Feature

Randy Lee Cutler is a Vancouver-based writer, artist and educator. She contributes essays to catalogues and art magazines as well as maintains an experimental relationship to pedagogy, gardening and walking. Her art practice takes up themes of food and sustenance through performance, video and textual strategies. In the intersections of gender, art, science and technology, she investigates the emergence of new cultural forms and expression. She is an associate professor at Emily Carr University of Art + Design in Vancouver, BC.

Multidisciplinary artist **Vera Frenkel** is a Governor General’s Award and Gershon Iskowitz Prize laureate, currently re-creating as a website the September 2017 installation of her multi-channel Body Missing project inside the Altaussee salt mine where the Nazis stored looted art.

Amy Fung is a writer and organizer of multifarious exhibitions and events. She is Toronto-based, not raised. 

Jacob Korczynski is an independent curator.

Kegan McFadden is a writer and independent curator whose research explores printed matter, recent histories and melancholy. McFadden’s curatorial investigation into magazines produced by artists in Canada during the 1990s, >em>Yesterday was Once Tomorrow (or, A Brick is a Tool)</em> will be hosted by The Banff Centre later this year.

Jamie Ross is a visual artist and ﬁlmmaker living in Los Angeles and Montreal. Their current project touches the microhistorical world of a Los Angeles secret society of drag queens, harmonic hymn singers, and sea-shell collectors raided by the police in 1914.

David Senior is Senior Bibliographer at the Museum of Modern Art Library in New York.

Predecessors

Sixteen writers each contribute to a collection of essays about an influential individual from the art world and culture at large.

Predecessors: Linda Rubin, Ruth Maleczech, David Antin, Derek Jarman,  Andrew James Paterson, Mary Daly, Albert Dumouchel and Yvonne Rainer, Queer Elders, Mary Anne Staniszewski and Mick Wilson, James McSwain, Red Burns, Bill Murray, AA Bronson, and more

Location

Politics

Painting

Landscape

In this article the author discusses the work of Etal Adnan as it relates to place, politics and landscape painting. Adnan has exhibited a sustained interest in painting Mount Tamalpais, which she has drawn from for over 30 years. The development of her practice, and her related writing, is addressed, with a consideration of the political context within which she works.

Being in a State of Pure Belief: On the Work of Etel Adnan

Participation

Feminism

In this article, the author reflects on various aspects of masculinity in the art world in the twenty-first century. Particular focus is given to how re-thinking and re-framing traditional ideas of masculinity are imperative to feminist and GLBT (gay, lesbian, bisexual and transgender) responses to dominant culture. The fall 2011 exhibition “Directing Light into Fist of Father,” by the artist MPA is also noted.</

Venus in Transit.

Review

Sculpture

Installation

The article reviews the exhibition “A. K. Burns: Pregnant Patron Penny Pot” at Callicoon Fine Arts in New York City from March 3 – April 15, 2012.

A.K. Burns: Pregnant Patron Penny Pot

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Header

C Mag

Corrine Fitzpatrick

Predecessors: Linda Rubin, Ruth Maleczech, David Antin, Derek Jarman, Andrew James Paterson, Mary Daly, Albert Dumouchel and Yvonne Rainer, Queer Elders, Mary Anne Staniszewski and Mick Wilson, James McSwain, Red Burns, Bill Murray, AA Bronson, and more

Being in a State of Pure Belief: On the Work of Etel Adnan

Venus in Transit.

A.K. Burns: Pregnant Patron Penny Pot