Godfre Leung discusses the curatorial prominence of ’90s Vancouver photohistory, which documented the continual loss of space in marginalized communities such as Vancouver Chinatown, and explores how this prominence limits our access to other representations of these spaces.

In a review of Brendan Fernandes’s exhibition “Inaction” at Richmond Art Gallery (12 February to 3 April 2021), Godfre Leung finds “a tension between intentional and involuntary action, between scripted and impromptu movement, and between depicted and actual weight.”

Critic and curator Godfre Leung reflects on his relationship to Douglas Crimp, and Crimps’ relationship to his own writing practice.

This article, written by Godfre Leung, reviews Christian Marclay’s Surround Sounds at New York’s Paula Cooper Gallery from September 10 to October 17, 2015.

This feature article discusses the video and performance art of Jeremy Shaw. The author proposes attention as a quantifiable commodity in contemporary economic life, where labour and leisure are often indistinguishable.