Tings Chak gives a historical overview surveying the graphical materials produced by the Organization Of Solidarity With The People Of Asia, Africa, and Latina America (OSPAAAL). Surveying the uses of commercial poster art in pre and post revolutionary Cuba, Chak asks the reader to reflect on what it means to be an abolitionist architect or graphical designer. How, Chak asks, can visual culture be weaponized to combat systematic injustice?