Meech Boakye connects nature’s cycles of ceaseless movement with the fluidity of trans existence in virtual-physical space to think through transness as a “collaborative and memetic process,” a dance at the fringes of legibility.

Meech Boakye and Christina Kingsbury discuss how their shared work around the former landfill on the Eramosa River in Guelph led them to interrogate the perceived binary between native and so-called invasive species.