Issue 122
Issue Contents
Editorial
- Amish Morrell
Editorial: Location — Read Text
Features
- Corrine Fitzpatrick
Being in a State of Pure Belief: On the Work of Etel Adnan — Abstract
- Kimberly Phillips
Willow, Weep for Me: Noa Giniger, Marian Penner Bancroft, and the Intricacies of Melancholy — Read Text
- Nicholas Brown
Renzo Martens and the Institute for Human Activities — Abstract
- Alexandra Phillips
Both Here and There: Canadian Artists and the Berlin Experience — Abstract
Artist Project
- Alexis Bhagat and Stephanie Loveless
Stopover — Abstract
Reviews
- Zoë Chan
Rabih Mroué: The Pixelated Revolution — Abstract
- Maeve Hanna
Sarah Cale: Petrified — Abstract
- Sam Cotter
Chris Curreri: Medusa — Abstract
- Bill Clarke
Glam North: Doris McCarthy and her New Contemporaries — Abstract
- Amber Berson
Akram Zaatari: All is Well — Abstract
- Jaclyn Meloche
Sharon Hayes: Loudspeakers and Other Forms of Listening — Abstract
- Kari Cwynar
A Problem So Big It Needs Other People — Abstract
- Daniella Sanader
Chiharu Shiota: Trace of Memory — Abstract
- Joseph Henry
Damage Control: Art and Destruction Since 1950 — Abstract
- Jane Affleck
Graeme Patterson: Secret Citadel — Abstract
- Dan Munn
Neil Beloufa, Julie Born Schwartz, Christopher Kulendran Thimas, Timur Si-Qin, Lewis Teague Wright, and Tyra Tingleff: Fulfilment Centre — Abstract
- Amber Landgraff
Self-Organised, edited by Stine hebert and Anne Szefer Karlsen — Abstract
- Jonathan Lockyer
The Lake, edited by Maggie Groat — Abstract
Columns
- Maryse Larivière
On Writing: The Parrot — Abstract
- Maryse Larivière
Primer: The Window May be Open — Abstract
- Jonathan Lockyer
Inventory: Walking — Abstract
- David Court and Josh Thorpe
Artefact: On Printed Matter — Abstract
- Issue 122
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8:20:12
- Summer 2014
UP