Issue 123
Issue Contents
Letters
- Allyson Mitchell
Dear Jess Carrol from Allyson Mitchell — Abstract
Editorial
- Amish Morrell
Editorial: Wet — Read Text
Features
- Jen Hutton
Ed Ruscha The Liquid Paintings — Abstract - Noa Bronstein
Taking it Slow: Duration and Intimacy in Olivia Boudreau's Le Bain and L'Étuve — Read Text - Amish Morrell
Wet Places — Abstract
Interviews
- Christie Pearson
WET 2014: An Interview with Leonard Koren — Abstract
Artist Project
- RM Vaughan
Women Who Run (off to the side of) the Wolves — Abstract - Dayna McLeod
Cougar Centrefold — Abstract
Columns
- Mieke Chew
On Writing: The Pencil Method: a minor genre — Abstract - Leonard Koren
Primer: WET: The Magazine of Gourmet Bathing — Abstract - Anna Kovler
Inventory: WET — Abstract - Peter Morin
Cold Water: Three Short Stories about Cold Water Baths — Abstract
Reviews
- Rhys Edwards
Glenn Brown/Rebecca Warren: Collected Works — Abstract - Henry Adam Svec
D’Arcy Wilson: Tuck — Abstract - Aryen Hoekstra
Richard Ibghy & Marilou Lemmens: Is there anything left to be done at all? — Read Text - Penelope Smart
The Hypnotic Show: Raimundas Malašauskas and Marcos Lutyens — Abstract - Felicity Tayler
Peter Doig: No Foreign Lands — Abstract - Rose Bouthillier
Sara Cwynar: Flat Death — Abstract - Dan Munn
Chronovisor: Archive (Mirko Smerdel, Rowena Harris, Johann Arens, Cathy Haynes, Verity Birt, Patrick Hough) — Abstract - Yuki Higashino
Moyra Davey: Burn the Diaries — Abstract - cheyanne turions
Acquiring Modernity: Kuwait Pavilion — Abstract - Caroline Langill
Erring on the Mount — Abstract - Cameron Hu
Systems We Have Loved: Conceptual Art, Affect, and the Antihumanist Turn, by Eve Meltzer — Abstract - Heather Saunders
Show Time: The 50 Most Influential Exhibitions of Contemporary Art, by Jens Hoffman — Abstract