The article focuses on Baltimore, Maryland-based photographer Nate Larson's representation of conjecture, curiosity and wonder in his photographic works. It describes how his works explore belief in the supernatural image as a proof of the miraculous, as well as skepticism that demystifies such wonders as a trick of photography. It discusses his various works including the “Potato Manifestation,” “Tortilla Manifestation,” and “How I Came to See the Virgin Mary.”