian Boltanski: Personnes — Abstract |
Zoë Chan |
|
107 |
David Hoffos: Scenes from a House Dream — Abstract |
Meredith Dault |
|
107 |
On Year of the Dog — Abstract |
Jon Davies |
|
107 |
Daryl Vocat: The Secret of the Midnight Shadow — Abstract |
Sally Frater |
|
107 |
Stephen Kelly: Open Tuning (WaveUp) — Abstract |
Quyen Hoang |
|
107 |
Infinite, Indifferent Kinship — Abstract |
Karen Houle |
|
107 |
Trash, by Jon Davies — Abstract |
Jovana Jankovic |
|
107 |
Justin Thomas Schaefer: Comedy Comedy — Abstract |
Corinna Kirsch |
|
107 |
Carlos Garaicoa: Overlapping — Abstract |
Leah Modigliani |
|
107 |
Editorial: Among Animals — Read Text |
Amish Morrell |
|
107 |
Emergence: Contemporary Photography in Canada, edited by Sarah Parsons — Abstract |
Amish Morrell |
|
107 |
Noteworthy — Abstract |
Jovana Jankovic and Maxine Proctor |
|
107 |
Touching Animals — Abstract |
Helena Reckitt |
|
107 |
Ryan Trecartin: Any Ever — Abstract |
Nadja Sayej |
|
107 |
Adrian Blackwell: Model for a Public Space [knot] — Abstract |
Alex Snukal |
|
107 |
Timberland:2010 Alberta Biennal of Contemporary Art — Abstract |
Leah Turner |
|
106 |
Funkaesthetics — Abstract |
Sarah Aranha |
|
106 |
Photography Haunted by Spirit Photography, by Bernard Lamarche and Pierre Rannou — Abstract |
Adi Baker |
|
106 |
Cultural Programming in Vancouver During the 2010 Winter Olympics — Abstract |
Jesse Birch and Jesse Gray |
|
106 |
Scott Treleaven: Are You a Zombie or a Witch? — Abstract |
Elijah Burgher |
|
106 |
Get on Up! Michael Jackson is Alive and, Well -- (Preface to a Twenty Volume Love Note) — Abstract |
Lynn Crosbie |
|
106 |
Noteworthy — Abstract |
editorial staff |
|
106 |
Psychometry and the Affective Artifact — Abstract |
Jennifer Fisher |
|
106 |
Liam Gillick: Three Perspectives and a Short Scenario — Abstract |
Sally Frater |
|
106 |
Paying a Visit to Mary — Abstract |
Daniel Fuller |
|
106 |
Janet Cardiff and George Bures Miller: The Murder of Crows — Abstract |
Amy Fung |
|
106 |
Cedric and Nathan Bomford, Bamberton: Contested Landscape — Abstract |
Holand Gidney |
|
106 |
Textiles: Art and the Social Fabric — Abstract |
Luis Jacob |
|
106 |
Drowning Ophelia — Abstract |
Laura Robynn Kane |
|
106 |
The Aesthetic Unconscious, by Jacques Rancière — Abstract |
Laura Robynn Kane |
|
106 |
“The Secret Circle of God’s Supernatural Blessing:” Nate Larson’s Photographic Miracles and the Question of Belief — Abstract |
Louis Kaplan |
|
106 |
Julia Rosa Clark: Paradise Apparatus — Abstract |
Miles Keylock |
|
106 |
Will Munro: Inside the Solar Temple of the Cosmic Leather Daddy — Abstract |
Bruce LaBruce |
|
106 |
The Uncanny as Real: David Lillington Interviews Paulette Phillips — Abstract |
David Lillington |
|
106 |
Learning from Vancouver, Western Front — Abstract |
Joni Low |
|
106 |
Behind the Curtain: Leah Modigliani Interviews the Center for Tactical Magic — Abstract |
Leah Modigliani |
|
106 |
Editorial: Transcendence — Read Text |
Amish Morrell |
|
106 |
Barbara Lounder — Abstract |
Colleen O'Neill |
|
106 |
World Tea Party, Centre A — Abstract |
Christopher Olson |
|
106 |
Brawl, Norma (Vanessa Kwan, Diana Lopez-Soto, Josh Neelands, Christy Nyiri, Pietro Sammarco, Erica Stocking, and Kara Uzelman), Andy Livingstone Field Presented by Artspeak as Part of the Bright Lights Festival — Abstract |
Christopher Olson |
|
106 |
Heidi Nagtegaal: Redirecting Traffic (Hastings Between Heatley and Hawkes) — Abstract |
Christopher Olson |
|
106 |
Theo Sims: The Candahar, Presentation House Gallery — Abstract |
Liz Parks |
|
106 |
To Show, to Give, to Make It Be There: Expanded Literary Practices in Vancouver: 1954-1969, Simon Fraser University Gallery, and Geoffrey Farmer: Every Letter of the Alphabet, 1875 Powell Street at Victoria Drive — Abstract |
Aaron Peck |
|
106 |
Here You Are, Part One, and Christian Kliegel: Walk In — Abstract |
Rachelle Sawatsky |
|
106 |
Scott Treleaven — Abstract |
Scott Treleaven |
|
105 |
Tricia Middleton: Dark Souls — Abstract |
James D. Campbell |
|
105 |
And Other Essays: Nayland Blake, Tom Burr, Harry Dodge, Alix Lambert, Allen Ruppersberg and Andrea Zittel — Abstract |
David Court |
|
105 |
Graeme Patterson: The Grappler — Abstract |
Ray Cronin |
|
105 |
Art/Life: A Conversation with Tehching Hsieh — Abstract |
Karlyn De Jongh |
|
105 |
Noteworthy — Abstract |
editorial staff |
|
105 |
Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle by Sven Lütticken — Abstract |
Alissa Firth-Eagland |
|
105 |
Kelly Mark: It's Just One God Damn Thing After Another — Abstract |
Emma Frank |
|
105 |
Steve Higgins: All Things Considered, and Sara Graham: Department of Systems Oversight — Abstract |
Sara Hartland-Rowe |
|
105 |
Baseball Pile #2 and Wrestling Ring — Abstract |
Patrick Krzyzanowski |
|
105 |
The Beautiful Game: Art and Sport in the Work of Humberto Vélez — Abstract |
Elizabeth Matheson |
|
105 |
Sophie Bélair Clément — Abstract |
Jesse McKee |
|
105 |
Glenn Ligon: Death of Tom and Untitled (Minnesota Massacre) — Abstract |
Tatiana Mellema |
|
105 |
Hanging Fire: Contemporary Art from Pakistan — Abstract |
Srimoyee Mitra |
|
105 |
Editorial: Critical Participation — Read Text |
Amish Morrell |
|
105 |
War at a Distance — Abstract |
Colleen O'Reilly |
|
105 |
The Body Engraved: Performances and Interventions of Lorena Wolffer — Abstract |
Deborah Root |
|
105 |
In Numbers: Serial Publications by Artists Since 1955, edited by Andrew Roth and Philip Aarons — Abstract |
David Senior |
|
105 |
Au Naturel, by Amna Malik — Abstract |
Beth Stuart |
|
105 |
Annie Wu and Antoni Wojtyra: Ideally — Abstract |
Stefan Sulzer |
|
105 |
Daniel Young and Christian Giroux: Every Building, or Site, That a Building Permit Has Been Issued for a New Building in Toronto in 2006 — Abstract |
Scott Sørli |
|
105 |
Katlin Till-Landry Interviews Martha Wilson — Abstract |
Kaitlin Till-Landry |
|
105 |
Tim Barber: Tout va Bien — Abstract |
Leah Turner |
|
104 |
Yvonne Singer - Random Objects: Random Thoughts — Abstract |
Sarah Aranha |
|
104 |
Ars Memoriae: Eve K. Tremblay's Book People — Abstract |
James D. Campbell |
|
104 |
Report on the New York Art Book Fair — Abstract |
Miles Collyer |
|
104 |
Noteworthy — Abstract |
editorial staff |
|
104 |
The F Word, Essays by Alissa Firth-England Candice Hopkins, Karen Henry, and an interview with Lisa Steele by Firth-England. Artists' works by Lisa Robertson and Kristina Lee Podesva. — Abstract |
Ginger Scott |
|
104 |
Lorraine Field: Vanishing Point — Abstract |
Sara Hartland-Rowe |
|
104 |
O.H.F + U.S.A= M.F.A and Positive/Negative Space — Abstract |
Onya Hogan-Finlay |
|
104 |
God and the "GAZE:" A Visual Reading of Lady Gaga — Abstract |
Jen Hutton |
|
104 |
Colette Whiten — Abstract |
Leah Modigliani |
|
104 |
Editorial: Contemporary Feminisms — Read Text |
Amish Morrell |
|
104 |
The Importance of Being Iceland: Travel Essays in Art, by Eileen Myles — Abstract |
Amish Morrell |
|
104 |
Who Was that Woman? — Abstract |
Helena Reckitt |
|
104 |
Francis Alÿs: Fabiola — Abstract |
Stephanie Rogerson |
|
104 |
Istanbul: Hale Tender and Mürüvvet Türkyilmaz — Abstract |
Deborah Root |
|
104 |
Ecstatic Resistance — Abstract |
Emily Roysdon |
|
104 |
Iris Häussler: He Named Her Amber — Abstract |
Kate Steinmann |
|
104 |
Gerald Ferguson, 1937-2009 — Abstract |
Monica Tap |
|
103 |
Zin Taylor: The Bakery of Blok — Abstract |
Dan Adler |
|
103 |
Beyond the Hype: Nuit Blanche in the "Creative City" — Abstract |
Joseph Bahn |
|
103 |
Mika Rottenberg — Abstract |
Katie Bethune-Leamen |
|
103 |
Sea of Contingencies: Vancouver's Domestic Interventions — Abstract |
Jesse Birch |
|
103 |
Aleesa Cohene: Something Better — Abstract |
Jon Davies |
|
103 |
Michael A. Robinson: Throw Genre — Abstract |
Peter Dub#233; |
|
103 |
Younger than Jesus — Abstract |
Patrick Dyer and Jesse McKee |
|
103 |
Noteworthy — Abstract |
editorial staff |
|
103 |
Sara Angelucci: Regular 8 — Abstract |
Kirsten Den Hartog |
|
103 |
Everything All at Once — Abstract |
Jen Hutton |
|
103 |
Decentre: Concerning Artist-Run Culture /a propos de centres d'artistes, Edited by Elaine Chang, Andrea Lalonde, Chris Lloyd, Steve Loft, Jonathan Middleton, Daniel Roy, Haema Sivanesan — Abstract |
Michael Maranda |
|
103 |
Call to Order — Abstract |
James B. Maxwell and Kathleen Ritter |
|
103 |
Annie Pootoogook's Drawings of Contemporary Inuit Life — Abstract |
Leah Modigliani |
|
103 |
Editorial: Off Grid — Read Text |
Amish Morrell |
|
103 |
Artists with PhDs: On the New Doctoral Degree in Studio Arts, Edited by James Elkins — Abstract |
Gabrielle Moser |
|
103 |
The Mystical Language of the Everyday: Jamelie Hassan's At the Far Edge of Words — Abstract |
Deborah Root |
|
103 |
Vancouver Art & Economies by Melanie O'Brian — Abstract |
Leah Turner |
|
103 |
Fire Watcher — Abstract |
Kara Uzelman |
|
102 |
Infinite Jest: Bruce Nauman & Contemporary Art as Continuous Process — Abstract |
Heather Diack |
|
102 |
Actions: What You Can Do with the City — Abstract |
Peter Dub#233; |
|
102 |
Late Capitalist Pathologies and Redemptions: Emily Vey Duke and Cooper Battersby's Beauty + Pity — Abstract |
Irmgard Emmelhainz |
|
102 |
Letter to the Editor, Re: Gabrielle Moser's Article "Do Curators Need University Curatorial Programs?" in C Magazine Issue 100 — Abstract |
Emily Jones |
|
102 |
Project Biennalist by Thierry Geoffroy/Colonel — Abstract |
Séamus Kealy |
|
102 |
Altermodern: Tate Triennial 2009 — Abstract |
Charlene Lau |
|
102 |
Reversing Pedagogies with a Little Social Schooling — Abstract |
Tatiana Mellema |
|
102 |
The Hugo Boss Prize 2008: Emily Jacir — Abstract |
Leah Modigliani |
|
102 |
Editorial: When is "Contemporary?" — Read Text |
Amish Morrell |
|
102 |
The Way I Are — Abstract |
Alex Snukal |
|
102 |
The Beautiful and the Everyday in the Films of Mark Lewis — Abstract |
Shepherd Steiner |
|
102 |
Street Poets & Visionaries: Selections from the UbuWeb Collection — Abstract |
Malcom Sutton |
|
102 |
Ship of Fools Portal — Abstract |
Christine Swintak |
|
102 |
What It Really is — Abstract |
Leah Turner |
|
101 |
Letter to the Editor, Re: Sholem Krishtalka's Letter to the Editor in C Magazine Issue 100 — Abstract |
Eli Bornowsky |
|
101 |
What Can Cinema Do? — Abstract |
Jon Davies |
|
101 |
Tino Sehgal — Abstract |
Vincenzo De Bellis |
|
101 |
Gareth Long: Second, Third, Fourth — Abstract |
Ryan English |
|
101 |
What Can a Magazine Do? — Read Text |
Rosemary Heather |
|
101 |
Those of Us Who Know about These Darkened Rooms — Abstract |
Jacob Korczynski |
|
101 |
PCP: Pop/Conceptual/Psychedelic — Abstract |
Lars Bang Larsen |
|
101 |
The Lap, The Fur — Abstract |
Rodney LaTourelle |
|
101 |
The Art of Disappearing — Abstract |
Johan Lundh |
|
101 |
The 7th Gwangju Biennale Annual Report: A Year in Exhibition, Directed by Okwui Enwezor — Abstract |
Jesse McKee |
|
101 |
28th Bienal de Sao Paulo — Abstract |
Earl Miller |
|
101 |
Nathalie Djurberg — Abstract |
Leah Modigliani |
|
101 |
Claude Wampler: Staging Shadows Without Source — Abstract |
Patricia Reed |
|
101 |
Future Forward — Abstract |
Carol-Ann M. Ryan |
|
101 |
Making Real — Abstract |
Rachelle Sawatsky |
|
101 |
Political Action Figures — Abstract |
Chen Tamir |
|
101 |
Fiona Kinsella: Chapel (Rose) — Abstract |
Stephanie Vegh |
|
100 |
On Kristina Lee Podesva's Colourschool — Abstract |
Michael Birchall |
|
100 |
Enthusiasm at the Limit — Abstract |
Nicholas Brown |
|
100 |
Exhibitionism — Abstract |
Gregory Elgstrand |
|
100 |
Art Pedagogy — Read Text |
Rosemary Heather |
|
100 |
Letter to the Editor — Abstract |
Sholem Krishtalka |
|
100 |
It's Time Man. It Feels Imminent — Abstract |
Jesse McKee |
|
100 |
To Be Seen and Not Just Heard About: On a Painting by Rae Johnson — Abstract |
Catherine McTavish |
|
100 |
The State of Art Criticism and Critical Theory — Abstract |
Earl Miller |
|
100 |
Life on Mars — Abstract |
Earl Miller |
|
100 |
Convergence Center (Part of Democracy in America: The National Campaign) — Abstract |
Leah Modigliani |
|
100 |
No Typical Donor — Abstract |
Lydia Perović |
|
100 |
Erwin Wurm: Désespéré/Desperate — Abstract |
Jean-Michel Ross |
|
100 |
Corin Sworn: Back in 5: Accessing the Back Story — Abstract |
Rachelle Sawatsky |
|
100 |
Katie Bethune-Leamen: Mushroom Studio — Abstract |
Carolyn Tripp |
|
100 |
Jesse Jones: The Spectre and the Sphere — Abstract |
Leah Turner |
|
99 |
An Institution is defined by its Ability to Ask Questions: A Report on the 2008 IKT Congress in Montreal — Abstract |
Heather Anderson |
|
99 |
Letter to the Editor — Abstract |
Eli Bornowsky |
|
99 |
Geoffrey Farmer: Forgetting Air/Gareth Moore: As A Wild Boar Passes Water — Abstract |
Nicholas Brown |
|
99 |
Bruce Conner, 1933-2008 — Abstract |
Jon Davies |
|
99 |
Between Home and Elsewhere — Abstract |
Mona Filip |
|
99 |
Orientalism and Ephemera — Abstract |
Julian Jason Haladyn and Miriam Jordan |
|
99 |
Art Diasporas — Read Text |
Rosemary Heather |
|
99 |
Artist Centrefold: United Nations ISO 216 — Abstract |
Antonia Hirsch |
|
99 |
John Abrams: Cinema Vernis — Abstract |
Heidi Kellett |
|
99 |
Otherwise Unexplained Fires: Joyce Weiland and the Experimental Film Scene in 1960s New York — Abstract |
Anne Low |
|
99 |
From Beijing to Paris to San Francisco: Hou Hanru in Conversation — Abstract |
Johan Lundh |
|
99 |
Martian Museum of Terrestrial Art — Abstract |
Jesse McKee |
|
99 |
Global Canadians — Abstract |
Earl Miller |
|
99 |
Take Your Time: Olafur Eliasson — Abstract |
Leah Modigliani |
|
99 |
Kevin Rodgers: The Mystics and the Passions — Abstract |
Wojciech Olejnik |
|
99 |
From Montreal to the World: Parachute Magazine - 1975-2006? — Abstract |
Tammer Salah El-Sheikh |
|
99 |
The Dad Tapes/The Mom Photographs: Kim Waldron — Abstract |
Kim Waldron |
|
99 |
Glad the CIA is Immoral — Abstract |
Jacob Wren |
|
98 |
Exponential Futures — Abstract |
Eli Bornowsky |
|
98 |
Bouquet, Diane Borsato — Abstract |
Diane Borsato |
|
98 |
Reconstitutions/Re-enactments — Abstract |
Nicholas Brown |
|
98 |
Props to the Fairy People — Abstract |
Jon Davies |
|
98 |
Rightfully Yours — Abstract |
Jon Davies |
|
98 |
The Art System — Read Text |
Rosemary Heather |
|
98 |
Fabrique en Canada — Abstract |
Chris Kraus |
|
98 |
Brice Marden — Abstract |
Sholem Krishtalka |
|
98 |
The Elephant in the Room: A Brief Excursus on Avant-Garde and Community Art — Abstract |
Marc James Léger |
|
98 |
Montreal's DHC/Art and the Changing Climate of Arts Patronage in Canada — Abstract |
Chris Lloyd |
|
98 |
Pablo Bronstein — Abstract |
Jesse McKee |
|
98 |
The 2008 Whitney Biennial — Abstract |
Leah Modigliani |
|
98 |
Art and Politics: On the critic Hal Foster — Abstract |
Lydia Perović |
|
98 |
Valérie Blass — Abstract |
Jean-Michel Ross |
|
98 |
Oscar Mua∓#241;oz: Disappearing Image — Abstract |
Tamara Toledo |
|
98 |
Objects on stage (Notes from pre- and post-) — Abstract |
Victor Tupitsyn |
|
98 |
Cat Thinks People Not Living Life to the Full — Abstract |
Jacob Wren |
|
97 |
The Painting of Modern Life — Abstract |
Christina Bagatavicius |
|
97 |
Mike Nelson: A Psychic Vacuum — Abstract |
Graham T. Beck |
|
97 |
Re-Actionism — Abstract |
Shannon Bool |
|
97 |
One, Some, Many: 3 Shows by Carsten Höller — Abstract |
Jon Davies |
|
97 |
Jenny Holzer — Abstract |
Janis Demkiw |
|
97 |
Beginning of the End - End of the Beginning — Abstract |
Amy Fung |
|
97 |
Immersion — Read Text |
Rosemary Heather |
|
97 |
Light Magic — Abstract |
Sydney Hermant |
|
97 |
On Being an Exhibition — Abstract |
Marisa Jahn |
|
97 |
Comedy Central — Abstract |
Steve Kado |
|
97 |
I+I-I on I+I-I — Abstract |
Rodney LaTourelle |
|
97 |
Thomas Hirschhorn: Jumbo Spoons and Big Cake — Abstract |
Marc James Leger |
|
97 |
To Be Immersed in the Experience of the Now — Abstract |
Earl Miller |
|
97 |
DAVID ASKEVOLD, 1940-2008 — Abstract |
Ian Murray |
|
97 |
Eoghan McTigue: The Image Screen — Abstract |
Wojciech Olejnik |
|
97 |
ÜBERleben — Abstract |
Patricia Reed |
|
97 |
On the Other Side of the Couch — Abstract |
Rachelle Sawatsky |
|
97 |
Artist Centrefold: Graffiti Removal Project — Abstract |
Brent Wadden |
|
96 |
Views: The Politics of Cool — Abstract |
Cooper Battersby and Emily Vey Duke |
|
96 |
Emmanuelle Leonard: Une sale affaire — Abstract |
James D. Campbell |
|
96 |
Family Romance — Abstract |
Jon Davies |
|
96 |
Auto Emotion: Autobiography, Emotion and Self-Fashioning — Abstract |
Jon Davies |
|
96 |
State Britain: Mark Wallinger — Abstract |
Emily Vey Duke |
|
96 |
Crashing Fashion — Abstract |
Ryan English |
|
96 |
Real Existing Capitalism — Read Text |
Rosemary Heather |
|
96 |
Artefact Montreal 2007 - Urban Sculptures — Abstract |
Rosemary Heather |
|
96 |
Conflict Studies — Abstract |
Andria Hickey |
|
96 |
Megatron: Team Interview with Brian Joseph Davis and Steve Kado — Abstract |
Steve Kado |
|
96 |
High Dispersion of Light #2 — Abstract |
Devon Knowles |
|
96 |
Views: Art Market Education — Abstract |
Sholem Krishtalka |
|
96 |
Kai Schiemenz — Abstract |
Rodney LaTourelle |
|
96 |
Woodlot: The 3rd KW/AG Biennial — Abstract |
Tor Lukasik-Foss |
|
96 |
Been Up So Long It Looks Like Down To Me — Abstract |
Johan Lundh |
|
96 |
Lenin, Bicycles, Theory and Love; Rainer Ganahl — Abstract |
Christine Martin |
|
96 |
Patterns Why: Matthew Burbidge and Jaro Straub — Abstract |
Wojciech Olejnik |
|
95 |
Lynne Marsh, Ballroom — Abstract |
Stacey Abramson |
|
95 |
Projections: A Survey of Projection-Based Works in Canada, 1964-2007 — Abstract |
Dan Adler |
|
95 |
Anarchy at documenta — Abstract |
Allan Antliff |
|
95 |
The Munster Sculpture Project — Abstract |
Vesna Antliff |
|
95 |
Jeremy Shaw: Best Minds Part One — Abstract |
Clint Burnham |
|
95 |
Two Versions of Engagement — Abstract |
Jon Davies |
|
95 |
Jon Sasaki — Abstract |
Dave Dyment |
|
95 |
The 52nd Venice Biennale — Abstract |
Petra Halkes |
|
95 |
Canada, locate yourself! — Abstract |
Rosemary Heather |
|
95 |
documenta 12 — Abstract |
Rosemary Heather |
|
95 |
Staring Therapy (2007) — Abstract |
Victoria Kent |
|
95 |
Chih-Chien Wang — Abstract |
Tatiana Mellema |
|
95 |
Anitra Hamilton: Retrospective on Parade — Abstract |
Earl Miller |
|
95 |
Monika Baer, Thomas Bayrle — Abstract |
Wojciech Olejnik |
|
95 |
Biennale de Montreal 2007 — Abstract |
Leila Pourtavaf |
|
95 |
Memory Trigger — Abstract |
Manuel Segade |
|
95 |
Gordon Matta-Clark: You Art the Measure — Abstract |
Chen Tamir |
|
95 |
Views: Artists and Air Miles — Abstract |
Jacob Wren |
|
94 |
In the Blink of an Eye — Abstract |
Stacey Abramson |
|
94 |
Kiki Smith: A Gathering, 1980-2005 — Abstract |
Rosa JH Berland |
|
94 |
Jillian Pritchard — Abstract |
Eli Bornowsky |
|
94 |
A theory of Emergence — Abstract |
Tony Conrad |
|
94 |
Art=Real Life — Abstract |
Rosemary Heather |
|
94 |
Lucy Pullen: New Knowledge — Abstract |
Candice Hopkins |
|
94 |
Views: She, Her and Me — Abstract |
Chris Kraus |
|
94 |
Katja Host: The Lonely Crowd — Abstract |
Tatiana Mellema |
|
94 |
The Idea of North — Abstract |
Doreen Mende |
|
94 |
Rodney LaTourelle: In the Absence of Unambiguous Criteria — Abstract |
Patricia Reed |
|
94 |
Long Distance Haul — Abstract |
Leah Sandals |
|
94 |
Snakes and Ladders (2007) — Abstract |
Jon Sasaki |
|
94 |
Material Ouvres — Abstract |
Catherine Sicot |
|
94 |
Loitering in Cyberspace — Abstract |
Cheryl Simon |
|
94 |
Notes on the Second Moscow Biennale of Contemporary Art, or how I learned to stop worrying and love the rubble (not the ruble… or the bomb) — Abstract |
Monika Szewczyk |
|
94 |
Views: Adventures in Ironic Activism — Abstract |
Jacob Wren |
|
93 |
Model for a Public Space [Speaker] — Abstract |
Adrian Blackwell |
|
93 |
Liz Rideal, Fall, River, Snow: Water Drape, Ice Steam, Deer Portrait — Abstract |
Charles Danby |
|
93 |
Views: Kenneth Anger Me — Abstract |
Jon Davies |
|
93 |
Deborah Margo — Abstract |
Petra Halkes |
|
93 |
Canada's Culture War — Abstract |
Rosemary Heather |
|
93 |
Rodney Graham — Abstract |
Andria Hickey |
|
93 |
Between the Monument and the Ruin — Abstract |
Candice Hopkins |
|
93 |
Neo Rauch — Abstract |
Sholem Krishtalka |
|
93 |
Scott Treleaven: My dear, my darling, do you hear me where you sleep? — Abstract |
York Lethbridge |
|
93 |
Representation of a Sculptor — Abstract |
Earl Miller |
|
93 |
Beyond Cinema: The Art of Projection — Abstract |
Henrikke Nielsen |
|
93 |
"I Believe the Solution is Panic" — Abstract |
Fernando Oliva and Marcelo Rezende |
|
93 |
Al Steiner — Abstract |
Lisi Raskin |
|
93 |
Manifesta Destiny — Abstract |
Helena Reckitt |
|
93 |
Iris Haussler — Abstract |
Catherine Sicot |
|
93 |
Views: Canadian Club — Abstract |
Judith Wilkinson |
|
93 |
Real Dirty Ethics — Abstract |
Jacob Wren |
|
92 |
Sterling Ruby: Interior Designer — Abstract |
Aaron Brewer |
|
92 |
Goshka Macuga: Sleep of Ulro — Abstract |
Charles Danby |
|
92 |
Madness is the language of the excluded — Abstract |
Michèle Faguet and Cristobal Lehyt |
|
92 |
Dissociation — Abstract |
Rosemary Heather |
|
92 |
Ornament as Content: And Interview with Shannon Bool — Abstract |
Rosemary Heather |
|
92 |
Gwangju & Singapore Biennials, 2006 — Abstract |
Rosemary Heather |
|
92 |
Sound and Vision — Abstract |
Andria Hickey |
|
92 |
Group Search (Art in the Library) — Abstract |
Vanessa Kwan |
|
92 |
Mike Kelley: Profondeurs Vertes — Abstract |
Rodney La Tourelle |
|
92 |
Predators & Prey — Abstract |
Alma Mikulinsky |
|
92 |
Views: Pile Driver: Philippe Donadini messes things up — Abstract |
Benny Nemerofsky Ramsay |
|
92 |
Cornelia Schmidt-Bleek: Plotting Revolution Under an Apple Tree — Abstract |
Henrikke Nielsen |
|
92 |
How to Colour — Abstract |
Lisa Robertson |
|
92 |
If balance stops and asks why, balance will die — Abstract |
Kirstine Roepstorff |
|
92 |
Natural Emptiness — Abstract |
Nadia Ross |
|
92 |
Uncertain States of America — Abstract |
Chen Tamir |
|
92 |
Views: The Romantic and the Entrepreneur — Abstract |
Jacob Wren |
|
91 |
Territory, Artspeak and Presentation House Gallery — Abstract |
Clint Burnham |
|
91 |
Canada: A Group Show From New York — Abstract |
Charles Danby |
|
91 |
Althea Thauberger: Experimentalism is Dead, Long Live the Internet — Abstract |
Emily Vey Duke |
|
91 |
The Young Canadians — Abstract |
Rosemary Heather |
|
91 |
Ninth Havana Biennial — Abstract |
Jacob Korczynski |
|
91 |
Greetings from LA: Chris Kraus reports on some suspicious activity in the new USA — Abstract |
Chris Kraus |
|
91 |
Nico Ihlein: Unclear Situations in Half Secured Rooms — Abstract |
Rodney LaTourelle |
|
91 |
Kristan Horton: An Image of Sculpture — Abstract |
Yam Lau |
|
91 |
Parlour of Twilight — Abstract |
Corwyn Lund and Simone Moir |
|
91 |
Dan Hays: Colorado Impressions — Abstract |
Ruth Maclennan |
|
91 |
Daniel Olson: Beside Myself — Abstract |
Tatiana Mellema |
|
91 |
Law and Ordering: On Evaluating Recent Canadian Neoconceptualism — Abstract |
Earl Miller |
|
91 |
Wait For Me — Abstract |
Jennifer Murphy |
|
91 |
Near and Far, Milutin Gubash, Stride Gallery — Abstract |
Jennifer Murphy |
|
91 |
Vancouver's Collecting Collective — Abstract |
Christina Ritchie |
|
91 |
Sadegh Tirafkan: Manhood — Abstract |
Nadja Sayej |
|
91 |
Michel De Broin: Taking Art For A Ride — Abstract |
Bernard Schütze |
|
91 |
Close To Icons: Monika Szewczyk on Steven Shearer's growing devotion to painting — Abstract |
Monika Szewczyk |
|
91 |
Oil for Art's Sake: Andrei Molodkin cuts into the veins of Western oil dependency — Abstract |
Victor Tupitsyn |
|
90 |
Anonymous, Not Impressed by Civilization, 2006 — Abstract |
|
|
90 |
A Museum of the Future — Abstract |
Vito Acconci |
|
90 |
Timeline: Manifestos for Beginners — Abstract |
Mireille Bourgeois |
|
90 |
Instant Coffee Puts the Fest in Manifesto — Abstract |
Instant Coffee |
|
90 |
I Feel Pretty — Abstract |
Tom Dean |
|
90 |
All you need is Leniency — Abstract |
Leah Glushien |
|
90 |
Michael Lewis, "Ancestor Corridor": Centre D’Exposition L’Imagier, Gatineau, QC — Abstract |
Diane Hardy and Dorothy Howard |
|
90 |
The Manifesto Issue — Abstract |
Rosemary Heather |
|
90 |
Berlin Biennal 4: Berlin, Germany — Abstract |
Marie Fraser and Antonia Hirsch |
|
90 |
Manifestations of Soft Revolution — Abstract |
Toronto School of Creativity & Inquiry |
|
90 |
A Message from the P.R.A. (Purple Resistance Army) — Abstract |
Bruce LaBruce |
|
90 |
Arnaud Maggs, "Nomenclature": The Robert McLaughlin Gallery, Oshawa, ON — Abstract |
Gil McElroy |
|
90 |
Supernovas: Winnipeg Art Gallery, Winnipeg — Abstract |
J. J. Kegan McFadden |
|
90 |
Shinobu Akimoto, "Better Living": Art Gallery of Windsor, Windsor, ON — Abstract |
Sally McKay |
|
90 |
Michael Euying Oh: Pari Nadimi Gallery, Toronto — Abstract |
Earl Miller |
|
90 |
Welcome to Freedom Street: Mark Nault's Nationalist Underground — Abstract |
Mark Nault |
|
90 |
Canada Dreaming: Wolfsburg Kunstverein, Wolfsburg, Germany — Abstract |
Henrikke Nielsen |
|
90 |
Theatre Embarrassment and Commodification: An Aesthetic of Civic Engagement — Abstract |
Darren O'Donnell |
|
90 |
---ifesto: Feminist Art's Shifting Ground — Abstract |
Helena Reckitt |
|
90 |
Kathy Slade, "Chart": Tracey Lawrence Gallery, Vancouver — Abstract |
Cate Rimmer |
|
90 |
Paul Butler, "Getting There is Half the Fun": Wynick/Tuck Gallery, Toronto |
Nadja Sayej |
|
90 |
The Arbour Lake Sghool, Untitled, 2006 — Abstract |
The Arbour Lake Sghool |
|
90 |
Mika Rottenberg, "Dough": Nicole Klagsbrun Gallery, New York — Abstract |
Chen Tamir |
|
90 |
Manifesto: 11 conversation starters for Small Wooden Shoe — Abstract |
Jacob Zimmer |
|
89 |
Stephanie Aitkin, "Headlands: New Paintings", Helen Pitt Gallery, Vancouver — Abstract |
Sean Alward |
|
89 |
Ilya and Emily Kabakov, "The house of Dreams": Serpentine Gallery, London — Abstract |
Christina Bagatavicius |
|
89 |
Jeannie Thib, "Pattern Fields": Foreman Art Gallery of Bishop's University, Lennoxville, QC — Abstract |
Maura Broadhurst |
|
89 |
Brian Jungen Interviewed by Terence Dick — Abstract |
Terence Dick |
|
89 |
Jessica Thompson, "Soundbike": GlowLab, Open Lab Art Interactive, Boston — Abstract |
Dina Dietsche |
|
89 |
Lori Newdick, "Lucky": Corkin Shopland Gallery, Toronto — Abstract |
Carla Garnet |
|
89 |
Case Histories — Abstract |
Rosemary Heather |
|
89 |
Nancy Van Keerbergen, Self Portrait, Back Nails Drip, 2003 — Abstract |
Nancy Van Keerbergen |
|
89 |
Slant: Wake — Abstract |
Chris Kraus |
|
89 |
Jeff Wall, "Photographs 1978-2004": Tate Modern, London — Abstract |
Vesna Krstich |
|
89 |
Erik Goengrich, "Everything Else is Inside: Berlin Sculptures & Other Announcements", Platz Der Vereinten Nationen 27, Berlin — Abstract |
Rodney LaTourelle |
|
89 |
Theodore Saskatche Wan, or Posing with Another — Abstract |
Yam Lau |
|
89 |
"a plot with a single type of grass…": Anne Low on Andrew Dadson — Abstract |
Anne Low |
|
89 |
Yang Fudong: Stedelijk Museum, Amsterdam — Abstract |
Tatiana Mellema |
|
89 |
Lisi Raskin: Transmission Gallery, Glasgow — Abstract |
Mick Peter |
|
89 |
My Fuzzy Valentine: Allyson Mitchell — Abstract |
Helena Reckitt |
|
89 |
The Short Interview: Ken Lum — Abstract |
Leah Sandals |
|
89 |
Chris Marker's Owl's Eye View — Abstract |
Sarah Robayo Sheridan |
|
89 |
Theo Sims, "Splace": Golden Thread Gallery, Belfast — Abstract |
Salvka Sverakova |
|
89 |
Corin Sworn, Switzerland 1972, 2005 — Abstract |
Corin Sworn |
|
89 |
Art Drug Centre: Jacob Wren on Kaoru Arima — Abstract |
Jacob Wren |
|
88 |
Awesome, Harvest Holidae, 2005 |
Awesome |
|
88 |
The Scale of the Disaster |
Aaron Brewer |
|
88 |
Le Mois de la Photo à Montréal: Montréal, QC |
Anna Carlevaris |
|
88 |
Martha Rosler: Institute of Contemporary Arts, London, UK |
Andrea Carson |
|
88 |
News From Nowhere: Susan Hobbs Gallery, Toronto |
Janis Demkiw |
|
88 |
Modern Primitives: So Faux: Canada Invents a New School of Art Rock |
Stacey DeWolfe |
|
88 |
Shrieks, Drones & Destruction: How Fluxus Altered the Face of Pop Music (Without Anyone Noticing) |
Dave Dyment |
|
88 |
Downes Point and So Departed (Again): Presentation House Gallery, Vancouver |
Michèle Faguet |
|
88 |
Art Rock |
Rosemary Heather |
|
88 |
Taylor Savvy [Sham] Artist, Pop Imposter |
Rosemary Heather |
|
88 |
Gap Artist: Tim Lee Works The Staged Fantastic |
Justin Hoffmann |
|
88 |
Disquiet: Modern Fuel, Kingston, Ontario |
Risa Horowitz |
|
88 |
Dan Graham Interviewed by Luis Jacob |
Luis Jacob |
|
88 |
Goody-B. Wiseman: Bad Girl Perennial |
Chris Kraus |
|
88 |
L'Autre Amérique: Art Contemporain du Brésil, Passage de Retz, Paris, France |
Duncan Macdonald |
|
88 |
File Under Anarchy: A Brief History of Punk Rock's 30 Year Relationship with Toronto's Art Press |
Earl Miller |
|
88 |
51st Venice Biennale: Venice, Italy |
Earl Miller |
|
88 |
Affirm/Nation: Urban Shaman Gallery of Contemporary Aboriginal Art, Winnipeg |
Sandee Moore |
|
88 |
Will Munro, I want to infuse pop music with disease cuz it's the beat that's killing me, 2005 |
Will Munro |
|
88 |
Dimensionality: YYZ Artists Outlet, Toronto |
Wojciech Olejnik |
|
88 |
I Really Should...: Lisson Gallery, London, UK |
Terri Whitehead |
|
87 |
The Shover: Andrew Pollock Interviewed by Aaron Brewer — Abstract |
Aaron Brewer |
|
87 |
Ana Rewakowicz, "Dressware: SleepingBagDress": Musée d’Art Contemporain de Montréal — Abstract |
Cecilia Chen |
|
87 |
Slant: Terance Koh Interviewed by Mike e.b. — Abstract |
Mike e.b. |
|
87 |
All-Interview Issue — Abstract |
Rosemary Heather |
|
87 |
Gregory Burke Interviewed by Rosemary Heather — Abstract |
Rosemary Heather |
|
87 |
Marlena Kudlicka, "The Image That Emits No Shadow": Location One, New York — Abstract |
Thomas Johnson |
|
87 |
Kristina Lahde, Envelope Piece I, 2004 — Abstract |
Kristina Lahde |
|
87 |
Toby Paterson, "After the Rain": Barbican Gallery, London, UK — Abstract |
Anne Low |
|
87 |
Robert Storr Interviewed by John Bentley Mays — Abstract |
John Bentley Mays |
|
87 |
Dedicated to You, But You Weren't Listening: The Power Plant, Toronto — Abstract |
Earl Miller |
|
87 |
Olia Mishchenko, Untitled, 2005 — Abstract |
Olia Mishchenko |
|
87 |
Glenn Ligon Interviewed by Lyndon Phillip — Abstract |
Lyndon Phillip |
|
87 |
Kathryn Walter, "Remnants": Zsa Zsa Gallery, Toronto — Abstract |
Deborah Root |
|
87 |
Noam Gonick Interviewed by Leah Sandals — Abstract |
Leah Sandals |
|
87 |
Susanna Heller, "City Watch": Oakville Galleries, Ontario — Abstract |
Nadja Sayej |
|
87 |
Janet Cardiff & George Bures Miller Interviewed by Eva Scharrer — Abstract |
Eva Scharrar |
|
87 |
Robert Lee, "Minima Moralia": Images Festival 2005, Toronto — Abstract |
Sarah Robayo Sheridan |
|
87 |
BGL Interviewed by Kika Thorne — Abstract |
Kika Thorne |
|
87 |
Emotion Pictures: Museum Van Hedendaagse Kunst, Antwerp — Abstract |
Michael Turner |
|
87 |
Luis Jacob, "Open Your Mouth and Your Mind Will Follow": AKA, Saskatoon — Abstract |
Donna Wawzonek |
|
87 |
Gregory Crewdson, "Beneath The Roses": White Cube Gallery, London, UK — Abstract |
Terri Whitehead |
|
86 |
Supplemental Supernatural: David Askevold in Los Angeles — Abstract |
Aaron Brewer |
|
86 |
Two Types of Sacred: 1970s Endurance Art Today — Abstract |
Emily Vey Duke and Kevin Rodgers |
|
86 |
Reena Spaulings: Haswellediger & Co., New York — Abstract |
Xandra Eden |
|
86 |
Group Metaphysics — Abstract |
Rosemary Heather |
|
86 |
Slant: My Dinner With Who? — Abstract |
Chris Kraus |
|
86 |
Availabism, Ferralism and Kali 101: Bruce La Bruce Talks To Kembra Pfahler — Abstract |
Bruce LaBruce |
|
86 |
Germaine Koh: Catriona Jeffries Gallery, Vancouver — Abstract |
Kyla Mallet |
|
86 |
Don't You Feel Better?: Meeso Lee Gets Uneven — Abstract |
John Marriott |
|
86 |
Blue Republic: Peak Gallery, Toronto — Abstract |
Bryne McLaughlin |
|
86 |
The Politics of Wearability: African Cloth Reinvents The Diaspora — Abstract |
Lyndon Phillip |
|
86 |
Micah Lexier: Gitte Weise Gallery, Berlin — Abstract |
Adina Popescu |
|
86 |
Brad Phillips: Groeflin Maag Galerie, Basel — Abstract |
Eva Scharrar |
|
86 |
Daniel Siney, Aaron Firing Red Arrow, 2004 — Abstract |
Daniel Siney |
|
86 |
Untitled, 2005 — Abstract |
Derek Sullivan |
|
86 |
James Lee Byars "Love, Life and Death": Musée De L'Art Moderne Et Contemporain De Strasbourg, Strasbourg, France — Abstract |
Pan Wendt |
|
86 |
Beck's Futures 2005: Institute of Contemporary Arts, London — Abstract |
Judith Wilkinson |
|
86 |
Stephen Andrews: Cue Art Foundation, New York, and Participant Inc., New York — Abstract |
Joseph R. Wolin |
|
86 |
No Truth Without A Fight: Jacob Wren On Alain Badiou — Abstract |
Jacob Wren |
|
85 |
Eli Lander, "Twelve Years From Earth": Daniel Hug Gallery, Los Angeles |
Muriel Bartol |
|
85 |
The Shover: Waiting For The One |
Aaron Brewer |
|
85 |
I Want More Life Fucker: Arnaud Desjardin Talks to UK’s Inventory |
Arnaud Desjardin |
|
85 |
Slant: Suffering, Empathy, Art and the Greater Good |
Emily Vey Duke |
|
85 |
It Can Change, 2004 |
Gavin Brown’s Enterprise |
|
85 |
Pro-Americanism |
Rosemary Heather |
|
85 |
Body Politics: A Letter to Terry Eagleton |
Thomas Johnson |
|
85 |
Gu Xiong and Xu Bing, "Here is What I Mean": Doris McCarthy Gallery, Scarborough |
Julian Jason Haladyn and Miriam Jordan |
|
85 |
Elke Marhöfer: Get Out if Here and Think We |
Rodney La Tourelle |
|
85 |
Gregor Schneider, "Die Familie Schneider": Artangel, London |
Anne Low |
|
85 |
Re: Twenty Years of C Magazine |
Dyan Marie |
|
85 |
Nice Nihilism: The Art of Chris Hanson and Hendrika Sonnenberg |
Earl Miller |
|
85 |
Paper Rad: The Rainbow Graffiti Will Fade! |
Jenifer Papararo |
|
85 |
Flipside: Artists Space, New York |
Lisi Raskin |
|
85 |
3 Objects, Daniel Young and Christian Giroux: Ace Art Inc., Winnipeg |
Mary Reid |
|
85 |
Paul P.: Galerie Lisa Ruyter, Vienna |
Julie Ryan |
|
85 |
White: Whiteness and Race in Contemporary Art, International Center of Photography, New York |
Leah Sandals |
|
85 |
Postscript to "An Interview With Michael Snow" In Issue #84 Winter 2004: Apologies and Corrections / Clarifications |
Michael Snow |
|
85 |
Sandra Meigs, "The Bump and Ride Paintings": Susan Hobbs Gallery, Toronto |
Chen Tamir |
|
85 |
Sadegh Tirafkan, From the Series: Secret of the Runes, 2002 |
Sadegh Tirafkan |
|
85 |
Table of Contents: Sydney Vermont, George Reagan, 2005 |
Sydney Vermont |
|
84 |
Adrian Blackwell, Car Collective: Modern Fuel, Kingston, Canada |
Jan Allen |
|
84 |
Precision Gesamtkunstwerk: This is a Universe, An Interview with Michael Snow |
Ariane Beyn |
|
84 |
The Shover: War Consolations |
Aaron Brewer |
|
84 |
Artefact 2004 Urban Sculpture: Parc du Mont-Royal, Montréal |
Janis Demkiw |
|
84 |
Fabulation: Vox Contemporary Image, Montréal |
Stacey DeWolfe |
|
84 |
Your information is wrong |
Rosemary Heather |
|
84 |
Bettina Hoffmann, Maître Et Chien, 2004 |
Bettina Hoffmann |
|
84 |
Shining-TV: Distortion on Demand |
Conor Humphries |
|
84 |
Oona Stern: False Platitudes |
Thomas Johnson |
|
84 |
Shrinking Cities: Kunstwerke Gallery, Berlin |
Doris Kleilein |
|
84 |
Utopia Problem: Bruce Mau Design’s Massive Change Project |
John Bentley Mays |
|
84 |
Eddo Stern: Art Gallery of Ontario, Toronto |
Bryne McLaughlin |
|
84 |
Rock, Paper, Scissors: The Sculpture of James Carl |
Robin Peck |
|
84 |
Lee Bontecou: MoMA, New York |
Lisi Raskin |
|
84 |
The Cave and the Island: Kunstburo Gallery, Vienna |
Julie Ryan |
|
84 |
Slant: Terriblisma and the Work of Candice Lin and Alice Catteneo |
Goody-B Wiseman |
|
83 |
A Mobile Wardrobe Designed by Bless, 2004 |
|
|
83 |
Dax Morrison, Day By Day: Art Gallery Of Windsor |
Allan Antliff |
|
83 |
The Father of the Raven and the New Jersey Turnpike at Night |
Aaron Brewer |
|
83 |
Bill Burns, Safety Gear For Small Animals: Saidye Bronfman Centre, Montréal |
Stacey DeWolfe |
|
83 |
Flow Chart For Chips, Maura Doyle, 2004 |
Maura Doyle |
|
83 |
Letter from Halifax |
Emily Vey Duke |
|
83 |
Jeremy Blake: Art Gallery of York University, Toronto |
Randy Gladman |
|
83 |
Daniel Richter: Optimistic Dystopian |
Eliza Griffiths |
|
83 |
Becoming Minor: Revenge of the Cradle, Keçeburnu Art Space and Diyarbakir Sanat Merkezi; Diyarbakir, Turkey |
Kenneth Hayes |
|
83 |
Traumatophilia |
Rosemary Heather |
|
83 |
Euan Macdonald, Eclipse + Other Chance Experiences: Kunstbunker, Nüremberg, Germany |
Sybrant Van Keulen |
|
83 |
Solutions to Problems that Don't Exist |
Chris Kraus |
|
83 |
Take Your Balls and Go: Bruce La Bruce on Jackie Curtis |
Bruce LaBruce |
|
83 |
John Bock: Klosterfeld Gallery, Berlin |
Rodney LaTourelle |
|
83 |
Together Forever: Contemporary Art Gallery, Vancouver |
Kyla Mallet |
|
83 |
Rachel Harrison, Latka/Latkas:GreeneNaftali Gallery, New York |
Lisi Raskin |
|
83 |
11th Biennial of Visual Arts Values: Pancevo, Serbia |
Bernard Schütze |
|
83 |
Trip Into the Unknown, Berlin’s Full-Blown Disco Perversion: The Honeysuckle Company |
Suzana Sučic |
|
82 |
Memoirs of Water: Station, Houston |
Allan Antliff |
|
82 |
Bernie Miller: Centre Cultural Canadian, Paris |
Louise Asherson |
|
82 |
Daniel Barrow, Hairstyle, 2004 |
Daniel Barrow |
|
82 |
Confidence, Contemporary Art from Vancouver: Passagen, Centre For Contemporary Art, Linkoping, Sweden |
Bo Borg |
|
82 |
The Shover: Jew Baiting The New World Order |
Aaron Brewer |
|
82 |
Helen Cho: Werkzeug/ Passion & Her Family & Orion |
Helen Cho |
|
82 |
Jay Isaac, Maritime Frazetta: Greener Pastures, Toronto |
Janis Demkiw |
|
82 |
Kirsten Stoltman, Let’s Get It On / Paul Llyod Sargent, White Blight Manifesto: Chicago |
Emily Vey Duke |
|
82 |
Long Music and the Short Now: On Rodney Graham’s Music |
Dave Dyment |
|
82 |
21st Century Werewolf Aesthetics: An Interview With David Altmejd |
Randy Gladman |
|
82 |
Turning The Corner On The World Stage Of Architecture: Frank Gehry’s Designs on Toronto |
Deirdre Hannah |
|
82 |
Pro-Canadianism |
Rosemary Heather |
|
82 |
Scope: New York |
Rosemary Heather |
|
82 |
Suzy Lake and the Cult of the Idol |
Patrick Holland |
|
82 |
Slant: Jack Goldstein and the Cal Arts Mafia |
Chris Kraus |
|
82 |
Ed Pien, Imaginary Beings: Prüss & Ochs, Berlin |
Benny Nemerofsky Ramsay |
|
82 |
Proposing Difficulty: Nestor Kruger In Theory And Practice |
Jenifer Papararo |
|
82 |
Johannes Wohnseifer, Enklave / Exklave: Galerie Nicolas Krupp, Basel |
Eva Scharrar |
|
81 |
Catherine Sylvain: Petites Détresses Humaines, Circa, Montreal |
Pascale Beaudet |
|
81 |
Obituary: Ann Lind, 1943-2004 |
Jessica Bradley |
|
81 |
The Shover: The Unseen, Supernatural Politics And The American Right |
Aaron Brewer |
|
81 |
Threads Of Belonging, Jennifer Montgomery: Gene Siskel Center, Chicago |
Emily Vey Duke |
|
81 |
The Last Revolutionary Moment: Weather Underground Director Sam Green In Conversation with Rebecca Godfrey |
Rebecca Godfrey |
|
81 |
Dysentery |
Rosemary Heather |
|
81 |
The Basement Show: The Electra, Vancouver |
Séamus Kealy |
|
81 |
Slant: Let's Call the Whole Thing Off |
Chris Kraus |
|
81 |
Peaches: Word To The Fatherfucker |
Bruce LaBruce |
|
81 |
Eli Langer, Untitled (Dream), 1996/2004 |
Eli Langer |
|
81 |
Siobhan Hapaska: Kerlin Gallary, Dublin |
Bryne McLaughlin |
|
81 |
Show’s Over Folks, Move Along: The Institutionalization of Art and The Secret Life of the Underground |
Philip Monk |
|
81 |
Melissa Shiff, Eijah Chair: Art, Ritual and Social Action, The Jewish Museum, New York |
Scott Myers |
|
81 |
I Wanna Be A Popstar: Loop, Raum Für Aktuelle Kunst, Berlin |
Eva Scharrar |
|
81 |
Collier Shorr: Modern Art Inc, London |
Fergal Stapleton |
|
81 |
All Ways Lead to Rome: Talking To La Cicciolina |
Suzana Sučic |
|
81 |
Mark Leckey / Tony Romano: Mercer Union, Toronto |
Corin Sworn |
|
81 |
Zin Taylor, The Locust, 2004 |
Zin Taylor |
|
81 |
Asking The Wrong Questions: 6 Artists Respond |
Sarah Hollenberg and Izida Zorde |
|
80 |
Dave Allen, ‘Cassette Tape Covers From C Issue #79, 2003 |
Dave Allen |
|
80 |
The Shover: Collectively Wrong - Fascist Aesthetics in Contemporary Life |
Aaron Brewer |
|
80 |
John Currin: Museum of Contemporary Art, Chicago |
Emily Vey Duke |
|
80 |
World War vs Tribal War |
Owen Ford |
|
80 |
Good Will Hunting |
Brian Gahan |
|
80 |
Andrew J. Patterson, Mono Logical: 7A*11D and Pleasure Dome, Toronto |
Andrew Harwood |
|
80 |
Collective Action |
Rosemary Heather |
|
80 |
They Is Them, We Is You, They Is Us, We Is Them |
Sarah Hollenberg and Rebecca Roberts |
|
80 |
Hadley Howles + Maxwell Stephens, Untitled Sculpture (1997), An Idea of Collaboration |
Hadley Howles and Maxwell Stephens |
|
80 |
Golden Streams: Artists' Collaboration and Exchange in the 1970's |
Luis Jacob |
|
80 |
Slant: Temporal Protocols |
Chris Kraus |
|
80 |
Bankleer (Christoph Leitner, Karin Kasböck): Kunstbank, Berlin |
Rodney LaTourelle |
|
80 |
Mark Lombardi, Global Networks: The Drawing Center, New York |
Scott Myers |
|
80 |
Isin Onol, ‘Light Compositions’, 2003 |
Isin Onol |
|
80 |
The 8th Havana Biennial: Two perspectives on two collaborations |
Janis Demkiw and Jenifer Papararo |
|
80 |
Obituary: Doris Shadbolt 1918-2003 |
Cate Rimmer |
|
80 |
Karin Bubas, Ivy House: Monte Clark Gallery, Vancouver |
Christina Ritchie |
|
80 |
Contemporary Art is Sex: Rita McBride in Conversation with Kathy Slade |
Kathy Slade |
|
80 |
'I Am a Curator', Per Huttner: Chisenhale Gallery, London |
Fergal Stapleton |
|
80 |
Re-play: Edmonton Art Gallery, Edmonton |
Natalie De Vito |
|
79 |
Virgorabbit, Virgodeer |
Aaron Brewer and Sarah Hollenberg |
|
79 |
Libia Pérez de Siles de Castro and Ólafur Árni Ólafsson: Sdhjñee / appearance |
Libia Pérez de Siles de Castro and Ólafur Árni Ólafsson |
|
79 |
Will Ideology Pay the Rent?: Some text for TASTE |
Ron Giii |
|
79 |
Corporate Kufic |
Kenneth Hayes |
|
79 |
The Foreign Issue |
Rosemary Heather |
|
79 |
Kaliningrad's Luminous Cacti |
Conor Humphries |
|
79 |
Foreign as us: the work of Basir Borlakov |
Erden Kosova |
|
79 |
Lee & Elaine, by Ann Rower |
Chris Kraus |
|
79 |
Interview with Gus Van Sant |
Bruce LaBruce |
|
79 |
Yuri Leiderman: Geopoetics 1, 2003 |
Yuri Leiderman |
|
79 |
Althea Thauberger: Serious |
Althea Thauberger |
|
79 |
The Invisible Arts: Through Frog Eyes and a Glass, Darkly |
Carl Wilson |
|
78 |
Dreams and Conflicts - The Viewer's Dictatorship: The 50th Venice Biennale |
|
|
78 |
TEAM APOCALYPSE |
Matt Bain and John Scott |
|
78 |
David Byrne |
David Byrne |
|
78 |
UK/Canada Film & Video Exchange |
Andrea Carson |
|
78 |
Ryan McGinley and Two Years of BUTT |
Mike e.b. |
|
78 |
An Interview with Vasif Kortun |
Xandra Eden |
|
78 |
Art Chicago 2003: The Art Industrial Complex |
Andrew Harwood |
|
78 |
Sale of the Century: Socialist Realism Wins Big on the Global Art Market |
Rosemary Heather |
|
78 |
Art Collection, Part 1: Thursday, 9 April, Palm Springs California |
Chris Kraus |
|
78 |
Simone Moir |
Simone Moir |
|
78 |
Damian Moppett |
Damian Moppett |
|
78 |
K48-3 Teenage Rebel: The Bedroom Show |
Jenifer Papararo |
|
78 |
Why Stoics Don't Riff: The Prime of Ms. Jeanne Randolph |
Andrew James Paterson |
|
78 |
Why Stoics Box: Essays on Art and Society by Jeanne Randolph |
Steve Reinke |
|
78 |
FACT/Liverpool: Film, Art and Creative Technology Centre |
Lee Rodney |
|
78 |
The Invisible Arts |
Carl Wilson |
|
77 |
I've Been Thinkin' |
David Armstrong |
|
77 |
Keeping Fluid In A Common Place: Karen Henderson's Gallery Cameras |
Martin Arnold |
|
77 |
The Evidence: A romantic interrogation of the work of Hilla Becher |
Gil Blank |
|
77 |
Visit To Nutsy's: Randy Gladman at Tom Sach's Studio |
Randy Gladman |
|
77 |
buzzes...others inside out... |
Hans-Jürgen Hafner |
|
77 |
Asia Pacific Triennial |
Ihor Holubizky and Jon Tupper |
|
77 |
Lessness |
Rob Kovitz |
|
77 |
The Art of Noise: Merzbow |
Kathleen Maitland-Carter |
|
77 |
Beyond Overcoming: Notes on Abstract Painting |
John Bentley Mays |
|
77 |
Some Assembly Required: Ray Johnson's Performance in Life and Death |
Matthew Rose |
|
77 |
Will Is Was |
Carl Skelton |
|
76 |
Ephemera: Collected mail |
|
|
76 |
That Cunt Has Balls: The Last of the Four-Letter Words |
Jane Air |
|
76 |
Tops'N'Bottoms: A Project by Karen Azoulay and Joel Gibb |
Karen Azoulay, Joel Gibb, and Guntar Kravis |
|
76 |
Prosthetic Devices For a Global Walker: Recent Works by Kinga Araya |
Anna Carlevaris |
|
76 |
Sputum: A diptych by Karma Clarke-Davis |
Karma Clarke-Davis |
|
76 |
For Real: Telling the Truth in Art & Writing |
A.S.A. Harrison |
|
76 |
Torpor, Los Angeles: Whole |
Chris Kraus |
|
76 |
Whose Heinie Is It Anyway? Bruce LaBruce Interview Gavin McInnes |
Bruce LaBruce |
|
76 |
ABCDF LA LA: A book that offers an Artist's-Eye View of Mexico City |
Jenifer Papararo |
|
76 |
On The Waterfront: Roni Horn's River Works |
Johanne Sloane |
|
76 |
The Invisible Arts: The Good Destruction |
Carl Wilson |
|
76 |
Eight Points Concerning Why Things Are The Way They Are |
Jacob Wren |
|
76 |
Taking A Peek At Cindy: The Philosopher and the Drag-Queen |
Cindy Lutèce (Scott Hayes) and Stephen Zepke |
|
75 |
Too Much: The Triumph of High Production Values |
Gil Blank |
|
75 |
AD HOC: Andy Warhol and Tom Dean |
Claire Christie, Tom Dean, and Andy Warhol |
|
75 |
AD HOC: Kelly Mark |
Claire Christie and Kelly Mark |
|
75 |
AD HOC: Marcel Dzama |
Claire Christie and Marcel Dzama |
|
75 |
Twitching & Scratching: The Videos of Emily Vey Duke and Cooper Battersby |
Rebecca Godfrey |
|
75 |
Documenta: Ein Echo |
Paul de Guzman, Hans-Jürgen Hafner, and Elizabeth Schwaiger |
|
75 |
Private Public Art Venues & The Untamed Audience |
Rosemary Heather |
|
75 |
Salon Des Refusés: The Narrative Subtractions of Three Canadian Fiction Writers |
Lee Henderson, Sheila Heti, Derek McCormack, and Michael Winter |
|
75 |
The Unreadable Present: Nadia Myre & Kent Monkman |
Richard William Hill |
|
75 |
The Other Side of the Clock: The 2002 Biennale of Sydney |
Ihor Holubizky |
|
75 |
Torpor, Los Angeles: Outlaw Woman |
Chris Kraus |
|
75 |
The Invisible Arts: Rat-Drifting Music / Detouring Around the Map |
Carl Wilson |
|
74 |
Aesthetic Intelligence Yield |
Raphaële Bidault-Waddington |
|
74 |
Places to dream from... |
Barbara Bloom, Chris Burden, Julian Opie, Renée Petropoulos, David Reed, and Jessica Stockholder |
|
74 |
Maura Doyle's Art Services |
Dave Dyment |
|
74 |
The Singing Dunes: Colin Campbell, 1943-2001 |
John Greyson |
|
74 |
Torpor, Los Angeles: You do the math |
Chris Kraus |
|
74 |
Triple Self-Portrait |
Jennifer Murphy and Chris Rogers |
|
74 |
The Secret Files of Gilbert & George |
Hans Ulrich Obrist |
|
74 |
Inside Images: A C project |
Wim Delvoye, Mario Scattoloni, and Ellen Gould Ventura |
|
74 |
The Invisible Arts: The March of the Child Bridegrooms |
Carl Wilson |
|
74 |
Spaceport Saskatoonia |
Dermot Wilson |
|
74 |
Love, love will tear us apart, again... |
Stephen Zepke |
|
73 |
Obituary: Colin Campbell |
|
|
73 |
Landscapes: Notes on a Town Without Pity |
Wayne Baerwaldt |
|
73 |
On Drawing |
Aaron Brewer |
|
73 |
Untitled (C Insert) |
Claude Closky |
|
73 |
Ca Cb: Lynn Crosbie looks at the work of Corinne Carlson |
Lynn Crosbie |
|
73 |
Ca Cb: Lynn Crosbie looks at the work of Corinne Carlson |
Lynn Crosbie |
|
73 |
Politics and Romance in James Carl's redemption |
Ann Dean |
|
73 |
Shirin Neshat: Musée d'art contemporain de Montréal |
Susan Douglas |
|
73 |
sensories: a time to be heavy, a time to move |
Cécile Hartmann |
|
73 |
Coming Home |
Corin Hewitt |
|
73 |
We Need Your Dick Out Here: Chris Kraus on Sophie Calle |
Chris Kraus |
|
73 |
Barbara McGill Balfour: Open Studio, Toronto |
Patrick Mahon |
|
73 |
Looking Forward: Lisa Gabrielle Mark / Los Angeles |
Lisa Gabrielle Mark |
|
73 |
Mara Korkola: Lonsdale Gallery, Toronto |
Sue McCluskey |
|
73 |
Looking Forward: nvisible Museum / Five Aces |
nvisible Museum |
|
73 |
Palais de Tokyo: A conversation between artists Nadine Norman and Sam Samore |
Nadine Norman and Sam Samore |
|
73 |
Landscapes: A View from Chicago |
Steve Reinke |
|
73 |
Conceptual Think-See: Three Generations of Conceptual Artists |
Dena Shottenkirk |
|
73 |
Landscapes: Letter from the Large Intestine |
Carl Skelton |
|
73 |
Looking Forward: Deborah Smith / Mainly England |
Deborah Smith |
|
73 |
Editorial |
Eileen Sommerman |
|
73 |
Looking Forward: Eileen Sommerman / Editor’s Choice, Toronto |
Eileen Sommerman |
|
73 |
Nothing and Something in the Work of Martin Creed |
Kika Thorne |
|
73 |
Looking Forward: Jonathan Watkins / Global Tour |
Jonathan Watkins |
|
73 |
Looking Forward: Carl Wilson / On Music |
Carl Wilson |
|
73 |
Landscapes: Letter from Wein/Vienna |
Stephen Zepke |
|
72 |
C Index: Awards, Appointments, Acquisitions and Sales |
|
|
72 |
Pure Happenings: The Work of Gwen MacGregor |
Martin Arnold |
|
72 |
New Canadian Folk |
Daniel Borins |
|
72 |
Scott McFarland: Monte Clark Gallery, Vancouver |
Christopher Brayshaw |
|
72 |
Myfanwy Macleod: Catriona Jeffries and Or Galleries, Vancouver |
Christopher Brayshaw |
|
72 |
Thing Culture |
Jeff Derkson |
|
72 |
Jeremy Blake: YYZ, Toronto |
Eric Glavin |
|
72 |
Aernout Mik: The Power Plant, Toronto |
Sophie Hackett |
|
72 |
Hoser: Artists' Portfolio |
Cooper Battersby, Emily Vey Duke, Jinhan Ko, Kelly Mark, Alex Morrison, and Sandy Plotnikoff |
|
72 |
Victor Sloan, Susan Philipsz, and Eoghan McTigue: Plug In ICA, Winnipeg |
Rodney La Tourelle |
|
72 |
Society Page |
Pamila Matharu |
|
72 |
Centrefold 9-8-01 |
Rob Davis, Vincent Dermody, Mike Langlois, Rebecca Levine, and Law Office |
|
72 |
C Shorts: Recent and Current Exhibitions |
Dion Kliner, Si Si Penaloza, and Jessica Wyman |
|
72 |
Isabelle Hayeur: SKOL, Montreal |
Vincent Tinguely |
|
72 |
Promises Promises: Michael Turner interviews Christina Ritchie |
Michael Turner |
|
72 |
20 Questions with Bradley Phillips |
RM Vaughan |
|
72 |
Universal Pictures 3: Blackwood Gallery, University of Toronto at Mississauga |
Jessica Wyman |
|
71 |
C Shorts: Recent and Current Exhibitions — Abstract |
|
|
71 |
C Index: Awards, Appointments, Acquisitions and Sales — Abstract |
|
|
71 |
"Dead Teenagers": West Wing Art Space, Toronto — Abstract |
Elaine Bowen |
|
71 |
Deerfucker (Sarah Braman and Aaron Brewer) — Abstract |
Sarah Braman and Aaron Brewer |
|
71 |
William Kentridge: New Museum of Contemporary Art, New York — Abstract |
Susan Douglas |
|
71 |
Social Improvisation: The Recent Films of Steve McQueen — Abstract |
Gregory Elgstrand |
|
71 |
Katharine Harvey: Pari Nadimi Gallery, Toronto — Abstract |
Sophie Hackett |
|
71 |
Aural Optics: Stephen Lawson on Janet Cardiff and George Bures Miller — Abstract |
Stephen Lawson |
|
71 |
Atom Egoyan and Juliao Sarmento: 49th Venice Biennale — Abstract |
Laurel MacMillan |
|
71 |
lèche-vitrine blanch paris, 2001 |
Arnaud Maggs |
|
71 |
Skyworks: Hans Ulrich Obrist on "En el cielo," an exhibition in the skies over Venice — Abstract |
Hans Ulrich Obrist |
|
71 |
Then and Now: Mexico City's La Panadería — Abstract |
Jenifer Papararo |
|
71 |
Spring Hurlbut: Institute of Contemporary Culture at the Royal Ontario Museum, Toronto — Abstract |
Karen Roulstone |
|
71 |
Society Page — Abstract |
Tom Sanders, Stacy Sargent, and Jennifer F. Shlesinger |
|
71 |
The Net Effect: Eileen Sommerman's Paris — Abstract |
Eileen Sommerman |
|
71 |
"Metamorphosis and Cloning": Musée d'art contemporain de Montréal — Abstract |
Cindy Stelmackowich |
|
71 |
The Unnoticed Observer: Jochen Volz on Salla Tykkä, Anri Sala and Mike Nelson — Abstract |
Jochen Volz |
|
71 |
Hunting the Sphinx: Rachel Withers on Ron Mueck, Anniks Larsson, Gregor Schneider and Mike Nelson — Abstract |
Rachel Withers |
|
70 |
To c |
|
|
70 |
Art Metropole: Retail Catalogue 23, June 2001: Insert |
|
|
70 |
C Invitational |
|
|
70 |
C Index: Awards, Appointments, Acquisitions and Sales — Abstract |
|
|
70 |
c'n — Abstract |
|
|
70 |
Mathieu Gallois: Experimental Art Foundation, Adelaide, Australia — Abstract |
Maria Bilske |
|
70 |
Christine Borland: Lisson Gallery, London — Abstract |
Xandra Eden |
|
70 |
Strip Joint Interventions: My Night with Charmaine — Abstract |
Cliff Eyland |
|
70 |
Unravelling the Grid: "Substitute City" at The Power Plant — Abstract |
Andy Fabo |
|
70 |
Kit Bashing, Street Remakes and Bisexual Architecture: Urbanist Rafael Gomez-Moriana in conversation with sculptor Kim Adams — Abstract |
Rafael Gomez-Moriana |
|
70 |
Artist's Project: Tania Kitchell — Abstract |
Tania Kitchell |
|
70 |
Society Page |
Aaron Brewer and Natalie Kovacs |
|
70 |
Editorial |
Si Si Penaloza |
|
70 |
Nostalgia and Nationalism: Two London Surveys, ICA and Tate — Abstract |
Lee Rodney |
|
70 |
Thomas Demand: 303 Gallery, New York — Abstract |
James Trainor |
|
70 |
Locked On: Jordan Crandall's Heatseaking — Abstract |
David Womack |
|
69 |
What to C: Gursky at MoMa & The World Observed at Morgan Library, NY / Photography Collection at Norton Museum, Palm Beach / Substitute City at Power Plant, Toronto / Millennium Prize, National Gallery, Ottawa — Abstract |
|
|
69 |
What was c'n: Walker at Saint Mary's University Art Gallery, Hfx / Snow at White Box, NY / Give & Take at the Victoria & Albert Museum and Serpentine Gallery, Ldn / Dubbet at Barbara Gladstone, NY — Abstract |
|
|
69 |
Tableau Vivant 1995-2000: John Armstrong's retrospective look at the gallery and its director — Abstract |
John Armstrong |
|
69 |
Peter Doig: Morris and Helen Belkin Gallery, Vancouver — Abstract |
Christopher Brayshaw |
|
69 |
Hermènègilde Chiasson: Beaverbrook Art Gallkery, Fredericton — Abstract |
Ray Cronin |
|
69 |
Sharon Switzer: The Red Head Gallery, Toronto — Abstract |
Carla Garnet |
|
69 |
On Kawara: David Zwirner Gallery, New York — Abstract |
David Gibson |
|
69 |
Terry Richardson: Shine Gallery, London — Abstract |
David Boyd Haycock |
|
69 |
Nothing Personal — Abstract |
Garry Neil Kennedy |
|
69 |
Robin Metcalfe's Bienal de la Habana Notebook — Abstract |
Robin Metcalfe |
|
69 |
Vanitas: Saint Mary's University Art Gallery, Halifax — Abstract |
Robin Metcalfe |
|
69 |
Rodney Graham: Presentation House, Vancouver — Abstract |
Kathy Slade |
|
69 |
Lessons — Abstract |
Ho Tam |
|
69 |
California Trip: Daryl Elaine Wells reports on "Made in California" at the LA Country Museum of Art — Abstract |
Daryl Wells |
|
68 |
C the Visual Arts Foundation: Founding Patrons |
|
|
68 |
What to C: “Space and Silence” at CMCP, Ottawa / “Open Ends” at MoMA, New York — Abstract |
|
|
68 |
What to c & What was c’n: Bridget Riley at Dia, New York / “The Bigger Picture" at AGO, Toronto / TIAF, Toronto / “Being On Time” at Central Tech, Toronto — Abstract |
|
|
68 |
Fair Well: A short guide to upcoming art fairs — Abstract |
|
|
68 |
Thoughts Arising from an Exhibition — Abstract |
John Armstrong |
|
68 |
Lucy Hogg: Anodyne Contemporary Art, Vancouver — Abstract |
John Armstrong |
|
68 |
Poetic Absence: Ray Cronin on the work of Rick Burns — Abstract |
Ray Cronin |
|
68 |
Blair Brennan: Harcourt House Gallery, Edmonton — Abstract |
Maureen Fenniak |
|
68 |
Out There: White Cube, London — Abstract |
David Boyd Haycock |
|
68 |
Escape Fantasies: Survival in the Diefenbunker — Abstract |
Cathy Busby and Sherri Irvin |
|
68 |
Autoportraits — Abstract |
Aaron Anaïs Kimberly and Robin Metcalfe |
|
68 |
Attempts at Grace: Wendy Landry on the video installations of Jan Peacock — Abstract |
Wendy Landry |
|
68 |
Notes from the mental health district |
Joyce Mason |
|
68 |
Barry Allikas: Pari Nadimi Gallery, Toronto — Abstract |
Jody Pauline Patterson |
|
68 |
Letter from London: November 2000 — Abstract |
Carol Peaker |
|
68 |
Blink — Abstract |
Judith Schwarz |
|
68 |
Damien Hirst: Gagosian Gallery, New York — Abstract |
Dena Shottenkirk |
|
68 |
Allan McCollum: Friedrich Petzal Gallery, New York — Abstract |
Dena Shottenkirk |
|
68 |
Il Killer — Abstract |
Stephen Waddell |
|
68 |
Hip-Hop Nation: Roots, Rhymes and Rage, Brooklyn Museum of Art — Abstract |
Daryl Wells |
|
66 |
What was C’n: White Cube² /”Live in Your Hear” at Whitechapel. Graham at Marion Goodman / Lawler, Simmon, Wilson and Oursler at Metro Pictures. |
|
|
66 |
Rapprochements: John Armstrong on an exhibition of works by Carmelo Arnoldin & Judith Schwarz |
John Armstrong |
|
66 |
Mindful Movements: Rossitza Daskalova contemplates the work of Sylvia Safdie |
Rossitza Daskalova |
|
66 |
Stan Denniston’s Rotterdam Film Festival Notebook |
Stan Denniston |
|
66 |
Conversation Piece: Sylvie Fortin on Nadine Norman’s Paris “Call Girl” |
Sylvie Fortin |
|
66 |
Willie Cole: Miami Art Museum |
Sherry Gaché |
|
66 |
Letter from Toronto: March 2000 |
Lisa Gabrielle Mark |
|
66 |
Now is the time |
Joyce Mason |
|
66 |
Letter from Banff: March 2000 |
Robin Metcalfe |
|
66 |
The New Republics: Edmonton Art Gallery |
Kerry Mogg |
|
66 |
Renée Green: Pat Hearn Gallery, New York |
Klaus Ottmann |
|
66 |
First Person Painting: Reflections on recent New York Painting |
Dena Shottenkirk |
|
66 |
Agitator: Contemporary Art of Propaganda, Glass Curtain Gallery, Columbia College, Chicago |
Susan Snodgrass |
|
65 |
What to c: Garry Neill Kennedy at AGNS / MoMA 2000 / American Century & The Whitney Biennial / Architecture at MCA Chicago |
|
|
65 |
What was C'n: highlights from our editions' notebooks, Peter Zimmerman, NYCb / Kelly Mark, Toronto / Tracey Emin, London / The Experimental Exercise of Freedom, LA |
|
|
65 |
Cliff Eyland's Liverpool Notebook |
|
|
65 |
What to C: Janet Cardiff at Gairloch Gardens, Janet Morton / Peter Bowyer in Toronto Parks / HX 2000 / The Tate Modern |
|
|
65 |
Vacation in Black and White: John Armstrong on the travels of Dianne Bos |
John Armstrong |
|
65 |
Donigan Cumming: Marché Bonsecours, Montreal |
Sylvain Campeau |
|
65 |
Who. Who. Who is Michael Fernandes: Ray Cronin investigates the elusive works of a substantial artist |
Ray Cronin |
|
65 |
Afterword: Letter to the Editor and Contributing Editor's Response |
Kim Fullerton and Robin Metcalfe |
|
65 |
Watch: bona fide, Chicago |
Esther Grisham |
|
65 |
Obituary: Anita Aarons (1912-2000) |
Ihor Holubizky |
|
65 |
C Changes |
Joyce Mason |
|
65 |
Letter from New York: December 1999 |
Robin Metcalfe |
|
65 |
Urban Gothic: Philip Monk on Stan Douglas's Le Détroit |
Philip Monk |
|
65 |
Flywheel: Nunnery Gallery, London |
Chris Morgan |
|
65 |
Jack Nivan: Tableau Vivant, Toronto |
Debbie O'Rourke |
|
65 |
Letter from London: January 2000 |
Carol Peaker |
|
64 |
What to c: a guide to the season's major exhibitions |
|
|
64 |
What was C'n: highlights from our editions' notebooks, SITE Santa Fe / Science Museum / AKI 2 |
|
|
64 |
Faki: Open Studio Gallery, Toronto |
John Armstrong |
|
64 |
Leesa Streifler: Latitude 53 Gallery. Edmonton |
Blair Brennan |
|
64 |
The Collaborators: Antonia Contro's and Maurizio Pellegrin's Constructive Engagement |
John Brunetti and Therese Grisham |
|
64 |
A Theatre of Presence: Beaverbrook Art Gallery, Fredericton |
Ray Cronin |
|
64 |
Juan Geuer: Present Intense |
Gary Michael Dault |
|
64 |
Here and Now: Ihor Holubizky looks at Brisbane's millennium-bridging triennial |
Ihor Holubizky |
|
64 |
Letter from Toronto: November, 1999 |
Lisa Gabrielle Mark |
|
64 |
Friend or Faux: Robin Metcalfe looks for superficial meanings in three recent Halifax exhibitions |
Robin Metcalfe |
|
64 |
Navigator: Philip Monk on recent works by Roland Brener |
Philip Monk |
|
64 |
Mimmo Paladino & Brain Eno: The Roundhouse, London |
Carol Peaker |
|
64 |
Suzy Lake: Paul Petro Contemporary Art, Toronto — Abstract |
Lee Rodney |
|
64 |
Letter from New York: October 1999 |
Dena Shottenkirk |
|
63 |
Location, Location, Location: John Armstrong tracks the Robert Birch Gallery's first ten years |
John Armstrong |
|
63 |
View 1: Toronto’s Tom Bjarnason |
Tom Bjarnason |
|
63 |
View 3: Vancouver’s David Chan |
David Chan |
|
63 |
Kathleen Sellars : Gallery Connexion, Fredericton |
Ray Cronin |
|
63 |
Arnaud Maggs: The Power Plant, Toronto |
Vid Ingelevics |
|
63 |
Fresh Heir |
Lisa Gabrielle Mark |
|
63 |
Letter from Toronto: September 1999 |
Lisa Gabrielle Mark |
|
63 |
View 2: Barcelona’s Rosa Martinez |
Rosa Martinez |
|
63 |
A Good Fit |
Joyce Mason |
|
63 |
Venetian Views: Introduction |
Joyce Mason |
|
63 |
Studio Visit: Carol Jackson, Chicago |
Michael McCaffrey |
|
63 |
Charlottetown Calling: September 1999 |
Robin Metcalfe |
|
63 |
Liz Magor: Equinox Gallery, Vancouver |
Philip Monk |
|
63 |
Nestor Kruger: Art Gallery of Ontario, Toronto |
Philip Monk |
|
63 |
Terms of Engagement: Reports on Vancouver’s “War Zones” |
Bob Sherrin |
|
63 |
Letter from New York: September 1999 |
Dena Shottenkirk |
|
62 |
What to c: a guide to the season's art events |
|
|
62 |
Letter from Montreal: May 1999 |
Marie Fraser |
|
62 |
Sandra Rechico: Art Gallery of Mississauga, Toronto |
John Armstrong |
|
62 |
Jacques Perron: Galerie Oboro, Montreal |
Sylvain Campeau |
|
62 |
Life Inside Life: On the recent paintings of Douglas Walker |
Gary Michael Dault |
|
62 |
Letter from Calgary: May 1999 |
David Garneau |
|
62 |
Tom Dean at Large |
A.S.A. Harrison |
|
62 |
Letter from Toronto: May 1999 |
Lisa Gabrielle Mark |
|
62 |
C is dead. long live C |
Joyce Mason |
|
62 |
The Cultured Tourist: Carol Ehlers Gallery, Chicago |
David McCracken |
|
62 |
Scapular Gallery Nomad: Lianne McTavish Considers The Artist As Gallery |
Lianne McTavish |
|
62 |
Extremities: Tom Dean Prepares for Venice |
Robin Metcalfe |
|
62 |
Letter from Halifax: May 1999 |
Robin Metcalfe |
|
62 |
A Few of my Favourite Feher's |
David Morrow |
|
62 |
Neurotic Realism: Saatchi Gallery, London |
Carol Peaker |
|
62 |
Letter from London: May 1999 |
Carol Peaker |
|
62 |
Todd Tedeschini: Catriona Jeffries Gallery, Vancouver |
Ingrid Mary Percy |
|
62 |
Letter from New York: May 1999 |
Dena Shottenkirk |
|
62 |
Letter from Chicago: May 1999 |
Susan Snodgrass |
|
62 |
Lynn Geesaman: Yancey Richardson Gallery, New York |
Scott Walden |
|
61 |
Letter from Montreal: February 1999 |
Marie Fraser |
|
61 |
Letter from Calgary: February 1999 |
David Garneau |
|
61 |
Letter from Toronto: February 1999 |
Lisa Gabrielle Mark |
|
61 |
Recurring Images: Historical Photography as Contemporary Art |
Lisa Gabrielle Mark |
|
61 |
Letter from Halifax: February 1999 |
Robin Metcalfe |
|
61 |
Gerald Ferguson & Arnaud Maggs: Mount Saint Vincent University Art Gallery, Halifax |
Robin Metcalfe |
|
61 |
Eldon Garnet: Canadian Museum of Contemporary Photography, Ottawa |
Douglas Ord |
|
61 |
Jackson Pollock: Museum of Modern Art, New York |
Klaus Ottmann |
|
61 |
You're In My Space: Chicago Cultural Center |
Laurie Palmer |
|
61 |
Letter from London: February 1999 |
Carol Peaker |
|
61 |
Scattered Across the Floor: The Sculpture of Colleen Wolstenholme |
Robin Peck |
|
61 |
Mowry Baden: Open Space and Rogue Art Gallery, Victoria |
Ingrid Mary Percy |
|
61 |
Letter from New York: February 1999 |
Dena Shottenkirk |
|
61 |
Letter from Chicago: February 1999 |
Susan Snodgrass |
|
61 |
Gisele Amantea: Oboro, Montreal |
Will Straw |
|
61 |
Manifest Destiny: Five Modest Reactions |
Julie Voyce |
|
61 |
Chris Ofili: Serpentine Gallery, London |
Daryl Wells |
|
60 |
Letter from Montreal: November 1998 |
Marie Fraser |
|
60 |
Barbara Cooper: Fassbender Gallery, Chicago |
Jeff Abell |
|
60 |
Martha Fleming & Lyne Lapointe: Musée d'art contemporain de Montréal |
Sylvian Campeau |
|
60 |
The Rules of the Game: Gerard Collin's Work Ethic |
Ray Cronin |
|
60 |
In Lieu: Gary Michael Dault on Art Installed in Washrooms |
Gary Michael Dault |
|
60 |
The Greenroom of Millie Chen & Warren Quigley |
Gary Michael Dault |
|
60 |
Destination: Alberta |
Sara Diamond |
|
60 |
Home & Away: Gavin Brown's enterprise, New York |
Lia Gangitano |
|
60 |
Letter from Calgary: November 1998 |
David Garneau |
|
60 |
Destination: São Paulo |
Ihor Holubizky |
|
60 |
Letter from Toronto: November 1998 |
Lisa Gabrielle Mark |
|
60 |
Under Construction: Olga Korper Gallery, Toronto |
Lisa Gabrielle Mark |
|
60 |
Destination: Art, introduction by Joyce Mason |
Joyce Mason |
|
60 |
Letter from Halifax: November 1998 |
Robin Metcalfe |
|
60 |
Letter from London: November 1998 |
Carol Peaker |
|
60 |
Lari Pittman: Institute of Contemporary Art London |
Carol Peaker |
|
60 |
Georganne Deen: The Power Plant, Toronto |
Steve Reinke |
|
60 |
Roy Kiyooka: Photographing the Local from the Inside Out |
Sharla Sava |
|
60 |
Letter from New York: November 1998 |
Dena Shottenkirk |
|
60 |
Destination: Montreal |
Fred McSherry and Cheryl Simon |
|
60 |
Letter from Chicago: November 1998 |
Susan Snodgrass |
|
59 |
What to c: a guide to the season's major exhibitions |
|
|
59 |
Picturing the Toronto Art Community: The Queen Street Years: Insert |
|
|
59 |
Letter from Montreal: August 1998 |
Marie Fraser |
|
59 |
Robert Weins: Susan Hobbs Gallery, Toronto |
John Armstrong |
|
59 |
Conceptual Evidence: Ray Cronin on "Manifest" — Abstract |
Ray Cronin |
|
59 |
Shari Hatt : Oboro, Montreal |
Andrea Fitzpatrick |
|
59 |
Toy Box Junkies: Robert Fones on recent works by Mitch Robertson, Marla Hlady, Daniel Olsen & Sally McKay |
Robert Fones |
|
59 |
Letter from Calgary: August 1998 |
David Garneau |
|
59 |
Susie Major: Anna Leonowens Gallery, Halifax |
Darrin Heaton |
|
59 |
Getting Our Hands Dirty: Lisa Gabrielle Mark on Women and Painting |
Lisa Gabrielle Mark |
|
59 |
Letter from Vancouver: August 1998 |
Lisa Gabrielle Mark |
|
59 |
Letter from Toronto: August 1998 |
Lisa Gabrielle Mark |
|
59 |
Smart & Sexy |
Joyce Mason |
|
59 |
Letter from Halifax: August 1998 |
Robin Metcalfe |
|
59 |
"If This Is Art, Then I Really Like It": David Morrow on Tracey Moffat's Heaven — Abstract |
David Morrow |
|
59 |
Letter from London: August 1998 |
Carol Peaker |
|
59 |
Ilya and Emilia Kabakov: The Roundhouse, London |
Carol Peaker |
|
59 |
Huang Yong Ping & Xu Bing: Art Beatus, Vancouver |
Cate Rimmer |
|
59 |
Letter from New York: August 1998 |
Dena Shottenkirk |
|
59 |
Letter from Chicago: August 1998 |
Susan Snodgrass |
|
59 |
1998: New Artists in Chicago, The Terra Museum of American Art, Chicago |
Deborah Wilk |
|
59 |
Practice and Process: Armory Center for the Arts, Pasadena / Richmond Arts Center, Richmond, CA |
Claire Wolf Kranz |
|
58 |
What to c: a guide to the season's major exhibitions |
|
|
58 |
Letter from Montreal: May 1998 |
Marie Fraser |
|
58 |
Letting Go: the fall in contemporary art |
Jan Allen |
|
58 |
Matthew Girson et al.: 7562LR. Chicago |
Michael Bulka |
|
58 |
Jaclyn Shoub: Gallery Connexion, Fredericton |
Ray Cronin |
|
58 |
Susan Schantz: Southern Alberta Art Gallery, Lethbridge |
Leslie Allan Dawn |
|
58 |
Bonus: A Generation Next of Vancouver Photographers |
Sylvie Fortin |
|
58 |
Letter from Calgary: May 1998 |
David Garneau |
|
58 |
See-Through Cities |
Lisa Gabrielle Mark |
|
58 |
Letter from Toronto: May 1998 |
Lisa Gabrielle Mark |
|
58 |
Our Generations |
Joyce Mason |
|
58 |
Letter from Halifax: May 1998 |
Robin Metcalfe |
|
58 |
Trash as a Cultural System: Rauschenberg, Warhol, Smith and Shifting Museum Practices |
Philip Monk |
|
58 |
KIT Collective: galerie Séquence, Chicoutimi |
Shi N'imki |
|
58 |
Marc Quinn: South London Gallery, London |
Carol Peaker |
|
58 |
Letter from London: May 1998 |
Carol Peaker |
|
58 |
True if Destroyed (insert) |
Mitch Robertson |
|
58 |
Letter from New York: May 1998 |
Dena Shottenkirk |
|
58 |
Letter from Chicago: May 1998 |
Susan Snodgrass |
|
58 |
Luis Mallo: Ricco/Maresca Gallery, New York City |
Scott Walden |
|
58 |
Afterword: Letters, Errors and Omissions |
Wayne Baerwaldt and Laurie Walker |
|
58 |
John Armstrong: Cold City Gallery, Toronto |
Liz Wylie |
|
57 |
What to c: a guide to the season's major exhibtions |
|
|
57 |
Letter from Montreal: February 1998 |
Marie Fraser |
|
57 |
Stupidity is Kool: John Armstrong on recent work of Sadko Hadzihasanovic |
John Armstrong |
|
57 |
Eliza Griffiths: Mercer Union, Toronto |
John Armstrong |
|
57 |
Light into / out of dark (New Science) |
Blair Brennan |
|
57 |
Revisiting Curatorial Controversy |
Anne Brydon and Pauline Greenhill |
|
57 |
New Photography / Kunié Sugiura: Museum of Modern Art / Leslie Tonkonow Gallery, NYC |
Maris Cinitus |
|
57 |
Letter from Calgary: February 1998 |
David Garneau |
|
57 |
Running Fence |
Geoffrey James |
|
57 |
Machyderm Inc., Niagara Artists Company, St. Catharines |
Ivan Jurakic |
|
57 |
Letter from Toronto: February 1998 |
Lisa Gabrielle Mark |
|
57 |
Old News |
Joyce Mason |
|
57 |
Reconceiving Kelly (Mary Kelly) |
Lee Parpart |
|
57 |
Letter from London: February 1998 |
Carol Peaker |
|
57 |
Objects of Desire: Hayward Gallery, London |
Carol Peaker |
|
57 |
T-Race: Randolph Street Gallery, Chicago |
Corey Postiglione |
|
57 |
Letter from New York: February 1998 |
Dena Shottenkirk |
|
57 |
Raymonde April: Musee d'art de Joliette, Joliette, Quebec |
Cheryl Simon |
|
57 |
Letter from Chicago: February 1998 |
Susan Snodgrass |
|
57 |
Patrick Traer & Janet Werner: Mendel Art Gallery, Saskatoon |
Betsy Warland |
|
57 |
Toshio Shibata: Museum of Contemporary Art, Chicago |
Claire Wolf Kranz |
|
56 |
What to c: a guide to the season's major events |
|
|
56 |
Letter from Montreal: November 1997 |
Marie Fraser |
|
56 |
A Rec Room Requiem: In Which John Armstrong Looks Into Andrew Hunter's "Up North A Northern Tragedy" |
John Armstrong |
|
56 |
Jutta Koether: Pat Hearn Gallery, New York |
William Bartman |
|
56 |
Pure Portrait: Recent: Recent paintings of Jean-Marie Delavalle |
James D. Campbell |
|
56 |
Nathalie Caron / Michel Campeau: Galerie Clark / Maison de la culture, Cote-des-Neiges, Montreal |
Sylvain Campeau |
|
56 |
Letter from Calgary: November 1997 |
David Garneau |
|
56 |
Germaine Koh: Agnes Etherington Art Centre, Kingston |
Petra Halkes |
|
56 |
Fredette Frame: Sackville, New Brunswick |
Gemey Kelly |
|
56 |
Configuration: New Art in Vancouver, Catriona Jeffries Gallery, Vancouver |
James-Jason Lee |
|
56 |
Performing Art |
Lisa Gabrielle Mark |
|
56 |
Letter from Toronto: November 1997 |
Lisa Gabrielle Mark |
|
56 |
Gone Browsing |
Joyce Mason |
|
56 |
Kwangju Paradise: In Which Joyce Mason Sets Out On A Whirlwind Tour Of World Art In Korea |
Joyce Mason |
|
56 |
Letter from New York: November 1997 |
Dena Shottenkirk |
|
56 |
Letter from Chicago: November 1997 |
Susan Snodgrass |
|
55 |
What to c: a guide to the season's major events |
|
|
55 |
Spirit of Modernity: Ben Walmsley’s recent paintings at Garnet Press |
John Armstrong |
|
55 |
Oliver Girling: Red Head Gallery, Toronto |
John Armstrong |
|
55 |
Brent Irving: Fringe Gallery, Edmonton |
Blair Brennan |
|
55 |
Lucy Pullen & Mitch Wiebe: Saint Mary's University Art Gallery, Halifax |
Mimi Fautley |
|
55 |
Eight Canadian Artists: Metro Hockey Centre, Halifax |
Moritz Gaede |
|
55 |
Western Canada in Brief: Fall 1997 |
David Garneau |
|
55 |
Chicago in Brief: Fall 1997 |
Esther Grisham |
|
55 |
Lau Tin-Yum: Observatoire 4, Montreal |
Alice Ming-Wai Jim |
|
55 |
So this is... |
Suzy Lake |
|
55 |
Imagining Architecture: Mark Gomes, Karl Blossfeldt and Noel Harding |
Dyan Marie |
|
55 |
Toronto in Brief: Fall 1997 |
Lisa Gabrielle Mark |
|
55 |
C is for change |
Joyce Mason |
|
55 |
European Scrapbook |
Joyce Mason |
|
55 |
Atlantic Canada in Brief: Fall 1997 |
Robin Metcalfe |
|
55 |
Sheila Butler: London Regional & Historical Museums, London, Ontario |
Ben Portis |
|
55 |
Vanessa Beecroft, Jennifer Bornstein, Martin Kersels & Gillian Wearing: S.L. Simpson Gallery, Toronto |
Lee Rodney |
|
55 |
Arakawa & Madeline Gins : Guggenheim Museum, New York |
Dena Shottenkirk |
|
55 |
New York in Brief: Fall 1997 |
Dena Shottenkirk |
|
55 |
Music, Light and Other Conundrums |
Joanne Tod |
|
55 |
Karen Lebergott: Jan Cicero Gallery, Chicago |
James Yood |
|
53 |
Quebec in Brief: Spring and Summer 1997 |
Marie Fraser |
|
53 |
Christian Eckart: Art Gallery of North York |
Jan Allen |
|
53 |
A Reasoned Compulsion: Interview with Cliff Eyland |
Ray Cronin |
|
53 |
Western Canada in Brief: Spring and Summer 1997 |
David Garneau |
|
53 |
Annette Messager: Gagosian Gallery, New York |
David Gibson |
|
53 |
Chicago in Brief: Spring and Summer 1997 |
Esther Grisham |
|
53 |
Enter Hamburger Bahnhof |
Michael Horowitz |
|
53 |
A guide to the season's major events |
Lisa Gabrielle Mark |
|
53 |
Ontario in Brief: Spring and Summer 1997 |
Lisa Gabrielle Mark |
|
53 |
Need I say more? |
Joyce Mason |
|
53 |
Accidental encounters with art: an insider survey of art outdoors (and elsewhere) |
Joyce Mason |
|
53 |
A Dialogue of Place and Time: Interview with Christos Dikeakos |
Judith Mastai |
|
53 |
Arthur Handy: eyelevel gallery, Halifax |
Robin Metcalfe |
|
53 |
Atlantic Canada in Brief: Spring and Summer 1997 |
Robin Metcalfe |
|
53 |
David Morrow: Cold City Gallery, Toronto |
Steve Reinke |
|
53 |
New York in Brief: Spring and Summer 1997 |
Dena Shottenkirk |
|
53 |
Kara Walker: Renaissance Society, Chicago |
Tina Wasserman |
|
53 |
Karilee Fuglem: gallery Optica, Montréal |
Laurel Woodcock |
|
52 |
Quebec in bref, exhibitions & events, fall-winter 1996/97 — Abstract |
Marie Fraser |
|
52 |
Reinventing the Mega Show: Europe's first Manifesta — Abstract |
Jan Allen |
|
52 |
Julie Voyce @ Art Gallery of Mississauga — Abstract |
John Armstrong |
|
52 |
Elizabeth Mackenzie, "Radiant Monster" — Abstract |
Blair Brennan |
|
52 |
Eloquent Liar — Abstract |
James D. Campbell |
|
52 |
Lucie Lefebvre at Centre Vu — Abstract |
Sylvian Campeau |
|
52 |
Shaun Gough @ Khyber Center for the Arts, Halifax — Abstract |
Moritz Gaede |
|
52 |
Western Canada in Brief, Fall 1996 and Winter 1997 — Abstract |
David Garneau |
|
52 |
"Drag City" at Ace Art, AKA and New Gallery — Abstract |
Alison Gillmor |
|
52 |
Elizabeth LeMoine, Stride Gallery, Calgary — Abstract |
Amy Gogarty |
|
52 |
events/exhibitions in Chicago — Abstract |
Esther Grisham |
|
52 |
"Hospice: A Photographic Inquiry" — Abstract |
Stacey Levine |
|
52 |
Michelle Teran at Meg Gallery and Roland Poulin at Olga Korper Gallery — Abstract |
Dyan Marie |
|
52 |
Toronto in Brief — Abstract |
Lisa Gabrielle Mark |
|
52 |
The Elevation of BC Art — Abstract |
Judith Mastai |
|
52 |
Atlantic Canada in brief winter 1997 (mostly Moncton) — Abstract |
Robin Metcalfe |
|
52 |
Regan Morris, Symmetry and the Stain — Abstract |
Robin Metcalfe |
|
52 |
New York in brief: Franz West, Nancy Spero, Matthew Marks Gallery, etc. — Abstract |
Dena Shottenkirk |
|
52 |
Jessica Diamond & Yayoi Kusama — Abstract |
Leslie Tonkonow |
|
51 |
Quebec in Brief, summer & fall 1996 — Abstract |
Marie Fraser |
|
51 |
Charles Weisen at Tough Gallery, Chicago — Abstract |
Thomas Connors |
|
51 |
Ashley Bickerton at Sonnabend — Abstract |
Mia Fineman |
|
51 |
Western Canada in brief, summer & fall 1996 — Abstract |
David Garneau |
|
51 |
Distemper: Dissonant Themes in the Art of the 1990s at Hirshhorn Museum and Sculpture Garden — Abstract |
John Gayer |
|
51 |
Ginette Legare at the Ottawa Art Gallery — Abstract |
Petra Halkes |
|
51 |
Modern Romance — Abstract |
Gordon Hatt |
|
51 |
Fashioning Care and Other Acts of Memory — Abstract |
Kyo MacLear |
|
51 |
Ontario in brief, summer & fall 1996 — Abstract |
Lisa Gabrielle Mark |
|
51 |
Necessary Selection — Abstract |
Joyce Mason |
|
51 |
Anne Ramsden at Galerie Samuel Lallouz, Montreal — Abstract |
Rhonda Meier |
|
51 |
544, Room 544 Sheraton Halifax Hotel, Halifax — Abstract |
Robin Metcalfe |
|
51 |
Atlantic Canada in brief, fall 1996 — Abstract |
Robin Metcalfe |
|
51 |
Margaret Priest's retrospective at AG of Hamilton and MacDonald Stewart Art Center, Guelph — Abstract |
Gerta Moray |
|
51 |
Jin-me Yoon, "imagining communities", at Artspeak Gallery — Abstract |
Caterina Pizanias |
|
51 |
Bereft, Hallwalls, Buffalo — Abstract |
Carol Podedworny |
|
51 |
New York in brief, summer & fall 1996 — Abstract |
Dena Shottenkirk |
|
51 |
Chicago in Brief, summer & fall 1996 — Abstract |
Susan Snodgrass |
|
51 |
Festival du nouveau cinema (june 96, Montreal) — Abstract |
Jerry White |
|
51 |
1996 Alberta Biennial of Contemporary Art, Edmonton Art Gallery & Glenbow Museum, Calgary — Abstract |
Ryan Whyte |
|
51 |
Negotiating Rapture, Museum of Contemporary Art — Abstract |
Claire Wolf Kranz |
|
50 |
Montreal in Brief. Summer 1996 — Abstract |
Marie Fraser |
|
50 |
Peter Legris @ Costin & Klintworth Gallery — Abstract |
John Armstrong |
|
50 |
Anette Larsson @ Red Head Gallery, Toronto — Abstract |
Julie Arnold |
|
50 |
Reva Stone at Dunlop Art Gallery — Abstract |
Greg Beatty |
|
50 |
Stephen Clayton Ellwood at Anna Leonowens Gallery, NSCAD and Nicholas Hooper at The Khyber — Abstract |
Peter Dykhuis |
|
50 |
Amazing Space: Donald Judd's Works in Marfa, Texas — Abstract |
Robert Fones |
|
50 |
Western Canada in Brief. Summer 1996 — Abstract |
David Garneau |
|
50 |
"Plane Speak: Contemporary Abstraction in Illinois" at the Chicago Cultural Center — Abstract |
Esther Grisham |
|
50 |
Do Not Go Gently : Some Thoughts On Art and Illness — Abstract |
Lisa Gabrielle Mark |
|
50 |
Summer Reading 96 — Abstract |
Lisa Gabrielle Mark |
|
50 |
Ontario in Brief — Abstract |
Lisa Gabrielle Mark |
|
50 |
Atlantic Canada in Brief. Summer 1996 — Abstract |
Robin Metcalfe |
|
50 |
Michael Schmidt, U-NI-TY at the Museum of Modern Art — Abstract |
Klaus Ottmann |
|
50 |
Back To The Future: Revisiting Tech nology At The Sydney Biennale — Abstract |
Dena Shottenkirk |
|
50 |
New York in Brief. Summer 1996 — Abstract |
Dena Shottenkirk |
|
50 |
Chicago in Brief. Summer 1996 — Abstract |
Susan Snodgrass |
|
50 |
Stephen Horne @ McGill University McDonald Harrington Building — Abstract |
Jack Stanley |
|
50 |
L'effet cinéma at Musée d'art contemporain de Montréal — Abstract |
Ger Zielinski |
|
49 |
Montreal in Breif — Abstract |
Marie Fraser |
|
49 |
The Tim Jocelyn Collection — Abstract |
John Armstrong |
|
49 |
Jessica Stockholder — Abstract |
Anastasia Aukeman |
|
49 |
Julie Arnold — Abstract |
Jeff Derksen |
|
49 |
Mary Catherine Newcomb — Abstract |
Martin Dowding |
|
49 |
Aganetha Dyck — Abstract |
Cliff Eyland |
|
49 |
Turning the Tables: Recent Work by Gordon Lebredt — Abstract |
Robert Fones |
|
49 |
Julia Fish — Abstract |
Allison Gamble |
|
49 |
Western Canada in Brief — Abstract |
David Garneau |
|
49 |
How Did You Learn to Be So Smart? — Abstract |
Anna Gronau |
|
49 |
Bodies of Theory: Musings on a Symposium — Abstract |
Petra Halkes |
|
49 |
How Did You Learn to Be So Smart? — Abstract |
Kate Lushington |
|
49 |
Ontario in Brief — Abstract |
Lisa Gabrielle Mark |
|
49 |
Conceptual Bogeymen: art and the media in the city by the sea — Abstract |
Judith Mastai |
|
49 |
Passages in Urban Transit — Abstract |
Gil McElroy |
|
49 |
Atlantic Canada in Brief — Abstract |
Robin Metcalfe |
|
49 |
Dia and the Dinosaur — Abstract |
Robin Peck |
|
49 |
New York in Brief — Abstract |
Dena Shottenkirk |
|
49 |
Chicago in Brief — Abstract |
Susan Snodgrass |
|
49 |
Doug Buis — Abstract |
Eileen Sommerman |
|
48 |
Montreal in Brief — Abstract |
Marie Fraser |
|
48 |
Offrenda, Milagro, esperanza, Chiapas — Abstract |
Lois Andison |
|
48 |
On and Aroynd the photo art of Kevin Madill — Abstract |
Roy Arden |
|
48 |
Paul Collins — Abstract |
John Armstrong |
|
48 |
Nell Tenhaaf — Abstract |
Renée Baert |
|
48 |
"Sorrow and Joy" at Neutral Ground, Sept 2 - 16, 1995 — Abstract |
Greg Beatty |
|
48 |
Western Canada in brief — Abstract |
David Garneau |
|
48 |
Toronto/Ontario in Brief — Abstract |
Lisa Gabrielle Mark |
|
48 |
Editorial — Abstract |
Joyce Mason |
|
48 |
East International — Abstract |
Judith Mastai |
|
48 |
Monica Tapp and Jane Mothersell — Abstract |
Robin Metcalfe |
|
48 |
Atlantic Canada in Brief — Abstract |
Robin Metcalfe |
|
48 |
Cathy Daley — Abstract |
Earl Miller |
|
48 |
Which John? Visions of the Apocalypse at the National Gallery — Abstract |
Douglas Ord |
|
48 |
Marcwl Broodthaers — Abstract |
Klaus Ottmann |
|
48 |
Joseph Litzenberger — Abstract |
Corey Postiglione |
|
48 |
An Alienated Embrace — Abstract |
Gregory Salzman |
|
48 |
New York in Brief — Abstract |
Dena Shottenkirk |
|
48 |
Chicago in Brief — Abstract |
Susan Snodgrass |
|
48 |
Flowers — Abstract |
Thomas Struth |
|
48 |
Letter to the Editor — Abstract |
Norman Zepp |
|
47 |
Quebec in Brief — Abstract |
Marie Fraser |
|
47 |
Peter Bowyer — Abstract |
John Armstrong |
|
47 |
Doug Ischar — Abstract |
Thomas Connors |
|
47 |
New Work Supplement — Abstract |
editorial staff |
|
47 |
Western Canada in Brief — Abstract |
David Garneau |
|
47 |
Resider — Abstract |
Valerie Lamontagne |
|
47 |
Venice Journal: Storms and Other Phenomena — Abstract |
Joyce Mason |
|
47 |
Toronto and Ottawa in Brief — Abstract |
Joyce Mason |
|
47 |
Intimate Investigations: Looking at Death and the Family — Abstract |
Judith Mastai |
|
47 |
Atlantic canada in Brief — Abstract |
Robin Metcalfe |
|
47 |
Robert Fones — Abstract |
Earl Miller |
|
47 |
Pamela Wye — Abstract |
Dominique Nahas |
|
47 |
Paul Ruff and david Warne — Abstract |
Catherine Osborne |
|
47 |
Fin de Siecle Hammer — Abstract |
Carol Podedworny |
|
47 |
The Whiteness of the Whale — Abstract |
Rita Risser |
|
47 |
Notion of Conflict — Abstract |
Dena Shottenkirk |
|
47 |
New York in Brief — Abstract |
Dena Shottenkirk |
|
47 |
Chicago in Brief — Abstract |
Susan Snodgrass |
|
47 |
Colville, Alex: process by process — Abstract |
Robert Tombs |
|
46 |
Quebec in Brief — Abstract |
Marie Fraser |
|
46 |
Angela Grauerholz — Abstract |
Sylvain Campeau |
|
46 |
Lorraine Oades — Abstract |
J.R. Carpenter |
|
46 |
Vita Plume — Abstract |
Ray Cronin |
|
46 |
Marlene Creates Records of a Personal Landscape — Abstract |
Cliff Eyland |
|
46 |
Summer Reading 1995 — Abstract |
Diane Gagné |
|
46 |
Western Canada in Brief — Abstract |
David Garneau |
|
46 |
Dialogue: Fear of Symbols |
Eldon Garnet |
|
46 |
Geographies of Desire — Abstract |
Germaine Koh |
|
46 |
Martha Flemming/Lyne Lapointe — Abstract |
Carol Laing |
|
46 |
Ontario in Brief — Abstract |
Joyce Mason |
|
46 |
Arni Haraldsson — Abstract |
Judith Mastai |
|
46 |
Atlantic Canada in Brief — Abstract |
Robin Metcalfe |
|
46 |
The Big Shows: Surveying the Surveys — Abstract |
Laurie Palmer |
|
46 |
Edward Poitras at the XLVI Biennale di Venezia — Abstract |
Cindy Richmond |
|
46 |
Geoff Crosby — Abstract |
Rita Risser |
|
46 |
New York in Brief — Abstract |
Dena Shottenkirk |
|
46 |
Witness — Abstract |
Cheryl Simon |
|
46 |
Chicago in Brief — Abstract |
Susan Snodgrass |
|
46 |
New York in Brief — Abstract |
Leslie Tonkonow |
|
45 |
Montreal in Brief — Abstract |
Marie Fraser |
|
45 |
Denyse Thomasos — Abstract |
John Armstrong |
|
45 |
Taras Polataiko — Abstract |
Greg Beatty |
|
45 |
Baker Lake Revisited — Abstract |
Sheila Butler |
|
45 |
Oscillating Horizons (Laurel Woodcock) — Abstract |
Anna Carlevaris |
|
45 |
The Plural Void — Abstract |
Ray Cronin |
|
45 |
Bob Flanagan and Cathy Busby — Abstract |
Moyra Davey |
|
45 |
Andrea Wollensak — Abstract |
Peter Dykhuis |
|
45 |
Western Canada in Brief — Abstract |
David Garneau |
|
45 |
Consuming Beauty: Laurie Vickerson's Studies of Nature — Abstract |
Amy Gogarty |
|
45 |
Roberto Pellegrinuzzi — Abstract |
Kathleen Gogin |
|
45 |
Nina Levitt — Abstract |
Carol Laing |
|
45 |
Loly Darcel — Abstract |
Valerie Lamontagne |
|
45 |
Disclosure (Lee Bul) — Abstract |
Min Sook Lee |
|
45 |
Toronto/Great Lakes in Brief — Abstract |
Joyce Mason |
|
45 |
Tapies — Abstract |
Anne McPherson |
|
45 |
Atlantic Canada in Brief — Abstract |
Robin Metcalfe |
|
45 |
Sculpture and the Philosophy of Modernism: A Reflection on the Reference to Technology in the Work of Zvi Goldstein — Abstract |
Bernie Miller |
|
45 |
Jane Buyers — Abstract |
Carol Podedworny |
|
45 |
The Finished Work of Art is a Thing of the Past — Abstract |
Tom Sherman |
|
45 |
Laura Millard — Abstract |
Dena Shottenkirk |
|
45 |
The Absence of Photography — Abstract |
Will Straw |
|
44 |
Montreal in Brief — Abstract |
Marie Fraser |
|
44 |
Misrule at the appolo — Abstract |
John Armstrong |
|
44 |
A Full Context for Self: Recent Works by Murray Favro — Abstract |
James D. Campbell |
|
44 |
The Subllime is Now (Again) — Abstract |
Mark Cheetham |
|
44 |
Suzanne Hill — Abstract |
Ray Cronin |
|
44 |
Who's Looking at the Family — Abstract |
Erin Curtin |
|
44 |
Bikini — Abstract |
Madeleine Lamont |
|
44 |
Laurel Katz — Abstract |
Robert Mahoney |
|
44 |
Questioning Banners — Abstract |
Joyce Mason |
|
44 |
Toronto in Brief — Abstract |
Joyce Mason |
|
44 |
Vancouver in Brief — Abstract |
Joyce Mason |
|
44 |
Bernd and Hilla Becher — Abstract |
Earl Miller |
|
44 |
Thomas Corriveau — Abstract |
Yvan Moreau |
|
44 |
A Comprimised Light: Some Thoughts on the Self-portraits of Pierre Dorion — Abstract |
Andy Patton |
|
43 |
Laurie Walker — Abstract |
John Armstrong |
|
43 |
Smashing Icons: Vancouver Feminist Video Art and the Female Body — Abstract |
Jennifer Blair |
|
43 |
The Art of Bordering with America — Abstract |
Lorenzo Buj |
|
43 |
Vigilante of the Visible: The Communicative Praxis of Jochen Gerz — Abstract |
James D. Campbell |
|
43 |
Nadine Norman — Abstract |
Ray Cronin |
|
43 |
New Work 94 — Abstract |
editorial staff |
|
43 |
Crysanne Stathakos — Abstract |
Karen Emenhiser |
|
43 |
The Painting of Jack Darcus — Abstract |
Mark Harris |
|
43 |
Arnaud Maggs — Abstract |
Peter Hobbs |
|
43 |
Dialogue: No Picture: The Seeing and Selling of Barnes — Abstract |
Christa Jansen |
|
43 |
Bill Jones — Abstract |
Russell Keziere |
|
43 |
Candy Noland — Abstract |
Robert Mahoney |
|
43 |
Sheila Butler — Abstract |
Earl Miller |
|
43 |
L'Instinct — Abstract |
Sonia Pelletier |
|
43 |
Three Moets — Abstract |
Richard Purdy |
|
43 |
Can You See What I Hear? — Abstract |
Will Straw |
|
42 |
Lucy Hogg — Abstract |
John Armstrong |
|
42 |
Lucian Freud — Abstract |
James D. Campbell |
|
42 |
Jean-Jules Soucy — Abstract |
Sylvie Cotton |
|
42 |
Edward "Ned" A. Bear — Abstract |
Ray Cronin |
|
42 |
Claire Savoie and Ian Carr-Harris — Abstract |
Francine Dagenais |
|
42 |
Summer Reading 94 — Abstract |
Diane Gagné |
|
42 |
The Gothic Projections of Wyn Geleynse — Abstract |
David Garneau |
|
42 |
David Nell — Abstract |
Archie Graham |
|
42 |
Hannah Hoch — Abstract |
Mark Harris |
|
42 |
Micah Lexier — Abstract |
Lisa Gabrielle Mark |
|
42 |
Abstraction Today? — Abstract |
Gregory Salzman |
|
42 |
Home of the Brave — Abstract |
Paul Chaat Smith |
|
42 |
Gordon Monahan — Abstract |
Robert Tombs |
|
41 |
Action Figures — Abstract |
Michael Balster |
|
41 |
Betty Goodwin — Abstract |
James D. Campbell |
|
41 |
Burning at the Stakes of Representation — Abstract |
Andy Fabo |
|
41 |
Robert Milthorp — Abstract |
David Garneau |
|
41 |
Geoffrey James — Abstract |
Peter MacCallum |
|
41 |
Speeach (Four Books for My Mother 1912-1993) — Abstract |
John McEwen |
|
41 |
De Cezanne a Matisse Chefs-D'Oeuvre de la Fondation Barnes — Abstract |
Anne McPherson |
|
41 |
Ghosts: Sculpture Photographed at Halifax Pier 21 — Abstract |
Robin Peck |
|
41 |
Barbara Claus & Andrew Clement — Abstract |
Marie Perrault |
|
41 |
Vera Frenkel — Abstract |
Jeanne Randolph |
|
41 |
Thierry Kuntzel — Abstract |
Will Straw |
|
41 |
Anish Kapoor — Abstract |
Corneil Van der Spek |
|
41 |
Design Delerium: The Films of Jaques Tati — Abstract |
Virginia Wright |
|
40 |
Power of the Dead — Abstract |
Isaac Applebaum |
|
40 |
Lee Friedlander — Abstract |
James D. Campbell |
|
40 |
Presence — Abstract |
James D. Campbell |
|
40 |
Sylvie Readman — Abstract |
Sylvain Campeau |
|
40 |
Dialogue: The Casino Project and the Art Gallery of Windsor. — Abstract |
Ray Cronin |
|
40 |
Smash Mega Hitz Explosion — Abstract |
Ann Dean |
|
40 |
Cam Christiansen — Abstract |
David Garneau |
|
40 |
Points of History — Abstract |
Eldon Garnet |
|
40 |
Gibt Denken — Abstract |
Gordon Lebredt |
|
40 |
Common Ground — Abstract |
Dyan Marie |
|
40 |
Paradigms and Paradox — Abstract |
Tanya Mars |
|
40 |
A Once and Future C — Abstract |
Joyce Mason |
|
40 |
Kim Adams — Abstract |
Earl Miller |
|
40 |
Michel Daigneault — Abstract |
Marie Perrault |
|
40 |
A Tale of Seven Cities, Two Townships and Two Villages — Abstract |
Clive Robertson |
|
40 |
Cheryl Donagen — Abstract |
Dena Shottenkirk |
|
40 |
Thaddeus Holowina — Abstract |
Robert Tombs |
|
39 |
Sheila Ayearst — Abstract |
John Armstrong |
|
39 |
Patricia M |