Review

Georgia Phillips-Amos is a writer from New York and Málaga, Spain. Her writing on contemporary art, intersectional politics, and social practice has appeared in _Artforum_, _BOMB_, _Border Crossings_, _Canadian Art_, _C Magazine_, _Frieze_, _RACAR_, _Signal_, _The Drama Review_, and _The Village Voice_. She is a founding editor of the antidiscipline arts magazine _O BOD_ and is currently completing a PhD in Art History at Concordia University.


In _C Magazine_’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and more, we express almanacs as projects of persistence between past, present, and future—and even of spell-casting.

In C Magazine’s 40th year of publication, the writing and visual projects in this issue form an almanac in themselves, out of the impulse to make meaning out of the present state of contemporary art and liberatory organizing. As contributors find grounding in celestial time, ancestors, the stakes of censorship, the choreography of movement building, AI incantations, and more, we express almanacs as projects of persistence between past, present, and future—and even of spell-casting.

Almanac

“As I Find My Place” included work by Hiba Abdallah, Ibrahim Abusitta, Saks Afridi, asmaa al-issa, Basil AlZeri, Nuveen Barwari, Rehab Nazzal, Parvin Peivandi, Maya Perry, and Larissa Sansour, and ran from 17 February to 20 April 2024 at The Next Contemporary, Toronto.


“As I Find My Place” — Hiba Abdallah, Ibrahim Abusitta, Saks Afridi, asmaa al-issa, Basil AlZeri, Nuveen Barwari, Rehab Nazzal, Parvin Peivandi, Maya Perry, Larissa Sansour

Games

A review of the exhibition by Russian art collective Chto Delat? at VOX: Centre de l’image contemporaine in Montreal (February 14 – March 31, 2018).

Chto Delat?: Performative Practices of our Time

Refusal

This is a review of Etel Adnan’s first solo exhibition in the UK, The Weight of the World, which showed at Serpentine Sackler Gallery in London, UK from June 2 to September 11, 2016.

Etel Adnan: The Weight of the World

thumbnail_Web Premium - Size B - 300 x 250 px.png

Web Premium - Size B - 300 x 250 px.png

lg_C-Magazine - Web Premium Banner.png

md_C-Magazine - Web Premium Banner.png

sm_C-Magazine - Web Premium Banner.png

thumbnail_C-Magazine - Web Premium Banner.png

C-Magazine - Web Premium Banner.png

Luminato

thumbnail_CMag_Brick116Ad_WEB_300x250_02.png

CMag_Brick116Ad_WEB_300x250_02.png

md_CMag_Brick116Ad_WEB_970X180_02.png

sm_CMag_Brick116Ad_WEB_970X180_02.png

thumbnail_CMag_Brick116Ad_WEB_970X180_02.png

CMag_Brick116Ad_WEB_970X180_02.png

Brick

md_Oxygen_Web2+NLB_SizeB.jpg

sm_Oxygen_Web2+NLB_SizeB.jpg

thumbnail_Oxygen_Web2+NLB_SizeB.jpg

Oxygen_Web2+NLB_SizeB.jpg

lg_Oxygen banner (resized).jpg

md_Oxygen banner (resized).jpg

sm_Oxygen banner (resized).jpg

thumbnail_Oxygen banner (resized).jpg

Oxygen banner (resized).jpg

Oxygen

lg_161_Cover.jpg

md_161_Cover.jpg

sm_161_Cover.jpg

thumbnail_161_Cover.jpg

161_Cover.jpg