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From the ArchiveGlitches in Orality and the Stakes of Semantics: A Conversation with Jodi Dean

No.	title	author
136	THE BUSH MANIFESTO — Read Text
136	TO BE AT THE MERCY OF THE SKY — Abstract	Billy-Ray Belcourt
136	Learning from the Land: BUSH gallery @dechintau — Abstract	BUSH gallery
136	to the archive — Abstract	Jeremy Dutcher
136	tagatavāsā — Abstract	Léuli Māzyār Luna‘i Eshrāghi
136	I Am — Abstract	Maureen Gruben
136	Coney Island Baby — Abstract	Gabrielle L’Hirondelle Hill, Amy Kazymerchyk, Chandra Melting Tallow, and Jeneen Frei Njootli
136	Inventory: … On the land, on the body, on and off the walls… — Abstract	Jaimie Isaac
136	Artefact: Architecture of the Bush — Abstract	Toby Katrine Lawrence
136	Refracting Bush — Read Text	Ashok Mathur
136	Natural fibre shopping with Renee “Wasson” Dillard at the Ojibwe Cultural Foundation, and nearby bush, M’Chigeeng First Nation, Summer 2016 — Abstract	Crystal Migwans
136	Editorial: Site/ation — Read Text	BUSH gallery, Peter Morin, and Tania Willard
136	The Labrador Interpretation Centre — Abstract	Mark Igloliorte and Peter Morin
136	A Feast for the Stewards of the Land: Contemporary Art and Netukulimk on Unama’ki — Abstract	Amish Morrell
136	Sovereign Capitals. — Abstract	Native Art Department International
136	Seeing You and Looking Back: Display as Land Rights and Title — Abstract	Marianne Nicolson
136	Where I Learned to Weave — Read Text	Meghann O’Brien
136	Kinstillatory Gathering — Read Text	Karyn Recollet
136	On Writing: Moving — Read Text	Michael Turner
136	Re-centring Knowledge an Interview with Artist and Curator Anique Jordan — Abstract	Tania Willard
136	Storymancy — Abstract	Peter Morin and Tania Willard
135	Adrian Villar Rojas: The Theater of Disappearance — Abstract	Aisle 4
135	Maggie Groat: Suns also Seasons — Abstract	Kendra Ainsworth
135	On Ling’s Nascar — Abstract	Fabiola Carranza and Steffanie Ling
135	Chris Curreri: Unruly Matter — Abstract	Elora Crawford
135	Editorial: Voice — Read Text	Kari Cwynar
135	We Are Still Here, Camille Seaman’s Portrait Photography from Oceti Sakowin — Read Text	Emily Dickson
135	The Past, The Present and The Same, Deanna Bowen interviewed by Amy Fung — Abstract	Amy Fung
135	LOUD: In Conversation with Raven Davis — Read Text	Charlotte Henay
135	Making Us Look: Filmmaker Charles Officer on documentary-making, silent film aspirations and the overdue question of national audience in the year of Canada 150 — Abstract	Esmé Hogeveen
135	A New Generation: In conversation with five independent art galleries: Little Sister, Bunker 2, Franz Kaka, The Loon and Y+ Contemporary — Read Text	Anna Kovler
135	Julian Hou: Milman Parry’s Waiting Room Rhapsody — Abstract	Steffanie Ling
135	Sisyphus’ Music Box: A dialogue on race and interruption — Read Text	Prathna Lor and Fan Wu
135	On Walcott’s Black Like Who? — Abstract	Katherine McKittrick and Rinaldo Walcott
135	red rose and lidii by Jeneen Frei Njootli, words by Linnea Dick — Abstract	Jeneen Frei Njootli
135	Andrea Roberts: The Stridents — Abstract	Kendra Place
135	nurture dance: a love letter to conversation and friendship in art — Abstract	jes sachse
135	Madelyne Beckles and Petra Collins: In Search of Us — Read Text	Cason Sharpe
135	Soft Listen, Aliya Pabani interviewed by Lena Suksi — Abstract	Lena Suksi
134	Inventory: Canada 150: An Exegesis — Abstract
134	Juan Cisneros Neumann: It Was Something and Then It Became Something Else — Abstract	D'Arcy Blake
134	Whitney Biennial 2017 — Abstract	Rose Bouthillier
134	Kelly Jazvac Interviewed by Weiyi Chang — Abstract	Weiyi Chang
134	Editorial: Land — Read Text	Kari Cwynar
134	Babybel Wax Bodysuit and Condo Heartbreak Disco by Eric Kostiuk Williams — Abstract	Jon Davies
134	Artefact: Landscapes of Forgetting — Read Text	Pamela Edmonds
134	Sovereign Acts II: Rebecca Belmore, Lori Blondeau, Dayna Danger, Robert Houle, James Luna, Shelley Niro, Adrian Stimson, Jeff Thomas — Abstract	Genevieve Flavelle
134	RAVE: Rave and Its Influence on Art and Culture Edited by Nav Haq — Abstract	Esmé Hogeveen
134	Tercerunquinto: Doble fondo (False Bottom) — Abstract	Su-Ying Lee
134	On Writing: Out of Season — Read Text	Christine Lemke
134	New-Found-Lands: Exploring historical and contemporary connections between Newfoundland and the Caribbean diaspora — Abstract	Mary MacDonald
134	Mare Liberum Interviewed by Katherine McLeod — Abstract	Katherine McLeod
134	Racialized Landscapes: Marking Territory Across North America — Abstract	Mary E. Mendoza
134	Florida is Galaxy Grey — Read Text	Jake Moore
134	all our days are full of breath: a record of momentum — Read Text	Coman Poon
134	Postcommodity Interviewed by Sadia Shirazi — Read Text	Sadia Shirazi
134	Jason Dodge and Paul Thek — Abstract	Alex Turgeon
134	the cul-de-sacs bulb into dead ends — Read Text	Nicole Kelly Westman
134	tibewh by Olivia Whetung, with words by Lisa Myers: Water is Land, Land is Also Water — Abstract	Olivia Whetung
133	Inventory: The Subject of Tears: Reflections on three works by Divya Mehra — Abstract	Jacqueline Bell
133	Le Grand Balcon, BNLMTL — Abstract	Xenia Benivolski
133	Yuki Kimura: Inhuman Transformation of New Year's Decoration, Obsolete Conception or 2 — Abstract	Jesse Birch and Jesse Birch
133	LIES: Volume II — Abstract	Whitney Brennan
133	Editorial: Refusal — Read Text	Kari Cwynar
133	Hoods by John Edmonds with Words by Kari Cwynar — Abstract	John Edmonds
133	Patrick Cruz: Archeological Apathy — Read Text	Marina Fathalla
133	Wood Land School: A Brief Report — Abstract	Jonah Gray
133	Art After Property — Read Text	Lauren van Haaften-Schick
133	Killjoy in Conversation with Stacey Ho — Abstract	Stacey Ho
133	We Dance, We Smoke, We Kiss — Abstract	Simone Krug
133	Campus Sex, Campus Security by Jennifer Doyle — Abstract	Grace Linden
133	That ends that matter — Abstract	Amy Luo
133	Ho Tam: Cover to Cover — Abstract	Kegan McFadden
133	Primary Research Lab — Abstract	Jesse McKee
133	Artefact: Sonsbeek Beyond the Limits — Abstract	Rodrigo Ortiz Monasterio
133	#callresponse — Abstract	Dory Nason
133	Etel Adnan: The Weight of the World — Abstract	Georgia Phillips-Amos
133	We Are in a Non-Relationship Relationship — Abstract	Lido Pimienta
133	Lutz Bacher: Glitter and Resign — Abstract	Sabrina Tarasoff
133	When We Are Welcomed Into The Fold, Where Do We Keep What Is Left Behind? — Read Text	Joshua Vettivelu
132	Joan Jonas/ Affinities — Abstract	Olivia Boudreau, Barbara Clausen, Corinn Gerber, Simone Forti, Tanya Lukin Linklater, taisha paggett, Erin Silver, and Robin Simpson
132	Flex, Conjure, Crack. Flexibility and the Uncertainty of Blackness — Abstract	Treva C. Ellison
132	Cait McKinney and Hazel Meyer: Tape Condition: degraded — Abstract	Genevieve Flavelle
132	Desearch Repartment Institute for Durational Futures: Brought to you by ESSENTIALHAPPINESSPOSSIBILITY — Abstract	D.J. Fraser
132	Artefact: Virgo Woman Matches Tinder Men Only to Criticize their Profiles — Abstract	Merray Gerges
132	Feminisms of the Future, Now: Rethinking Technofeminism and the Manifesto Form — Read Text	Esmé Hogeveen
132	Inventory: Ready Fire Aim — Abstract	Aisha Sasha John
132	Simone Leigh: The Waiting Room — Abstract	Jessica Karuhanga
132	Borrowed Lady Martine Syms in Conversation with Amy Kazymerchyk — Read Text	Amy Kazymerchyk
132	Lizzie Borden: Born in Flames (1983) — Abstract	Yaniya Lee
132	At the Edge of Space and Time: Expanding Beyond Our 4% Universe — Abstract	laub and Jennifer Moon
132	Close Readings: Anishinaabe-kwe and/or Indigenous feminist? — Abstract	Wanda Nanibush
132	Jaime Black: Conversations with the Land — Abstract	Kendra Place
132	Editorial: Force — Read Text	taisha paggett and Erin Silver
132	On Writing: 2025: Light Black Years From Now — Read Text	Syrus Marcus Ware
132	Raque Ford, Tiziana La Melia, Maryse Larivière, Athena Papadopoulos, Megan Rooney: A Pool is Water — Abstract	Nancy Webb
132	Rocking the Running Spirit: Meditations on Sisterhood and Occupations — Abstract	Anna Martine Whitehead
132	Model Minority — Abstract	Shellie Zhang
131	Leya Evelyn: It’s Not What You Think — Abstract	Jane Affleck
131	Richard Ibghy & Marilou Lemmens: Putting Life to Work — Abstract	Gentiane Bélanger
131	Aleesa Cohene, Derek Dunlop and Deborah Edmeades: The Accursed Share — Abstract	Sophia Bartholomew
131	Katie Lyle and Shelby Wright: Movements for a Room — Abstract	Justina Bohach
131	MFA Questionnaire — Read Text	Dana Claxton, John Cussans, Laurie Kang, Eleanor King, John Kissick, Bogdan Luca, Jan Peacock, and Scott Rogers
131	The Chicago School of Theaster Gates — Read Text	Chris Dingwall
131	Carlos Motta: Beloved Martina… with Arisleyda Dilone, Pidgeon Pagonis and Del LaGrace Volcano — Abstract	Emily Doucet
131	The Artists Newsstand — Abstract	Emily Fitzpatrick
131	Close Readings: Lawrence Paul Yuxweluptun: Unceded Territories at University of British Columbia Museum of Anthropology, Vancouver May 10 – October 16, 2016 — Abstract	Richard William Hill
131	Jacob Wren: Rich and Poor (Book Thug, 2016) — Abstract	Esmé Hogeveen
131	Inventory — Abstract	Candice Hopkins
131	The Days of Living Chroma with an essay by Andy Fabo — Abstract	Erin Alexa Freedman and Lili Huston-Heterich
131	The Pedagogy of Play: Fluxus, Happenings, and Curriculum Reform in the 1960s — Read Text	Vesna Krstich
131	Leap Before You Look: Black Mountain College — Abstract	Vesna Krstich
131	Editorial: Experimental Pedagogies — Read Text	Kari Cwynar and Amish Morrell
131	The Pedagogies of Looking: An Interview with Kim Simon and Gabrielle Moser — Abstract	Amish Morrell
131	Art School Supplement — Read Text	Michelle Bigold, Esmé Hogeveen, and Rupert Nuttle
131	Allison Hrabluik: The Splits — Abstract	Jacquelyn Ross
131	Joana Hadjithomas and Khalil Joreige: I Must First Apologize… — Abstract	Duncan Scovil
131	Artefact — Abstract	David Senior
131	Amy Lawless and Chris Cheney: I Cry: The Desire to Be Rejected (Pioneer Works Press, 2016) — Abstract	Heather White
130	On Writing: ‘She invented love to not die’ Script written and performed by Cara Benedetto — Abstract	Cara Benedetto
130	Rodrigo Hernández: every forest madly in love with the moon has a highway crossing it from one side to the other — Abstract	Xenia Benivolski
130	Notes on Myth-Making — Read Text	Alison Cooley and Daniella E. Sanader
130	Every Home a Heartache: Chantal Akerman — Read Text	Jon Davies
130	Robert Walser, Looking at Pictures (New Directions, 2015) — Abstract	Tess Edmonson
130	Artefact — Abstract	Francisco-Fernando Granados and Jessica Karuhanga
130	Ana Alenso: Tropical Curse — Abstract	Kenneth Hayes
130	Shane Krepakevich: Lightweight — Abstract	Joel Herman
130	Close Readings: Brian Jungen Close 51 Catriona Jeffries, Vancouver January 22 – February 27, 2016 — Abstract	Richard William Hill
130	Hito Steyerl: Factory of the Sun — Read Text	Cameron Hu
130	Ashley after Ashley — Abstract	Steve Kado
130	Ron Tran: Somewhat Mine: A Nanaimo Retrospective — Abstract	Steffanie Ling
130	Notes for Performers — Abstract	Annie MacDonell
130	Carol Sawyer: The Natalie Brettschneider Archive — Abstract	Jaclyn Meloche
130	Editorial: Performance — Read Text	Kari Cwynar and Amish Morrell
130	Radio Daze: Why Ken Jacobs’ Blonde Cobra Still Matters — Abstract	Ara Osterweil
130	enter the fog — Abstract	Craig Francis Power
130	Inventory — Abstract	Walter Scott
130	Sylvia — Abstract	Sabrina Tarasoff
130	Aleksandra Domanović: Mother of This Domain — Abstract	Monika Vrečar
130	The Lake Is a Plate of Itself: On Anne Carson’s “Dave’s, Lake Michigan, Early June” — Abstract	Fan Wu
129	Writing Topography: The Marion McCain Exhibition of Contemporary Atlantic Art — Abstract	Sophia Bartholomew
129	Seamless Transitions — Abstract	James Bridle
129	Looking back now. Or, a forgotten questionnaire on the historization and contemporaneity of performance art — Read Text	Barbara Clausen
129	On Writing: Given Time: Notes on Dimensional Poetry — Read Text	Karin Cope, Anna Heywood Jones, and Ryan Josey
129	Authorship and the Reproduction of Language — Read Text	Kari Cwynar
129	Close Readings: 7: Professional Native Indian Artists Inc. Winnipeg Art Gallery, May 9 – Aug. 31, 2014 & McMichael Canadian Art Collection, May 10 – Sept. 7, 2015 — Abstract	Richard William Hill
129	Talk (New York Review Books, 2015) by Linda Rosenkrantz — Read Text	Esmé Hogeveen
129	Madelyne Beckles and Delilah Rosier: Masking Is Always More Fun with A Friend — Abstract	Benjamin Hunter
129	Speculations (“The future is _____”) (Triple Canopy, 2015) — Abstract	Angela Jerardi
129	Christian Marclay: Surround Sounds — Abstract	Godfre Leung
129	Artefact: Relating To Things — Abstract	Anna Mikkola
129	Editorial: Documentation — Read Text	Kari Cwynar and Amish Morrell
129	Anna Boghiguian: Cities by the Rivers — Abstract	Yasmin Nurming-Por
129	A Putting Down of Roots: 40 Years of CV2 — Abstract	Jeanne Randolph
129	Laura Piasta: Sounding the Ultraviolet — Abstract	Denise Ryner
129	Cloaked Bacteria and Yeast: Rendered biology seen through a hypothetical object with text by Aryen Hoekstra — Abstract	Jennifer Rose Sciarrino
129	Liz Magor — Read Text	Lena Suksi
129	Darren Bader: rock and mirrors — Abstract	Sabrina Tarasoff
129	Hank Bull: Connexion — Abstract	Felicity Tayler
129	Paulo Bruscky: Bruscky Invent's — Abstract	Alex Turgeon
129	Amy Bowles: Echoing Wood — Abstract	Simone Wharton
129	Compressing and Reconstructing: James Bridle’s Digital Documents — Abstract	Jayne Wilkinson
128	Drawings from the Heart: Reproductions and Paulette Phillips: The Directed Lie — Abstract	Jane Affleck
128	Inventory — Abstract	Bambitchell
128	On Writing: Critical Art Writing Ensemble — Abstract	Andrew Berardini, Alison Cooley, Tess Edmonson, Quinn Latimer, Danielle St-Amour, Rachel Valinsky, and Nancy Webb
128	Shout, Shout Let It All Out — Abstract	Derrick Chang
128	I preferred my old skin to this one, but don't know where it went... — Abstract	Tyler Coburn
128	Negotiations in a Vacant Lot: Studying the Visual In Canada, Edited by Lydna Jessup, Erin Morton and Kirsty Robertson — Read Text	Alison Cooley
128	Babe, Edited by Petra Collins — Abstract	Shauna Jean Doherty
128	The Figure in the Carpet — Abstract	Marina Fathalla
128	Close Readings: Before and after the Horizon: Anishinaabe Artists of the Great Lakes & The Plains Indians: Artists of Earth and Sky — Abstract	Richard William Hill
128	A Burning Bag as a Smoke-Grey Lotus — Read Text	Angela Jerardi
128	Questioning Citizenship at the Venice Biennale: Responses and Interventions — Read Text	Adrian Blackwell, Elle Flanders, Justin A. Langlois, Tamira Sawatsky, Amanda Shore, Leah Snyder, and Rinaldo Walcott
128	Anxious Territory: The Politics of Neutral Citizenship in Canadian Art Criticism — Read Text	Yaniya Lee
128	Mime Radio; a novel, an exhibition and a performance — Abstract	Steffanie Ling
128	An Evening Redness in the West — Read Text	Jonathan Lockyer
128	Duty Free: Feminist Land Art Retreat — Read Text	Tiziana La Melia
128	Editorial: Citizenship — Read Text	Kari Cwynar and Amish Morrell
128	Fantasies of the Library and Land & Animal & Nonanimal, Edited by Anna-Sophie Springer and Etienne Turpin — Abstract	Amish Morrell
128	Artefact: Explaining Man to Man — Read Text	Jacqueline Hoang Nguyen
128	Can You Pull In An Actor With A Fishhook Or Tie Down His Tongue With A Rope? — Abstract	Ben Portis
128	Responding to Canada's Truth and Reconciliation Commission Report — Abstract	Scott Benesiinaabandan, Cathy Busby, David Garneau, and Krista Belle Stewart
128	The Creation of Sanctioned Spaces and the Fall of the Cuban Wall: The 12th Bienal de la Habana — Abstract	Victor Wang
128	Apocalypsis — Abstract	Evan Webber
127	(Soma)tic Ritual Collaborations — Read Text	CAConrad
127	All the World's Futures: The 56th International Art Exhibition, Venice — Read Text	Randy Lee Cutler
127	Perfume Area by Laurel Schwulst and Sydney Shen — Read Text	Sam Davis
127	Tore Off	Amy De'Ath
127	The Perfume Recordist — Abstract	Stacy Doris and Lisa Robertson
127	Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee Schneemann and Anicka Yi: Them — Abstract	Olivia Dunbar
127	The Agronauts by Maggie Nelson — Abstract	Tess Edmonson
127	Laurie Kang: Deferring Diffractions — Abstract	Shelby Fenlon
127	Elizabeth Zvonar: THE CHALLENGE OF ABSTRACTION — Abstract	Emma Healey
127	A Positioning, Not a Question — Read Text	Nasrin Himada
127	On Writing: Meditations on the Art of Reading — Read Text	Lucy Ives
127	Do I have faith or am I stupid?	Aisha Sasha John
127	Three Parts on Poetry: Orality and Action, The Edges and the Centre, Voices On Her Cures — Abstract	Tanya Lukin Linklater, Hanne Lippard, and Tiziana La Melia
127	Excerpt from Pissing	Andrea Lukic
127	Shirin Neshat: Soliloquy — Read Text	Magdalena Milosz
127	Editorial: Poetry — Read Text	Kari Cwynar, Amish Morrell, Danielle St-Amour, and cheyanne turions
127	Julia Feyrer and Tamara Henderson: Consider the Belvedere — Read Text	Erica Prince
127	ManWoman: Heart of Longing — Abstract	Peta Rake
127	Constellation	Leanne Betasamosake Simpson
127	Inventory: Poetry — Abstract	Robin Simpson
127	For Example (We Have Decided to Become Our Own Posterity): on Arakawa and Gins — Abstract	Rachel Valinsky
127	The First Drawing for Reflection Paper No. 5 and The Second Drawing for Reflection Paper No. 5	Taocheng Wang
127	Brian Droitcour, ed., The Animated Reader: Poetry of "Surround Audience" — Read Text	Fan Wu
126	Performatorium: Festival of Queer Performance — Read Text	Jon Davies
126	How to Train your Virgin by Wednesday Black; We Love Lucy by Lilith West; God, I Don't Even Know Your Name by Andrea McGinty — Read Text	Tess Edmonson
126	Andrea Robbins and Max Becher: Following the Ten Commandments	Jessica Evans
126	Predecessors: Linda Rubin, Ruth Maleczech, Andrew James Paterson, Mary Daly, Albert Dumouchel and Yvonne Rainer, Queer Elders, Mary Anne Staniszewski and Mick Wilson, James McSwain, Red Burns George Sawchuk, Bill Murray, AA Bronson, May Cutler, Ivan Illic	Jesse Birch, Randy Lee Cutler, Corrine Fitzpatrick, Vera Frenkel, Amy Fung, Reesa Greenberg, Georgina Jackson, Steve Kado, Jacob Korczynski, Chris Kraus, Sholem Krishtalka, Kegan McFadden, Robin Metcalfe, Helena Reckitt, Jamie Ross, and David Senior
126	Possible Futures: What is to be Done?	Pearl Van Geest
126	Krista Buecking: MATTERS OF FACT	Karina Irvine
126	Myfanwy MacLeod: Tell Her Nothing She Tells All	Kyra Kordoski
126	Krista Belle Stewart: Seraphine, Seraphine	Yaniya Lee
126	because he loved the people / served the people? Counterculture Positions, Inheritance and Leadership — Abstract	Jesse McKee
126	Editorial: Predecessors — Read Text	Amish Morrell
126	Artefact: The World Will Always Welcome Lovers — Read Text	Benny Nemerofsky Ramsay
126	Cornelia Wyngaarden: Heroines — Abstract	Liz Park
126	TEMPERAMENTAL	Ben Portis
126	Aerobic Justice	Helen Reed
126	Rearviews: With Onyeka Igwe, Amy Lam, Tiziana La Melia, Raymond Boisjoly, Oliver Husain and Mohammad Salemy	Xenia Benivolski and Danielle St-Amour
126	Eleanor King: Dark Utopian — Read Text	Henry Adam Svec
126	Feminist Approaches to Citation — Read Text	Maiko Tanaka
126	Eileen Quinlan: Double Charlie — Read Text	Sabrina Tarasoff
126	Rethinking Aesthetics and Ontology through Indigenous Law: On the work of Val Napoleon and Loretta Todd — Read Text	Zoe Todd
126	Inventory: Predecessors	VSVSVS
125	An Te Liu: Tradition and the Historical Sense — Read Text	Shannon Anderson
125	From age to age, as its shape slowly unravelled... with text by Jonah Gray — Abstract	Raymond Boisjoly
125	Susana Reisman: Standardizing Nature: Tress, Wood, Lumber — Abstract	Matthew Brower
125	Still Alive: Celia Perrin Sidarous, Peter Morin and the Still Life Genre — Read Text	Mark Clintberg
125	Experimental Comedy Training Camp — Abstract	Kari Cwynar
125	Curationism by David Balzer — Read Text	Shauna Jean Doherty
125	Panaesthetics: On the Unity and Diversity of the Arts by Daniel Albright — Abstract	Anna Gallagher-Ross
125	Why Can't Minimal — Abstract	Dagmara Genda
125	There and Here: GCC and Geopolitical Style — Abstract	Cameron Hu
125	Bande a part / Kids these days — Read Text	Edwin Janzen
125	Jeremy Shaw: Attention, Oblivion, Jubilation — Abstract	Godfre Leung
125	Artefact: Sunrise at Cape Spear Newfoundland — Abstract	Duane Linklater
125	Burning Down the House: 2014 Gwangju Biennale — Read Text	Earl Miller
125	Editorial: Attention — Read Text	Amish Morrell
125	Joseph Tisiga: A Sacred Game: Escape is Perpetual — Abstract	Ben Portis
125	Wikipedia talk: Meetup/Toronto/ArtAndFeminism 2015 — Abstract	Amy Furness, Ella Dawn McGeough, Zeesy Powers, and Zeesy Powers
125	Is Toronto Burning? — Abstract	Kevin Rodgers
125	Inventory: Attention — Read Text	Kitty Scott
125	Jasmina Cibic: The Fruits of Our Land — Abstract	Rosie Spooner
125	Mira Friedlander: Half of What's There — Read Text	Anna Tome
124	Wrongs Can Make It Right: The Performance and Sculptural Installation Work of Ursula Johnson — Abstract	Jane Affleck
124	Yokohama Triennale 2014 — Abstract	Shinobu Akimoto
124	Women on Diving Board — Abstract	Alex Bowron
124	Curiosity: Art and the Pleasures of Knowing — Abstract	Mark Clintberg
124	Getting Rid of Ourselves — Abstract	Sam Cotter
124	beyond earth art: contemporary artists and the environment — Abstract	Michael Davidge
124	Stan Douglas: Mise en scène — Abstract	Sasha Gora
124	Where Does it Hurt? — Abstract	Sydney Hart
124	Forms FTP with text by Rebecca Travis — Abstract	Dan Holdsworth
124	Sympathetic Magic — Abstract	Tarin Hughes
124	Amy Sillman: one lump or two and Anne Collier — Abstract	Jen Kennedy
124	Incident Light: Gendered Artifacts and Traces Illuminated in the Archives — Abstract	Jacob Korczynski
124	I Could See Everything by Margaux Williamson — Abstract	Sholem Krishtalka
124	Directions to the Land of Milk and Honey: An Interview with Bill Burns — Read Text	Yaniya Lee
124	Editorial: Strata — Read Text	Amish Morrell
124	On Bathtub Rings and Other Irritants: Cedric, Nathan and Jim Bomford’s Deadhead — Abstract	Kimberly Phillips
124	Trading Hosts: Del Hillier's The Trading Post — Abstract	Peta Rake
124	Pictou Island Portage: An Artist Residency — Read Text	Veronica Simmonds
124	Inventory: Strata — Abstract	Rebecca Travis
124	Your Everyday Art World by Lane Relyea — Abstract	Saelan Twerdy
124	Adrian Norvid: Mr. Fizz’s Knocking Shop — Abstract	Nick Warner
124	Robert Frank: Books, Films, 1947–2014 — Abstract	Aaron Weldon
124	Digging for Ficto-Criticism — Abstract	Susannah Worth
123	Sara Cwynar: Flat Death — Abstract	Rose Bouthillier
123	Taking it Slow: Duration and Intimacy in Olivia Boudreau's Le Bain and L'Étuve — Read Text	Noa Bronstein
123	On Writing: The Pencil Method: a minor genre — Abstract	Mieke Chew
123	Glenn Brown/Rebecca Warren: Collected Works — Abstract	Rhys Edwards
123	Moyra Davey: Burn the Diaries — Abstract	Yuki Higashino
123	Richard Ibghy & Marilou Lemmens: Is there anything left to be done at all? — Read Text	Aryen Hoekstra
123	Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn, by Eve Meltzer — Abstract	Cameron Hu
123	Ed Ruscha The Liquid Paintings — Abstract	Jen Hutton
123	Primer: WET: The Magazine of Gourmet Bathing — Abstract	Leonard Koren
123	Inventory: WET — Abstract	Anna Kovler
123	Erring on the Mount — Abstract	Caroline Langill
123	Cougar Centrefold, with text by RM Vaughan — Abstract	Danya McLeod
123	Dear Jess Carrol from Allyson Mitchell — Abstract	Allyson Mitchell
123	Cold Water: Three Short Stories about Cold Water Baths — Abstract	Peter Morin
123	Editorial: Wet — Read Text	Amish Morrell
123	Wet Places — Abstract	Amish Morrell
123	Chronovisor: Archive (Mirko Smerdel, Rowena Harris, Johann Arens, Cathy Haynes, Verity Birt, Patrick Hough) — Abstract	Dan Munn
123	WET 2014: An Interview with Leonard Koren — Abstract	Christie Pearson
123	Show Time: The 50 Most Influential Exhibitions of Contemporary Art, by Jens Hoffman — Abstract	Heather Saunders
123	The Hypnotic Show: Raimundas Malašauskas and Marcos Lutyens — Abstract	Penelope Smart
123	D’Arcy Wilson: Tuck — Abstract	Henry Adam Svec
123	Peter Doig: No Foreign Lands — Abstract	Felicity Tayler
123	Acquiring Modernity: Kuwait Pavilion — Abstract	cheyanne turions
123	Women Who Run (off to the side of) the Wolves — Abstract	RM Vaughan
122	Graeme Patterson: Secret Citadel — Abstract	Jane Affleck
122	Akram Zaatari: All is Well — Abstract	Amber Berson
122	Stopover — Abstract	Alexis Bhagat and Stephanie Loveless
122	Renzo Martens and the Institute for Human Activities — Abstract	Nicholas Brown
122	Rabih Mroué: The Pixelated Revolution — Abstract	Zoë Chan
122	Glam North: Doris McCarthy and her New Contemporaries — Abstract	Bill Clarke
122	Chris Curreri: Medusa — Abstract	Sam Cotter
122	Artefact: On Printed Matter — Abstract	David Court and Josh Thorpe
122	A Problem So Big It Needs Other People — Abstract	Kari Cwynar
122	Being in a State of Pure Belief: On the Work of Etel Adnan — Abstract	Corrine Fitzpatrick
122	Sarah Cale: Petrified — Abstract	Maeve Hanna
122	Damage Control: Art and Destruction Since 1950 — Abstract	Joseph Henry
122	Self-Organised, edited by Stine hebert and Anne Szefer Karlsen — Abstract	Amber Landgraff
122	On Writing: The Parrot — Abstract	Maryse Larivière
122	Primer: The Window May be Open — Abstract	Maryse Larivière
122	The Lake, edited by Maggie Groat — Abstract	Jonathan Lockyer
122	Inventory: Walking — Abstract	Jonathan Lockyer
122	Sharon Hayes: Loudspeakers and Other Forms of Listening — Abstract	Jaclyn Meloche
122	Editorial: Location — Read Text	Amish Morrell
122	Neil Beloufa, Julie Born Schwartz, Christopher Kulendran Thimas, Timur Si-Qin, Lewis Teague Wright, and Tyra Tingleff: Fulfilment Centre — Abstract	Dan Munn
122	Willow, Weep for Me: Noa Giniger, Marian Penner Bancroft, and the Intricacies of Melancholy — Read Text	Kimberly Phillips
122	Both Here and There: Canadian Artists and the Berlin Experience — Abstract	Alexandra Phillips
122	Chiharu Shiota: Trace of Memory — Abstract	Daniella E. Sanader
121	Minor Threats — Abstract	Zoë Chan
121	On Speculative Walking: From the Peripatetic to the Peristaltic — Read Text	Randy Lee Cutler
121	Sissy Boys on Youtube: Notes Towards a Cultural History of Online Queer Childhood — Abstract	Jon Davies
121	It’s the Political Economy, Stupid: The Global Financial Crisis in Art and Theory, Edited by Gregory Sholette & Oliver Ressler — Abstract	Michael DiRisio
121	Will Gill: Bloodredlife — Abstract	Adrienne Fitzpatrick
121	Artefact: Mushroom Magic, Mushroom Gold — Abstract	Dylan Gordon
121	Samuel Roy-Bois: Not a new world, just an old trick — Abstract	Sydney Hart
121	Kailey Brian: Bits & Places — Abstract	Gloria Hickey
121	Garry Neill Kennedy: PATTISON — Abstract	Stephen Horne
121	Walking with Artists — Abstract	Eugenia Kisin
121	Land\|Slide: Possible Futures — Abstract	Joni Low
121	Zachari Logan: Fugitive Garden — Abstract	J. J. Kegan McFadden
121	The Walk Exchange: Pedagogy and Pedestrianism, An Interview with Moira Williams — Abstract	Earl Miller
121	Editorial: Walking — Read Text	Amish Morrell
121	Explosion in the Movie Machine: Essays and Documents on Toronto Artists’ Film and Video, Edited by Chris Gehman — Abstract	Andrew James Paterson
121	Walking Transformed: The Dialogics of Art and Walking — Read Text	Simon Pope
121	Surface Tension — Abstract	Ben Portis
121	As Perennial as the Grass — Abstract	Penelope Smart
121	Inventory: Walking — Abstract	Sasha Sobrino
121	On Writing: Group Writing — Abstract	Malcom Sutton
121	Primer: The Walking Library — Abstract	unknown
121	Artists' Walks: The Persistence of Peripateticism — Abstract	Michael Vass
121	Tom Dean: Mercy — Abstract	Susan Walker
121	Art as Therapy, by John Armstrong and Alain de Botton — Read Text	Heather White
121	The Visible Inside the Invisible with text by Stephen Horne — Abstract	Sheilah Wilson
120	Rita McKeough: The Lion's Share — Abstract	Jane Affleck
120	Living Labor, edited by Milena Hoegsberg and Cora Fisher — Abstract	Heather Anderson
120	2013 Carnegie International — Abstract	Rose Bouthillier
120	Jon Knowles: I'm only in it for the Manet — Abstract	Benjamin Bruneau
120	Kate Newby: Let the Other Thing In — Abstract	Kay Burns
120	Bernice Vincent: Time and Travels — Abstract	Bill Clarke
120	On Writing: Linguistic Proxies — Abstract	Kari Cwynar
120	Stranger Visions — Abstract	Heather Dewey-Hagborg
120	Investigating the Unexplained: An Interview with Christina Battle — Abstract	Clint Enns
120	Seeing the Unseen: An Interview with Public Studio — Read Text	Nives Hajdin
120	Mana Rouholamini: Marcher le texte/Walking the Text — Abstract	Petra Halkes
120	Stealthwear with text by Erin Freedman — Abstract	Adam Harvey
120	Under the Mountain — Abstract	Alhena Katsof
120	Juliana Pivato, Maura Doyle, Laura Taler: bones kneel in company — Abstract	Anna Khnimasia
120	Inventory: Surveillance — Abstract	Eugenia Kisin
120	Artefact — Abstract	Eugenia Kisin
120	Adam Lauder - Oct. 18, 2013 — Abstract	Adam Lauder
120	Leah Modigliani - Oct. 12, 2013 — Abstract	Leah Modigliani
120	Editorial: Surveillance — Read Text	Amish Morrell
120	13th Istanbul Biennial — Abstract	Benny Nemerofsky Ramsay
120	Sarah Fuller: The Homecoming — Abstract	Peta Rake
120	Glitches in Orality and the Stakes of Semantics: A Conversation with Jodi Dean — Read Text	Patricia Reed
120	Primer: How to Disappear Completely and Never be Found — Abstract	Doug Richmond
120	Paranoia — Read Text	Deborah Root
120	Allison Moore and Jasa Baka: Smile Stealers — Abstract	Jamie Ross
120	Jimmy Robert: Draw the Line — Abstract	Milena Tomic
120	Aisthesis: Scenes from the Aesthetic Regime of Art, by Jacques Ranciere — Abstract	Heather White
119	David Askevold: Once Upon a Time in the East — Abstract	Jane Affleck
119	Images Festival — Abstract	Sam Cotter
119	Il Palazzo Enciclopedico: The 55th International Art Exhibition, Venice June 1 - November 24, 2014 — Abstract	Randy Lee Cutler
119	Bernadette Corporation: 2000 Wasted Years — Abstract	Tess Edmonson
119	First Look: New Art Online — Abstract	Daniel Fuller
119	Our Aesthetic Categories: Zany, Cute, Interesting, by Sianne Ngai — Abstract	Amy Gaizauskas
119	Interview with Wanda Koop — Abstract	Sky Goodden
119	Kara Uzelman: Stratiform — Abstract	Karina Irvine
119	Glamour is Theft: A User's Guide to General Idea, by Philip Monk — Abstract	Luis Jacob
119	love takes the worry out of being close: public assemblies in bed with queers — Abstract	Reena Katz
119	Escapists and Jet-Setters: Residencies and Sustainability — Read Text	Laura Kenins
119	Nomadic Residency Council — Abstract	Jp King
119	Editorial: Residencies — Read Text	Amish Morrell
119	Residency for Artists on Hiatus: Interview with Shinobu Akimoto and Matthew Evans (a.k.a. smfoundation) — Abstract	Amish Morrell
119	Noteworthy — Abstract	Amish Morrell
119	Sakahan: International Indigenous Art — Abstract	Wanda Nanibush
119	Obituary: Colette Urban — Abstract	Ingrid Mary Percy
119	After Finitude: Neil Campbell, Hanne Darboven, Nicole Ondre, Cheyney Thompson — Abstract	Jacquelyn Ross
119	Sara Angelucci: Provenance Unknown — Abstract	Jennifer Rudder
119	The Pedagogical Impulse: Aberrant Residencies and Classroom Ecologies — Read Text	Stephanie Springgay
119	Splendid Isolation — Abstract	Andrea Williamson
118	Position As Desired / Exploring African Canadian Identity: Photographs from the Wedge Collection — Abstract	Jane Affleck
118	Volume: Hear Here — Abstract	Shannon Anderson
118	Surviving the Crisis — Abstract	Ben Davis
118	Julia Dault — Abstract	Rose Bouthillier
118	Peter Dykhuis: Inventories & Micro-mapping — Abstract	Kyla Brown
118	Robert Tombs: L'Occupation — Abstract	Michael Davidge
118	Old Man Deciphering a Briefcase — Abstract	Dave Dyment
118	Noteworthy — Abstract	Amy Gaizauskas
118	This Will Have Been: Art, Love & Politics in the 1980s — Abstract	Jill Glessing
118	Interview with Dave Hickey — Abstract	Sky Goodden
118	Philippa Jones: MIRIAD — Abstract	Gloria Hickey
118	On The Doing(s) of Art Criticism — Read Text	Stephen Horne
118	Jordan Wolfson: Raspberry Poser — Abstract	Jen Hutton
118	Work Work Work: A Reader on Art and Labour, Edited by Cecelia Widenheim, Lisa Rosendahl, Michele Masucci, Annika Enqvist and Jonatan Habib Angqvist — Abstract	Amber Landgraff
118	Resist the List: A Problem of Politics in the Evaluation of Contemporary Art — Read Text	Charlene Lau
118	"Sensitivity Information": The Wild Body of N.E. Thing Co. — Abstract	Adam Lauder
118	The Last Art College: Nova Scotia College of Art and Design, 1968-1978, by Garry Neill Kennedy — Abstract	Leah Modigliani
118	Editorial: Criticism — Read Text	Amish Morrell
118	Rebecca Belmore, Ken Gonzales-Day, Francisco-Fernando Granados, and Louis Noguchi: Invisible Violence — Abstract	Vanessa Parent
118	Private Acts: Note-taking in the Margins of Art Criticism — Abstract	Peta Rake
118	Manuela Lalic: Activisme timide — Abstract	Daniella E. Sanader
118	West of Center: Art and the Counterculture Experiment in America, 1965-1977, Edited by Elissa Auther and Adam Lerner — Abstract	Felicity Taylor
118	The painting is better — Abstract	Charmaine Wheatley
118	Jimmy Limit: Show Room — Abstract	Heather White
117	Rick Leong: The Sublimation of Self — Abstract	Jane Affleck
117	A New Novel by Bjarne Melgaard — Abstract	Nickolas Calabrese
117	Beyond Measure: Systems of Chance in the Art of Kristiina Lahde — Abstract	Kristin Campbell
117	Nicolas Grenier: Proximities — Abstract	James D. Campbell
117	Vanessa Maltese: Two-fold Tally — Abstract	Bill Clarke
117	Kika Thorne: The WILDcraft — Abstract	Michael DiRisio
117	Summer of Hate, by Chris Kraus — Abstract	Tess Edmonson
117	FAGing It Forward — Abstract	Feminist Art Gallery
117	Noteworthy — Abstract	Shannon Garden-Smith
117	Michèle Provost: Rebranding Bytown — Abstract	Petra Halkes
117	Open! Key Texts, 2004-2012: Art, Culture and the Public Domain, Edited by Jorinde Seijdel and Liesbeth Melis — Abstract	Petra Halkes
117	XTRAVAGANZA: Staging Leigh Bowery — Abstract	Yuki Higashino
117	Disturbances, by Critical Art Ensemble — Abstract	Marc James Léger
117	Editorial: Translation — Read Text	Amish Morrell
117	Roman Liška: Nu Balance — Abstract	Dan Munn
117	Hazel Meyer: Walls to the Ball — Abstract	Craig Francis Power
117	Dancing in the Face of Danger — Abstract	Patricia Reed
117	Rehearsal for a Poem: Tiziana La Melia in Conversation with Jacquelyn Ross — Abstract	Jacquelyn Ross
117	Sean Alward: A Vertical City Goes Both Ways — Abstract	Marina Roy
117	One for Me and One to Share: Artists' Multiples and Editions, Edited by Dave Dyment and Gregory Elgstrand — Abstract	David Senior
117	Institutions by Artists: Resistance or Retreat? — Abstract	Diana Sherlock
117	From the ongoing work WHEN PLATITUDES BECOME FORM. — Abstract	Christopher Kulendran Thomas
117	Archival Dialogues: Reading the Black Star Collection — Abstract	Heather White
117	Le baiser de l'institution: Feminism After Elles — Abstract	Ania Wroblewski
116	The Schlögel Archive — Abstract	Martha Baillie
116	Only Birds Sing the Music of Heaven in this World. — Abstract	Jacqueline Bell
116	Sounding Selves — Abstract	Mireille Bourgeois
116	Digital Natives, edited by Lorna Brown and Clint Burnham — Abstract	Clint Burnham
116	Lou Ford @ G Gallery, Toronto — Abstract	Roger Bywater
116	Red Sky at Night — Abstract	Bill Clarke
116	Structural Mutation, Cinnamon-Scented Speculation, the Twenty-First Century and the Artist Pension Trust. — Abstract	Shannon d'Avout
116	Emotional Blackmail — Abstract	Jon Davies
116	Collecting That Matters: The Art Collection of Alison And Alan Schwartz — Abstract	Randy Gladman
116	Wavelengths and Future Projections — Abstract	Sky Goodden
116	Yuji Agematsu — Abstract	Ebony L. Haynes
116	Morgan Fisher: The Frame and Beyond — Abstract	Yuki Higashino
116	Foundation Izolyatsia in collaboration with Galleria Continua: Where Is The Time? — Abstract	Michelle Kasprzak
116	Reduce, Reuse, Exhibit: Electronic Waste as Collection. — Abstract	Laura Kenins
116	Ivan Moudov's Museum in Fragment — Abstract	Steve Lyons
116	Editorial: Collections — Read Text	Amish Morrell
116	The Guantanamo Bay Museum of Art and History — Abstract	Andrew Pel
116	The Photographs Not Taken, edited by Will Steacy — Abstract	Amanda Ratej
116	Raymond Boisjoly: The Work That Work Leaves Undone. — Abstract	Kevin Rodgers
116	IAIN BAXTER&: Works 1958-2011 — Abstract	Joanna Sheridan
116	Volumes: The Book as Exhibition. — Abstract	Anna-Sophie Springer
116	BOOKEND — Abstract	Charles Stankievech
116	Lands Beyond: Charles Stankievech's Intangible Archives — Abstract	Pandora Syperek
116	Artificial Hells, by Claire Bishop — Abstract	Saelan Twerdy
116	Derek Liddington Today a Legend Died. Viva La Revolution. — Abstract	Ellyn Walker
116	The Parallel Museum — Abstract	Heather White
116	Museum of Innocence Istanbul — Abstract	Heather White
116	The World Portable Gallery Convention, Halifax — Abstract	Heather White
115	Michael Maranda: ART FORUM X. — Abstract	Dan Adler
115	The Ungovernables — Abstract	Shannon Anderson
115	Minimalism in Germany: The Sixties II — Abstract	Iliana Antonova
115	Rory Middleton: Steady Water — Abstract	Kay Burns
115	Manufacturing Exhibitions 2 — Abstract	Zoë Chan
115	In Numbers: Serial Publications by Artists since 1955 — Abstract	Michael Davidge
115	The Present as Enduring Past: Recollecting Through the Works of Kerry Tribe, Petrina Ng and Lindsay Seers. — Abstract	Rachel Anne Farquharson
115	Venus in Transit. — Abstract	Corrine Fitzpatrick
115	Communities and Antagonism: Looking for Art in All the Wrong Places — Abstract	Amy Fung
115	Cindy Sherman — Abstract	Jen Kennedy
115	Push and Pull: How to Make a 'Happening' Classroom. — Abstract	Vesna Krstich
115	Jeremy Deller: Joy in People. — Abstract	Vesna Krstich
115	Living as Form: Socially Engaged Art from 1991-2011, edited by Nato Thompson — Abstract	Amber Landgraff
115	Emily Falencki: Missing — Abstract	Sarah Maloney
115	The Vancouver Occupations of 1971 — Abstract	Leah Modigliani
115	Editorial: Participation — Read Text	Amish Morrell
115	Beat Nation: Art, Hip Hop and Aboriginal Culture. — Abstract	Lisa Myers
115	Revolution. Two Marks in Rotation. — Abstract	MPA and Amapola Prada
115	Nature, Knowledge and the Knower — Abstract	Marina Roy
115	Noteworthy — Abstract	Daniella E. Sanader
115	the buddhist, by Dodie Bellamy — Abstract	Rachelle Sawatsky
115	Janieta Eyre: The Mute Book — Abstract	Kathryn Simpson
115	Sean MacAlister: Crow's Nest — Abstract	Andrea Williamson
114	Ian Wallace's Monochrome Series — Abstract	Dan Adler
114	Material World — Abstract	Jane Affleck
114	Andrea Zittel: Lay of My Land — Abstract	Jacqueline Bell
114	Althea Thauberger — Abstract	Rose Bouthillier
114	Noteworthy — Abstract	Benjamin Bruneau
114	A.K. Burns: Pregnant Patron Penny Pot — Abstract	Corrine Fitzpatrick
114	Seripop: Landscapes Events Reproducted — Abstract	Amy Gaizauskas
114	Christoph Schlingensief: Fear at the Core of Things — Abstract	Natasha Ginwala
114	Attila Richard Lukacs from the Collection of Salah J. Bachir — Abstract	Sky Goodden
114	Michael Flaherty: Rangifer Sapiens — Abstract	Gloria Hickey
114	Lezbros for Lesbos — Abstract	Logan MacDonald
114	Everything But the Boy: Chris Ironside's Mr. Long Weekend — Abstract	Kerry Manders
114	Shame and Men: A Queer Perspective on Masculinity — Abstract	Ken Moffatt
114	Editorial: Men — Read Text	Amish Morrell
114	A Terrible Beauty: Politics, Sex and the Decline of Empires — Abstract	Ann Marie Pe
114	A Refusal of Images — Abstract	Kirsty Robertson
114	Declining Democracy — Abstract	Emmy Skensved
114	My Winnipeg — Abstract	Jeffrey Swartz
114	Gender Diasporist: Shawn Syms interviews Tobaron Waxman — Abstract	Shawn Syms
114	Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces, by Independent Curators International — Abstract	Leila Timmins
114	Radical Prototypes: Allan Kaprow and the Invention of Happenings, by Judith F. Rodenbeck — Abstract	Milena Tomic
114	Contemporary Art in North America, edited by Michael Wilson — Abstract	Ellyn Walker
113	Rural Readymade — Abstract	Jane Affleck
113	Tonik Wojtyra: Paragraph of Possibility. — Abstract	Sean Alward
113	Noteworthy — Abstract	Benjamin Bruneau
113	Sky Glabush: Background — Abstract	Kristin Campbell
113	Centrefold and IBC: Dematerialized C Magazine issue # 1 (Winter 1983/84) — Abstract	CN Tower Liquidation
113	Polymer resin cube containing dematerialized copy of C Magazine issue # 1 — Abstract	CN Tower Liquidation
113	Untitled (12th Istanbul Biennial) — Abstract	Dave Colangelo
113	L.A. Immersion: A Conversation on Pacific Standard Time — Abstract	Kathy Acker and Allison Collins
113	In Deed: Certificates of Authenticity In Art. — Abstract	Alice Dixon
113	Melanchotopia — Abstract	Petra Halkes
113	Ineffable Plasticity: the experience of being human and Human / Nature. — Abstract	Anastasia Hare
113	Buses, Babies, Temporary Tattoos: Social Media and Art Collide — Abstract	Michelle Kasprzak
113	The One and the Many: Contemporary Collaborative Art in a Global Context, by Grant Kester — Abstract	Amber Landgraff
113	Lands of Invention: The Nation Interrogated at the 8th Mercosul Biennial — Abstract	Scott McLeod
113	Editorial: Memory — Read Text	Amish Morrell
113	Laurel Woodcock: Jump Cuts — Abstract	Crystal Mowry
113	Diana Thorneycroft: A People's History — Abstract	Michael Rattray
113	Reflecting Absence or When Social Networks Memorialize — Abstract	Chloé Roubert
113	Commerce by Artists Edited by Luis Jacob Art Metropole, 2011 — Abstract	Leila Timmins
113	Raqs Media Collective: Surjection — Abstract	cheyanne turions
113	Garden of Forking Paths: A Conversation with Derek Sullivan — Read Text	Saelan Twerdy
113	Nicholas Galanin: First Law of Motion — Abstract	Ellyn Walker
113	Rites of Return: And Europe will be Stunned — Abstract	Carol Zemel
112	(Re)Staging the Art Museum, edited by Tone Hansen — Abstract	Heather Anderson
112	A Sea of Contingencies: Durational Projects — Abstract	Jesse Birch
112	Where Art Belongs, by Chris Kraus — Abstract	Amanda Brason
112	Paris/Ojibwa: Interview with Robert Houle — Abstract	Denise Frimer
112	Making Art Global (Part 1): The Third Havana Biennial 1989, by Rachel Weiss and other authors — Abstract	Natasha Ginwala
112	EL ARTE del Comer: DE LA NATURALEZA MEURTA A FERRAN ADRIA (The Art of Eating: from "still life" to Ferran Adrià) — Abstract	Jill Glessing
112	Louise Bourgeois: El retorno de lo reprimido ("the return of the repressed") — Abstract	Sky Goodden
112	Noteworthy — Abstract	Anastasia Hare and Candice Napoleone
112	Carl Beam: The Poetics of Being — Abstract	Richard William Hill
112	"Me Calling Him—Him Calling Me"— Tom Sherman's Recent Video Work — Abstract	Caroline Seck Langill
112	New Experiments in Communal Living — Abstract	Tatiana Mellma
112	Some Like It Haute: The General Idea Retrospective at the Art Gallery of Ontario — Abstract	Philip Monk
112	Editorial: Exhibition Practices — Read Text	Amish Morrell
112	Gwen Macgregor and Sandra Rechico: Backtrack — Abstract	Lisa Myers
112	Taryn Simon: A Living Man Declared Dead and Other Chapters — Abstract	Sarah Parsons
112	Art Ex 2011: River as Source — Abstract	Craig Francis Power
112	Haven't We Been Here Before? — Abstract	Mary Reid
112	Pavillon levé (dix jours à vaincre les mortes-eaux) — Abstract	Emily Rosamond
112	The Normal Condition of Any Communication — Abstract	Joanna Sheridan
112	New Photography 2011 — Abstract	Sarah Stephenson
112	The F.E.K. Archives:This is making me nervous... — Abstract	Alex Wolfson
111	Wim Botha: All Around — Abstract
111	Song Dong: Waste Not — Abstract	Zoë Chan
111	A Practice in Reading — Abstract	Randy Lee Cutler
111	Models for Taking Part — Abstract	Kari Cwynar
111	Rabih Mroué: The Inhabitants of Images — Abstract	Kenneth Hayes
111	Soft Protocols: Dexter Sinister's Book and Library-making — Abstract	Jen Hutton
111	Gina Badger: Mongrels — Abstract	Reena Katz
111	Jardin de la Connaissance	Thilo Folkerts and Rodney La Tourelle
111	Performing the Library — Abstract	Adam Lauder
111	Chris Curreri: Something Something — Abstract	Annie MacDonell
111	Editorial: Libraries — Read Text	Amish Morrell
111	Frances Stark: I've Had it and a Half — Abstract	Jenifer Papararo
111	The Whole Earth Library — Abstract	David Senior
111	The Domestic Queens Project — Abstract	Erin Silver
111	Adel Abdessemed: The Future of Décor — Abstract	Matthew Ryan Smith
111	La Biennale Di Venezia 54th International Art Exhibition — Abstract	Pandora Syperek
111	Shary Boyle: Flesh and Blood, with essays by Louise Déry, James Bewley, and Michelle Jacques — Abstract	Pandora Syperek
111	Noteworthy — Abstract	Leila Timmins
111	The Birds and the Bees — Abstract	Stephanie Vegh
111	Cloning Terror: The War of Images, 9/11 to the Present — Abstract	Harry J. Weil
110	Douglas Scholes: Working the Pragmatic Aesthetic in Four Parts — Abstract	Randall Anderson
110	Jessica Eaton: Strate — Abstract	Rose Bouthillier
110	Noteworthy — Abstract	Amanda Brason
110	Kitchen Studio: A Recipe for Disaster — Abstract	Nicole J. Caruth
110	4 Reservation Food Groups — Abstract	Keesic Douglas
110	John Monteith: Lost Highway — Abstract	Rachel Anne Farquharson
110	Diane Arbus: A Printed Retrospective 1960-1971 & Cady Noland: The American Dream — Abstract	Jacob Korczynski
110	Dark Matter: Art and Politics in the Age of Enterprise Culture, by Gregory Sholette — Abstract	Amber Landgraff
110	Karen Azoulay: Carnation Thunder — Abstract	Liz Linden
110	Collaborating on Conceptual Art: An Aesthetics of the Impossible — Abstract	Leah Modigliani
110	Editorial: Food — Read Text	Amish Morrell
110	Marcel Dzama: Behind every Curtain — Abstract	Gabrielle Moser
110	We Are Behind the Object by Emily Wardill & Ian White — Abstract	Andrew James Paterson
110	Bruce Nauman: Audio/Video Piece for London, Ontario — Abstract	Kevin Rodgers
110	Hide/Seek: Difference and Desire in American Portraiture — Abstract	Stephanie Rogerson
110	Reliquary Confections: Interview with Fiona Kinsella — Abstract	Pandora Syperek
110	The Performative Space: Tracing the Roots of Performance-Based Work in India — Abstract	Swapnaa Tamhane
110	Sean Martindale: Tent: Life-like Living — Abstract	Lauren Wetmore
109	David Diviney: Head for the Hills — Abstract	Jane Affleck
109	29th Bienal de São Paulo — Abstract	Emelie Chhangur and Philip Monk
109	Journey into Whatever — Abstract	Mireille Eagan
109	Noteworthy — Abstract	editorial staff
109	Daniel Barrow: Good Gets Better — Abstract	Rachel Anne Farquharson
109	Hannah Rickard: … a legend, it, it sounds like a legend — Abstract	Suzanne Fulbrook
109	Logics of Scientific Discovery: Mandy Ginson interviews Toril Johannessen — Abstract	Mandy Ginson
109	Scott McFarland: Sans Souci — Abstract	Sky Goodden
109	Summerhill, Revised: Learning In/As Marginalia — Abstract	Hannah Jickling and Helen Reed
109	School's In: Contemporary Art and the Educational Turn — Abstract	Jen Kennedy
109	You and Me and Her and Us and Them: A Conversation on Using and Being Used — Abstract	Sholem Krishtalka
109	Selected Maria Lind Writing, Edited by Brian Kuan Wood — Abstract	Amber Landgraff
109	Editorial: Knowledge — Read Text	Amish Morrell
109	Edwin Janzen: Guys in Caves — Abstract	Laura Paolini
109	Manifesta 8: The European Biennial of Contemporary Art — Abstract	Mikhel Proulx
109	Katie Bethune-Leamen: Older, Sadder, And All In White This Time — Abstract	Amanda Rataj
109	Art School (Propositions for the 21st Century), Edited by Steven Henry Madoff — Abstract	Amanda Rataj
109	Brendan Fernandes: Until We Fearless — Abstract	Farah Yusuf
108	Centrefold: what is above is as that which is below… — Abstract	Abbas Akhavan
108	Anselm Kiefer: Palmsonntag — Abstract	Shannon Anderson
108	Art and Cold Cash, Edited by Ruby Arngna'naaq, Jack Butler, Sheila Butler, Patrick Mahon and William Noah. — Abstract	Marco Avolio
108	6th Berlin Biennale: What is Waiting Out There — Abstract	Michael Birchall
108	Both Teams Cannot Win: Natasha Bissonauth Interviews Divya Mehra — Abstract	Natasha Bissonauth
108	Annie MacDonell: Beside the Midnight Lake — Abstract	Heather Diack
108	Noteworthy — Abstract	Rachel Anne Farquharson
108	Fernando Sánchez Castillo: National Episodes and Oscar Mua∓#241;oz: Becoming Air — Abstract	Jill Glessing
108	The ABS Group: The ABS Art Practice Imagined as a Class Struggle in College Art Education — Abstract	Kenneth Hayes
108	Economies of Faith — Abstract	Richard Ibghy and Marilou Lemmens
108	Documents of Self-Administration: A Conversation with Vincent Bonin — Abstract	Adam Lauder
108	New Ways to Go Forward You Never Dreamed Existed: David Lillington Interviews Spartacus Chetwynd — Abstract	David Lillington
108	Editorial: In The Money — Read Text	Amish Morrell
108	Rivane Neuenschwander: A Day Like Any Other — Abstract	Vanessa Nicholas
108	The Power of Judgment: A Debate on Aesthetic Critique, Edited by Daniel Birnbaum and Isabelle Graw — Abstract	Aaron Peck
108	Green Light: Towards an Art of Evolution, by George Gesset — Abstract	Maxine Proctor
108	Holy Shit — Abstract	Marina Roy
108	Projections: Music Video — Abstract	Saelan Twerdy
108	Jon McCurley: Fashion Blog-Clothes for president — Abstract	Evan Webber
108	Guy Ben-Ner: Thursday the 12th — Abstract	Rebecca Weisman
107	Kristan Horton: The Echo Chamber — Abstract	Dan Adler
107	Of Fauna and Manufactured Derivatives: Bill Burns and the Lucrative Didactics of Environmental Stewardship — Abstract	Gentiane Bélanger
107	The Lives and Deaths of Carolee’s Cats — Abstract	Carla Benzan
107	Marina Abramović: The artist is Present — Abstract	Aileen Burns and Johan Lundh
107	Bird Radio for Afghanistan, 2010	Bill Burns
107	Marion Wagschal: Private Views and Paintings — Abstract	James D. Campbell
107	Christian Boltanski: Personnes — Abstract	Zoë Chan
107	David Hoffos: Scenes from a House Dream — Abstract	Meredith Dault
107	On Year of the Dog — Abstract	Jon Davies
107	Daryl Vocat: The Secret of the Midnight Shadow — Abstract	Sally Frater
107	Stephen Kelly: Open Tuning (WaveUp) — Abstract	Quyen Hoang
107	Infinite, Indifferent Kinship — Abstract	Karen Houle
107	Noteworthy — Abstract	Jovana Jankovic and Maxine Proctor
107	Trash, by Jon Davies — Abstract	Jovana Jankovic
107	Justin Thomas Schaefer: Comedy Comedy — Abstract	Corinna Kirsch
107	Carlos Garaicoa: Overlapping — Abstract	Leah Modigliani
107	Editorial: Among Animals — Read Text	Amish Morrell
107	Emergence: Contemporary Photography in Canada, edited by Sarah Parsons — Abstract	Amish Morrell
107	Touching Animals — Abstract	Helena Reckitt
107	Ryan Trecartin: Any Ever — Abstract	Nadja Sayej
107	Adrian Blackwell: Model for a Public Space [knot] — Abstract	Alex Snukal
107	Timberland:2010 Alberta Biennal of Contemporary Art — Abstract	Leah Turner
106	Funkaesthetics — Abstract	Sarah Aranha
106	Photography Haunted by Spirit Photography, by Bernard Lamarche and Pierre Rannou — Abstract	Adi Baker
106	Cultural Programming in Vancouver During the 2010 Winter Olympics — Abstract	Jesse Birch and Jesse Gray
106	Scott Treleaven: Are You a Zombie or a Witch? — Abstract	Elijah Burgher
106	Get on Up! Michael Jackson is Alive and, Well -- (Preface to a Twenty Volume Love Note) — Abstract	Lynn Crosbie
106	Noteworthy — Abstract	editorial staff
106	Psychometry and the Affective Artifact — Abstract	Jennifer Fisher
106	Liam Gillick: Three Perspectives and a Short Scenario — Abstract	Sally Frater
106	Paying a Visit to Mary — Abstract	Daniel Fuller
106	Janet Cardiff and George Bures Miller: The Murder of Crows — Abstract	Amy Fung
106	Cedric and Nathan Bomford, Bamberton: Contested Landscape — Abstract	Holand Gidney
106	Textiles: Art and the Social Fabric — Abstract	Luis Jacob
106	Drowning Ophelia — Abstract	Laura Robynn Kane
106	The Aesthetic Unconscious, by Jacques Rancière — Abstract	Laura Robynn Kane
106	“The Secret Circle of God’s Supernatural Blessing:” Nate Larson’s Photographic Miracles and the Question of Belief — Abstract	Louis Kaplan
106	Julia Rosa Clark: Paradise Apparatus — Abstract	Miles Keylock
106	Will Munro: Inside the Solar Temple of the Cosmic Leather Daddy — Abstract	Bruce LaBruce
106	The Uncanny as Real: David Lillington Interviews Paulette Phillips — Abstract	David Lillington
106	Learning from Vancouver, Western Front — Abstract	Joni Low
106	Behind the Curtain: Leah Modigliani Interviews the Center for Tactical Magic — Abstract	Leah Modigliani
106	Editorial: Transcendence — Read Text	Amish Morrell
106	Barbara Lounder — Abstract	Colleen O'Neill
106	World Tea Party, Centre A — Abstract	Christopher Olson
106	Brawl, Norma (Vanessa Kwan, Diana Lopez-Soto, Josh Neelands, Christy Nyiri, Pietro Sammarco, Erica Stocking, and Kara Uzelman), Andy Livingstone Field Presented by Artspeak as Part of the Bright Lights Festival — Abstract	Christopher Olson
106	Heidi Nagtegaal: Redirecting Traffic (Hastings Between Heatley and Hawkes) — Abstract	Christopher Olson
106	Theo Sims: The Candahar, Presentation House Gallery — Abstract	Liz Parks
106	To Show, to Give, to Make It Be There: Expanded Literary Practices in Vancouver: 1954-1969, Simon Fraser University Gallery, and Geoffrey Farmer: Every Letter of the Alphabet, 1875 Powell Street at Victoria Drive — Abstract	Aaron Peck
106	Here You Are, Part One, and Christian Kliegel: Walk In — Abstract	Rachelle Sawatsky
106	Scott Treleaven — Abstract	Scott Treleaven
105	Tricia Middleton: Dark Souls — Abstract	James D. Campbell
105	And Other Essays: Nayland Blake, Tom Burr, Harry Dodge, Alix Lambert, Allen Ruppersberg and Andrea Zittel — Abstract	David Court
105	Graeme Patterson: The Grappler — Abstract	Ray Cronin
105	Art/Life: A Conversation with Tehching Hsieh — Abstract	Karlyn De Jongh
105	Noteworthy — Abstract	editorial staff
105	Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle by Sven Lütticken — Abstract	Alissa Firth-Eagland
105	Kelly Mark: It's Just One God Damn Thing After Another — Abstract	Emma Frank
105	Steve Higgins: All Things Considered, and Sara Graham: Department of Systems Oversight — Abstract	Sara Hartland-Rowe
105	Baseball Pile #2 and Wrestling Ring — Abstract	Patrick Krzyzanowski
105	The Beautiful Game: Art and Sport in the Work of Humberto Vélez — Abstract	Elizabeth Matheson
105	Sophie Bélair Clément — Abstract	Jesse McKee
105	Glenn Ligon: Death of Tom and Untitled (Minnesota Massacre) — Abstract	Tatiana Mellema
105	Hanging Fire: Contemporary Art from Pakistan — Abstract	Srimoyee Mitra
105	Editorial: Critical Participation — Read Text	Amish Morrell
105	War at a Distance — Abstract	Colleen O'Reilly
105	The Body Engraved: Performances and Interventions of Lorena Wolffer — Abstract	Deborah Root
105	In Numbers: Serial Publications by Artists Since 1955, edited by Andrew Roth and Philip Aarons — Abstract	David Senior
105	Au Naturel, by Amna Malik — Abstract	Beth Stuart
105	Annie Wu and Antoni Wojtyra: Ideally — Abstract	Stefan Sulzer
105	Daniel Young and Christian Giroux: Every Building, or Site, That a Building Permit Has Been Issued for a New Building in Toronto in 2006 — Abstract	Scott Sørli
105	Katlin Till-Landry Interviews Martha Wilson — Abstract	Kaitlin Till-Landry
105	Tim Barber: Tout va Bien — Abstract	Leah Turner
104	Yvonne Singer - Random Objects: Random Thoughts — Abstract	Sarah Aranha
104	Ars Memoriae: Eve K. Tremblay's Book People — Abstract	James D. Campbell
104	Report on the New York Art Book Fair — Abstract	Miles Collyer
104	Noteworthy — Abstract	editorial staff
104	The F Word, Essays by Alissa Firth-England Candice Hopkins, Karen Henry, and an interview with Lisa Steele by Firth-England. Artists' works by Lisa Robertson and Kristina Lee Podesva. — Abstract	Ginger Scott
104	Lorraine Field: Vanishing Point — Abstract	Sara Hartland-Rowe
104	O.H.F + U.S.A= M.F.A and Positive/Negative Space — Abstract	Onya Hogan-Finlay
104	God and the "GAZE:" A Visual Reading of Lady Gaga — Abstract	Jen Hutton
104	Colette Whiten — Abstract	Leah Modigliani
104	Editorial: Contemporary Feminisms — Read Text	Amish Morrell
104	The Importance of Being Iceland: Travel Essays in Art, by Eileen Myles — Abstract	Amish Morrell
104	Who Was that Woman? — Abstract	Helena Reckitt
104	Francis Alÿs: Fabiola — Abstract	Stephanie Rogerson
104	Istanbul: Hale Tender and Mürüvvet Türkyilmaz — Abstract	Deborah Root
104	Ecstatic Resistance — Abstract	Emily Roysdon
104	Iris Häussler: He Named Her Amber — Abstract	Kate Steinmann
104	Gerald Ferguson, 1937-2009 — Abstract	Monica Tap
103	Zin Taylor: The Bakery of Blok — Abstract	Dan Adler
103	Beyond the Hype: Nuit Blanche in the "Creative City" — Abstract	Joseph Bahn
103	Mika Rottenberg — Abstract	Katie Bethune-Leamen
103	Sea of Contingencies: Vancouver's Domestic Interventions — Abstract	Jesse Birch
103	Aleesa Cohene: Something Better — Abstract	Jon Davies
103	Michael A. Robinson: Throw Genre — Abstract	Peter Dub#233;
103	Younger than Jesus — Abstract	Patrick Dyer and Jesse McKee
103	Noteworthy — Abstract	editorial staff
103	Sara Angelucci: Regular 8 — Abstract	Kirsten Den Hartog
103	Everything All at Once — Abstract	Jen Hutton
103	Decentre: Concerning Artist-Run Culture /a propos de centres d'artistes, Edited by Elaine Chang, Andrea Lalonde, Chris Lloyd, Steve Loft, Jonathan Middleton, Daniel Roy, Haema Sivanesan — Abstract	Michael Maranda
103	Call to Order — Abstract	James B. Maxwell and Kathleen Ritter
103	Annie Pootoogook's Drawings of Contemporary Inuit Life — Abstract	Leah Modigliani
103	Editorial: Off Grid — Read Text	Amish Morrell
103	Artists with PhDs: On the New Doctoral Degree in Studio Arts, Edited by James Elkins — Abstract	Gabrielle Moser
103	The Mystical Language of the Everyday: Jamelie Hassan's At the Far Edge of Words — Abstract	Deborah Root
103	Vancouver Art & Economies by Melanie O'Brian — Abstract	Leah Turner
103	Fire Watcher — Abstract	Kara Uzelman
102	Infinite Jest: Bruce Nauman & Contemporary Art as Continuous Process — Abstract	Heather Diack
102	Actions: What You Can Do with the City — Abstract	Peter Dub#233;
102	Late Capitalist Pathologies and Redemptions: Emily Vey Duke and Cooper Battersby's Beauty + Pity — Abstract	Irmgard Emmelhainz
102	Letter to the Editor, Re: Gabrielle Moser's Article "Do Curators Need University Curatorial Programs?" in C Magazine Issue 100 — Abstract	Emily Jones
102	Project Biennalist by Thierry Geoffroy/Colonel — Abstract	Séamus Kealy
102	Altermodern: Tate Triennial 2009 — Abstract	Charlene Lau
102	Reversing Pedagogies with a Little Social Schooling — Abstract	Tatiana Mellema
102	The Hugo Boss Prize 2008: Emily Jacir — Abstract	Leah Modigliani
102	Editorial: When is "Contemporary?" — Read Text	Amish Morrell
102	The Way I Are — Abstract	Alex Snukal
102	The Beautiful and the Everyday in the Films of Mark Lewis — Abstract	Shepherd Steiner
102	Street Poets & Visionaries: Selections from the UbuWeb Collection — Abstract	Malcom Sutton
102	Ship of Fools Portal — Abstract	Christine Swintak
102	What It Really is — Abstract	Leah Turner
101	Letter to the Editor, Re: Sholem Krishtalka's Letter to the Editor in C Magazine Issue 100 — Abstract	Eli Bornowsky
101	What Can Cinema Do? — Abstract	Jon Davies
101	Tino Sehgal — Abstract	Vincenzo De Bellis
101	Gareth Long: Second, Third, Fourth — Abstract	Ryan English
101	What Can a Magazine Do? — Read Text	Rosemary Heather
101	Those of Us Who Know about These Darkened Rooms — Abstract	Jacob Korczynski
101	PCP: Pop/Conceptual/Psychedelic — Abstract	Lars Bang Larsen
101	The Lap, The Fur — Abstract	Rodney LaTourelle
101	The Art of Disappearing — Abstract	Johan Lundh
101	The 7th Gwangju Biennale Annual Report: A Year in Exhibition, Directed by Okwui Enwezor — Abstract	Jesse McKee
101	28th Bienal de Sao Paulo — Abstract	Earl Miller
101	Nathalie Djurberg — Abstract	Leah Modigliani
101	Claude Wampler: Staging Shadows Without Source — Abstract	Patricia Reed
101	Future Forward — Abstract	Carol-Ann M. Ryan
101	Making Real — Abstract	Rachelle Sawatsky
101	Political Action Figures — Abstract	Chen Tamir
101	Fiona Kinsella: Chapel (Rose) — Abstract	Stephanie Vegh
100	On Kristina Lee Podesva's Colourschool — Abstract	Michael Birchall
100	Enthusiasm at the Limit — Abstract	Nicholas Brown
100	Exhibitionism — Abstract	Gregory Elgstrand
100	Art Pedagogy — Read Text	Rosemary Heather
100	Letter to the Editor — Abstract	Sholem Krishtalka
100	It's Time Man. It Feels Imminent — Abstract	Jesse McKee
100	To Be Seen and Not Just Heard About: On a Painting by Rae Johnson — Abstract	Catharine McTavish
100	The State of Art Criticism and Critical Theory — Abstract	Earl Miller
100	Life on Mars — Abstract	Earl Miller
100	Convergence Center (Part of Democracy in America: The National Campaign) — Abstract	Leah Modigliani
100	No Typical Donor — Abstract	Lydia Perović
100	Erwin Wurm: Désespéré/Desperate — Abstract	Jean-Michel Ross
100	Corin Sworn: Back in 5: Accessing the Back Story — Abstract	Rachelle Sawatsky
100	Katie Bethune-Leamen: Mushroom Studio — Abstract	Carolyn Tripp
100	Jesse Jones: The Spectre and the Sphere — Abstract	Leah Turner
99	An Institution is defined by its Ability to Ask Questions: A Report on the 2008 IKT Congress in Montreal — Abstract	Heather Anderson
99	Letter to the Editor — Abstract	Eli Bornowsky
99	Geoffrey Farmer: Forgetting Air/Gareth Moore: As A Wild Boar Passes Water — Abstract	Nicholas Brown
99	Bruce Conner, 1933-2008 — Abstract	Jon Davies
99	Between Home and Elsewhere — Abstract	Mona Filip
99	Orientalism and Ephemera — Abstract	Julian Jason Haladyn and Miriam Jordan
99	Art Diasporas — Read Text	Rosemary Heather
99	Artist Centrefold: United Nations ISO 216 — Abstract	Antonia Hirsch
99	John Abrams: Cinema Vernis — Abstract	Heidi Kellett
99	Otherwise Unexplained Fires: Joyce Weiland and the Experimental Film Scene in 1960s New York — Abstract	Anne Low
99	From Beijing to Paris to San Francisco: Hou Hanru in Conversation — Abstract	Johan Lundh
99	Martian Museum of Terrestrial Art — Abstract	Jesse McKee
99	Global Canadians — Abstract	Earl Miller
99	Take Your Time: Olafur Eliasson — Abstract	Leah Modigliani
99	Kevin Rodgers: The Mystics and the Passions — Abstract	Wojciech Olejnik
99	From Montreal to the World: Parachute Magazine - 1975-2006? — Abstract	Tammer Salah El-Sheikh
99	The Dad Tapes/The Mom Photographs: Kim Waldron — Abstract	Kim Waldron
99	Glad the CIA is Immoral — Abstract	Jacob Wren
98	Exponential Futures — Abstract	Eli Bornowsky
98	Bouquet, Diane Borsato — Abstract	Diane Borsato
98	Reconstitutions/Re-enactments — Abstract	Nicholas Brown
98	Props to the Fairy People — Abstract	Jon Davies
98	Rightfully Yours — Abstract	Jon Davies
98	The Art System — Read Text	Rosemary Heather
98	Fabrique en Canada — Abstract	Chris Kraus
98	Brice Marden — Abstract	Sholem Krishtalka
98	The Elephant in the Room: A Brief Excursus on Avant-Garde and Community Art — Abstract	Marc James Léger
98	Montreal's DHC/Art and the Changing Climate of Arts Patronage in Canada — Abstract	Chris Lloyd
98	Pablo Bronstein — Abstract	Jesse McKee
98	The 2008 Whitney Biennial — Abstract	Leah Modigliani
98	Art and Politics: On the critic Hal Foster — Abstract	Lydia Perović
98	Valérie Blass — Abstract	Jean-Michel Ross
98	Oscar Mua∓#241;oz: Disappearing Image — Abstract	Tamara Toledo
98	Objects on stage (Notes from pre- and post-) — Abstract	Victor Tupitsyn
98	Cat Thinks People Not Living Life to the Full — Abstract	Jacob Wren
97	The Painting of Modern Life — Abstract	Christina Bagatavicius
97	Mike Nelson: A Psychic Vacuum — Abstract	Graham T. Beck
97	Re-Actionism — Abstract	Shannon Bool
97	One, Some, Many: 3 Shows by Carsten Höller — Abstract	Jon Davies
97	Jenny Holzer — Abstract	Janis Demkiw
97	Beginning of the End - End of the Beginning — Abstract	Amy Fung
97	Immersion — Read Text	Rosemary Heather
97	Light Magic — Abstract	Sydney Hermant
97	On Being an Exhibition — Abstract	Marisa Jahn
97	Comedy Central — Abstract	Steve Kado
97	I+I-I on I+I-I — Abstract	Rodney LaTourelle
97	Thomas Hirschhorn: Jumbo Spoons and Big Cake — Abstract	Marc James Leger
97	To Be Immersed in the Experience of the Now — Abstract	Earl Miller
97	DAVID ASKEVOLD, 1940-2008 — Abstract	Ian Murray
97	Eoghan McTigue: The Image Screen — Abstract	Wojciech Olejnik
97	ÜBERleben — Abstract	Patricia Reed
97	On the Other Side of the Couch — Abstract	Rachelle Sawatsky
97	Artist Centrefold: Graffiti Removal Project — Abstract	Brent Wadden
96	Views: The Politics of Cool — Abstract	Cooper Battersby and Emily Vey Duke
96	Emmanuelle Leonard: Une sale affaire — Abstract	James D. Campbell
96	Family Romance — Abstract	Jon Davies
96	Auto Emotion: Autobiography, Emotion and Self-Fashioning — Abstract	Jon Davies
96	State Britain: Mark Wallinger — Abstract	Emily Vey Duke
96	Crashing Fashion — Abstract	Ryan English
96	Real Existing Capitalism — Read Text	Rosemary Heather
96	Artefact Montreal 2007 - Urban Sculptures — Abstract	Rosemary Heather
96	Conflict Studies — Abstract	Andria Hickey
96	Megatron: Team Interview with Brian Joseph Davis and Steve Kado — Abstract	Steve Kado
96	High Dispersion of Light #2 — Abstract	Devon Knowles
96	Views: Art Market Education — Abstract	Sholem Krishtalka
96	Kai Schiemenz — Abstract	Rodney LaTourelle
96	Woodlot: The 3rd KW/AG Biennial — Abstract	Tor Lukasik-Foss
96	Been Up So Long It Looks Like Down To Me — Abstract	Johan Lundh
96	Lenin, Bicycles, Theory and Love; Rainer Ganahl — Abstract	Christine Martin
96	Patterns Why: Matthew Burbidge and Jaro Straub — Abstract	Wojciech Olejnik
95	Lynne Marsh, Ballroom — Abstract	Stacey Abramson
95	Projections: A Survey of Projection-Based Works in Canada, 1964-2007 — Abstract	Dan Adler
95	Anarchy at documenta — Abstract	Allan Antliff
95	The Munster Sculpture Project — Abstract	Vesna Antliff
95	Jeremy Shaw: Best Minds Part One — Abstract	Clint Burnham
95	Two Versions of Engagement — Abstract	Jon Davies
95	Jon Sasaki — Abstract	Dave Dyment
95	The 52nd Venice Biennale — Abstract	Petra Halkes
95	Canada, locate yourself! — Abstract	Rosemary Heather
95	documenta 12 — Abstract	Rosemary Heather
95	Staring Therapy (2007) — Abstract	Victoria Kent
95	Chih-Chien Wang — Abstract	Tatiana Mellema
95	Anitra Hamilton: Retrospective on Parade — Abstract	Earl Miller
95	Monika Baer, Thomas Bayrle — Abstract	Wojciech Olejnik
95	Biennale de Montreal 2007 — Abstract	Leila Pourtavaf
95	Memory Trigger — Abstract	Manuel Segade
95	Gordon Matta-Clark: You Art the Measure — Abstract	Chen Tamir
95	Views: Artists and Air Miles — Abstract	Jacob Wren
94	In the Blink of an Eye — Abstract	Stacey Abramson
94	Kiki Smith: A Gathering, 1980-2005 — Abstract	Rosa JH Berland
94	Jillian Pritchard — Abstract	Eli Bornowsky
94	A theory of Emergence — Abstract	Tony Conrad
94	Art=Real Life — Abstract	Rosemary Heather
94	Lucy Pullen: New Knowledge — Abstract	Candice Hopkins
94	Views: She, Her and Me — Abstract	Chris Kraus
94	Katja Host: The Lonely Crowd — Abstract	Tatiana Mellema
94	The Idea of North — Abstract	Doreen Mende
94	Rodney LaTourelle: In the Absence of Unambiguous Criteria — Abstract	Patricia Reed
94	Long Distance Haul — Abstract	Leah Sandals
94	Snakes and Ladders (2007) — Abstract	Jon Sasaki
94	Material Ouvres — Abstract	Catherine Sicot
94	Loitering in Cyberspace — Abstract	Cheryl Simon
94	Notes on the Second Moscow Biennale of Contemporary Art, or how I learned to stop worrying and love the rubble (not the ruble… or the bomb) — Abstract	Monika Szewczyk
94	Views: Adventures in Ironic Activism — Abstract	Jacob Wren
93	Model for a Public Space [Speaker] — Abstract	Adrian Blackwell
93	Liz Rideal, Fall, River, Snow: Water Drape, Ice Steam, Deer Portrait — Abstract	Charles Danby
93	Views: Kenneth Anger Me — Abstract	Jon Davies
93	Deborah Margo — Abstract	Petra Halkes
93	Canada's Culture War — Abstract	Rosemary Heather
93	Rodney Graham — Abstract	Andria Hickey
93	Between the Monument and the Ruin — Abstract	Candice Hopkins
93	Neo Rauch — Abstract	Sholem Krishtalka
93	Scott Treleaven: My dear, my darling, do you hear me where you sleep? — Abstract	York Lethbridge
93	Representation of a Sculptor — Abstract	Earl Miller
93	Beyond Cinema: The Art of Projection — Abstract	Henrikke Nielsen
93	"I Believe the Solution is Panic" — Abstract	Fernando Oliva and Marcelo Rezende
93	Al Steiner — Abstract	Lisi Raskin
93	Manifesta Destiny — Abstract	Helena Reckitt
93	Iris Haussler — Abstract	Catherine Sicot
93	Views: Canadian Club — Abstract	Judith Wilkinson
93	Real Dirty Ethics — Abstract	Jacob Wren
92	Sterling Ruby: Interior Designer — Abstract	Aaron Brewer
92	Goshka Macuga: Sleep of Ulro — Abstract	Charles Danby
92	Madness is the language of the excluded — Abstract	Michèle Faguet and Cristobal Lehyt
92	Dissociation — Abstract	Rosemary Heather
92	Ornament as Content: And Interview with Shannon Bool — Abstract	Rosemary Heather
92	Gwangju & Singapore Biennials, 2006 — Abstract	Rosemary Heather
92	Sound and Vision — Abstract	Andria Hickey
92	Group Search (Art in the Library) — Abstract	Vanessa Kwan
92	Mike Kelley: Profondeurs Vertes — Abstract	Rodney La Tourelle
92	Predators & Prey — Abstract	Alma Mikulinsky
92	Views: Pile Driver: Philippe Donadini messes things up — Abstract	Benny Nemerofsky Ramsay
92	Cornelia Schmidt-Bleek: Plotting Revolution Under an Apple Tree — Abstract	Henrikke Nielsen
92	How to Colour — Abstract	Lisa Robertson
92	If balance stops and asks why, balance will die — Abstract	Kirstine Roepstorff
92	Natural Emptiness — Abstract	Nadia Ross
92	Uncertain States of America — Abstract	Chen Tamir
92	Views: The Romantic and the Entrepreneur — Abstract	Jacob Wren
91	Territory, Artspeak and Presentation House Gallery — Abstract	Clint Burnham
91	Canada: A Group Show From New York — Abstract	Charles Danby
91	Althea Thauberger: Experimentalism is Dead, Long Live the Internet — Abstract	Emily Vey Duke
91	The Young Canadians — Abstract	Rosemary Heather
91	Ninth Havana Biennial — Abstract	Jacob Korczynski
91	Greetings from LA: Chris Kraus reports on some suspicious activity in the new USA — Abstract	Chris Kraus
91	Nico Ihlein: Unclear Situations in Half Secured Rooms — Abstract	Rodney LaTourelle
91	Kristan Horton: An Image of Sculpture — Abstract	Yam Lau
91	Parlour of Twilight — Abstract	Corwyn Lund and Simone Moir
91	Dan Hays: Colorado Impressions — Abstract	Ruth Maclennan
91	Daniel Olson: Beside Myself — Abstract	Tatiana Mellema
91	Law and Ordering: On Evaluating Recent Canadian Neoconceptualism — Abstract	Earl Miller
91	Wait For Me — Abstract	Jennifer Murphy
91	Near and Far, Milutin Gubash, Stride Gallery — Abstract	Jennifer Murphy
91	Vancouver's Collecting Collective — Abstract	Christina Ritchie
91	Sadegh Tirafkan: Manhood — Abstract	Nadja Sayej
91	Michel De Broin: Taking Art For A Ride — Abstract	Bernard Schütze
91	Close To Icons: Monika Szewczyk on Steven Shearer's growing devotion to painting — Abstract	Monika Szewczyk
91	Oil for Art's Sake: Andrei Molodkin cuts into the veins of Western oil dependency — Abstract	Victor Tupitsyn
90	Anonymous, Not Impressed by Civilization, 2006
90	A Museum of the Future	Vito Acconci
90	Timeline: Manifestos for Beginners	Mireille Bourgeois
90	Instant Coffee Puts the Fest in Manifesto	Instant Coffee
90	I Feel Pretty	Tom Dean
90	All you need is Leniency	Leah Glushien
90	Michael Lewis, "Ancestor Corridor": Centre D’Exposition L’Imagier, Gatineau, QC	Diane Hardy and Dorothy Howard
90	The Manifesto Issue	Rosemary Heather
90	Berlin Biennal 4: Berlin, Germany	Marie Fraser and Antonia Hirsch
90	Manifestations of Soft Revolution	Toronto School of Creativity & Inquiry
90	A Message from the P.R.A. (Purple Resistance Army)	Bruce LaBruce
90	Arnaud Maggs, "Nomenclature": The Robert McLaughlin Gallery, Oshawa, ON	Gil McElroy
90	Supernovas: Winnipeg Art Gallery, Winnipeg	J. J. Kegan McFadden
90	Shinobu Akimoto, "Better Living": Art Gallery of Windsor, Windsor, ON	Sally McKay
90	Michael Euying Oh: Pari Nadimi Gallery, Toronto	Earl Miller
90	Welcome to Freedom Street: Mark Nault's Nationalist Underground	Mark Nault
90	Canada Dreaming: Wolfsburg Kunstverein, Wolfsburg, Germany	Henrikke Nielsen
90	Theatre Embarrassment and Commodification: An Aesthetic of Civic Engagement	Darren O'Donnell
90	---ifesto: Feminist Art's Shifting Ground	Helena Reckitt
90	Kathy Slade, "Chart": Tracey Lawrence Gallery, Vancouver	Cate Rimmer
90	Paul Butler, "Geting There is Half the Fun": Wynick/Tuck Gallery, Toronto	Nadja Sayej
90	The Arbour Lake Sghool, Untitled, 2006	The Arbour Lake Sghool
90	Mika Rottenberg, "Dough": Nicole Klagsbrun Gallery, New York	Chen Tamir
90	Manifesto: 11 conversation starters for Smal Wooden Shoe	Jacob Zimmer
89	Stephanie Aitkin, "Headlands: New Paintings", Helen Pitt Gallery, Vancouver	Sean Alward
89	Ilya and Emily Kabakov, "The house of Dreams": Serpentine Gallery, London	Christina Bagatavicius
89	Jeannie Thib, "Pattern Fields": Foreman Art Gallery of Bishop's University, Lennoxville, QC	Maura Broadhurst
89	Brian Jungen Interviewed by Terence Dick	Terence Dick
89	Jessica Thompson, "Soundbike": GlowLab, Open Lab Art Interactive, Boston	Dina Dietsche
89	Lori Newdick, "Lucky": Corkin Shopland Gallery, Toronto	Carla Garnet
89	Case Histories	Rosemary Heather
89	Nancy Van Keerbergen, Self Portrait, Back Nails Drip, 2003	Nancy Van Keerbergen
89	Slant: Wake	Chris Kraus
89	Jeff Wall, "Photographs 1978-2004": Tate Modern, London	Vesna Krstich
89	Erik Goengrich, "Everything Else is Inside: Berlin Sculptures & Other Announcements", Platz Der Vereinten Nationen 27, Berlin — Abstract	Rodney LaTourelle
89	Theodore Saskatche Wan, or Posing with Another	Yam Lau
89	"a plot with a single type of grass…": Anne Low on Andrew Dadson	Anne Low
89	Yang Fudong: Stedelijk Museum, Amsterdam	Tatiana Mellema
89	Lisi Raskin: Transmission Gallery, Glasgow	Mick Peter
89	My Fuzzy Valentine: Allyson Mitchell	Helena Reckitt
89	The Short Interview: Ken Lum	Leah Sandals
89	Chris Marker's Owl's Eye View	Sarah Robayo Sheridan
89	Theo Sims, "Splace": Golden Thread Gallery, Belfast	Salvka Sverakova
89	Corin Sworn, Switzerland 1972, 2005	Corin Sworn
89	Art Drug Centre: Jacob Wren on Kaoru Arima	Jacob Wren
88	Awesome, Harvest Holidae, 2005	Awesome
88	The Scale of the Disaster	Aaron Brewer
88	Le Mois de la Photo à Montréal: Montréal, QC	Anna Carlevaris
88	Martha Rosler: Institute of Contemporary Arts, London, UK	Andrea Carson
88	News From Nowhere: Susan Hobbs Gallery, Toronto	Janis Demkiw
88	Modern Primitives: So Faux: Canada Invents a New School of Art Rock	Stacey DeWolfe
88	Shrieks, Drones & Destruction: How Fluxus Altered the Face of Pop Music (Without Anyone Noticing)	Dave Dyment
88	Downes Point and So Departed (Again): Presentation House Gallery, Vancouver	Michèle Faguet
88	Art Rock	Rosemary Heather
88	Taylor Savvy [Sham] Artist, Pop Imposter	Rosemary Heather
88	Gap Artist: Tim Lee Works The Staged Fantastic	Justin Hoffmann
88	Disquiet: Modern Fuel, Kingston, Ontario	Risa Horowitz
88	Dan Graham Interviewed by Luis Jacob	Luis Jacob
88	Goody-B. Wiseman: Bad Girl Perennial	Chris Kraus
88	L'Autre Amérique: Art Contemporain du Brésil, Passage de Retz, Paris, France	Duncan Macdonald
88	File Under Anarchy: A Brief History of Punk Rock's 30 Year Relationship with Toronto's Art Press	Earl Miller
88	51st Venice Biennale: Venice, Italy	Earl Miller
88	Affirm/Nation: Urban Shaman Gallery of Contemporary Aboriginal Art, Winnipeg	Sandee Moore
88	Will Munro, I want to infuse pop music with disease cuz it's the beat that's killing me, 2005	Will Munro
88	Dimensionality: YYZ Artists Outlet, Toronto	Wojciech Olejnik
88	I Really Should...: Lisson Gallery, London, UK	Terri Whitehead
87	The Shover: Andrew Pollock Interviewed by Aaron Brewer — Abstract	Aaron Brewer
87	Ana Rewakowicz, "Dressware: SleepingBagDress": Musée d’Art Contemporain de Montréal — Abstract	Cecilia Chen
87	Slant: Terance Koh Interviewed by Mike e.b. — Abstract	Mike e.b.
87	All-Interview Issue — Abstract	Rosemary Heather
87	Gregory Burke Interviewed by Rosemary Heather — Abstract	Rosemary Heather
87	Marlena Kudlicka, "The Image That Emits No Shadow": Location One, New York — Abstract	Thomas Johnson
87	Kristina Lahde, Envelope Piece I, 2004 — Abstract	Kristina Lahde
87	Toby Paterson, "After the Rain": Barbican Gallery, London, UK — Abstract	Anne Low
87	Robert Storr Interviewed by John Bentley Mays — Abstract	John Bentley Mays
87	Dedicated to You, But You Weren't Listening: The Power Plant, Toronto — Abstract	Earl Miller
87	Olia Mishchenko, Untitled, 2005 — Abstract	Olia Mishchenko
87	Glenn Ligon Interviewed by Lyndon Phillip — Abstract	Lyndon Phillip
87	Kathryn Walter, "Remnants": Zsa Zsa Gallery, Toronto — Abstract	Deborah Root
87	Noam Gonick Interviewed by Leah Sandals — Abstract	Leah Sandals
87	Susanna Heller, "City Watch": Oakville Galleries, Ontario — Abstract	Nadja Sayej
87	Janet Cardiff & George Bures Miller Interviewed by Eva Scharrer — Abstract	Eva Scharrar
87	Robert Lee, "Minima Moralia": Images Festival 2005, Toronto — Abstract	Sarah Robayo Sheridan
87	BGL Interviewed by Kika Thorne — Abstract	Kika Thorne
87	Emotion Pictures: Museum Van Hedendaagse Kunst, Antwerp — Abstract	Michael Turner
87	Luis Jacob, "Open Your Mouth and Your Mind Will Follow": AKA, Saskatoon — Abstract	Donna Wawzonek
87	Gregory Crewdson, "Beneath The Roses": White Cube Gallery, London, UK — Abstract	Terri Whitehead
86	Supplemental Supernatural: David Askevold in Los Angeles — Abstract	Aaron Brewer
86	Two Types of Sacred: 1970s Endurance Art Today — Abstract	Emily Vey Duke and Kevin Rodgers
86	Reena Spaulings: Haswellediger & Co., New York — Abstract	Xandra Eden
86	Group Metaphysics — Abstract	Rosemary Heather
86	Slant: My Dinner With Who? — Abstract	Chris Kraus
86	Availabism, Ferralism and Kali 101: Bruce La Bruce Talks To Kembra Pfahler — Abstract	Bruce LaBruce
86	Germaine Koh: Catriona Jeffries Gallery, Vancouver — Abstract	Kyla Mallet
86	Don't You Feel Better?: Meeso Lee Gets Uneven — Abstract	John Marriott
86	Blue Republic: Peak Gallery, Toronto — Abstract	Bryne McLaughlin
86	The Politics of Wearability: African Cloth Reinvents The Diaspora — Abstract	Lyndon Phillip
86	Micah Lexier: Gitte Weise Gallery, Berlin — Abstract	Adina Popescu
86	Brad Phillips: Groeflin Maag Galerie, Basel — Abstract	Eva Scharrar
86	Daniel Siney, Aaron Firing Red Arrow, 2004 — Abstract	Daniel Siney
86	Untitled, 2005 — Abstract	Derek Sullivan
86	James Lee Byars "Love, Life and Death": Musée De L'Art Moderne Et Contemporain De Strasbourg, Strasbourg, France — Abstract	Pan Wendt
86	Beck's Futures 2005: Institute of Contemporary Arts, London — Abstract	Judith Wilkinson
86	Stephen Andrews: Cue Art Foundation, New York, and Participant Inc., New York — Abstract	Joseph R. Wolin
86	No Truth Without A Fight: Jacob Wren On Alain Badiou — Abstract	Jacob Wren
85	Eli Lander, "Twelve Years From Earth": Daniel Hug Gallery, Los Angeles	Muriel Bartol
85	The Shover: Waiting For The One	Aaron Brewer
85	I Want More Life Fucker: Arnaud Desjardin Talks to UK’s Inventory	Arnaud Desjardin
85	Slant: Suffering, Empathy, Art and the Greater Good	Emily Vey Duke
85	It Can Change, 2004	Gavin Brown’s Enterprise
85	Pro-Americanism	Rosemary Heather
85	Body Politics: A Letter to Terry Eagleton	Thomas Johnson
85	Gu Xiong and Xu Bing, "Here is What I Mean": Doris McCarthy Gallery, Scarborough	Julian Jason Haladyn and Miriam Jordan
85	Elke Marhöfer: Get Out if Here and Think We	Rodney La Tourelle
85	Gregor Schneider, "Die Familie Schneider": Artangel, London	Anne Low
85	Re: Twenty Years of C Magazine	Dyan Marie
85	Nice Nihilism: The Art of Chris Hanson and Hendrika Sonnenberg	Earl Miller
85	Paper Rad: The Rainbow Graffiti Will Fade!	Jenifer Papararo
85	Flipside: Artists Space, New York	Lisi Raskin
85	3 Objects, Daniel Young and Christian Giroux: Ace Art Inc., Winnipeg	Mary Reid
85	Paul P.: Galerie Lisa Ruyter, Vienna	Julie Ryan
85	White: Whiteness and Race in Contemporary Art, International Center of Photography, New York	Leah Sandals
85	Postscript to "An Interview With Michael Snow" In Issue #84 Winter 2004: Apologies and Corrections / Clarifications	Michael Snow
85	Sandra Meigs, "The Bump and Ride Paintings": Susan Hobbs Gallery, Toronto	Chen Tamir
85	Sadegh Tirafkan, From the Series: Secret of the Runes, 2002	Sadegh Tirafkan
85	Table of Contents: Sydney Vermont, George Reagan, 2005	Sydney Vermont
84	Adrian Blackwell, Car Collective: Modern Fuel, Kingston, Canada	Jan Allen
84	Precision Gesamtkunstwerk: This is a Universe, An Interview with Michael Snow	Ariane Beyn
84	The Shover: War Consolations	Aaron Brewer
84	Artefact 2004 Urban Sculpture: Parc du Mont-Royal, Montréal	Janis Demkiw
84	Fabulation: Vox Contemporary Image, Montréal	Stacey DeWolfe
84	Your information is wrong	Rosemary Heather
84	Bettina Hoffmann, Maître Et Chien, 2004	Bettina Hoffmann
84	Shining-TV: Distortion on Demand	Conor Humphries
84	Oona Stern: False Platitudes	Thomas Johnson
84	Shrinking Cities: Kunstwerke Gallery, Berlin	Doris Kleilein
84	Utopia Problem: Bruce Mau Design’s Massive Change Project	John Bentley Mays
84	Eddo Stern: Art Gallery of Ontario, Toronto	Bryne McLaughlin
84	Rock, Paper, Scissors: The Sculpture of James Carl	Robin Peck
84	Lee Bontecou: MoMA, New York	Lisi Raskin
84	The Cave and the Island: Kunstburo Gallery, Vienna	Julie Ryan
84	Slant: Terriblisma and the Work of Candice Lin and Alice Catteneo	Goody-B Wiseman
83	A Mobile Wardrobe Designed by Bless, 2004
83	Dax Morrison, Day By Day: Art Gallery Of Windsor	Allan Antliff
83	The Father of the Raven and the New Jersey Turnpike at Night	Aaron Brewer
83	Bill Burns, Safety Gear For Small Animals: Saidye Bronfman Centre, Montréal	Stacey DeWolfe
83	Flow Chart For Chips, Maura Doyle, 2004	Maura Doyle
83	Letter from Halifax	Emily Vey Duke
83	Jeremy Blake: Art Gallery of York University, Toronto	Randy Gladman
83	Daniel Richter: Optimistic Dystopian	Eliza Griffiths
83	Becoming Minor: Revenge of the Cradle, Keçeburnu Art Space and Diyarbakir Sanat Merkezi; Diyarbakir, Turkey	Kenneth Hayes
83	Traumatophilia	Rosemary Heather
83	Euan Macdonald, Eclipse + Other Chance Experiences: Kunstbunker, Nüremberg, Germany	Sybrant Van Keulen
83	Solutions to Problems that Don't Exist	Chris Kraus
83	Take Your Balls and Go: Bruce La Bruce on Jackie Curtis	Bruce LaBruce
83	John Bock: Klosterfeld Gallery, Berlin	Rodney LaTourelle
83	Together Forever: Contemporary Art Gallery, Vancouver	Kyle Mallett
83	Rachel Harrison, Latka/Latkas:GreeneNaftali Gallery, New York	Lisi Raskin
83	11th Biennial of Visual Arts Values: Pancevo, Serbia	Bernard Schütze
83	Trip Into the Unknown, Berlin’s Full-Blown Disco Perversion: The Honeysuckle Company	Suzana Sučic
82	Memoirs of Water: Station, Houston	Allan Antliff
82	Bernie Miller: Centre Cultural Canadian, Paris	Louise Asherson
82	Daniel Barrow, Hairstyle, 2004	Daniel Barrow
82	Confidence, Contemporary Art from Vancouver: Passagen, Centre For Contemporary Art, Linkoping, Sweden	Bo Borg
82	The Shover: Jew Baiting The New World Order	Aaron Brewer
82	Helen Cho: Werkzeug/ Passion & Her Family & Orion	Helen Cho
82	Jay Isaac, Maritime Frazetta: Greener Pastures, Toronto	Janis Demkiw
82	Kirsten Stoltman, Let’s Get It On / Paul Llyod Sargent, White Blight Manifesto: Chicago	Emily Vey Duke
82	Long Music and the Short Now: On Rodney Graham’s Music	Dave Dyment
82	21st Century Werewolf Aesthetics: An Interview With David Altmejd	Randy Gladman
82	Turning The Corner On The World Stage Of Architecture: Frank Gehry’s Designs on Toronto	Deirdre Hannah
82	Pro-Canadianism	Rosemary Heather
82	Scope: New York	Rosemary Heather
82	Suzy Lake and the Cult of the Idol	Patrick Holland
82	Slant: Jack Goldstein and the Cal Arts Mafia	Chris Kraus
82	Ed Pien, Imaginary Beings: Prüss & Ochs, Berlin	Benny Nemerofsky Ramsay
82	Proposing Difficulty: Nestor Kruger In Theory And Practice	Jenifer Papararo
82	Johannes Wohnseifer, Enklave / Exklave: Galerie Nicolas Krupp, Basel	Eva Scharrar
81	Catherine Sylvain: Petites Détresses Humaines, Circa, Montreal	Pascale Beaudet
81	Obituary: Ann Lind, 1943-2004	Jessica Bradley
81	The Shover: The Unseen, Supernatural Politics And The American Right	Aaron Brewer
81	Threads Of Belonging, Jennifer Montgomery: Gene Siskel Center, Chicago	Emily Vey Duke
81	The Last Revolutionary Moment: Weather Underground Director Sam Green In Conversation with Rebecca Godfrey	Rebecca Godfrey
81	Dysentery	Rosemary Heather
81	The Basement Show: The Electra, Vancouver	Séamus Kealy
81	Slant: Let's Call the Whole Thing Off	Chris Kraus
81	Peaches: Word To The Fatherfucker	Bruce LaBruce
81	Eli Langer, Untitled (Dream), 1996/2004	Eli Langer
81	Siobhan Hapaska: Kerlin Gallary, Dublin	Bryne McLaughlin
81	Show’s Over Folks, Move Along: The Institutionalization of Art and The Secret Life of the Underground	Philip Monk
81	Melissa Shiff, Eijah Chair: Art, Ritual and Social Action, The Jewish Museum, New York	Scott Myers
81	I Wanna Be A Popstar: Loop, Raum Für Aktuelle Kunst, Berlin	Eva Scharrar
81	Collier Shorr: Modern Art Inc, London	Fergal Stapleton
81	All Ways Lead to Rome: Talking To La Cicciolina	Suzana Sučic
81	Mark Leckey / Tony Romano: Mercer Union, Toronto	Corin Sworn
81	Zin Taylor, The Locust, 2004	Zin Taylor
81	Asking The Wrong Questions: 6 Artists Respond	Sarah Hollenberg and Izida Zorde
80	Dave Allen, ‘Cassette Tape Covers From C Issue #79, 2003	Dave Allen
80	The Shover: Collectively Wrong - Fascist Aesthetics in Contemporary Life	Aaron Brewer
80	John Currin: Museum of Contemporary Art, Chicago	Emily Vey Duke
80	World War vs Tribal War	Owen Ford
80	Good Will Hunting	Brian Gahan
80	Andrew J. Patterson, Mono Logical: 7A*11D and Pleasure Dome, Toronto	Andrew Harwood
80	Collective Action	Rosemary Heather
80	They Is Them, We Is You, They Is Us, We Is Them	Sarah Hollenberg and Rebecca Roberts
80	Hadley Howles + Maxwell Stephens, Untitled Sculpture (1997), An Idea of Collaboration	Hadley Howles and Maxwell Stephens
80	Golden Streams: Artists' Collaboration and Exchange in the 1970's	Luis Jacob
80	Slant: Temporal Protocols	Chris Kraus
80	Bankleer (Christoph Leitner, Karin Kasböck): Kunstbank, Berlin	Rodney LaTourelle
80	Mark Lombardi, Global Networks: The Drawing Center, New York	Scott Myers
80	Isin Onol, ‘Light Compositions’, 2003	Isin Onol
80	The 8th Havana Biennial: Two perspectives on two collaborations	Janis Demkiw and Jenifer Papararo
80	Obituary: Doris Shadbolt 1918-2003	Cate Rimmer
80	Karin Bubas, Ivy House: Monte Clark Gallery, Vancouver	Christina Ritchie
80	Contemporary Art is Sex: Rita McBride in Conversation with Kathy Slade	Kathy Slade
80	'I Am a Curator', Per Huttner: Chisenhale Gallery, London	Fergal Stapleton
80	Re-play: Edmonton Art Gallery, Edmonton	Natalie De Vito
79	Virgorabbit, Virgodeer	Aaron Brewer and Sarah Hollenberg
79	Libia Pérez de Siles de Castro and Ólafur Árni Ólafsson: Sdhjñee / appearance	Libia Pérez de Siles de Castro and Ólafur Árni Ólafsson
79	Will Ideology Pay the Rent?: Some text for TASTE	Ron Giii
79	Corporate Kufic	Kenneth Hayes
79	The Foreign Issue	Rosemary Heather
79	Kaliningrad's Luminous Cacti	Conor Humphries
79	Foreign as us: the work of Basir Borlakov	Erden Kosova
79	Lee & Elaine, by Ann Rower	Chris Kraus
79	Interview with Gus Van Sant	Bruce LaBruce
79	Yuri Leiderman: Geopoetics 1, 2003	Yuri Leiderman
79	Althea Thauberger: Serious	Althea Thauberger
79	The Invisible Arts: Through Frog Eyes and a Glass, Darkly	Carl Wilson
78	Dreams and Conflicts - The Viewer's Dictatorship: The 50th Venice Biennale
78	TEAM APOCALYPSE	Matt Bain and John Scott
78	David Byrne	David Byrne
78	UK/Canada Film & Video Exchange	Andrea Carson
78	Ryan McGinley and Two Years of BUTT	Mike e.b.
78	An Interview with Vasif Kortun	Xandra Eden
78	Art Chicago 2003: The Art Industrial Complex	Andrew Harwood
78	Sale of the Century: Socialist Realism Wins Big on the Global Art Market	Rosemary Heather
78	Art Collection, Part 1: Thursday, 9 April, Palm Springs California	Chris Kraus
78	Simone Moir	Simone Moir
78	Damian Moppett	Damian Moppett
78	K48-3 Teenage Rebel: The Bedroom Show	Jenifer Papararo
78	Why Stoics Don't Riff: The Prime of Ms. Jeanne Randolph	Andrew James Paterson
78	Why Stoics Box: Essays on Art and Society by Jeanne Randolph	Steve Reinke
78	FACT/Liverpool: Film, Art and Creative Technology Centre	Lee Rodney
78	The Invisible Arts	Carl Wilson
77	I've Been Thinkin'	David Armstrong
77	Keeping Fluid In A Common Place: Karen Henderson's Gallery Cameras	Martin Arnold
77	The Evidence: A romantic interrogation of the work of Hilla Becher	Gil Blank
77	Visit To Nutsy's: Randy Gladman at Tom Sach's Studio	Randy Gladman
77	buzzes...others inside out...	Hans-Jürgen Hafner
77	Asia Pacific Triennial	Ihor Holubizky and Jon Tupper
77	Lessness	Rob Kovitz
77	The Art of Noise: Merzbow	Kathleen Maitland-Carter
77	Beyond Overcoming: Notes on Abstract Painting	John Bentley Mays
77	Some Assembly Required: Ray Johnson's Performance in Life and Death	Matthew Rose
77	Will Is Was	Carl Skelton
76	Ephemera: Collected mail
76	That Cunt Has Balls: The Last of the Four-Letter Words	Jane Air
76	Tops'N'Bottoms: A Project by Karen Azoulay and Joel Gibb	Karen Azoulay, Joel Gibb, and Guntar Kravis
76	Prosthetic Devices For a Global Walker: Recent Works by Kinga Araya	Anna Carlevaris
76	Sputum: A diptych by Karma Clarke-Davis	Karma Clarke-Davis
76	For Real: Telling the Truth in Art & Writing	A.S.A Harrison
76	Torpor, Los Angeles: Whole	Chris Kraus
76	Whose Heinie Is It Anyway? Bruce LaBruce Interview Gavin McInnes	Bruce LaBruce
76	ABCDF LA LA: A book that offers an Artist's-Eye View of Mexico City	Jenifer Papararo
76	On The Waterfront: Roni Horn's River Works	Johanne Sloane
76	The Invisible Arts: The Good Destruction	Carl Wilson
76	Eight Points Concerning Why Things Are The Way They Are	Jacob Wren
76	Taking A Peek At Cindy: The Philosopher and the Drag-Queen	Cindy Lutèce (Scott Hayes) and Stephen Zepke
75	Too Much: The Triumph of High Production Values	Gil Blank
75	AD HOC: Andy Warhol and Tom Dean	Claire Christie, Tom Dean, and Andy Warhol
75	AD HOC: Kelly Mark	Claire Christie and Kelly Mark
75	AD HOC: Marcel Dzama	Claire Christie and Marcel Dzama
75	Twitching & Scratching: The Videos of Emily Vey Duke and Cooper Battersby	Rebecca Godfrey
75	Documenta: Ein Echo	Paul de Guzman, Hans-Jürgen Hafner, and Elizabeth Schwaiger
75	Private Public Art Venues & The Untamed Audience	Rosemary Heather
75	Salon Des Refusés: The Narrative Subtractions of Three Canadian Fiction Writers	Lee Henderson, Sheila Heti, Derek McCormack, and Michael Winter
75	The Unreadable Present: Nadia Myre & Kent Monkman	Richard William Hill
75	The Other Side of the Clock: The 2002 Biennale of Sydney	Ihor Holubizky
75	Torpor, Los Angeles: Outlaw Woman	Chris Kraus
75	The Invisible Arts: Rat-Drifting Music / Detouring Around the Map	Carl Wilson
74	Aesthetic Intelligence Yield	Raphaële Bidault-Waddington
74	Places to dream from...	Barbara Bloom, Chris Burden, Julian Opie, Renée Petropoulos, David Reed, and Jessica Stockholder
74	Maura Doyle's Art Services	Dave Dyment
74	The Singing Dunes: Colin Campbell, 1943-2001	John Greyson
74	Torpor, Los Angeles: You do the math	Chris Kraus
74	Triple Self-Portrait	Jennifer Murphy and Chris Rogers
74	The Secret Files of Gilbert & George	Hans Ulrich Obrist
74	Inside Images: A C project	Wim Delvoye, Mario Scattoloni, and Ellen Gould Ventura
74	The Invisible Arts: The March of the Child Bridegrooms	Carl Wilson
74	Spaceport Saskatoonia	Dermot Wilson
74	Love, love will tear us apart, again...	Stephen Zepke
73	Obituary: Colin Campbell
73	Landscapes: Notes on a Town Without Pity	Wayne Baerwaldt
73	On Drawing	Aaron Brewer
73	Untitled (C Insert)	Claude Closky
73	Ca Cb: Lynn Crosbie looks at the work of Corinne Carlson	Lynn Crosbie
73	Ca Cb: Lynn Crosbie looks at the work of Corinne Carlson	Lynn Crosbie
73	Politics and Romance in James Carl's redemption	Ann Dean
73	Shirin Neshat: Musée d'art contemporain de Montréal	Susan Douglas
73	sensories: a time to be heavy, a time to move	Cécile Hartmann
73	Coming Home	Corin Hewitt
73	We Need Your Dick Out Here: Chris Kraus on Sophie Calle	Chris Kraus
73	Barbara McGill Balfour: Open Studio, Toronto	Patrick Mahon
73	Looking Forward: Lisa Gabrielle Mark / Los Angeles	Lisa Gabrielle Mark
73	Mara Korkola: Lonsdale Gallery, Toronto	Sue McCluskey
73	Looking Forward: nvisible Museum / Five Aces	nvisible Museum
73	Palais de Tokyo: A conversation between artists Nadine Norman and Sam Samore	Nadine Norman and Sam Samore
73	Landscapes: A View from Chicago	Steve Reinke
73	Conceptual Think-See: Three Generations of Conceptual Artists	Dena Shottenkirk
73	Landscapes: Letter from the Large Intestine	Carl Skelton
73	Looking Forward: Deborah Smith / Mainly England	Deborah Smith
73	Editorial	Eileen Sommerman
73	Looking Forward: Eileen Sommerman / Editor’s Choice, Toronto	Eileen Sommerman
73	Nothing and Something in the Work of Martin Creed	Kika Thorne
73	Looking Forward: Jonathan Watkins / Global Tour	Jonathan Watkins
73	Looking Forward: Carl Wilson / On Music	Carl Wilson
73	Landscapes: Letter from Wein/Vienna	Stephen Zepke
72	C Index: Awards, Appointments, Acquisitions and Sales
72	Pure Happenings: The Work of Gwen MacGregor	Martin Arnold
72	New Canadian Folk	Daniel Borins
72	Scott McFarland: Monte Clark Gallery, Vancouver	Christopher Brayshaw
72	Myfanwy Macleod: Catriona Jeffries and Or Galleries, Vancouver	Christopher Brayshaw
72	Thing Culture	Jeff Derkson
72	Jeremy Blake: YYZ, Toronto	Eric Glavin
72	Aernout Mik: The Power Plant, Toronto	Sophie Hackett
72	Hoser: Artists' Portfolio	Cooper Battersby, Emily Vey Duke, Jinhan Ko, Kelly Mark, Alex Morrison, and Sandy Plotnikoff
72	Victor Sloan, Susan Philipsz, and Eoghan McTigue: Plug In ICA, Winnipeg	Rodney La Tourelle
72	Society Page	Pamila Matharu
72	Centrefold 9-8-01	Rob Davis, Vincent Dermody, Mike Langlois, Rebecca Levine, and Law Office
72	C Shorts: Recent and Current Exhibitions	Dion Kliner, Si Si Penaloza, and Jessica Wyman
72	Isabelle Hayeur: SKOL, Montreal	Vincent Tinguely
72	Promises Promises: Michael Turner interviews Christina Ritchie	Michael Turner
72	20 Questions with Bradley Phillips	RM Vaughan
72	Universal Pictures 3: Blackwood Gallery, University of Toronto at Mississauga	Jessica Wyman
71	C Shorts: Recent and Current Exhibitions — Abstract
71	C Index: Awards, Appointments, Acquisitions and Sales — Abstract
71	"Dead Teenagers": West Wing Art Space, Toronto — Abstract	Elaine Bowen
71	Deerfucker (Sarah Braman and Aaron Brewer) — Abstract	Sarah Braman and Aaron Brewer
71	William Kentridge: New Museum of Contemporary Art, New York — Abstract	Susan Douglas
71	Social Improvisation: The Recent Films of Steve McQueen — Abstract	Gregory Elgstrand
71	Katharine Harvey: Pari Nadimi Gallery, Toronto — Abstract	Sophie Hackett
71	Aural Optics: Stephen Lawson on Janet Cardiff and George Bures Miller — Abstract	Stephen Lawson
71	Atom Egoyan and Juliao Sarmento: 49th Venice Biennale — Abstract	Laurel MacMillan
71	lèche-vitrine blanch paris, 2001	Arnaud Maggs
71	Skyworks: Hans Ulrich Obrist on "En el cielo," an exhibition in the skies over Venice — Abstract	Hans Ulrich Obrist
71	Then and Now: Mexico City's La Panadería — Abstract	Jenifer Papararo
71	Spring Hurlbut: Institute of Contemporary Culture at the Royal Ontario Museum, Toronto — Abstract	Karen Roulstone
71	Society Page — Abstract	Tom Sanders, Stacy Sargent, and Jennifer F. Shlesinger
71	The Net Effect: Eileen Sommerman's Paris — Abstract	Eileen Sommerman
71	"Metamorphosis and Cloning": Musée d'art contemporain de Montréal — Abstract	Cindy Stelmackowich
71	The Unnoticed Observer: Jochen Volz on Salla Tykkä, Anri Sala and Mike Nelson — Abstract	Jochen Volz
71	Hunting the Sphinx: Rachel Withers on Ron Mueck, Anniks Larsson, Gregor Schneider and Mike Nelson — Abstract	Rachel Withers
70	To c
70	Art Metropole: Retail Catalogue 23, June 2001
70	C Invitational
70	C Index: Awards, Appointments, Acquisitions and Sales — Abstract
70	c'n — Abstract
70	Mathieu Gallois: Experimental Art Foundation, Adelaide, Australia — Abstract	Maria Bilske
70	Christine Borland: Lisson Gallery, London — Abstract	Xandra Eden
70	Strip Joint Interventions: My Night with Charmaine — Abstract	Cliff Eyland
70	Unravelling the Grid: "Substitute City" at The Power Plant — Abstract	Andy Fabo
70	Kit Bashing, Street Remakes and Bisexual Architecture: Urbanist Rafael Gomez-Moriana in conversation with sculptor Kim Adams — Abstract	Rafael Gomez-Moriana
70	Artist's Project: Tania Kitchell — Abstract	Tania Kitchell
70	Society Page	Aaron Brewer and Natalie Kovacs
70	Editorial	Si Si Penaloza
70	Nostalgia and Nationalism: Two London Surveys, ICA and Tate — Abstract	Lee Rodney
70	Thomas Demand: 303 Gallery, New York — Abstract	James Trainor
70	Locked On: Jordan Crandall's Heatseaking — Abstract	David Womack
69	What to C: Gursky at MoMa & The World Observed at Morgan Library, NY / Photography Collection at Norton Museum, Palm Beach / Substitute City at Power Plant, Toronto / Millennium Prize, National Gallery, Ottawa — Abstract
69	What was c'n: Walker at Saint Mary's University Art Gallery, Hfx / Snow at White Box, NY / Give & Take at the Victoria & Albert Museum and Serpentine Gallery, Ldn / Dubbet at Barbara Gladstone, NY — Abstract
69	Tableau Vivant 1995-2000: John Armstrong's retrospective look at the gallery and its director — Abstract	John Armstrong
69	Peter Doig: Morris and Helen Belkin Gallery, Vancouver — Abstract	Christopher Brayshaw
69	Hermènègilde Chiasson: Beaverbrook Art Gallkery, Fredericton — Abstract	Ray Cronin
69	Sharon Switzer: The Red Head Gallery, Toronto — Abstract	Carla Garnet
69	On Kawara: David Zwirner Gallery, New York — Abstract	David Gibson
69	Terry Richardson: Shine Gallery, London — Abstract	David Boyd Haycock
69	Nothing Personal — Abstract	Garry Neil Kennedy
69	Robin Metcalfe's Bienal de la Habana Notebook — Abstract	Robin Metcalfe
69	Vanitas: Saint Mary's University Art Gallery, Halifax — Abstract	Robin Metcalfe
69	Rodney Graham: Presentation House, Vancouver — Abstract	Kathy Slade
69	Lessons — Abstract	Ho Tam
69	California Trip: Daryl Elaine Wells reports on "Made in California" at the LA Country Museum of Art — Abstract	Daryl Wells
66	What was C’n: White Cube² /”Live in Your Hear” at Whitechapel. Graham at Marion Goodman / Lawler, Simmon, Wilson and Oursler at Metro Pictures.
66	Rapprochements: John Armstrong on an exhibition of works by Carmelo Arnoldin & Judith Schwarz	John Armstrong
66	Mindful Movements: Rossitza Daskalova contemplates the work of Sylvia Safdie	Rossitza Daskalova
66	Stan Denniston’s Rotterdam Film Festival Notebook	Stan Denniston
66	Conversation Piece: Sylvie Fortin on Nadine Norman’s Paris “Call Girl”	Sylvie Fortin
66	Willie Cole: Miami Art Museum	Sherry Gaché
66	Letter from Toronto: March 2000	Lisa Gabrielle Mark
66	Now is the time	Joyce Mason
66	Letter from Banff: March 2000	Robin Metcalfe
66	The New Republics: Edmonton Art Gallery	Kerry Mogg
66	Renée Green: Pat Hearn Gallery, New York	Klaus Ottmann
66	First Person Painting: Reflections on recent New York Painting	Dena Shottenkirk
66	Agitator: Contemporary Art of Propaganda, Glass Curtain Gallery, Columbia College, Chicago	Susan Snodgrass
65	What to c: Garry Neill Kennedy at AGNS / MoMA 2000 / American Century & The Whitney Biennial / Architecture at MCA Chicago
65	What was C'n: highlights from our editions' notebooks, Peter Zimmerman, NYCb / Kelly Mark, Toronto / Tracey Emin, London / The Experimental Exercise of Freedom, LA
65	Cliff Eyland's Liverpool Notebook
65	What to C: Janet Cardiff at Gairloch Gardens, Janet Morton / Peter Bowyer in Toronto Parks / HX 2000 / The Tate Modern
65	Vacation in Black and White: John Armstrong on the travels of Dianne Bos	John Armstrong
65	Donigan Cumming: Marché Bonsecours, Montreal	Sylvain Campeau
65	Who. Who. Who is Michael Fernandes: Ray Cronin investigates the elusive works of a substantial artist	Ray Cronin
65	Afterword: Letter to the Editor and Contributing Editor's Response	Kim Fullerton and Robin Metcalfe
65	Watch: bona fide, Chicago	Esther Grisham
65	Obituary: Anita Aarons (1912-2000)	Ihor Holubizky
65	C Changes	Joyce Mason
65	Letter from New York: December 1999	Robin Metcalfe
65	Urban Gothic: Philip Monk on Stan Douglas's Le Détroit	Philip Monk
65	Flywheel: Nunnery Gallery, London	Chris Morgan
65	Jack Nivan: Tableau Vivant, Toronto	Debbie O'Rourke
65	Letter from London: January 2000	Carol Peaker
64	What to c: a guide to the season's major exhibitions
64	What was C'n: highlights from our editions' notebooks, SITE Santa Fe / Science Museum / AKI 2
64	Faki: Open Studio Gallery, Toronto	John Armstrong
64	Leesa Streifler: Latitude 53 Gallery. Edmonton	Blair Brennan
64	The Collaborators: Antonia Contro's and Maurizio Pellegrin's Constructive Engagement	John Brunetti and Therese Grisham
64	A Theatre of Presence: Beaverbrook Art Gallery, Fredericton	Ray Cronin
64	Juan Geuer: Present Intense	Gary Michael Dault
64	Here and Now: Ihor Holubizky looks at Brisbane's millennium-bridging triennial	Ihor Holubizky
64	Letter from Toronto: November, 1999	Lisa Gabrielle Mark
64	Friend or Faux: Robin Metcalfe looks for superficial meanings in three recent Halifax exhibitions	Robin Metcalfe
64	Navigator: Philip Monk on recent works by Roland Brener	Philip Monk
64	Mimmo Paladino & Brain Eno: The Roundhouse, London	Carol Peaker
64	Suzy Lake: Paul Petro Contemporary Art, Toronto — Abstract	Lee Rodney
64	Letter from New York: October 1999	Dena Shottenkirk
63	Location, Location, Location: John Armstrong tracks the Robert Birch Gallery's first ten years	John Armstrong
63	View 1: Toronto’s Tom Bjarnason	Tom Bjarnason
63	View 3: Vancouver’s David Chan	David Chan
63	Kathleen Sellars : Gallery Connexion, Fredericton	Ray Cronin
63	Arnaud Maggs: The Power Plant, Toronto	Vid Ingelevics
63	Fresh Heir	Lisa Gabrielle Mark
63	Letter from Toronto: September 1999	Lisa Gabrielle Mark
63	View 2: Barcelona’s Rosa Martinez	Rosa Martinez
63	A Good Fit	Joyce Mason
63	Venetian Views: Introduction	Joyce Mason
63	Studio Visit: Carol Jackson, Chicago	Michael McCaffrey
63	Charlottetown Calling: September 1999	Robin Metcalfe
63	Liz Magor: Equinox Gallery, Vancouver	Philip Monk
63	Nestor Kruger: Art Gallery of Ontario, Toronto	Philip Monk
63	Terms of Engagement: Reports on Vancouver’s “War Zones”	Bob Sherrin
63	Letter from New York: September 1999	Dena Shottenkirk
62	What to c: a guide to the season's art events
62	Letter from Montreal: May 1999	Marie Fraser
62	Sandra Rechico: Art Gallery of Mississauga, Toronto	John Armstrong
62	Jacques Perron: Galerie Oboro, Montreal	Sylvain Campeau
62	Life Inside Life: On the recent paintings of Douglas Walker	Gary Michael Dault
62	Letter from Calgary: May 1999	David Garneau
62	Tom Dean at Large	A.S.A. Harrison
62	Letter from Toronto: May 1999	Lisa Gabrielle Mark
62	C is dead. long live C	Joyce Mason
62	The Cultured Tourist: Carol Ehlers Gallery, Chicago	David McCracken
62	Scapular Gallery Nomad: Lianne McTavish Considers The Artist As Gallery	Lianne McTavish
62	Extremities: Tom Dean Prepares for Venice	Robin Metcalfe
62	Letter from Halifax: May 1999	Robin Metcalfe
62	A Few of my Favourite Feher's	David Morrow
62	Neurotic Realism: Saatchi Gallery, London	Carol Peaker
62	Letter from London: May 1999	Carol Peaker
62	Todd Tedeschini: Catriona Jeffries Gallery, Vancouver	Ingrid Mary Percy
62	Letter from New York: May 1999	Dena Shottenkirk
62	Letter from Chicago: May 1999	Susan Snodgrass
62	Lynn Geesaman: Yancey Richardson Gallery, New York	Scott Walden
61	Letter from Montreal: February 1999	Marie Fraser
61	Letter from Calgary: February 1999	David Garneau
61	Letter from Toronto: February 1999	Lisa Gabrielle Mark
61	Recurring Images: Historical Photography as Contemporary Art	Lisa Gabrielle Mark
61	Letter from Halifax: February 1999	Robin Metcalfe
61	Gerald Ferguson & Arnaud Maggs: Mount Saint Vincent University Art Gallery, Halifax	Robin Metcalfe
61	Eldon Garnet: Canadian Museum of Contemporary Photography, Ottawa	Douglas Ord
61	Jackson Pollock: Museum of Modern Art, New York	Klaus Ottmann
61	You're In My Space: Chicago Cultural Center	Laurie Palmer
61	Letter from London: February 1999	Carol Peaker
61	Scattered Across the Floor: The Sculpture of Colleen Wolstenholme	Robin Peck
61	Mowry Baden: Open Space and Rogue Art Gallery, Victoria	Ingrid Mary Percy
61	Letter from New York: February 1999	Dena Shottenkirk
61	Letter from Chicago: February 1999	Susan Snodgrass
61	Gisele Amantea: Oboro, Montreal	Will Straw
61	Manifest Destiny: Five Modest Reactions	Julie Voyce
61	Chris Ofili: Serpentine Gallery, London	Daryl Wells
60	Letter from Montreal: November 1998	Marie Fraser
60	Barbara Cooper: Fassbender Gallery, Chicago	Jeff Abell
60	Martha Fleming & Lyne Lapointe: Musée d'art contemporain de Montréal	Sylvian Campeau
60	The Rules of the Game: Gerard Collin's Work Ethic	Ray Cronin
60	In Lieu: Gary Michael Dault on Art Installed in Washrooms	Gary Michael Dault
60	The Greenroom of Millie Chen & Warren Quigley	Gary Michael Dault
60	Destination: Alberta	Sara Diamond
60	Home & Away: Gavin Brown's enterprise, New York	Lia Gangitano
60	Letter from Calgary: November 1998	David Garneau
60	Destination: São Paulo	Ihor Holubizky
60	Letter from Toronto: November 1998	Lisa Gabrielle Mark
60	Under Construction: Olga Korper Gallery, Toronto	Lisa Gabrielle Mark
60	Destination: Art, introduction by Joyce Mason	Joyce Mason
60	Letter from Halifax: November 1998	Robin Metcalfe
60	Letter from London: November 1998	Carol Peaker
60	Lari Pittman: Institute of Contemporary Art London	Carol Peaker
60	Georganne Deen: The Power Plant, Toronto	Steve Reinke
60	Roy Kiyooka: Photographing the Local from the Inside Out	Sharla Sava
60	Letter from New York: November 1998	Dena Shottenkirk
60	Destination: Montreal	Fred McSherry and Cheryl Simon
60	Letter from Chicago: November 1998	Susan Snodgrass
59	What to c: a guide to the season's major exhibitions
59	Letter from Montreal: August 1998	Marie Fraser
59	Robert Weins: Susan Hobbs Gallery, Toronto	John Armstrong
59	Conceptual Evidence: Ray Cronin on "Manifest" — Abstract	Ray Cronin
59	Shari Hatt : Oboro, Montreal	Andrea Fitzpatrick
59	Toy Box Junkies: Robert Fones on recent works by Mitch Robertson, Marla Hlady, Daniel Olsen & Sally McKay	Robert Fones
59	Letter from Calgary: August 1998	David Garneau
59	Susie Major: Anna Leonowens Gallery, Halifax	Darrin Heaton
59	Getting Our Hands Dirty: Lisa Gabrielle Mark on Women and Painting	Lisa Gabrielle Mark
59	Letter from Vancouver: August 1998	Lisa Gabrielle Mark
59	Letter from Toronto: August 1998	Lisa Gabrielle Mark
59	Smart & Sexy	Joyce Mason
59	Letter from Halifax: August 1998	Robin Metcalfe
59	"If This Is Art, Then I Really Like It": David Morrow on Tracey Moffat's Heaven — Abstract	David Morrow
59	Letter from London: August 1998	Carol Peaker
59	Ilya and Emilia Kabakov: The Roundhouse, London	Carol Peaker
59	Huang Yong Ping & Xu Bing: Art Beatus, Vancouver	Cate Rimmer
59	Letter from New York: August 1998	Dena Shottenkirk
59	Letter from Chicago: August 1998	Susan Snodgrass
59	1998: New Artists in Chicago, The Terra Museum of American Art, Chicago	Deborah Wilk
59	Practice and Process: Armory Center for the Arts, Pasadena / Richmond Arts Center, Richmond, CA	Claire Wolf Kranz
58	What to c: a guide to the season's major exhibitions
58	Letter from Montreal: May 1998	Marie Fraser
58	Letting Go: the fall in contemporary art	Jan Allen
58	Matthew Girson et al.: 7562LR. Chicago	Michael Bulka
58	Jaclyn Shoub: Gallery Connexion, Fredericton	Ray Cronin
58	Susan Schantz: Southern Alberta Art Gallery, Lethbridge	Leslie Allan Dawn
58	Bonus: A Generation Next of Vancouver Photographers	Sylvie Fortin
58	Letter from Calgary: May 1998	David Garneau
58	See-Through Cities	Lisa Gabrielle Mark
58	Letter from Toronto: May 1998	Lisa Gabrielle Mark
58	Our Generations	Joyce Mason
58	Letter from Halifax: May 1998	Robin Metcalfe
58	Trash as a Cultural System: Rauschenberg, Warhol, Smith and Shifting Museum Practices	Philip Monk
58	KIT Collective: galerie Séquence, Chicoutimi	Shi N'imki
58	Marc Quinn: South London Gallery, London	Carol Peaker
58	Letter from London: May 1998	Carol Peaker
58	Letter from New York: May 1998	Dena Shottenkirk
58	Letter from Chicago: May 1998	Susan Snodgrass
58	Luis Mallo: Ricco/Maresca Gallery, New York City	Scott Walden
58	Afterword: Letters, Errors and Omissions	Wayne Baerwaldt and Laurie Walker
58	John Armstrong: Cold City Gallery, Toronto	Liz Wylie
57	What to c: a guide to the season's major exhibtions
57	Letter from Montreal: February 1998	Marie Fraser
57	Stupidity is Kool: John Armstrong on recent work of Sadko Hadzihasanovic	John Armstrong
57	Eliza Griffiths: Mercer Union, Toronto	John Armstrong
57	Light into / out of dark (New Science)	Blair Brennan
57	Revisiting Curatorial Controversy	Anne Brydon and Pauline Greenhill
57	New Photography / Kunié Sugiura: Museum of Modern Art / Leslie Tonkonow Gallery, NYC	Maris Cinitus
57	Letter from Calgary: February 1998	David Garneau
57	Running Fence	Geoffrey James
57	Machyderm Inc., Niagara Artists Company, St. Catharines	Ivan Jurakic
57	Letter from Toronto: February 1998	Lisa Gabrielle Mark
57	Old News	Joyce Mason
57	Reconceiving Kelly (Mary Kelly)	Lee Parpart
57	Letter from London: February 1998	Carol Peaker
57	Objects of Desire: Hayward Gallery, London	Carol Peaker
57	T-Race: Randolph Street Gallery, Chicago	Corey Postiglione
57	Letter from New York: February 1998	Dena Shottenkirk
57	Raymonde April: Musee d'art de Joliette, Joliette, Quebec	Cheryl Simon
57	Letter from Chicago: February 1998	Susan Snodgrass
57	Patrick Traer & Janet Werner: Mendel Art Gallery, Saskatoon	Betsy Warland
57	Toshio Shibata: Museum of Contemporary Art, Chicago	Claire Wolf Kranz
56	What to c: a guide to the season's major events
56	Letter from Montreal: November 1997	Marie Fraser
56	A Rec Room Requiem: In Which John Armstrong Looks Into Andrew Hunter's "Up North A Northern Tragedy"	John Armstrong
56	Jutta Koether: Pat Hearn Gallery, New York	William Bartman
56	Pure Portrait: Recent: Recent paintings of Jean-Marie Delavalle	James D. Campbell
56	Nathalie Caron / Michel Campeau: Galerie Clark / Maison de la culture, Cote-des-Neiges, Montreal	Sylvain Campeau
56	Letter from Calgary: November 1997	David Garneau
56	Germaine Koh: Agnes Etherington Art Centre, Kingston	Petra Halkes
56	Fredette Frame: Sackville, New Brunswick	Gemey Kelly
56	Configuration: New Art in Vancouver, Catriona Jeffries Gallery, Vancouver	James-Jason Lee
56	Performing Art	Lisa Gabrielle Mark
56	Letter from Toronto: November 1997	Lisa Gabrielle Mark
56	Gone Browsing	Joyce Mason
56	Kwangju Paradise: In Which Joyce Mason Sets Out On A Whirlwind Tour Of World Art In Korea	Joyce Mason
56	Letter from New York: November 1997	Dena Shottenkirk
56	Letter from Chicago: November 1997	Susan Snodgrass
55	What to c: a guide to the season's major events
55	Spirit of Modernity: Ben Walmsley’s recent paintings at Garnet Press	John Armstrong
55	Oliver Girling: Red Head Gallery, Toronto	John Armstrong
55	Brent Irving: Fringe Gallery, Edmonton	Blair Brennan
55	Lucy Pullen & Mitch Wiebe: Saint Mary's University Art Gallery, Halifax	Mimi Fautley
55	Eight Canadian Artists: Metro Hockey Centre, Halifax	Moritz Gaede
55	Western Canada in Brief: Fall 1997	David Garneau
55	Chicago in Brief: Fall 1997	Esther Grisham
55	Lau Tin-Yum: Observatoire 4, Montreal	Alice Ming-Wai Jim
55	So this is...	Suzy Lake
55	Imagining Architecture: Mark Gomes, Karl Blossfeldt and Noel Harding	Dyan Marie
55	Toronto in Brief: Fall 1997	Lisa Gabrielle Mark
55	C is for change	Joyce Mason
55	European Scrapbook	Joyce Mason
55	Atlantic Canada in Brief: Fall 1997	Robin Metcalfe
55	Sheila Butler: London Regional & Historical Museums, London, Ontario	Ben Portis
55	Vanessa Beecroft, Jennifer Bornstein, Martin Kersels & Gillian Wearing: S.L. Simpson Gallery, Toronto	Lee Rodney
55	Arakawa & Madeline Gins : Guggenheim Museum, New York	Dena Shottenkirk
55	New York in Brief: Fall 1997	Dena Shottenkirk
55	Music, Light and Other Conundrums	Joanne Tod
55	Karen Lebergott: Jan Cicero Gallery, Chicago	James Yood
53	Quebec in Brief: Spring and Summer 1997	Marie Fraser
53	Christian Eckart: Art Gallery of North York	Jan Allen
53	A Reasoned Compulsion: Interview with Cliff Eyland	Ray Cronin
53	Western Canada in Brief: Spring and Summer 1997	David Garneau
53	Annette Messager: Gagosian Gallery, New York	David Gibson
53	Chicago in Brief: Spring and Summer 1997	Esther Grisham
53	Enter Hamburger Bahnhof	Michael Horowitz
53	A guide to the season's major events	Lisa Gabrielle Mark
53	Ontario in Brief: Spring and Summer 1997	Lisa Gabrielle Mark
53	Need I say more?	Joyce Mason
53	Accidental encounters with art: an insider survey of art outdoors (and elsewhere)	Joyce Mason
53	A Dialogue of Place and Time: Interview with Christos Dikeakos	Judith Mastai
53	Arthur Handy: eyelevel gallery, Halifax	Robin Metcalfe
53	Atlantic Canada in Brief: Spring and Summer 1997	Robin Metcalfe
53	David Morrow: Cold City Gallery, Toronto	Steve Reinke
53	New York in Brief: Spring and Summer 1997	Dena Shottenkirk
53	Kara Walker: Renaissance Society, Chicago	Tina Wasserman
53	Karilee Fuglem: gallery Optica, Montréal	Laurel Woodcock
52	Quebec in bref, exhibitions & events, fall-winter 1996/97 — Abstract	Marie Fraser
52	Reinventing the Mega Show: Europe's first Manifesta — Abstract	Jan Allen
52	Julie Voyce @ Art Gallery of Mississauga — Abstract	John Armstrong
52	Elizabeth Mackenzie, "Radiant Monster" — Abstract	Blair Brennan
52	Eloquent Liar — Abstract	James D. Campbell
52	Lucie Lefebvre at Centre Vu — Abstract	Sylvian Campeau
52	Shaun Gough @ Khyber Center for the Arts, Halifax — Abstract	Moritz Gaede
52	Western Canada in Brief, Fall 1996 and Winter 1997 — Abstract	David Garneau
52	"Drag City" at Ace Art, AKA and New Gallery — Abstract	Alison Gillmor
52	Elizabeth LeMoine, Stride Gallery, Calgary — Abstract	Amy Gogarty
52	events/exhibitions in Chicago — Abstract	Esther Grisham
52	"Hospice: A Photographic Inquiry" — Abstract	Stacey Levine
52	Michelle Teran at Meg Gallery and Roland Poulin at Olga Korper Gallery — Abstract	Dyan Marie
52	Toronto in Brief — Abstract	Lisa Gabrielle Mark
52	The Elevation of BC Art — Abstract	Judith Mastai
52	Atlantic Canada in brief winter 1997 (mostly Moncton) — Abstract	Robin Metcalfe
52	Regan Morris, Symmetry and the Stain — Abstract	Robin Metcalfe
52	New York in brief: Franz West, Nancy Spero, Matthew Marks Gallery, etc. — Abstract	Dena Shottenkirk
52	Jessica Diamond & Yayoi Kusama — Abstract	Leslie Tonkonow
51	Quebec in Brief, summer & fall 1996 — Abstract	Marie Fraser
51	Charles Weisen at Tough Gallery, Chicago — Abstract	Thomas Connors
51	Ashley Bickerton at Sonnabend — Abstract	Mia Fineman
51	Western Canada in brief, summer & fall 1996 — Abstract	David Garneau
51	Distemper: Dissonant Themes in the Art of the 1990s at Hirshhorn Museum and Sculpture Garden — Abstract	John Gayer
51	Ginette Legare at the Ottawa Art Gallery — Abstract	Petra Halkes
51	Modern Romance — Abstract	Gordon Hatt
51	Fashioning Care and Other Acts of Memory — Abstract	Kyo MacLear
51	Ontario in brief, summer & fall 1996 — Abstract	Lisa Gabrielle Mark
51	Necessary Selection — Abstract	Joyce Mason
51	Anne Ramsden at Galerie Samuel Lallouz, Montreal — Abstract	Rhonda Meier
51	544, Room 544 Sheraton Halifax Hotel, Halifax — Abstract	Robin Metcalfe
51	Atlantic Canada in brief, fall 1996 — Abstract	Robin Metcalfe
51	Margaret Priest's retrospective at AG of Hamilton and MacDonald Stewart Art Center, Guelph — Abstract	Gerta Moray
51	Jin-me Yoon, "imagining communities", at Artspeak Gallery — Abstract	Caterina Pizanias
51	Bereft, Hallwalls, Buffalo — Abstract	Carol Podedworny
51	New York in brief, summer & fall 1996 — Abstract	Dena Shottenkirk
51	Chicago in Brief, summer & fall 1996 — Abstract	Susan Snodgrass
51	Festival du nouveau cinema (june 96, Montreal) — Abstract	Jerry White
51	1996 Alberta Biennial of Contemporary Art, Edmonton Art Gallery & Glenbow Museum, Calgary — Abstract	Ryan Whyte
51	Negotiating Rapture, Museum of Contemporary Art — Abstract	Claire Wolf Kranz
50	Montreal in Brief. Summer 1996 — Abstract	Marie Fraser
50	Peter Legris @ Costin & Klintworth Gallery — Abstract	John Armstrong
50	Anette Larsson @ Red Head Gallery, Toronto — Abstract	Julie Arnold
50	Reva Stone at Dunlop Art Gallery — Abstract	Greg Beatty
50	Stephen Clayton Ellwood at Anna Leonowens Gallery, NSCAD and Nicholas Hooper at The Khyber — Abstract	Peter Dykhuis
50	Amazing Space: Donald Judd's Works in Marfa, Texas — Abstract	Robert Fones
50	Western Canada in Brief. Summer 1996 — Abstract	David Garneau
50	"Plane Speak: Contemporary Abstraction in Illinois" at the Chicago Cultural Center — Abstract	Esther Grisham
50	Do Not Go Gently : Some Thoughts On Art and Illness — Abstract	Lisa Gabrielle Mark
50	Summer Reading 96 — Abstract	Lisa Gabrielle Mark
50	Ontario in Brief — Abstract	Lisa Gabrielle Mark
50	Atlantic Canada in Brief. Summer 1996 — Abstract	Robin Metcalfe
50	Michael Schmidt, U-NI-TY at the Museum of Modern Art — Abstract	Klaus Ottmann
50	Back To The Future: Revisiting Tech nology At The Sydney Biennale — Abstract	Dena Shottenkirk
50	New York in Brief. Summer 1996 — Abstract	Dena Shottenkirk
50	Chicago in Brief. Summer 1996 — Abstract	Susan Snodgrass
50	Stephen Horne @ McGill University McDonald Harrington Building — Abstract	Jack Stanley
50	L'effet cinéma at Musée d'art contemporain de Montréal — Abstract	Ger Zielinski
49	Montreal in Breif — Abstract	Marie Fraser
49	The Tim Jocelyn Collection — Abstract	John Armstrong
49	Jessica Stockholder — Abstract	Anastasia Aukeman
49	Julie Arnold — Abstract	Jeff Derksen
49	Mary Catherine Newcomb — Abstract	Martin Dowding
49	Aganetha Dyck — Abstract	Cliff Eyland
49	Turning the Tables: Recent Work by Gordon Lebredt — Abstract	Robert Fones
49	Julia Fish — Abstract	Allison Gamble
49	Western Canada in Brief — Abstract	David Garneau
49	How Did You Learn to Be So Smart? — Abstract	Anna Gronau
49	Bodies of Theory: Musings on a Symposium — Abstract	Petra Halkes
49	How Did You Learn to Be So Smart? — Abstract	Kate Lushington
49	Ontario in Brief — Abstract	Lisa Gabrielle Mark
49	Conceptual Bogeymen: art and the media in the city by the sea — Abstract	Judith Mastai
49	Passages in Urban Transit — Abstract	Gil McElroy
49	Atlantic Canada in Brief — Abstract	Robin Metcalfe
49	Dia and the Dinosaur — Abstract	Robin Peck
49	New York in Brief — Abstract	Dena Shottenkirk
49	Chicago in Brief — Abstract	Susan Snodgrass
49	Doug Buis — Abstract	Eileen Sommerman
48	Montreal in Brief — Abstract	Marie Fraser
48	Offrenda, Milagro, esperanza, Chiapas — Abstract	Lois Andison
48	On and Aroynd the photo art of Kevin Madill — Abstract	Roy Arden
48	Paul Collins — Abstract	John Armstrong
48	Nell Tenhaaf — Abstract	Renee Baert
48	"Sorrow and Joy" at Neutral Ground, Sept 2 - 16, 1995 — Abstract	Greg Beatty
48	Western Canada in brief — Abstract	David Garneau
48	Toronto/Ontario in Brief — Abstract	Lisa Gabrielle Mark
48	Editorial — Abstract	Joyce Mason
48	East International — Abstract	Judith Mastai
48	Monica Tapp and Jane Mothersell — Abstract	Robin Metcalfe
48	Atlantic Canada in Brief — Abstract	Robin Metcalfe
48	Cathy Daley — Abstract	Earl Miller
48	Which John? Visions of the Apocalypse at the National Gallery — Abstract	Douglas Ord
48	Marcwl Broodthaers — Abstract	Klaus Ottmann
48	Joseph Litzenberger — Abstract	Corey Postiglione
48	An Alienated Embrace — Abstract	Gregory Salzman
48	New York in Brief — Abstract	Dena Shottenkirk
48	Chicago in Brief — Abstract	Susan Snodgrass
48	Flowers — Abstract	Thomas Struth
48	Letter to the Editor — Abstract	Norman Zepp
47	Quebec in Brief — Abstract	Marie Fraser
47	Peter Bowyer — Abstract	John Armstrong
47	Doug Ischar — Abstract	Thomas Connors
47	New Work Supplement — Abstract	editorial staff
47	Western Canada in Brief — Abstract	David Garneau
47	Resider — Abstract	Valérie Lamontagne
47	Venice Journal: Storms and Other Phenomena — Abstract	Joyce Mason
47	Toronto and Ottawa in Brief — Abstract	Joyce Mason
47	Intimate Investigations: Looking at Death and the Family — Abstract	Judith Mastai
47	Atlantic canada in Brief — Abstract	Robin Metcalfe
47	Robert Fones — Abstract	Earl Miller
47	Pamela Wye — Abstract	Dominique Nahas
47	Paul Ruff and david Warne — Abstract	Catherine Osborne
47	Fin de Siecle Hammer — Abstract	Carol Podedworny
47	The Whiteness of the Whale — Abstract	Rita Risser
47	Notion of Conflict — Abstract	Dena Shottenkirk
47	New York in Brief — Abstract	Dena Shottenkirk
47	Chicago in Brief — Abstract	Susan Snodgrass
47	Colville, Alex: process by process — Abstract	Robert Tombs
46	Quebec in Brief — Abstract	Marie Fraser
46	Angela Grauerholz — Abstract	Sylvain Campeau
46	Lorraine Oades — Abstract	J.R. Carpenter
46	Vita Plume — Abstract	Ray Cronin
46	Marlene Creates Records of a Personal Landscape — Abstract	Cliff Eyland
46	Summer Reading 1995 — Abstract	Diane Gagné
46	Western Canada in Brief — Abstract	David Garneau
46	Dialogue: Fear of Symbols	Eldon Garnet
46	Geographies of Desire — Abstract	Germaine Koh
46	Martha Flemming/Lyne Lapointe — Abstract	Carol Laing
46	Ontario in Brief — Abstract	Joyce Mason
46	Arni Haraldsson — Abstract	Judith Mastai
46	Atlantic Canada in Brief — Abstract	Robin Metcalfe
46	The Big Shows: Surveying the Surveys — Abstract	Laurie Palmer
46	Edward Poitras at the XLVI Biennale di Venezia — Abstract	Cindy Richmond
46	Geoff Crosby — Abstract	Rita Risser
46	New York in Brief — Abstract	Dena Shottenkirk
46	Witness — Abstract	Cheryl Simon
46	Chicago in Brief — Abstract	Susan Snodgrass
46	New York in Brief — Abstract	Leslie Tonkonow
45	Montreal in Brief — Abstract	Marie Fraser
45	Denyse Thomasos — Abstract	John Armstrong
45	Taras Polataiko — Abstract	Greg Beatty
45	Baker Lake Revisited — Abstract	Sheila Butler
45	Oscillating Horizons (Laurel Woodcock) — Abstract	Anna Carlevaris
45	The Plural Void — Abstract	Ray Cronin
45	Bob Flanagan and Cathy Busby — Abstract	Moyra Davey
45	Andrea Wollensak — Abstract	Peter Dykhuis
45	Western Canada in Brief — Abstract	David Garneau
45	Consuming Beauty: Laurie Vickerson's Studies of Nature — Abstract	Amy Gogarty
45	Roberto Pellegrinuzzi — Abstract	Kathleen Gogin
45	Nina Levitt — Abstract	Carol Laing
45	Loly Darcel — Abstract	Valerie Lamontagne
45	Disclosure (Lee Bul) — Abstract	Min Sook Lee
45	Toronto/Great Lakes in Brief — Abstract	Joyce Mason
45	Tapies — Abstract	Anne McPherson
45	Atlantic Canada in Brief — Abstract	Robin Metcalfe
45	Sculpture and the Philosophy of Modernism: A Reflection on the Reference to Technology in the Work of Zvi Goldstein — Abstract	Bernie Miller
45	Jane Buyers — Abstract	Carol Podedworny
45	The Finished Work of Art is a Thing of the Past — Abstract	Tom Sherman
45	Laura Millard — Abstract	Dena Shottenkirk
45	The Absence of Photography — Abstract	Will Straw
44	Montreal in Brief — Abstract	Marie Fraser
44	Misrule at the appolo — Abstract	John Armstrong
44	A Full Context for Self: Recent Works by Murray Favro — Abstract	James D. Campbell
44	The Subllime is Now (Again) — Abstract	Mark Cheetham
44	Suzanne Hill — Abstract	Ray Cronin
44	Who's Looking at the Family — Abstract	Erin Curtin
44	Bikini — Abstract	Madeleine Lamont
44	Laurel Katz — Abstract	Robert Mahoney
44	Questioning Banners — Abstract	Joyce Mason
44	Toronto in Brief — Abstract	Joyce Mason
44	Vancouver in Brief — Abstract	Joyce Mason
44	Bernd and Hilla Becher — Abstract	Earl Miller
44	Thomas Corriveau — Abstract	Yvan Moreau
44	A Comprimised Light: Some Thoughts on the Self-portraits of Pierre Dorion — Abstract	Andy Patton
43	Laurie Walker — Abstract	John Armstrong
43	Smashing Icons: Vancouver Feminist Video Art and the Female Body — Abstract	Jennifer Blair
43	The Art of Bordering with America — Abstract	Lorenzo Buj
43	Vigilante of the Visible: The Communicative Praxis of Jochen Gerz — Abstract	James D. Campbell
43	Nadine Norman — Abstract	Ray Cronin
43	New Work 94 — Abstract	editorial staff
43	Crysanne Stathakos — Abstract	Karen Emenhiser
43	The Painting of Jack Darcus — Abstract	Mark Harris
43	Arnaud Maggs — Abstract	Peter Hobbs
43	Dialogue: No Picture: The Seeing and Selling of Barnes — Abstract	Christa Jansen
43	Bill Jones — Abstract	Russell Keziere
43	Candy Noland — Abstract	Robert Mahoney
43	Sheila Butler — Abstract	Earl Miller
43	L'Instinct — Abstract	Sonia Pelletier
43	Three Moets — Abstract	Richard Purdy
43	Can You See What I Hear? — Abstract	Will Straw
42	Lucy Hogg — Abstract	John Armstrong
42	Lucian Freud — Abstract	James D. Campbell
42	Jean-Jules Soucy — Abstract	Sylvie Cotton
42	Edward "Ned" A. Bear — Abstract	Ray Cronin
42	Claire Savoie and Ian Carr-Harris — Abstract	Francine Dagenais
42	Summer Reading 94 — Abstract	Diane Gagné
42	The Gothic Projections of Wyn Geleynse — Abstract	David Garneau
42	David Nell — Abstract	Archie Graham
42	Hannah Hoch — Abstract	Mark Harris
42	Micah Lexier — Abstract	Lisa Gabrielle Mark
42	Abstraction Today? — Abstract	Gregory Salzman
42	Home of the Brave — Abstract	Paul Chaat Smith
42	Gordon Monahan — Abstract	Robert Tombs
41	Action Figures — Abstract	Michael Balster
41	Betty Goodwin — Abstract	James D. Campbell
41	Burning at the Stakes of Representation — Abstract	Andy Fabo
41	Robert Milthorp — Abstract	David Garneau
41	Geoffrey James — Abstract	Peter MacCallum
41	Speeach (Four Books for My Mother 1912-1993) — Abstract	John McEwen
41	De Cezanne a Matisse Chefs-D'Oeuvre de la Fondation Barnes — Abstract	Anne McPherson
41	Ghosts: Sculpture Photographed at Halifax Pier 21 — Abstract	Robin Peck
41	Barbara Claus & Andrew Clement — Abstract	Marie Perrault
41	Vera Frenkel — Abstract	Jeanne Randolph
41	Thierry Kuntzel — Abstract	Will Straw
41	Anish Kapoor — Abstract	Corneil Van der Spek
41	Design Delerium: The Films of Jaques Tati — Abstract	Virginia Wright
40	Power of the Dead — Abstract	Isaac Applebaum
40	Lee Friedlander — Abstract	James D. Campbell
40	Presence — Abstract	James D. Campbell
40	Sylvie Readman — Abstract	Sylvain Campeau
40	Dialogue: The Casino Project and the Art Gallery of Windsor. — Abstract	Ray Cronin
40	Smash Mega Hitz Explosion — Abstract	Ann Dean
40	Cam Christiansen — Abstract	David Garneau
40	Points of History — Abstract	Eldon Garnet
40	Gibt Denken — Abstract	Gordon Lebredt
40	Common Ground — Abstract	Dyan Marie
40	Paradigms and Paradox — Abstract	Tanya Mars
40	A Once and Future C — Abstract	Joyce Mason
40	Kim Adams — Abstract	Earl Miller
40	Michel Daigneault — Abstract	Marie Perrault
40	A Tale of Seven Cities, Two Townships and Two Villages — Abstract	Clive Robertson
40	Cheryl Donagen — Abstract	Dena Shottenkirk
40	Thaddeus Holowina — Abstract	Robert Tombs
39	Sheila Ayearst — Abstract	John Armstrong
39	Patricia Murphy — Abstract	Robert Bringhurst
39	Genevieve Cadieux — Abstract	James D. Campbell
39	Cora Cluett — Abstract	Ray Cronin
39	New Work 1993 — Abstract	editorial staff
39	William S. Brown — Abstract	Andy Fabo
39	Our Disneyland — Abstract	Robert Fones
39	The Architecture of Doom — Abstract	Mark Harris
39	Katherine Knight — Abstract	Russell Kerzerie
39	Juan Geuer — Abstract	Caroline Langill
39	Dialogue: Second Decade: AIDS + Community + Television — Abstract	David MacIntosh
39	Joan Miro — Abstract	Anne MacPherson
39	Rona Pondick — Abstract	Robert Mahoney
39	Ron Martin: Solo Exhibition at the Christopher Cutts Gallery — Abstract	Ron Martin
39	Allan McCollum — Abstract	Allan McCollum
39	Robert Fones: Models, Maps and Signs — Abstract	Philip Monk
39	Chrysanne Stathakos — Abstract	Carol Podedworny
39	Gary Neill Kennedy — Abstract	Robert Tombs
38	Artes Moriendi — Abstract	John Armstrong
38	Bill Viola — Abstract	James D. Campbell
38	Marik Boudreau — Abstract	Sylvie Cotton
38	Local Colour: Colour and Technique in the Work of Joanne Tod, Greg Curnoe, and Jaan Poldaas — Abstract	Robert Fones
38	Chambres d'hotel — Abstract	Donald Goodes
38	Summer Reading 93 — Abstract	Annette Hurtig
38	Michael Snow in Conversation With John Massey — Abstract	John Massey
38	General Idea — Abstract	Jerry McGrath
38	Joseph Branco — Abstract	Sylvie Parent
38	Tom ( ) Tom — Abstract	Carol Podedworny
38	Andres Serrano — Abstract	Dena Shottenkirk
38	Bill Komoski — Abstract	Dena Shottenkirk
38	Preview: A Game of Ask Alice	Becky Singleton
38	Regan Morris — Abstract	Corneil Van der Spek
37	Montage and Modern Life: 1919-1943Vancouver Art Gallery — Abstract	Stuart Blackley
37	Letter to the Editor — Abstract	Lorna Boschman
37	Ron Martin,Christopher Cutts Gallery, Toronto — Abstract	James D. Campbell
37	Mireille BarilGalerie Vox, Montréal — Abstract	Mario Coté
37	Life After Artist-Run Centres — Abstract	Sylvie Cotton
37	Sean Scherer and Keith BoadweeStux Gallery, New York — Abstract	Janet Creery
37	Patrick ThibertOlga Korper Gallery, Toronto — Abstract	Ray Cronin
37	Stay, Sit, Heel — Abstract	Robert Fones
37	Laurie PapouDiane Farris, Vancouver — Abstract	Mark Harris
37	Letter to the Editor — Abstract	Geoffrey James
37	Enunciating the Enunciator — Abstract	Robert Mahoney
37	Attila Richard LukacsDiane Farris Gallery, Vancouver — Abstract	Robert Mahoney
37	Letter to the Editor — Abstract	Mike Murphy
37	Ruth Beer, Charles H. Gallery, Emily Carr College of Art and Design, Vancouver — Abstract	Robin Peck
37	Christine Davis, Olga Korper Gallery, Toronto — Abstract	Will Straw
37	Ted RettigWynick/Tuck Gallery, Toronto — Abstract	Max Streicher
37	Dialogue: Curatorial Alternatives — Abstract	Loretta Yarlow
36	Both Author and Reader — Abstract	Guy Brett
36	C from Once Removed	Lorna Brown
36	Dialogue: Sexual Difference on the Frontier	Marilyn Burgess and Gail Guthrie Valaskakis
36	Barry Allikas — Abstract	James D. Campbell
36	Spring Hurlbut — Abstract	Nancy Campbell
36	Anne Marchessou and Jacques Perron — Abstract	Sylvain Campeau
36	Robert Flack — Abstract	Christopher Eamon
36	Lynne Fernie and Aerlyn Weissman — Abstract	Ann Dean and Jannet Edminson
36	Body Takes — Abstract	Monika Gagnon
36	Man'-'Katayama', 'A' 'Woman'-'Takemi', 'N'	Kaoru Hirabayashi
36	Al McWilliams — Abstract	Robin Laurence
36	Indigena and Land, Spirit, Power — Abstract	Carol Podedworny
36	Lorne Beug — Abstract	Cindy Richmond
36	Mutational Cravings	Nell Tenhaaf
36	Perspectives of the Body in Canadian Video Art — Abstract	Dot Tuer
36	Gilbert Boyer — Abstract	Corneil Van der Spek
35	Openings: Pour la suite du monde, Musée d'art contemporain de Montréal — Abstract	Guy Bellavance
35	Sylvia Safdie and John Heward — Abstract	James D. Campbell
35	Jocelyne Alloucherie — Abstract	Sylvain Campeau
35	Robbert Fortin — Abstract	Ray Cronin
35	New Work Supplement 1992 — Abstract	editorial staff
35	Mireille Perron and Paul Woodrow — Abstract	Amy Gogarty
35	Photography Without Apology — Abstract	Arni Runar Haraldsson
35	Leesa Streifler — Abstract	Amy Karlinsky
35	Documenta 9: The Atmosphere of Anomie — Abstract	Donald Kuspit
35	Rose Kallal — Abstract	Donna Lypchuk
35	The 7th Annual Mexican National Film Festival — Abstract	David McIntosh
35	The Coyote and the Beer Can (Is There Any Hope for Wildlife Art?) — Abstract	Douglas Ord
35	On Contemporary Curatorial Practice — Abstract	Carol Podedworny
35	Spirit of Ukraine — Abstract	Carol Podedworny
35	Stan Denniston — Abstract	Corneil Van der Spek
35	Greg Forrest — Abstract	Mark Whidden
35	You Are Here — Abstract	You Are Here Collective
34	Charles Gagnon — Abstract	James D. Campbell
34	Brian Wood — Abstract	James D. Campbell
34	Colette Whiten — Abstract	Nancy Campbell
34	Ransom Notes in the Mirror: Mark Gomes and the Amazing Fish — Abstract	Ian Carr-Harris
34	Rethinking History: Beyond the Valley of the Other — Abstract	Andy Fabo
34	Jerry Pethick — Abstract	Barbara Fischer
34	From the Transit Bar - Part of the Story	Vera Frenkel
34	Allan Harding Mackay — Abstract	Terence Health
34	Summer Reading — Abstract	Annette Hurtig
34	Changers: A Spiritual Renaissance — Abstract	Amy Karlinsky
34	Carel Moiseiwitsch — Abstract	Robin Laurence
34	Bernd and Hilla Becker — Abstract	Peter MacCallum
34	John Armstrong — Abstract	Peter O'Brien
34	Christopher Dewdney — Abstract	Andy Patton
34	American Art: Markets and Macho — Abstract	Dena Shottenkirk
34	David Bierk — Abstract	Corneil Van der Spek
33	Mary Balomenos — Abstract	John Armstrong
33	Georges Bures Miller — Abstract	Sarah Atkinson
33	Doris Wall Larson — Abstract	Greg Beatty
33	Hyphen Machine — Abstract	Christine Davis
33	Letter to the Editor	Mark Gomes
33	Toward Object and Verb:History, Dualities and the African American Artist — Abstract	Michael D. Harris
33	Time is Money and so is Space — Abstract	Mark Harris
33	11:45/High Noon — Abstract	John Massey
33	Jeanne Randolph — Abstract	Gaile McGregor
33	Chambermade — Abstract	Deborah Meldazy
33	Su Schnee — Abstract	Peter O'Brien
33	Whirling Sands: Eva Lootz at Tinglado 2 — Abstract	June Papineau
33	Ulrich Horndash — Abstract	Robin Peck
33	Jimmie Durham — Abstract	Carol Podedworny
33	Pruitt-Early (Rob & Jack) — Abstract	Dena Shottenkirk
33	Decolonizing the Imagination: Artist's Exchanges: Cuba, Canada — Abstract	Dot Tuer
32	The Abnegation of Reason — Abstract	James D. Campbell
32	Performance in/au Canada, 1970-1990, Coach House Press, Toronto. — Abstract	Ann Dean
32	Robin Peck, Burnaby Art Gallery, Burnaby, B.C.. — Abstract	Dennis Gill
32	Art Writing and Reading	A.S.A. Harrison
32	Language and Objectivity	A.S.A Harrison
32	Sculpture in the Diminished Field — Abstract	Ingrid Jenkner
32	Letter to the Editor	Saul Jonas
32	Letter to the Editor	Helen Marzolf
32	11:45/ High Noon — Abstract	John Massey
32	A Primal Spirit: Ten Contemporary Japanese Sculptors, National Gallery of Canada, — Abstract	Deborah Meldazy
32	Lorene Bourgeois. Extension Gallery, Toronto. — Abstract	Peter O'Brien
32	Helen Chadwick, Oboro Gallery, Montreal. — Abstract	Athena Paradissis
32	okanata, A Space and Workscene Gallery, Toronto. — Abstract	Carol Podedworny
32	Ordinary and Extraordinary Objects: Fetishism in Surrealist Art — Abstract	Celia Rabinovitch
32	Rebecca Horn, Marion Goodman Gallery, New York. — Abstract	Dena Shottenkirk
32	Dislocations, Museum of Modern Art, New York. — Abstract	Dena Shottenkirk
32	Shake Well, Cinecyle, Toronto. — Abstract	Andrew Sorfleet
32	General Idea, S.L. Simpson Gallery, Toronto. — Abstract	Corneil Van der Spek
31	Art Works/ Works of Art — Abstract	Maija Bismanis
31	Michael Merrill, Garnet Press Gallery, Toronto — Abstract	Gary Michael Dault
31	How I Learned That Jimmy was Dead	Lin Gibson
31	Garry Williams, Illingworth Kerr Gallery, Calgary	Amy Gogarty
31	Brian Scott, Toronto Sculpture Garden — Abstract	Peter Hobbs
31	Diana Thorneycroft, Winnipeg Art Gallery — Abstract	Amy Karlinski
31	Presence and Abstraction	Walter Klepac
31	Sizing Art Up (and Down); The Issue of Quality — Abstract	Donald Kuspit
31	Yellow Peril: Reconsidered, Artspeak, Or and the Contemporary Art Gallery, Vancouver	Robin Laurence
31	Letter to the Editor — Abstract	Ron Martin
31	Carolyn White, S.L. Simpson Gallery, Toronto — Abstract	Maja Miller
31	Hanne Darboven, Ydessa Hendeles Art Foundation, Toronto	Sarah Milroy
31	Real Authentic Genuine, Beaver Hall, Toronto — Abstract	Andrew Payne
31	First Nations Art and the Canadian Mainstream	Carol Podedworny
31	Louise Lawler, Metro Pictures Gallery, NYC — Abstract	Dena Shottenkirk
31	Kevin Madill, Artspeak Gallery, Vancouver	Colin Smith
31	Canadian Colinization — Abstract	Andrew Sorfleet
31	Rene Pierre Allain, Julian Pretto Gallery, NYC — Abstract	Gary Telfer
31	Images '91, Euclid Theatre and John Spotton Cinema, Toronto	Karen Tisch
31	Landon Mackenzie, Wynick Tuck Gallery, Toronto	Liz Wylie
30	Interview with Sharon Alward — Abstract	Wayne Baerwaldt
30	Helen Sebelius: Olga Korper Gallery, Toronto — Abstract	Stuart Broomer
30	Untitled — Abstract	David Buchan
30	Barbara Claus — Abstract	James D. Campbell
30	Sylvia Safdie — Abstract	Nancy Campbell
30	Joan Jonas: Galerie Samuel Lallouz Montreal — Abstract	James D. Campbell
30	Sovereignty Over Subjectivity — Abstract	Robert Houle
30	Some Postmodern Paradigms — Abstract	Walter Klepac
30	Mark Gomes — Abstract	Robert Labossiere
30	Dialogue for Three	Stephanie Martin
30	Carmelo Arnoldin: Lake Galleries, Toronto — Abstract	Peter O'Brien
30	Petrified Forest — Abstract	Robin Peck
30	Bill Jones: Garnet Press Gallery, Toronto — Abstract	Carol Podedworny
30	Kelly Wood — Abstract	Lisa Robertson
30	Dialogue: On History and Everyday Life — Abstract	Andrew Sorfleet
30	Extinct/Distinct — Abstract	Greg Staats
30	Bookworks: Gallery 76, Toronto — Abstract	Corneil Van der Spek
30	Jack Jeffrey — Abstract	Petra Rigby Watson
29	She Kisses Like She Kills	Shonagh Adelman
29	Robert Kleyn — Abstract	Tom Burrows
29	Arnaud Maggs — Abstract	James D. Campbell
29	John Heward — Abstract	James D. Campbell
29	Robert Flack; Diane Gagne — Abstract	Catherine Crowston
29	Diane Arbus — Abstract	Gary Michael Dault
29	Letter to the Editor	FASTWURMS
29	Uneasy History — Abstract	Tom Folland
29	Individualites — Abstract	Linda Genereux
29	Lawrence Weiner: Vancouver Art Gallery — Abstract	Arni Runar Haraldsson
29	Brian Groombridge — Abstract	Ihor Holubizky
29	Shirley Brown — Abstract	Amy Karlinsky
29	Letter to the Editor	Ron Martin
29	Accidental Subversities — Abstract	Earl Miller
29	Three Faces of Eve	Natalie Olanick
29	Shonagh Adelman — Abstract	Andrew Payne
29	Legitimation	Mireille Perron
29	Illuminating Manuscripts — Abstract	Paul Petro
29	Abstraction that Makes the Viewer Think — Abstract	Reiner Schurman
29	Untold Stories — Abstract	Kitty Scott
28	Feminist Videotapes: Redefining the Female Subject — Abstract	Shonagh Adelman
28	The Salvage Paradigm — Abstract	Kass Banning
28	Roland Poulin — Abstract	Stuart Broomer
28	More Thoughts on Painting — Abstract	Sheila Butler
28	Genital Embryogenesis — Abstract	Scott Ellis
28	Images 90 — Abstract	Fran Gallagher-Shuebrook
28	David Tomas — Abstract	James Gillespie
28	Nearness and Distance — Abstract	Amy Gogarty
28	Becky Singleton's Dials and the Creation of Meaning — Abstract	A.S.A. Harrison
28	Wendy Coburn — Abstract	Ihor Holubizky
28	Noel Harding — Abstract	Ingrid Jenkner
28	David Clarkson — Abstract	Gordon Lebredt
28	Roy Arden — Abstract	Dotti Trujillo Lusk
28	Richard Purdy's Fantastical Realities — Abstract	Peter O'Brien
28	Merry Christmas — Abstract	Edward Poitras
28	Art, Pedagogy, Utopia — Abstract	Petra Rigby Watson
28	Geoffrey James at Equinox Gallery, TorontoArni Runar Haraldsson at Western Front, Vancouver — Abstract	Petra Rigby Watson
28	Sound By Artists — Abstract	Gayle Young
27	Robert Hedrick — Abstract	Stuart Broomer
27	Andy Warhol — Abstract	Lorenzo Buj
27	Object Relations: Ron Martin's Recent Colour Paintings — Abstract	James D. Campbell
27	Furnace — Abstract	Nancy Campbell
27	Contextualization and the Disappearance of the Art Object — Abstract	Ian Carr-Harris, Bruce Ferguson, Janice Gurney, and
27	Trevor Gould: Manifold with Monument — Abstract	Gary Michael Dault
27	New Work — Abstract	editorial staff
27	Project for C — Abstract	Diane Gagné
27	Jocelyne Prince — Abstract	Donald Goodes
27	Social Environmental — Abstract	Mariana Grezova
27	Reid Shier — Abstract	Arni Runar Haraldsson
27	Art and Statesmanship: A Moral Paradox and Parable — Abstract	Donald Kuspit
27	Twilight's Last Gleaming by John Massey — Abstract	Gordon Lebredt
27	Eleanor Bond — Abstract	Peter O'Brien
27	Pierre Dorion — Abstract	Peter O'Brien
27	Elizabeth Chitty — Abstract	Paulette Phillips
27	Richard Gorenko — Abstract	Cindy Richmond
27	John Watt — Abstract	Dot Tuer
27	John Vanderpant — Abstract	Petra Rigby Watson
26	Jane Buyers — Abstract	Janice Andreae
26	The Architectural Formations of G. Klucis — Abstract	Maija Bismanis
26	Intelligent Artifacts — Abstract	James D. Campbell
26	Franz Erhard Walther — Abstract	James D. Campbell
26	Personal Beauty and Charm — Abstract	Heather Champ
26	Nancy Shaw — Abstract	Donna Clark
26	Jungle — Abstract	Glen Cooly
26	Carolyn White — Abstract	Catherine Crowston
26	Janine Marchessault — Abstract	Kim Derko
26	Re-enactment Between Self and Other — Abstract	Monika Gagnon
26	English Landscape and Abstraction — Abstract	Robert Harrison
26	From Innocent Impulse to Glamourous Grandeur — Abstract	Donald Kuspit
26	Jeff Wall — Abstract	Robin Laurence
26	Sex and Language — Abstract	Donna Lypchuk
26	Impossible Mission — Abstract	Earl Miller
26	Decalog — Abstract	Richard Rhodes
26	Fragile Imprints/Mediated Resistances — Abstract	Dot Tuer
25	Sandra Haar — Abstract	Shonagh Adelman
25	Martha Townsend — Abstract	Janice Andreae
25	The Partition Sisters — Abstract	Gail Bourgeois
25	Bridges to the West: a project for C	Klaus vom Bruch
25	The Decentered Subject: David Rabinowitch's "Tyndale Constructions in 5 Planes with West Fenestration: Sculpture for Max Imdahl" — Abstract	James D. Campbell
25	Micah Lexier — Abstract	Nancy Campbell
25	Frieso Boning, Gord Morrison — Abstract	Scott Ellis
25	Klaus vom Bruch: do not paint this screen — Abstract	Bruce W. Ferguson
25	"In Visible Colours": Women in Focus — Abstract	Monika Gagnon
25	Murdered by Misogyny	Lin Gibson
25	Returning to Estonia	Robert Harbison
25	Sandra Meigs — Abstract	Andrea Kunard
25	The Hype of Emergence — Abstract	Donald Kuspit
25	How Can We Speak to Painting? — Abstract	Carol Laing
25	At Home With Repetition — Abstract	Gordon Lebredt
25	Erick Desprez — Abstract	Allister Neher
25	Peter Legris — Abstract	Peter O'Brien
25	Ron Huebner: Sculpture of a New Dark Age — Abstract	Robin Peck
25	Cynthia Short — Abstract	Christine Swiderski
25	John Scott — Abstract	Melony Ward
25	Ashley Bickerton, at Sonnabend Gallery, New YorkNicholas Stewart, at Western Front, Vancouver — Abstract	Petra Rigby Watson
25	Claude-Philippe Benoit — Abstract	Elizabeth Wood
24	Bed of Roses — Abstract	Janice Andreae
24	Wilmar Koenig — Abstract	James D. Campbell
24	Doug Walker — Abstract	Nancy Campbell
24	Catherine Everett — Abstract	James D. Campbell
24	Marc de Guerre — Abstract	Catherine Crowston
24	THE NATURAL WORLD — Abstract	Stan Denniston
24	Rock Climbing & The Mid-Life Crisis — Abstract	Deke Dusinberre
24	The Border Prism — Abstract	Lorne Falk
24	Franc Petric — Abstract	Peter Gibson
24	Joyce Edgington — Abstract	Mark Harris
24	Mad For Bliss: Vera Frenkel — Abstract	Johanna Householder
24	Y-A-T-IL UNE DEMARCHE HYSTERIQUE? — Abstract	Nicole Jolicoeur
24	MEMORY - WORK — Abstract	Carol Laing
24	Critical Realism Revisited — Abstract	Robert Linsley
24	First Biennial of Contemporary Canadian Art — Abstract	Earl Miller
24	Perspectives '89 — Abstract	Earl Miller
24	Quotations, imagos, back again: an interview with Mary Scott — Abstract	Jeanne Randolph
24	Product and Territory — Abstract	Jeanne Randolph
24	Project: Untitled. — Abstract	Nell Tenhaaf
24	THREE TRAVEL STORIES — Abstract	Martha Townsend
24	World Wide Skin Deep — Abstract	Petra Rigby Watson
23	Samuel Beckett's Teleplays — Abstract	Arne Zaslove
23	Things to Come — Abstract	Douglas Blau
23	No Place Like Home — Abstract	Gail Bourgeois
23	Drawn On/Drawn Upon — Abstract	Nancy Campbell
23	Tenir l'image à distance — Abstract	James D. Campbell
23	PROJECT (ONCE UPON A TIME...) — Abstract	Braco Dimitrijevic
23	New Work '89 — Abstract	editorial staff
23	David and the Representation of the Revolution — Abstract	Arni Runar Haraldsson
23	Paris 1989 — Abstract	Robert Harbison
23	Beyond History — Abstract	Ray Hartley
23	Krzysztof Wodiczko — Abstract	Eleanor Heartney
23	Bernie Miller at Sable CastelliThe Phase Show at A Space — Abstract	Ingrid Jenkner
23	Disintegrated History — Abstract	Donald Kuspit
23	1989 (A YEAR IN ANNIVERSARIES) — Abstract	Mark Lewis
23	Attila Richard Lukacs — Abstract	Earl Miller
23	"C" Project — Abstract	Regan Morris
23	Notebook Pages — Abstract	Andy Patton
23	Roundup and Tour of the Instant — Abstract	John Scott
23	Chance: History, Evolution: Freedom; On the Works of Braco Dimitrijevic — Abstract	Evelyn Weiss
23	Robert Fones — Abstract	Janice Williamson
22	History Hurts: Barbara Steinman and Installation — Abstract	James D. Campbell
22	Arnaud Maggs: The Narrative and its Double — Abstract	Gary Michael Dault
22	Project: (A man and his twenty-one year old turtle) — Abstract	Robert Fones
22	Streams of Consciousness: New American Animation — Abstract	Mark Harris
22	Some Detached Houses — Abstract	Ray Hartley
22	Method, Method — Abstract	Robert Kleyn
22	Karel Appel's Sculpture — Abstract	Donald Kuspit
22	Umberto Boccioni: The Creative Dilemma Of A Mother's Boy — Abstract	Donald Kuspit
22	See The Picture Comes to Read You — Abstract	Gordon Lebredt
22	Alain Paiement — Abstract	Earl Miller
22	Philip Monk: Struggles with the Image — Abstract	Andrew Payne
22	Sculpture On The Orient Express (Further Travels with Brancusi) — Abstract	Robin Peck
22	Restructuring Landscape — Abstract	Cyril Reade
22	The Artropolis Syndrome — Abstract	Charlotte Townsend-Gault
22	Mary Mary: Anna Gronau — Abstract	Dot Tuer
21	Louis Lussier — Abstract	James D. Campbell
21	Stan Denniston — Abstract	Jeff Derkson
21	The Eiffel Tower, Only Morceaux — Abstract	Bruce W. Ferguson
21	Howard Ursuliak — Abstract	Arni Runar Haraldsson
21	Gaudi — Abstract	Robert Harbison
21	Stan Douglas — Abstract	Mark Harris
21	Project: Untitled — Abstract	Nan Hoover. Photographs by Thijs Quispel.
21	Memory Track — Abstract	Stephen Horne
21	Reification or Personalization: The Dilemma of Photography — Abstract	Donald Kuspit
21	Victims in the Visible — Abstract	Mark Lewis
21	Hugh LeRoy — Abstract	Donna Lypchuk
21	Alan Belcher: Geometry of the Possible — Abstract	Earl Miller
21	Democratiser — Abstract	Richard Rhodes
21	Mary Scott — Abstract	Melony Ward
21	Jaan Poldaas — Abstract	Robert Youds
20	STILL LIFE — Abstract	Douglas Blau
20	Ashley Bickerton: The Unbearable Lightness of Art — Abstract	Rosetta Brooks
20	Robert Adrian X: Dematerializing Media(tions) — Abstract	James D. Campbell
20	Michelle Normoyle — Abstract	Linda Carter
20	Tony Scherman — Abstract	Gary Michael Dault
20	CRIME AND ORNAMENT — Abstract	Marc de Guerre
20	Modern Art and the Riviera — Abstract	Robert Harbison
20	Art Films — Abstract	Mark Harris
20	Robin Peck — Abstract	Garry Neill Kennedy
20	Michelangelo Pistoletto — Abstract	Robert Kleyn
20	Gerhard Richter's Doubt and Hope — Abstract	Donald Kuspit
20	The Proxy: Some Notes on Ventriloquism	Gordon Lebredt
20	Fastwürms — Abstract	Donna Lypchuk
20	Noel Harding: Seven Beauties, Chickens, Clowns, Drunks, Scavengers — Abstract	Richard Rhodes
19	UN — Abstract	Isaac Applebaum
19	Survival Research Laboratories: "Misfortunes of Desire" — Abstract	Vivian Bobka
19	Ron Martin — Abstract	James D. Campbell
19	New Work — Abstract	editorial staff
19	The National Gallery Ottawa — Abstract	Robert Harbison
19	Su Schnee — Abstract	Mark Harris
19	Art in the Era of Permanent Capitalism — Abstract	Robert Kleyn
19	Christian Boltanski's Art Of Gloom — Abstract	Donald Kuspit
19	John Graham: Aristocratic Pretensions — Abstract	Donald Kuspit
19	Extenuating Circumstances — Abstract	Gordon Lebredt
19	Stephen Horne — Abstract	Julian Patrick
19	The Sculptor and the Mauser — Abstract	Robin Peck
19	James K-M — Abstract	Robin Peck
19	Mark Lewis, "Burning" — Abstract	Nancy Shaw
19	SAINT EUGENE — Abstract	Paul Waldman
18	Terry Ewasiuk: "Receiver" — Abstract	Linda Carter
18	Ken Lum: Logos and Logo — Abstract	Gary Michael Dault
18	MODERN RHYMES/TRYING TIMES — Abstract	Andy Fabo
18	Janice Gurney — Abstract	Monika Gagnon
18	"Picturing" Greatness — Abstract	Leon Golub
18	Towards the Photograph as a Vulgar Document — Abstract	Clara Gutsche
18	Paysage — Abstract	Arni Runar Haraldsson
18	Douglas Blau's Fictions — Abstract	Robert Harbison
18	Michael Snow — Abstract	Mike Hoolboom
18	On Taste, Academics & Language: An Interview with Thomas Locher and Thomas Gruenfeld — Abstract	Cornelia Lauf
18	Berlin Dispatch — Abstract	John Bentley Mays
18	High Plains Drifter; or Modernism and the Memorial — Abstract	Robin Peck
18	Racism and Photography — Abstract	Randy Saharuni
18	Geneviève Cadieux — Abstract	Nell Tenhaaf
18	Ruth Scheuing — Abstract	Petra Rigby Watson
17	TWO VIEWPOINTS (BLUE) ON RED HORIZON — Abstract	John Baldessari
17	Will Gorlitz: "The Psychopathology of Everyday Life" — Abstract	Gary Michael Dault
17	The Perennial Seed — Abstract	Susan A. Davis
17	Martha Townsend's Readymade Ecologies — Abstract	Lorne Falk
17	Translating from the Liminal: First and Last Name 'Laiwan' — Abstract	Arni Runar Haraldsson
17	Mina Totino — Abstract	Mark Harris
17	Paterson Ewen — Abstract	Shelley Hornstein-Rabinovitch
17	Alive in the Alchemical Emptiness: Jannis Kounellis' Art — Abstract	Donald Kuspit
17	Rodney Graham — Abstract	Gordon Lebredt
17	Thomas Struth: "Unconscious Places" — Abstract	Harm Lux (translated by Anne Zimmermann)
17	Heroic Life — Abstract	John Bentley Mays
17	Cave — Abstract	Earl Miller
17	Henry Moore & The Pub — Abstract	Robin Peck
17	DORSAL VIEW OF THE BRAIN...etc. — Abstract	Reinhard Reitzenstein
16	Ironic Disguise — Abstract	Ian Carr-Harris
16	Savage Glyphs — Abstract	Gary Michael Dault
16	This is Paradise — Abstract	Tom Dean
16	Jana Sterbak — Abstract	Reesa Greenberg
16	The Triumph of Pessimism: The Joy of Being in a Tunnel — Abstract	Serge Guilbaut
16	BURNING — Abstract	Mark Lewis
16	Victor Burgin — Abstract	Mark Lewis
16	In Pursuit of the Vanishing Subject: James Welling & Rodney Graham — Abstract	Robert Linsley
16	Fine Young Cannibal — Abstract	Donna Lypchuk
16	Michael Snow — Abstract	Jerry McGrath
16	Nickelodeon — Abstract	Earl Miller
16	Travels With Brancusi: A Circumambulation of the Transylvanian Plateau — Abstract	Robin Peck
16	A Henge With a View — Abstract	Gary Telfer
15	Alan Belcher — Abstract	Vikky Alexander
15	Brave New Genre — Abstract	Jan Avgikos
15	"Ordinary Things" — Abstract	Linda Carter
15	Passion Play Overlay — Abstract	Gary Michael Dault
15	New Works 1987 — Abstract	editorial staff
15	When the Yuppies Come Marching In — Abstract	Bruce W. Ferguson
15	Eva Brandl — Abstract	Trevor Gould
15	Musee D'Orsay, Paris — Abstract	Robert Harbison
15	Gary McLaren — Abstract	Mike Hoolboom
15	Documenta 8: Emancipation and the New Modernism — Abstract	Donald Kuspit
15	Beuys or Warhol? — Abstract	Donald Kuspit
15	" Petrified Forest Estates Lot No. 296" — Abstract	Cornelia Lauf
15	"Den Love: Fear and Glamour, Part III" — Abstract	Donna Lypchuk
15	"Mr. Caldwell" — Abstract	Jerry McGrath
15	Ron Giii — Abstract	Earl Miller
15	Nancy Spero — Abstract	Earl Miller
15	A Prophylactic Discourse on Simulated Art — Abstract	Joseph Nechvatal
15	Memento Mori — Abstract	Richard Rhodes
15	Angela Grauerholz — Abstract	Randy Saharuni
15	"Unromantic as Monday Morning" — Abstract	Ruth Scheuing
15	No Fixed Address — Abstract	Randy Spires
15	"In the Palace of the Queen" — Abstract	Randy Spires
15	"Self-Potrtrait: An Installation" — Abstract	Joshua Teplow
15	Frances LeemingAndrew J. Paterson — Abstract	Petra Rigby Watson
14	Nancy Dwyer — Abstract	Vikky Alexander
14	Pyrrhic Victory — Abstract	Jan Avgikos
14	Louise Lawler — Abstract	Jan Avgikos
14	Dancing on the Grave — Abstract	Rosetta Brooks
14	Claude Mongrain — Abstract	Trevor Gould
14	Sacred Cows — Abstract	Reesa Greenberg
14	Ron Huebner"What You Don't Know Won't Hurt You" — Abstract	Arni Runar Haraldsson
14	Judith M. AtkinsonDianne Radmore — Abstract	Mark Harris
14	First Images, Primal Scenes — Abstract	Mike Hoolboom
14	As Though We Knew What to Do — Abstract	Ronald Jones
14	Documenta 8 Issues — Abstract	Donald Kuspit
14	Reid Sheir — Abstract	Robert Lindsay
14	Kassel 1987 So Much to See and Do — Abstract	John Bentley Mays
14	Give & Take — Abstract	Allan McCollum
14	Brian Scott — Abstract	Jerry McGrath
14	Andy Patton — Abstract	Earl Miller
14	David Diao — Abstract	Robert Morgan
14	Dutiful Daughter — Abstract	Richard Rhodes
14	"Sight Specific" — Abstract	John Scott
14	Alison Rossiter — Abstract	Randy Spires
14	Freda Guttman — Abstract	Nell Tenhaaf
14	Gestures in the Looking Glass: Performance Art and the Body — Abstract	Dot Tuer
14	Colette Whiten — Abstract	Gregory Van Alstyne
13	Subliminal Assault — Abstract	Jan Avgikos
13	Richard Prince — Abstract	Jan Avgikos
13	"Je, Tu, Elle" — Abstract	Barbara McGill Balfour and Randy Hemminghaus
13	The Mummification of Mommy: Joyce weiland as the AGO's First Living Other — Abstract	Kass Banning
13	Irene F. Whittome Interviewed by Lorne Falk — Abstract	Lorne Falk
13	Stark Flight — Abstract	Monika Gagnon
13	David Craven, Harold Klunder — Abstract	Linda Genereux
13	Japanese Experimental Film 1960-1980 — Abstract	Mike Hoolboom
13	Ted Bieler — Abstract	Shelley Hornstein-Rabinovitch
13	An Whitlock — Abstract	Dian Kinder
13	Murder He Wrote — Abstract	Donna Lypchuk
13	"Symposium" — Abstract	Donna Lypchuk
13	Ian WallaceCold City Gallery — Abstract	Earl Miller
13	NO FIXED ADDRESS — Abstract	Joey Morgan
13	True Stories — Abstract	Susan Morgan
13	Robert Youds"More" — Abstract	Richard Rhodes
13	Julian Schnabel and Ruth Kligman — Abstract	Walter Robinson
13	Brigitte Radecki — Abstract	Christine Ross
13	Sarah Charlesworth: Imagining the Other — Abstract	Dena Shottenkirk
13	One Against the Other — Abstract	Cheryl Simon
13	Gilbert Boyer/Louise Viger"Facteur/Facteurs" — Abstract	Cheryl Simon
13	Jim MillerPoison Pen — Abstract	Randy Spires
13	REBIRTH — Abstract	Irene F. Whittome
13	Dithering on Petering Out — Abstract	William Wood
13	Jeff Wall — Abstract	William Wood
13	"War Artist" — Abstract	Liz Wylie
13	"Broken Muse" — Abstract	Jane Young
12	NIele Toroni at Mary Boone Gallery — Abstract	Jan Avgikos
12	Project: Untitled — Abstract	Sorel Cohen
12	Rae Johnson at Carmen Lamanna Gallery — Abstract	Gary Michael Dault
12	"Western Flesh and Blood" — Abstract	Gary Michael Dault
12	"Ultrasurd" — Abstract	Robert Everett-Green
12	"La Bete Noire" — Abstract	Lorne Falk
12	Robert McNealy at S.L. Simpson Gallery — Abstract	Trevor Gould
12	In Praise of Lumieres — Abstract	Reesa Greenberg
12	Participants in Parody — Abstract	Reesa Greenberg
12	Hot Paint for Cold War — Abstract	Serge Guibaut
12	Charles Rea and Attila Richard Lukas at Mercer Union — Abstract	Dierdre Hanna
12	Dreaming Against Time — Abstract	Arni Runar Haraldsson
12	Robert Linsey at the Contemporary Art Gallery — Abstract	Ray Hartley
12	Yvonne Singer at White Water Gallery — Abstract	Shelley Hornstein-Rabinovitch
12	"Date Paintings: Twenty Years" — Abstract	Ronald Jones
12	"Spin Paintings" — Abstract	Ronald Jones
12	If the Price is Right Selling Past Perfect Moments — Abstract	Mark Lewis
12	"Of Matter and Motion" — Abstract	Donna Lypchuk
12	VERTICAL DREAMS — Abstract	Dyan Marie
12	Pure Activity Late Capitalist Texts To Be Sung — Abstract	John Bentley Mays
12	"Axis Mundi" — Abstract	Jerry McGrath
12	Wyn Geleynse at Mercer Union — Abstract	Earl Miller
12	Trevor Gould at ARC — Abstract	Earl Miller
12	Paths and Circles — Abstract	Susan Morgan
12	"Caddis Case" — Abstract	Robin Peck
12	"Voices of the Unclean" — Abstract	Richard Rhodes
12	"Maintenance" — Abstract	Richard Rhodes
12	Ric Evans at Grunwald Gallery — Abstract	Andrew Schulz
12	Krzysztof Wodiczko: An Interview by Ian Smith-Rubenzahl — Abstract	Ian Smith-Rubenzahl
12	John Clark at Wynick/Tuck Gallery — Abstract	Marshall Webb
12	Margaret Naylor at the Contemporary Art Gallery — Abstract	Carol Williams
12	Approval — Abstract	William Wood
11	Liz Magor in Discussion With Ian Carr-Harris — Abstract	Ian Carr-Harris
11	Architectural Digest — Abstract	Gary Michael Dault
11	New Work 1986 — Abstract	editorial staff
11	Abuse of the Title — Abstract	Monika Gognon
11	Biennale! Finale? — Abstract	Reesa Greenberg
11	History at Infinity — Abstract	Arni Runar Haraldsson
11	Protectorates — Abstract	Shelley Hornstein-Rabinovitch
11	The Secret World of Giorgione — Abstract	Komar & Melamid
11	The Fragments of a Romance The Romance of the Fragment — Abstract	Donald Kuspit
11