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Mackenzie

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Workman 1

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Plural

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Feature

Jane Affleck is a PhD candidate in the Cultural Studies program at Trent University, a part-time instructor at NSCAD University and a freelance writer.

Writer

Strata

issue-124-p28-36.pdf

Identity

Indigenous

Performance

In this article on Mi’kmaw artist Ursula Johnson, Jane Affleck considers how Johnson’s performance and sculptural installation work confronts prejudice and stereotypes as a way of “righting historical wrongs.” Past performances and a recent solo exhibition in Halifax are discussed in detail, describing Johnson’s investigations into Aboriginal identity and spectator-participant engagement.

Wrongs Can Make It Right: The Performance and Sculptural Installation Work of Ursula Johnson

Kimberly Phillips is a Vancouver-based writer and curator. She holds a PhD in art history from the University of British Columbia and regularly teaches courses on contemporary visual art and curatorial practices at Emily Carr University of Art + Design. She is Director/Curator of _Access Gallery_, an artist-run centre committed to supporting the work of emergent artists and experimental practices.

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Canadian

History

Site-specific

This essay by Kimberly Phillips discusses _Deadhead_, Cedric, Nathan and Jim Bomford’s elaborate floating sculptural installation that references the myriad countercultural histories of Canada’s West Coast. Phillips describes how the past literally comes floating back to the waterways around Vancouver through this artwork.

On Bathtub Rings and Other Irritants: Cedric, Nathan and Jim Bomford’s Deadhead

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