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Gallery 44

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Optica

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Capture

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ADAC

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Craft NL

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Feature

Writer

issue-6-p12-16.pdf

An examination of a film by Jim Anderson “Bois de Balzac”. Artists: Jim Anderson, Auguste Rodin, Robert Smithson

Repetition and the sight of the reel

issue-6-p16-20.pdf

Remarks on work (self-portrait) by Will Gorlitz. Artists: Will Gorlitz, Gerard P\_s

After-affects: a small matter of some face

issue-6-p20-23.pdf

Article examines the use of allegory in photography. Artists: Count Olympe, Eldon Garnet

Allegory: to speak other wise

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Editor

Art Director

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Artist Project

Artist

issue-6-p24-26.pdf

Panoramic Rotunda

issue-6-p28-30.pdf

4 photos: 2 full head shots, 2 extreme close ups.

Relentless Verities

issue-6-p36-38.pdf

Two page spread with photos of a person planting a flower. One close up of flower and text.

Winter Mulch

issue-6-p60-71.pdf

This is the artist’s three act rendition of a five-act opera interpreted in a Dada fashion. The opera is an “allegory of modern language” and takes place in three cities; Moscow, Leningrad and Toronto. The author also makes reference to Lenin likening him to a “…lost modern man”. Artists: Refers to Hans Richter’s Dada: Art and Anti-Art, and Robert Motherwell’s Dada Painters and Poets. Also mentioned is Richard Huelsenbeck.

Project for an Opera of the Twentieth Century G.S.

issue-6-p74-76.pdf

Caniapiscau River

issue-6-p78-80.pdf

Four self portraits done by Harold Klunder

Four Self Projects

Review

issue-6-p23-26.pdf

Review of Panoramic Rotunda at Or Gallery (Vancouver). Artists: Stan Douglas

The afterlife of interiority

issue-6-p26-28.pdf

Review of Everett’s work at Galerie Don Stewart (Montreal). Artists: Catherine Everett

Heroic Difference

issue-6-p30-32.pdf

Review of McNealy’s “Peripheral Drift” at S. L. Simpson Gallery (Toronto) and McEwen’s “Palestine” at Ydessa Gallery (Toronto). Artists: Robert McNealy, John McEwen

No-place in particular

issue-6-p32-34.pdf

Review of Groombridge’s work at Glendon Gallery (Toronto). Artists: Brian Groombridge

Quiet reciprocity 

issue-6-p34-36.pdf

Review of Yanover’s work at YYZ (Toronto). Artists: Shirley Yanover

Totemic meanders

issue-6-p38-41.pdf

Review of group exhibition at Riverside Studios (London, England); February 7-March 9\. Artists: Annette Messager, Helen Chadwick, Mikey Cuddihy

Phobias, fragments, recall

issue-6-p41-45.pdf

Text accompanies 3.5 pages of cyanotype contact prints which were purchased by The Edmonton Art Gallery in 1978\. The fact that no duplicates or negatives have ever been found of the Kwakiutl material brings speculation to the fact that the artist himself may have destroyed the originals upon hearing that the work was censored and considered guresome. Artists: Edward S. CurtisSir John Herschel

Kwakiutl Cyanotypes

issue-6-p46-49.pdf

Review of a large exhibition mounted by the AGO. The exhibition featured the differences between Canadian and European art. Artists: Group exhibition “The European Iceberg” – Michelangelo Pistoletto, Enzo Cucchi, Vitebsk-Harar, Anselm Kiefer, Rebecca Horn, Ettore Spaletti,

The European Iceberg: No Accounting for  Pleasure

issue-6-p49-51.pdf

A review on certain aspects and artists in the exhibition entitled “The European Iceberg” at the Art Gallery of Ontario. The author questions the choice of the “luxury and fetish” theme. Artists: Roald Nasgaard, Salome Paladino, Nicola DeMaria, Georg Baselitz, Arturo Carlo Quintavalle, Scholz Rittermann,

On Board the Titanic

issue-6-p52-55.pdf

Author writes of the display of architecture in the exhibit entitled The European Iceberg at the Art Gallery of Ontario. One room in the exhibit was dedicated to models, drawings and photographs by eight European architects. Artists: Aldo Rossi, Josef Paul Kleihues, Gottfried Bohm, Renzo Piano, Hans Hollein, Gae Aulenti, Vittorio Gregotti, Gino Valle.

Think: Engage: Cross Disciplines: Persevere: Build

issue-6-p55-59.pdf

Review of the design section of The European Iceberg exhibition at the Art Gallery of Ontario. Artists: Achille Castiglioni, Ettore Sottsass Jr., Archizoom Associati, Michele De Lucchi, Dieter Rams, Andrea Branzi

Surface Surfeit:  Notes on Some Recent Italian Design

issue-6-p59-60.pdf

Reviews the work of Tim Head shown at the Institute of Contemporary Art in London England, February 8-March 17, 1985\. The author discusses the theme of “…repressiveness within the world of late capitalism”, making specific reference to the exhibits “The Tyranny of Reason” and “Power Pyramids”. Cites Bachelard in respect to the way he “explores reason and imagination”. Refers to Edmund Burke briefly. Artists: Tim Head

Rhetoric of Reason

issue-6-p72-74.pdf

“Public Address”,Dec. 4-May 18, consisted of 8 billboards as part of a n A Space project that “explored the possibilities of public art”. In this review the author questions the ambiguity that arises from the billboards. Artists: David Buchan, Iian Robertson, Cathy Daley, Ed Lam, Les Levine, Martha Rosler, Marc de Guerre, Paulette Phillips.

Public Address/Modern Art:  A  Misrepresentation

issue-6-p76-78.pdf

Favorable review of Sharon Cook’s show “Light Vehicules” at Garnet Press, Toronto, April6-27\. Artists: Sharon Cook, Claude Levi-Strauss,

Sharon Cook: The Savage Zone

issue-6-p80-82.pdf

Positive review of a show at N(on) Commercial Gallery, Vancouver, March 26-April 6\. Artists: Lorna Brown,

Lorna Brown

issue-6-p82-84.pdf

Mixed review of Sybil Goldstein’s show at Garnet Press, Toronto, February 23-March 30 entitled “Mythopolis”, consisted of paintings. Artists: Sybil Goldstein

Mythic Exchanges: Sybil Goldstein's "Mythopolis" 

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Issue 6

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