Sarah Robayo Sheridan explores the conceptual work of multi-disciplinary artist Chris Marker. The profile focuses on three of Marker’s projects: Immemory (1998), The Hollow Men (2005), and Owls at Noon (2006).

A review of Robert Lee’s Minima Moralia, a reconfiguration of six previously completed videos into a new piece for the Images Festival Spotlight curated by Milada Kovacova.