The article focuses on art criticism and the way in which people respond and reflect on published criticism. The article discusses a publication and exhibition by the class of 2011 Masters in Curating Contemporary Art program at the Royal College of Art in London, England which consisted of annotated texts, work by the collective BANK, Simon A. Bedwell, Amelia Thompson and John Russell, which “corrected” art gallery press releases and the relationship between the critic and the criticized.