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Artch 1

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Evergreen 1

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eyelevel

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Feature

Writer

issue-5-p12-18.pdf

Article examines de Guerre’s focus of painting disturbing subject matter. Artists: Marc de Guerre, Mies van der Rohe

Painting disorder: Marc de Guerre

issue-5-p18-22.pdf

Observations on Borofsky’s career on occasion of his mid-career retrospective being mounted at the Whitney Museum of American Art. Artists: Jonathan Borofsky

Jonathan Borofsky: postmodern and counting

issue-5-p29-34.pdf

Response to Benjamin Buchloh’s essay “Figures of Authority, Ciphers of Regression” which represents history in a manner which troubles Patton. Artists: Alexander Rodchenko, Kasimir Malevich, Carlo Carra

Buchloh's history

issue-5-p34-39.pdf

The article examines Graham’s concern with “the inability of art to represent the real of nature”. Artists: Rodney Graham

In-quest of folly: reading Rodney Graham's Lenz

issue-5-p62-72.pdf

Examination of Beckmann’s self-portraits. Artists: Max Beckmann, Albrecht Dürer, Rembrandt, Goya

Psychotic realism in Max Beckmann

Letter

issue-5-p77-78.pdf

Responding to review of Tod’s work in issue 4\. Artists: Joane Tod

Letter to the Editor

Responding to article on MOMA‘s “An international survey of recent painting and sculpture” in issue 4\. Artists: McShine

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Art Director

Publisher

Artist Project

Artist

issue-5-p26-29.pdf

Black and grey amorphous landscape. Second print, looks like a blacksmith bending over the fire pit with his instruments.

ANTE-ETNA

issue-5-p39-43.pdf

3 photos. First, a painted canvas that has been damaged and has a hole in it with aquote from “The Journal of an Artist” at the bottom. Second, is a scene from a film in which a nun is stabbing another woman. Again their are quotes from the book at the bottom. Last, there is again the canvas with yet more holes in it with another quote from the journal.

EMPHASIS MINE

issue-5-p49-53.pdf

Four pages. Cover page in orange with white borders, title of the work in black type and artist’s name in white type underlined in black. Next a photo of a woman against a black background. Then a series of small photos of women’s faces. Last, a cartoon on red background with white borders. The caption reads, “What are you obsessed with these days?”

PORTRAIT GANG JOKE

issue-5-p55-58.pdf

Four pieces: waterfall, beach, woman in bathing suit lying down, woman with hands shading eyes.

THE LINGERING SENSE OF OUR SHARED REGRETS

issue-5-p72-74.pdf

Four pieces: Man with boy on bike, little boy alone, little girl alone, mother pushing baby stroller with child. Text: “Single Father-Single Son- Single Daughter- Single Mom”.

NURSERY RHYME

Review

issue-5-p22-24.pdf

Review of “Futura Bold” at Pitt International Gallery (Vancouver). Artists: Graham Gillmore, Derek Root, Attila Richard Lukacs, Angela Grossman

Flesh and Void

issue-5-p24-26.pdf

Review of Balfe’s and Applebaum’s work at Mercer Union (Toronto). Artists: Michael Balfe, Isaac Applebaum

Camps at ground zero

issue-5-p43-46.pdf

Review of Lum’s work at YYZ (Toronto). Artists: Ken Lum

Between affirmation and contempt

issue-5-p46-49.pdf

Review of “The Somnambulist” at The Ydessa Gallery (Toronto). Artists: Shelagh Alexander

The Somnambulist

issue-5-p53-55.pdf

Review of “In attaining the vertical stance one assumes power” at S.L. Simpson Gallery (Toronto). Artists: Renée van Halm

The blind and the sublime

issue-5-p58-60.pdf

Review of “Theatre of the immagination” at Musée des beaux-arts (Montreal). Artists: Sandra Meigs, Franoise Boulet, Genevive Cadieux, Marcel Duchamp, Kurt Schwitter

Theatre of the imagination

issue-5-p60-62.pdf

Review of Scherman’s work at Sable-Castelli Gallery (Toronto). Artists: Tony Scherman

Clean cuffs and pessimism

issue-5-p74-76.pdf

Review of “Somewhere in the translation” at Off Centre Centre (Calgary). Artists: Rob Milthorp

Somewhere in the translation

issue-5-p76-78.pdf

Review of Schwarz’s work at Forest City Gallery (London). Artists: Judith Schwarz

The pressure of a body

Header

C Mag

Issue 5

Credits

Letters

Letter to the Editor

Letter to the Editor

Features

Painting disorder: Marc de Guerre

Jonathan Borofsky: postmodern and counting

Buchloh's history

In-quest of folly: reading Rodney Graham's Lenz

Psychotic realism in Max Beckmann

Artist Projects

ANTE-ETNA

EMPHASIS MINE

PORTRAIT GANG JOKE

THE LINGERING SENSE OF OUR SHARED REGRETS

NURSERY RHYME

Reviews

Flesh and Void

Camps at ground zero

Between affirmation and contempt

The Somnambulist

The blind and the sublime

Theatre of the imagination

Clean cuffs and pessimism

Somewhere in the translation

The pressure of a body