Looking at three of Mike Bourscheid’s performances—Goldbird Variations (Pas de deux) (2017), Ledgers (2019), and Idealverein (2020)—Karina Irvine homes in on the artist’s sensitive interrogation (and often subtle ridicule) of constructs of masculinity, heteronormativity, and competition—offering humility, self-effacement, and play as promising antidotes.

Karina Irvine reviews Gabrielle L’Hirondelle Hill’s exhibition Money at Unit 17, Vancouver. (March 30 – May 26, 2019).

Karina Irvine reviews Kapwani Kiwanga’s exhibition “Flowers for Africa” that was on view at Or Gallery in Vancouver from September 9-October 14, 2017.

Karine Irvine reviews Krista Buecking’s exhibition MATTERS OF FACT shown at Susan Hobbs Gallery, Toronto. (Feb 26 – April 4, 2015).

Written by the C New Critics Competition winner Karina Irvine, this article reviews Kara Uzelman exhibition Stratiform at 221A Gallery in Vancouver from March 16 to May 4, 2013.