Responding to art world peers’ unscrupulous sharing of articles invoking dangerous “yellow peril” tropes, Su-Ying Lee traces the connection between wet markets and the internet as gathering places, underscoring the importance of media literacy and embodied reading during this critical rallying for systemic change.

This is a review of “Doble fondo (False Bottom)”, an exhibition of works by Mexican artists Gabriel Cázares and Rolando Flores, who comprise the art collective Tercerunquinto. The show was held at the commercial gallery PROYECTOSMONCLOVA in Mexico City from Febrary to March 11, 2017.