Review

**Justin Langlois** is an artist and Associate Professor at Emily Carr University of Art & Design. His practice explores collaborative structures, critical pedagogy and custodial frameworks as tools for gathering, learning and making.

Monument

Justin Langlois reviews Hannah Jickling and Helen Reed’s book _Multiple Elementary_ (2018) published by Black Dog Publishing.

Hannah Jickling and Helen Reed: Multiple Elementary

Feature

**Pablo de Ocampo** lives in Vancouver and is the Exhibitions Curator at Western Front.

​​​​​Erika DeFreitas’s multidisciplinary practice includes performance, photography, video, installation, textiles, drawing, and writing. Placing emphasis on gesture, process, the body, documentation, and paranormal phenomena, DeFreitas mines concepts of loss, post-memory, legacy, and objecthood. Her work has been exhibited nationally and internationally. DeFreitas holds a Master of Visual Studies from the University of Toronto. 

Currently based in Chatham, Ontario, **Pamela Edmonds** is Curator of the Thames Art Gallery, Co-Director of Third Space Art Projects and a founding member of the We Curate, We Critique Collective. More of her work can be viewed at www.pe-curates.space.

Multidisciplinary artist **Vera Frenkel** is a Governor General’s Award and Gershon Iskowitz Prize laureate, currently re-creating as a website the September 2017 installation of her multi-channel Body Missing project inside the Altaussee salt mine where the Nazis stored looted art.

**Ayumi Goto** is a performance artist, currently based in Toronto, traditional territories of the Haudenosaunee Confederacy, Wendat, Anishinaabe and Mississaugas of the New Credit First Nations. Her practice is deeply influenced by Roy Miki, Shirley Bear, Cheryl L’Hirondelle, Adrian Stimson and Peter Morin.

**Tarah Hogue** is a curator and writer based on unceded Musqueam, Squamish and Tsleil-Waututh territories/Vancouver, BC. _Ayumi Goto and Peter Morin: how do you carry the land?_ (2018) was her first exhibition as the Vancouver Art Gallery’s inaugural Senior Curatorial Fellow, Indigenous Art. She is a citizen of the Métis Nation with French Canadian and Dutch ancestry. 

**Pamila Matharu** is an artist, educator and cultural producer living in Toronto. Her upcoming solo project debuts at A Space Gallery (Toronto) in spring of 2019.

**Peter Morin** is a Tahltan Nation performance artist and writer. His work focuses on decolonization through the centering of Tahltan knowledges and practice.

Lou Sheppard is a settler on the traditional and unceded territory of the Mi’kmaq in Mi’kma’ki/Nova Scotia. His work responds to the material, social, and political histories of sites, bodies, and environments, questioning and disrupting systems of power by deconstructing the languages, architectures, genealogies, and taxonomies that hold these systems in place. Often working in collaboration with other artists and in community gatherings, his installations and performances reflect states of disorientation, relationality, and futurity.

**Geneviève Wallen** is a Tiohtiá:ke/Montreal-based independent curator and writer interested in issues of ethnocultural representational spaces in Canada. Wallen’s practice is informed by diasporic narratives, intersectional feminism, intergenerational dialogue, and alternative BIPOC historical timelines.

**Erdem Taşdelen** is a Turkish-Canadian artist who lives and works in Toronto. His practice is rooted in conceptualism and involves a range of media, including installation, video, sculpture, sound and artist books. His diverse projects bring structures of power into question within the context of culturally learned behaviours, where he often draws from unique historical narratives to address the  
complexities of current socio-political issues. His work has been shown in numerous exhibitions internationally and across Canada, and he was long-listed for the Sobey Art Award in 2019.

**Shellie Zhang** is a multidisciplinary artist. She creates images, objects, and projects in a wide range of media to explore how integration, diversity, and assimilation are implemented and negotiated, and how manifestations of these ideas relate to lived experiences.


Trust

Collaboration

Curatorial practice

A compilation of varied responses from artists and curators to questions posed by the editors of C Magazine concerning the significance of trust in artist-curator relationships.

The Artist-Curator Relationship

Amanda Shore is a white-settler arts worker, critic, and curator based in K’jipuktuk (Halifax, NS). 


**Leah Snyder** is a writer and digital designer whose research and curatorial work centres around art as social practice, arts advocacy and contemporary Indigenous art with a particular focus on digital archives, new media activism, national narratives in a digital era and developing communities in cyberspace. At its foundation, her work is about constructing different kinds of architectures that provide alternative spaces for engagement. Leah is also the editor of _Mixed Bag Mag_, an online magazine on contemporary culture in Canada.

Rinaldo Walcott is Associate Professor and Director of Women and Gender Studies Institute, University of Toronto. He is the author of _Queer Returns: Essays on Multiculturalism, Diaspora and Black Studies_ (Insomniac Press, 2016).

Citizenship

Participation

Location

International

Site-specific

These writers revisit projects and presentations at the Venice Biennale that offer alternative models for practicing and engaging with citizenship that are “nuanced, complicated and poetic,” including Public Studio and Adrian Blackwell’s performative intervention Migrant Choir. They further ruminate on the idealistic curatorial intervention of Okwui Enwezor, and the dialogue generated between Indigenous peoples and recently displaced populations during the Creative Time Summit. 

Header

C Mag

Justin A. Langlois

Hannah Jickling and Helen Reed: Multiple Elementary

The Artist-Curator Relationship

Questioning Citizenship at the Venice Biennale: Responses and Interventions