Issue 118
Issue Contents
Editorial
- Amish Morrell
Editorial: Criticism — Read Text
Features
- Adam Lauder
"Sensitivity Information": The Wild Body of N.E. Thing Co. — Abstract
- Ben Davis
Surviving the Crisis — Abstract
- Charmaine Wheatley
The painting is better — Abstract
- Stephen Horne
On The Doing(s) of Art Criticism — Read Text
- Charlene Lau
Resist the List: A Problem of Politics in the Evaluation of Contemporary Art — Read Text
- Peta Rake
Private Acts: Note-taking in the Margins of Art Criticism — Abstract
Interviews
- Sky Goodden
Interview with Dave Hickey — Abstract
Artist Project
- Dave Dyment
Old Man Deciphering a Briefcase — Abstract
Columns
- Amy Gaizauskas
Noteworthy — Abstract
Reviews
- Rose Bouthillier
Julia Dault — Abstract
- Heather White
Jimmy Limit: Show Room — Abstract
- Shannon Anderson
Volume: Hear Here — Abstract
- Kyla Brown
Peter Dykhuis: Inventories & Micro-mapping — Abstract
- Vanessa Parent
Rebecca Belmore, Ken Gonzales-Day, Francisco-Fernando Granados, and Louis Noguchi: Invisible Violence — Abstract
- Gloria Hickey
Philippa Jones: MIRIAD — Abstract
- Jane Affleck
Position As Desired / Exploring African Canadian Identity: Photographs from the Wedge Collection — Abstract
- Daniella Sanader
Manuela Lalic: Activisme timide — Abstract
- Jill Glessing
This Will Have Been: Art, Love & Politics in the 1980s — Abstract
- Jen Hutton
Jordan Wolfson: Raspberry Poser — Abstract
- Michael Davidge
Robert Tombs: L'Occupation — Abstract
- Leah Modigliani
The Last Art College: Nova Scotia College of Art and Design, 1968-1978, by Garry Neill Kennedy — Abstract
- Felicity Taylor
West of Center: Art and the Counterculture Experiment in America, 1965-1977, Edited by Elissa Auther and Adam Lerner — Abstract
- Amber Landgraff
Work Work Work: A Reader on Art and Labour, Edited by Cecelia Widenheim, Lisa Rosendahl, Michele Masucci, Annika Enqvist and Jonatan Habib Angqvist — Abstract
- Issue 118
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7:20:44
- Summer 2013
UP