“Bathroom Classroom” included work by HaeAhn Woo Kwon with Isabelle Pauwels, Amy Lam, Kirby Chen Mages, and IBanJiHa (SoYoon Kim) and ran from 15 October to 13 November 2021 at Franz Kaka, Toronto.

Sixteen writers each contribute to a collection of essays about an influential individual from the art world and culture at large.

This article presents a review of the exhibition Incident Light: Gendered Artifacts and Traces Illuminated in the Archives, curated by Leila Pourtavaf and held at the Blackwood Gallery in Mississauga, Ontario from May 25 – July 27, 2014. The article discusses the work of Tejal Shah and The Otolith Group, as well as commissioned projects by Tara Najd Ahmadi and Hannah Darabiand and Ala Dehghan.

The article reviews the exhibitions “Diane Arbus: A Printed Retrospective 1960-1971″ and “Cady Noland: The American Dream” at Museum De Hallen in Haarlem, The Netherlands from December 18, 2010 to March 13, 2011.

An interview with filmmaker Andrew Lampert is presented. When asked about deviating from expanded cinema, Lampert explains that he is fond of seeing mistakes in films, and says that to him, expanded cinema means multiple projectors and multiple means. He shares that he finds it hard to collaborate in his films and discusses his collaborations with cellist Okkyung Lee and guitarist Alan Licht. Lampert also talks about his film “The Purpose Crossed” and the performance “Temporary Measures.”

This article reviews the Ninth Havana Biennial held in Havana, Cuba. Artists discussed include Cinthia Marcelle, Sue Williamson, Shilpa Gupta and others.