Feature

Jasmine Gui is a Singaporean-born interdisciplinary artist, arts programmer, and PhD student based in Tkaronto/Toronto. She works in paper, ceramics, tea, and experimental book formats through the inter-arts and publishing space Teh Studio. 


This issue embraces the expansive nature of craft—focusing on the relationships among artists and their materials in conversation with lineage, embodied processes, function, survival, and life as it is lived. Many contributors elaborate on craft as perpetual motion: continually reformed bonds in the act of making that serve as proof of self-definition. Artists and writers explore the psychedelia of time devoted to a loom, material kinship, tea encounter, sentimentality as a curatorial drive, and more, following craft as it moves through families, diasporic realities, and markets of trade, tourism, and commercial art.


Craft

Ceramics

Food

Public art

In her feature on the Nuit Blanche tea installation Ichigo-Ichie (2022), Jasmine Gui writes about diasporic adaptations and the evolving relationship between people and objects as they travel from their origins.


Different Things in Different Scenes: Encountering Ichi-go Ichi-e in Tea

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Plural

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Evergreen

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Mayworks

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Images

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Capture

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SAAG 1

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Manif d'art

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PEC 1

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