Column

Writer

Case Histories

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Death

Storytelling

Chris Kraus eulogizes writer David Rattray through a synthesis of his book The Angel— a work documenting his time living in Puerto Angel, Oaxaca, Mexico.

Slant: Wake

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Multi-disciplinary

Sarah Robayo Sheridan explores the conceptual work of multi-disciplinary artist Chris Marker. The profile focuses on three of Marker’s projects: Immemory (1998), The Hollow Men (2005), and Owls at Noon (2006). 

Views: Chris Marker's Owl's Eye View

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Evergreen 1

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Artch 1

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Clothesline

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Editorial

Editor

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Cultural Studies

Editor Rosemary Heather explores the concept of a case history in aesthetic terms.

Feature

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Sculpture

Textiles

A profile on conceptual multidisciplinary artist Allyson Mitchell. Helena Reckitt explores her sculptural textile work in the context of craft in relation to the avant-garde in art.

My Fuzzy Valentine: Allyson Mitchell

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Interpretation

Drawing

Jacob Wren recounts his experience encountering the drawings of Kaoru Arima for the first time. Wren reflects on the phenomena of otherness, cultural disparity, and the excitement of the unknown that is present in Arima’s art and demonstrated through Wren’s interaction with the work.

Art Drug Centre: Jacob Wren on Kaoru Arima

Anne Low is based in Montréal, Canada. Her practice includes sculpture, installation, textiles and printmaking to investigate how particular expressive forms are able to unhinge themselves from historical contingency and speak to contemporary subjects such as the domestic, the decorative, utility and taste. Her works speak to wider narratives around the impulse to individuate object and self and how the impulse to decorate is a desire that extends through history. Recent solo exhibitions include Bletting, Franz Kaka, Toronto (2019), Chair for a woman, Contemporary Art Gallery, Vancouver (2019), Paperstainer, Mercer Union, Toronto (2018); A wall as a table with candlestick legs, Tensta Konstall, Stockholm (2018) and Witch with Comb, Artspeak, Vancouver (2017). Recent group exhibitions include Art Encounters Biennial, Timisoara (2019), Sobey Art Award, Art Gallery of Alberta, Edmonton (2019); Soon Enough – Art in Action, Tensta Konsthall, Stockholm (2018); Separation Penetrates, Mercer Union, Toronto (2017); Dream Islands, Nanaimo Art Gallery (2017); Ambivalent Pleasures, Vancouver Art Gallery (2016) and Reading the Line, The Western Front, Vancouver (2015). Her collaboration with Evan Calder Williams, The Fine Line of Deviation, has been exhibited at Mercer Union, Toronto (2018) and Issue Project Room, New York (2016). 

[annelow.ca](http://annelow.ca/)

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Photography

Conceptual

Critique

Anne Low explores the work of conceptual artist Andrew Dadson, whose photography and performance art identifies the arbitrariness of ideas surrounding property and privacy.

"a plot with a single type of grass…": Anne Low on Andrew Dadson

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Documentary

A profile on Chinese-Canadian artist Theodore Saskatche Wan twenty years after his death. Yam Lau outlines Wan’s intent to explore the aesthetic and ethical boundaries of life and art through his work.

Theodore Saskatche Wan, or Posing with Another

Interview

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Dialogue

Leah Sandals in conversation with multi-media artist Ken Lum.

The Short Interview: Ken Lum

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Installation

Terence Dick in conversation with artist Brian Jungen, known for his sculptural projects that repurposes consumer goods into experimental installations.

Brian Jungen Interviewed by Terence Dick

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Designer

Publisher

Artist Project

Artist

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A centerfold spread showcasing Corin Sworn’s Switzerland 1972— a graphite drawing of children playing on a large tube structure. 

Corin Sworn, Switzerland 1972, 2005

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Portrait

A full page colour photo of Nancy Van Keerbergen’s Self Portrait, Back Nails Drip.

Nancy Van Keerbergen, Self Portrait, Back Nails Drip, 2003

Review

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Exhibitions

Tatiana Mellema reviews Yang Fudong’s photography exhibit which investigates the human realities of China’s economic development at the Stedelijk Museum in Amsterdam.

Yang Fudong: Stedelijk Museum, Amsterdam

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This is a review of Erik Goengrich’s exhibition _Everything Else is Inside: Berlin Sculptures & Other Announcements,_ shown at Platz Der Vereinten Nationen 27 in Berlin and was accompanied by a photo book. 

Erik Goengrich, "Everything Else is Inside: Berlin Sculptures & Other Announcements", Platz Der Vereinten Nationen 27, Berlin

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Maura Broadhurst reviews Pattern Fields, a modular exhibition by Jeannie Thib at the Foreman Art Gallery of Bishop’s University in Lennoxville, QC.

Jeannie Thib, "Pattern Fields": Foreman Art Gallery of Bishop's University, Lennoxville, QC

Public art

Sound

Dina Deitsch reviews Jessica Thompson’s work Soundbike— an interactive performance piece exploring the ways urban environments effect emotion and behaviour. The piece was featured in Boston, as a part of Art Interactive’s exhibition titled GlowLab.

Jessica Thompson, "Soundbike": GlowLab, Open Lab Art Interactive, Boston

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Slavka Sverakova reviews Splace—, an exhibition of digital prints by Theo Sims at the Golden Thread Gallery in Belfast. 

Theo Sims, "Splace": Golden Thread Gallery, Belfast

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Mick Peter reviews Lisi Rankin’s sculptural exhibition at the Transmission Gallery in Glasgow. 

Lisi Raskin: Transmission Gallery, Glasgow

Vesna Krstich is Toronto-based critic, curator and educator.

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Vesna Krstich reviews Photographs 1978-2004— a retrospective of Jeff Wall’s photography at the Tate Modern in London.

Jeff Wall, "Photographs 1978-2004": Tate Modern, London

Christina Bagatavicius reviews The House of Dreams, an interactive installation by Ily and Emily Kabakov at the Serpentine Gallery in London.

Ilya and Emily Kabakov, "The house of Dreams": Serpentine Gallery, London

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Carla Garnet reviews Lucky— a photography exhibition by Lori Newdick at the Cockin Shopland Gallery in Toronto.

Lori Newdick, "Lucky": Corkin Shopland Gallery, Toronto

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Painting

Sean Alward reviews Headlands: New Paintings by Stephanie Aitkin, an exhibition of paintings inspired by found photographs, at the Helen Pitt Gallery in Vancouver, BC.

Stephanie Aitkin, "Headlands: New Paintings", Helen Pitt Gallery, Vancouver

Header

C Mag

Issue 89

Case Histories

Credits

Editorial

Case Histories

Features

My Fuzzy Valentine: Allyson Mitchell

Art Drug Centre: Jacob Wren on Kaoru Arima

"a plot with a single type of grass…": Anne Low on Andrew Dadson

Theodore Saskatche Wan, or Posing with Another

Artist Projects

Corin Sworn, Switzerland 1972, 2005

Nancy Van Keerbergen, Self Portrait, Back Nails Drip, 2003

Columns

Slant: Wake

Views: Chris Marker's Owl's Eye View

Reviews

Yang Fudong: Stedelijk Museum, Amsterdam

Erik Goengrich, "Everything Else is Inside: Berlin Sculptures & Other Announcements", Platz Der Vereinten Nationen 27, Berlin

Jeannie Thib, "Pattern Fields": Foreman Art Gallery of Bishop's University, Lennoxville, QC

Jessica Thompson, "Soundbike": GlowLab, Open Lab Art Interactive, Boston

Theo Sims, "Splace": Golden Thread Gallery, Belfast

Lisi Raskin: Transmission Gallery, Glasgow

Jeff Wall, "Photographs 1978-2004": Tate Modern, London

Ilya and Emily Kabakov, "The house of Dreams": Serpentine Gallery, London

Lori Newdick, "Lucky": Corkin Shopland Gallery, Toronto

Stephanie Aitkin, "Headlands: New Paintings", Helen Pitt Gallery, Vancouver

Interviews

The Short Interview: Ken Lum

Brian Jungen Interviewed by Terence Dick