"The Weight, The Worry + The Wag” runs from 10 June to 22 July 2023 at Daniel Faria Gallery, Toronto.

“Jess Dobkin’s Wetrospective” ran from 6 September to 26 September 2021 at the Art Gallery of York University, Toronto. Curated by Emelie Chhangur.

Accompanying text to Aislinn Thomas’s video stills of her blue plastic foam roller, interpreted by poet Anna Bowen’s alternative audio description. Here, the domestic and quotidian are co-authored via a visual text, where the ekphrastic and the visual are co-constitutive. Thomas’ full video is available through the website.

Daniella Sanader reviews Beatrice Gibson’s exhibition, Plural Dreams of Social Life at Mercer Union, Toronto. (April 13 – June 1, 2019).

This article reviews MONOMYTHS, the performance series that launched FADO Performance Art Centre’s 2016 programme. The series examined the idea of “mono-myth” – the universal hero’s quest. The traditional narrative is deconstructed into seventeen stages transpiring over three acts, some inviting audience participation. Sanader and Cooley, mirroring the collaborative, multi-faceted nature of the series, review the series together by incorporating their conversations, notes during the performance and their personal reflections.

This article reviews Chiharu Shiota’s exhibition Trace of Memory, which included an extensive installation at the Mattress Factory’s new satellite space at 516 Sampsonia Way in Pittsburgh. The site-specific installation is on display from September 12, 2013 to 2015.

The article reviews the exhibition Manuela Lalic: Activisme timide at the Optica Centre for Contemporary Art in Montreal, Quebec from January 19 – February 23, 2013.

This article discusses a number of exhibitions, projects and events including: the Asia Art Archive, Institution by Artists: The Convention, the CARTographyTO: Astral Media Intervention, nightcoregirl.net, “Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art”, “Call Ampersand Response” and “How to Use Fool’s Gold.”