Sixteen writers each contribute to a collection of essays about an influential individual from the art world and culture at large.

In this article the author discusses the work of Etal Adnan as it relates to place, politics and landscape painting. Adnan has exhibited a sustained interest in painting Mount Tamalpais, which she has drawn from for over 30 years. The development of her practice, and her related writing, is addressed, with a consideration of the political context within which she works.

In this article, the author reflects on various aspects of masculinity in the art world in the twenty-first century. Particular focus is given to how re-thinking and re-framing traditional ideas of masculinity are imperative to feminist and GLBT (gay, lesbian, bisexual and transgender) responses to dominant culture. The fall 2011 exhibition “Directing Light into Fist of Father,” by the artist MPA is also noted.</

The article reviews the exhibition “A. K. Burns: Pregnant Patron Penny Pot” at Callicoon Fine Arts in New York City from March 3 – April 15, 2012.