A letter to the editor from Leah Modigliani in response to Adam Lauder’s article Sensitivity Information: The Wild Body of N.E. Thing Co. in C Magazine’s Issue 118. The letter discusses the tendency to diminish or neglect the contributions of Ingrid Baxter to N.E. Thing Co. in writings on the collective and which Modigliani sees perpetuated in Lauder’s article.

The article reviews the book The Last Art College: Nova Scotia College of Art and Design, 1968-1978 by Garry Neill Kennedy.

In this article, the author reflects on the Maplewood Mudflats squatter's colony in North Vancouver, British Columbia. Particular focus is given to the burning of the artists' colony in December 1971. Several of the artists that resided there profiled including Tom Burrows and Malcolm Lowry. The 2010 installation “from shangri-la to shangri-la,” by Ken Lum, which focused on the 1971 events is also noted.

An essay is presented on a conference at the University of Toronto, Ontario in November 2010 held in conjunction with the exhibition “Traffic, Conceptualism in Canada,” which was dedicated to unpacking the history of Canadian conceptual art.

The article reviews the photography exhibition titled “Overlapping,” by artist Carlos Garaicoa at the Irish Museum of Modern Art in Dublin, Ireland.

The article offers information on the Center for Tactical Magic (CTM), an academic exercise intended to explore the ideas of “Power” on individual, community, national and transnational levels. It discusses how CTM projects engage social and magic power as a means of cultural transformation. It states that the CTM, which is interested in diverse expressions of cultural activity, prefers tactics to techniques, as tactics are adaptable to different contexts for attaining strategic goals.

The article reviews the untitled exhibition of Colette Whiten at Susan Hobbs Gallery Inc. in Toronto, Ontario.

The article reviews an exhibition of Annie Pootoogook's drawings of contemporary Inuit life at the National Museum of the American Indian in New York City.

The article reviews the exhibition “The Hugo Boss Prize 2008: Emily Jacir” at The Guggenheim Museum in New York.

The article reviews the exhibition of Nathalie Djurberg in Zach Feuer Gallery in New York.

The article evaluates the exhibition, which is part of the Democracy in America: The National Campaign project organized by Creative Time, featuring the works of artists such as Chris Sollars, Luca Frei, Pia Lindman, Carlos Motta, Duke Riley, Mark Tribe, and Allison Smith.

The article reviews the exhibition “Take Your Time,” featuring the sculptures and installations by Olafur Eliasson, presented at the Museum of Modern Art and PSI Contemporary Art Center in New York.

The article reviews the exhibition of the 74th Whitney Biennial at Whitney Museum of American Art in New York. Artists discussed include Rachel Harrison, Mitzi Pederson, Julia Meltzer and David Thorne, Ellen Harvey, and Mungo Thomson.